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  1. Phat Chance by Scholtz Fonts, $21.00
    Phat Chance is a funky, in-your-face font that has strong overtones of modern rap and hip-hop culture. Its broad, fluid line evokes the beat of modern music, the rhythm of contemporary dance, and the power of videogame computer graphics. It is essential for marketing companies targeting: ⁃ the music scene: CD covers, posters, music videos, presentations ⁃ the movie scene: posters, ads, promotion material, copy, movie titles ⁃ the theatre scene: posters, programs, ads, promotions ⁃ the fashion scene: hangtags, posters, brochures, signage, ads ⁃ the fast food market: packaging, promotions, menus, signage ⁃ general packaging ⁃ general advertising
  2. Freebooter Italic - Unknown license
  3. Fortunaschwein - Unknown license
  4. Richmond Hill by BA Graphics, $45.00
    A great look for formal announcements, business, high-end ads and many other applications.
  5. Mobie FA by Fontarte, $39.00
    FA Mobie is a contemporary decorative fat face. For use on posters, leaflets, ads.
  6. Janda Quirkygirl by Kimberly Geswein, $5.00
    Curly dotted and serifed alphabet perfect for adding a touch of quirk or whimsy.
  7. Lady Ice Revisited - Unknown license
  8. Starbat - Unknown license
  9. Ogilvie Cyr - Unknown license
  10. Gibberish - Unknown license
  11. Alex by BA Graphics, $45.00
    A child's handwriting font; great for kid books, kids ads, and many other fun ideas.
  12. Snaggle by BA Graphics, $45.00
    A unique serif face with a happy look; great for kids books or fun ads.
  13. Featherpen by Jonahfonts, $29.00
    An expressive chisel script much like yesteryears— modernized to today's standards. With added end-glyphs.
  14. Resalaty Arabic by NamelaType, $19.00
    This is Resalaty added Arabic features with a pen handwriting style, for more fun text
  15. Angleterre Book - Unknown license
  16. Lady Ice - Unknown license
  17. Get Burnt - Unknown license
  18. Komikazba - Unknown license
  19. Lady Ice Revisited Upper - Unknown license
  20. Yellow Swamp - Unknown license
  21. Quropa Hollow - Unknown license
  22. Jasper by Monotype, $40.99
    Jasper is a script face drawn with a broad nib suitable for a handwriting impression.
  23. Movie Drama JNL by Jeff Levine, $29.00
    The Nov. 26, 1921 issue of “The Moving Picture World” carried an ad for the dramatic film “For Your Daughter’s Sake” (originally tilted “The Common Sin” and produced in 1920). Hand lettered in an Art Nouveau sans serif style, the ad copy inspired Movie Drama JNL, which is available in both regular and oblique versions.
  24. Anachak by Jipatype, $25.00
    Anachak font, Is a square structure. It emphasizes the sharpness of the serif, giving it a strong and formidable feeling. Suitable for headlines for various publications such as Packaging, Print Ad, Etc. Available in 18 styles. - ฟอนต์ อาณาจักร โครงสร้างเหลียมมีเชิง ขับเน้นความคมแหลมคมตรงช่วงจบเส้น และฐานเชิง ให้ความรู้สึกหนักแน่น น่าเกรงขาม ยิ่งใหญ่ และดุร้าย เหมาะสำหรับการพาดหัวสำหรับสิ่งพิมพ์ต่างๆ เช่น Packaging, Print Ad, Etc มีให้ถึง 18 สไตล์ เลือกใช้ได้ตามความเหมาะสม
  25. Futurex Bitmax - Unknown license
  26. Aros by Jonahfonts, $40.00
    Usage recommendations: Captions, fliers, packaging, cards, posters, ads, book jackets, manuals, menus, bulletins, magazines, greetings, announcements.
  27. Printers Stock Cuts JNL by Jeff Levine, $29.00
    Still more vintage letterpress cartoons, cuts, dingbats, ad enhancers and embellishments comprise Printers Stock Cuts JNL.
  28. Juke Box by Jonahfonts, $35.00
    Usage recommendations: Captions, fliers, packaging, cards, posters, ads, book jackets, manuals, menus, bulletins, magazines, greetings, announcements.
  29. Adelaida by Resistenza, $39.00
    Thin like a pencil, Adelaida is versatile legible. We recommend it for postcards, ads, gift cards...
  30. Pinot Noir by Jonahfonts, $40.00
    Usage recommendations: Captions, fliers, packaging, cards, posters, ads, book jackets, manuals, menus, bulletins, magazines, greetings, announcements.
  31. Baka Expert by Positype, $25.00
    Why Baka Expert? There’s actually a simple answer. The original Baka was done as an experiment of sorts. I wanted to quickly capture a rough, frenetic handwriting style that broke normal conventions. Commercially, it was successful, received some accolades ... but I wasn’t completely satisfied, so I went back to the master art and the lettering explorations and produced Baka Too. This addressed some of the line items I wanted to refine in Baka. I liked it. Each font has been out for a few years now, and I have seen them in use. I’m very critical of my work, and I could still see things—modulations of strokes, angle of the nib, ink swell, and so on—that I wanted to change, refine, and reorder. For me, it is typographic indulgence, but I wanted to take this handwriting ‘font’ and turn it into a robust ‘typeface.’ So I did just that and a bit more by adding back more of my initial flourish concepts; attaining tighter, consistent control of the modulation; optimizing points; adding titling options; and expanding the character language set. Baka and Baka Too had to exist to produce this entirely new re-envisioning of an old friend ... and they all play well together :)
  32. Brassiere Line - Unknown license
  33. Halter Pinchy - Unknown license
  34. Spazzz Caps - Unknown license
  35. Enter Sansman - Unknown license
  36. Eddie - Unknown license
  37. Whackadoo - Unknown license
  38. WhallyWhilly - Unknown license
  39. Devroye - Unknown license
  40. GhoulyBooly - Unknown license
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