Force is a contemporary sans serif ultra-black family designed by Ricardo Esteves. There are 4 font styles: Force Regular, with a upright roman structure; Force Italic, with more cursive lowercase forms; Force Shadow, that can be used alone or as a second layer to Force Regular; and Force Dingbats, containing some pictograms. Each font file has some OpenType features: discretionary ligatures, fractions, subscript and superscript. The Force family is suitable for big-size high impact situations like posters, headlines, titles, magazines, packaging and many others you may creatively think of.

Decize font is a classic “Didona”, characterized by extreme contrast in thick strokes and thin strokes, by the use of very short serifs, and by the vertical stress of the letters. This version, designed by Carine de Wandeleer, is slightly condensed and is also enriched by a full set of OpenType features of tails, ligatures, alternates and swashes. Decize Italica is a true "italic" This font was designed and carefully drawn to combine with Decize Regular, it has 652 glyphs and the same OpenType features than the regular version.

Meet Very Frank, a font that won’t feed you any lines or tell you any lies. Straight and tall and lacking in all but the subtlest softening details (look at the leg on that uppercase K, though…). Very Frank is a condensed sans serif display font (in regular and italic) with tall, straightforward lines and subtle curves to soften things up. It includes a ton of standard and discretionary ligatures and two stylistic sets to spice things up and add some fun. It's perfect for headlines, editorial design, monograms, branding, logos, poster design, and more. Very Frank includes approximately 540 glyphs and more than 75 standard and discretionary ligatures. Additional OpenType features include character variants, stylistic sets, and multilingual support (including multiple currency symbols). The OpenType features can be very easily accessed by using OpenType-savvy programs such as Adobe Illustrator and Adobe InDesign. (To access these awesome features in Microsoft Word, you'll need to get comfortable with the advanced tab of Word's font menu.)

Kaglia is a font duo package contain a hand drawn bold script and sans serif which looks great to be paired especially for vintage and adventure theme! This font duo is purposely made for headline, display or logotype, and signature which need a standout appearing. This font is also suitable to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Kaglia Script Regular and Rough Kaglia Sans Regular and Rough uppercase & lowercase numbers and punctuation multilingual alternates & ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

Alessyia is a classic style typeface font. This font has classic but at the same time a fresh look. "Alessia family" includes 3 font types: Regular ( Classic and elegant with straight geometric lines ) Grunge ( Dirty and messy ) Retro ( Hand drawn brush font with an uneven texture )

The cover of the 1908 sheet music for "When the Meadow-Larks Are Calling, Annie Laurie" has the title hand lettered in a semi-formal Art Nouveau Roman type design with gentle spurs. This is now available as Meadowlark JNL in both regular and oblique versions.

PeterPierre is a stiff, awkward sans serif face. It has little variation in stroke width and the vertical and horizontal elements are connected with short, sharp curves. The condensed style was developed first and then, in a quest for legibility, it was widened into the regular style.

Bushy family is a clean and lining brush scripts. It is available with four different styles: Regular, Italic (Oblique), Shadow, Shadow Italic (Oblique). Bushy fonts are swashy and decorative, fun and cheerful, it will easily revive your design. The family has an Latin Supplement and Cyrilic characters.

A 1942 menu cover for the restaurant at the Biltmore Hotel in Los Angeles features its name in a stylized Art Deco serif design. This is has been turned into the digital typeface Bill of Fare JNL, and is available in both regular and oblique versions.

In 1935, Morris Fuller Benton designed Phenix American for American Type Founders. For 2017, the classic Art Deco design has been reinterpreted in an all-caps display version with an ever-so-slight "hand made" feel. Industrial Arts JNL is available in both regular and oblique versions.

Moneta is an elegant transitional serif with high contrast. Its morphology is based on the study of traditional broad-edge pen script. It comes in 4 different weights (Light, Regular, Bold and Black) and has variable features. Designed by Santi Rey and launched on January 2020.

Mister Twiggs is a comtemporary modern sans created by the American type designer Alex Kaczun. There are absolutely no curves in this elegant typeface. It has sharp corners with extra tall capitals and a narrow waistline. Mister Twiggs comes in 3 flavors: regular, thin and heavy.

In the 1960 edition of Sam Welo’s “Studio Handbook – Letter and Design for Artists and Advertisers” is a stylized, condensed slab serif alphabet he referred to as “Poster Slab”. This has been digitally redrawn as Poster Moderne JNL, and is available in both regular and oblique versions.

Vanillate is a unique monoline script typeface with two styles of monoline. This font is comes in uppercase, lowercase, punctuation, symbols, numerals, stylistic set alternate, and ligatures. This consist of 4 fonts: Vanillate Regular that is the regular version of this font. Vanillate Alt is the regular version with an overlapping effect. Vanillate Rounded is the regular version with rounded edge. Vanillate Rounded Alt is the rounded version with an overlapping effect on it.

Antika is a beautiful modern script font featuring flowing letters. It will add a romantic touch to any crafting project!

