With 662 glyphs, Anemos font is the perfect mix of elegant and casual. The Open Type features include a full international character compliment, standard and contextual alternates, swatches, stylistic sets, initial forms, standard and discretionary ligatures (capital letters have at least six different forms and the lower case letters ten). All this makes the text lively and bouncy, without the monotony of obviously repeated letterforms. In addition, we have included some ornaments designed to support the font, some were specially designed to be combined with the letters for a "more calligraphic" effect (access to them through the glyphs palette). Anemos can be the option used to create titles, logos and posters for brand and packaging purposes, invitations, greeting cards, magazines and book covers, children's material, fashion, and where you want it.

Aderos is a refined and professional slab serif font family that offers a fresh take on the modern and bold aesthetic of its predecessor, Adero. This font family introduces a range of styles that provide versatility and visual impact. With its four width variations – Normal, Extended, Wide, and Stretch – Aderos delivers an exciting array of extreme wide letterforms that command attention. Designed with precision and attention to detail, Aderos is particularly well-suited for branding projects, where it can lend a distinctive and authoritative presence. Its strong and bold letterforms make it an excellent choice for titles and headings that demand impact and legibility. The spacious layout of Aderos further enhances its professional appeal, allowing for clear and organized content presentation. Whether used in print or digital applications, Aderos brings a sense of sophistication and professionalism to a variety of design projects. Its versatility and range of styles make it a valuable asset for designers seeking to create visually compelling and memorable visuals. With Aderos, you can elevate your designs with its refined slab serif style and confidently communicate your message to your audience.

A Festive look creates that happy feeling!

Ray Brooks is an expressive modern signature script font. With light high contrast stroke, fun character. To give you an extra creative work. Ray Brooks font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Ray Brooks font. Cheers, Maulana Creative

a family with decorative variations of Gras Vibert, a bodonian typeface

Converon is a decorative cubical display font. With bold sharp edges stroke, fun character with a bit of ligatures. To give you an extra creative work. Converon font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Converon font. Cheers, MaulanaCreative

A collection of 174 ray sunray and corner ray designs.

The Ray Johnson font was inspired by the Father of Mail Art. It's based on the block lettering style used by Ray to add the names of his correspondents to their bunny head portraits (the film How to Draw a Bunny is a superb introduction). The font includes blank bunny heads and other Ray Johnson graphics as scalable vector images, and separate bitmap images are also provided as jpegs and gifs.

Moon Rays is a bold and playful display font, suitable for all children's designs, product packaging, stationary art, apparel designs, and more fun and creative ideas! So what's included: Basic Latin A-Z & a-z. Numbers, symbols, and punctuations Multilingual Support. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß Thank You.

ManRay is a photogenic typefamily of 6 fonts designed by @andinistas, with more than 2600 glyphs distributed in 3 Scripts and 3 Caps. Its shapes are ideal for attention-grabbing and for its eloquent character set, each style is presented with three levels of erosion planned with meticulous dotted texture bézier drawing, diagonal texture, and vertical texture pattern. ManRay Script, Script2, Script3 is based on calligraphy made with a fine tip brush and therefore communicates pleasant and attractive ideas. Its capital letters measure three times the height of the lower case and stand out for its artistic curved lines ideal for writing on photos, logos, labels, packaging, posters, covers of food products, spirits, organic teas, etc. In that order, it also offers other expressive alternate letters that activate spontaneously, and each of the three styles is case-infinite with and without Swash, Stylistic, and Titling Alternates. ManRay Caps, Caps2, Caps3 are inspired by calligraphic Roman letters drawn with a brush with a square tip and are equipped with descending flourishes for word start and end. The core of ManRay mixes the ideas of Ed Benguiat and Ross F. George and its name is a tribute to the Dada hero who changed history a century ago by working against the conventions of art and photography.

A typeface to be reckoned with. It's sharp lines and unruly angles are perfect for concert posters, blackmail, and wedding invitations. Keep punk alive and support your local electro goth band by using Death Ray. Available in only uppercase because all messages that merit Death Ray's use must command that sort of attention. And who said type shouldn't be expressive.

The 1928 logotype for Sertal Toiletries consisted of a stylized woman's head, a very snaky S, and five fine, fat deco caps spelling out the rest of the brand name. From these five clues, designer Nick Curtis divined the rules" of the typeface and drew a complete alphabet, including a lower case. The result: ITC Scram Gravy. The finished product could be described as Bodoni on steroids. Tight curls in characters like the 'm,' 'r' and 'y' soften the lower case and give the design a light-hearted flavor. ITC Scram Gravy takes its name from one of many running gags in the screwball comic strip "Smokey Stover," which had folks alternately splitting their sides and scratching their heads from 1935 to 1973. Those familiar with Bill Holman's strip will recall Smokey's car, the Foomobile, and one of his famous nonsense declarations: "No foo-ling, that scram gravy ain't wavy.""

Biscuits and Gravy is hand painted sign style font.

George Bruce's New York foundry had a remarkable number of decorative types, most of which were lost or destroyed when the firm was taken over by the American Type Founders Co. and closed down in 1906. Bruce catalogs are prized among collectors.