This collection of decorative initials culled from specimen books of the late 1800s will add nostalgic charm to any project.

Desttina is a beautiful handwritten font with an amazing feel. It will add a smart charm to any design project!

Manofik is a classic serif typeface. It has round and relaxed retro forms, a comfortable thickness and a stable base. A traditional legible font, the Manofik family sets the authenticity to any project. It could be used for a hamburger logo, a product headline, or a body text that requires that extra bit of personality. This expressive type is provided in four styles: Manofik Regular, Manofik Bold, Manofik Italic and Manofik Bold Italic The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has a very extensive lingual support, covering Arabic, Cyrillic, Capital Greek and all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Facttoria Script is a bold logotype font. Drawn and created by Toni Studio and Mans Greback in 2022, this calligraphic lettering has a thick character and a strong personality. The Facttoria Script typeface comes in Regular and Italic, and is perfect for a vintage logo or classic headline. Use # after any word to make a tail. Example: Signature# Use _ anywhere in a word to make a swash. Example: Love_letter Use multiple underscores to make different swashes. Example: Hand_____writer The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Cicada is an elegant and modern sans-serif font family. It includes upright and Italic style, each of them has five weights from Extra light to bold. This is a multi-purpose font that is perfect for any project, it is contrasted, modern and easy to read. With it, you can create logos, use in advertising, packaging, book covers and magazines, headings, descriptions and much more. Also use Italic style to add dynamics to your project. This font is easy to use has OpenType features.

Edessa JNL is a Greek-styled alphabet found in an old book used by sign painters. Its simple, angular lines and clean approach add a taste of the past to your work.

Introducing Patihan Variable, a variant that makes it easy for you to access fonts with sharp, strong, bold characters. Patihan Variable is a combination of three different styles – Sans, Slab, and Serif – which are united into 2 Axes weight axes and serif axes, where weight axes have instances: Thin, Extra Light, Light, Regular, Medium, Semibold, Bold , Extrabold, and Black. This font has beautiful Ligature and Stylistic Alternate settings, Patihan font is also equipped with the Smallcaps feature which gives more control over typography, allowing you to create elegant and unique typography. The sans version of this typeface is versatile and easy to read, with a minimalist but impactful aesthetic. The Slab version is characterized by its solid and powerful strokes, while the Serif style has that extra classic flair with elegant curves and a stark contrast to the look. Patihan Variable is optimized to make it easier to access each variation, all you have to do is slide the slide in the software, and then you can access the style you want. Without sacrificing easy readability, this makes it a great choice for headlines, titles, and any long-form content. Ligature settings and discretionary styling add an extra layer of sophistication, making this font a great choice for magazines, branding and advertising. Overall, this font is a great choice for those looking to make a lasting impression. Its versatility, readability and unique features make it an excellent choice for any project.

Introducing, Jacky Chan - Brush Font Jacky Chan font preserves all the high definition detail of the original handwritten letters. This font it truly looks realistic. Take your design to the up level with a hyper-realistic font that truly looks hand painted. Jacky Chan uses feature Bitmap Trace in Inkscape that makes way for more authentic looking fonts and is sure to grab the attention of customers and designers alike. Jacky Chan installs like any other font, and can be used in any color, on any background. What's Included? :: Uppercase & Lowercase (Regular and Italic Version) :: Numbers & Punctuation : Swashes Ligature :: Multilingual Support Enjoy our font, thank you.

Thank you for waiting. Finally, Bebas Neue has got lowercases! Bebas Neue is a world wide, the most popular font family with all caps released in 2010. Bebas Neue has been used from by big companies to by startup designers for many projects. In spite of the fact that Bebas Neue has only Uppercases, it became very popular font for these 10 years. At the same time, we received many requests for adding lowercases. To be honest, we had been developing whole new Bebas Neue with lowercases secretly for long time. Thinner Uppercase from thin to regular weights were redesigned for Pro. New lowercases were designed to match the Uppercases very carefully. You can access Tabular figures by using OpenType tnum features. Almost all European languages are supported by Pro. One more big thing is... Bebas Neue Pro has Italics! Please don't use sloped Bebas Neue. Pro has proper Italics! Bebas Neue “Pro” can extend your possibilities. Be the first to use this professional and premium Bebas Neue!

In the early 1980s, at the start of my career, I had the opportunity to work in a print shop with classic lead setting. In those days I would study issues of U&lc magazine from ITC. What really caught my attention were scripts in the Spencerian style. I’ve been fascinated by this American penmanship tradition ever since. A few years ago I developed a font. Boris Bencic used it when he was redesigning L’Officiel magazine in Paris. I took these initial forms and developed them into the font Mommie when I started my own foundry. Although I usually design text typefaces, working on Mommie taught me how complex it can be to create a script headline font. The biggest challenge in this process has been to keep it alive and fresh. The Regular weight is only made for very big headlines. The thin lines with the bold drops are very elegant. For smaller sizes use the Medium and Small weight. It won the TDC 2008 award and was Judges Choice of Christian Schwartz.