Foliart is thin line uppercase font with floral motives. The typeface includes Decorative and Symbol styles. To get an elegant and unique design, combine letters with symbols. Foliart is suitable for feminine business branding, eco-friendly and minimalistic art, social media design. The font works great for craft products branding and packaging (organic cosmetics and food, jewelry, floristics, handmade soap ect.) Also use individual letters and symbols to create logos and monograms. Foliart combines well with modern graphics: abstract shapes and line art.

Merchons is a fancy line style Display sans serif font. With two line soft stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Merchons font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Merchons font. Cheers, Maulana Creative

Follow us to the future. It is in your face. It is fashionable. It is friendly. It is fly, far-out, funkadelic, fun. But first of all, the future is fast and full. Named after the most famous Canadian rock group of all, Rush is a typeface that wants your full attention. It is square like a bodybuilder's jaw, round like a football player's muscles, and tight like an abdomen after a thousand sit-ups. It gives you plenty of attitude. It commands your respect and lets you know that if you've been thinking of giving up on macho in this brave new world, think again. It tells you that everything has an underlying engine, that every engine hums clockwise, that adrenaline is the name of the game, and if you don't like it, get your sensitive self back to your silly scripts. Rush comes in two fully interchangeable variations: Rush One and Rush Two. While Rush Two is the somewhat predictable, determined pedal-to-the-metal contemporary brute, Rush One is sharper, smarter and more sophisticated in the way it affects a design. While Rush Two's message is a straight-forward one of strength and speed belonging in an overall design, Rush One calls attention to itself first then turns on the wonder about everything surrounding it. Expertly mixing shapes from both fonts in the same word or line can achieve just that perfect form a design needs for its message. Such flexibility and distinction in character design and degree of message relay makes Rush the perfect font package for any design that has anything to do with speed, strength, and proud pursuit of adrenaline.

Introducing HUMBLE BOYS - a playful font - It's great for branding, packaging, logo, quotes, and another project that needs a cheerful feel. It came with 3 styles Regular, Solid, and Accent Humble Boys Solid and Humble Boys Accent is a perfect combination. It is multilingual support This font is very easy to use...even for a beginner. Regards, Abo Daniel Studio

Kashima is brush font with Japanese style that made using the real brush pen. It looks very natural. This font is great for apparel, branding, logo, magazine, quotes, packaging, advertising, and more, that need a styling of a Japanese brush feel. Kashima is all capital font and includes punctuation, symbols, and numerals. It also has multilingual support. Thank you abo daniel

The Saihat font is inspired by Arabic or Middle Eastern style calligraphy. This font is made with Latin characters so that it can be read internationally which does not have to be able to read Arabic characters. This font is perfect for Middle Eastern or Muslim designs. In addition, the Saihat font can also be used for other decorative design concepts.

Introducing CHESTER NETWORK The Comic Typeface This font is great for apparel, branding, logo, magazine, quotes, packaging, advertising, and more, that need comic feel. It is Uppercase Font. Came with punctuations, symbols & numerals. Also support multilingual and already PUA encoded. Hope you love it. and don't hesitate to follow our store to get the best product updates. Thank You Regards, Abo Daniel

Brushlie is urban font family that made with real brush and is ideal for logos, apparel, quotes, product packaging, or anything which needs a font with a natural brush taste. There are available 2 version - Brush - Solid and the swash make it compete Even though Brushlie is an uppercase font, the lowercase characters will give alternate for uppercase characters. Thank You Abo Daniel

introducing CUTENESS PERSIMMON -unique bouncy script- it is great for branding, packaging, quotes, wedding card, logo, signature, tote bag design, card, banner, and anything craft project. I created some doodles to make this font perfect. you can add underscore twice after a to k. Features: - Uppercase - Lowercase - Numeral - Multilingual - doodles - PUA encoded I hope you love it. regards, Abo Daniel Studio

Introducing, Absolutely Vintage Font! As the name implies, Absolutely Vintage brings a retro and nostalgic feel. This font is made to mimic the typing of a typewriter. With a simple and organic impression, this font is able to create a warm and friendly feel. Absolutely Vintage also brings alternates to each letter to give it a unique feel for display purposes.

The 1905 Barnhart Brothers & Spindler catalog featured an ultrawide face called "French Antique Extended". The letterforms have been faithfully rendered here, but this font’s kerning calls for a lot of overlapping and interlocking that the original cast-metal face wouldn't have been able to duplicate. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Sirba, a serif typeface family with a friendly personality, was conceived especially for the demands in complex text environments like dictionaries, academic texts, annual reports, novels and magazines. It has many design features that were particularly designed with Sirba’s purpose in mind. Because of its open counters, the large x-height and its short ascenders and descenders, this typeface conveys a pleasant reading experience and high legibility even in small sizes. Sirba is a low-contrast typeface, contemporary but with a classical touch, revealing its beauty in design details, such as the asymmetrical bottom serifs, curved bracketing and calligraphically reminiscent terminals. Furthermore, the capitals appear integrated into the text, thanks to the low cap height, and the constant width of all tabular numbers between the weights make this typeface very usable in annual reports and tables. Sirba is available in the four classic styles plus a special heavy (Black) version, which is particular in that its proportions are designed so the counters remain big enough when set in very small text sizes. This means that Sirba Black’s spacing and letter width are rather generous in comparison to other typefaces of that colour. This ensures excellent legibility. During the design of the typeface family, much attention was given to the italic and regular as counterparts of each other. The italic distinguishes itself just enough while reading without creating strange spots within the text when looking at the text as a whole.

Almondita feels equally charming and elegant. This stunning handwritten font is a stylish homage to classic calligraphy. It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates.

Monbloc is a typeface inspired by geometry and lines. It intends to be a practical font wich gives the designer the freedom to incorporate it in his wildest designs.

An inline version of the Latin bold condensed, and designed on the suggestion of Robert Harling. There is a double white line, which was originally engraved in Latin type.

A cursive font with a curvilinear feel, named for the Scottish stream immortalized by the poet Robert Burns. Useful for menus, certificates, display lines, short paragraphs or poetry setting.

Absinthe explores forms based on a truncated ellipse and eschews straight lines to give an entirely modern take on some of the forms more closely associated with Art Nouveau.

A round was added to a neat straight line to express a soft sensibility. It is a neat and flexible font using a clean and stable type of module.

A design on classical lines with subtle but effective calligraphic touches, by Arthur Baker for VGC. The Bold version is used for the Coke logo all over the world.

We took a distressed-looking Victorian type called Cabinet and redesigned it with clean lines to make it more suitable for today's decorative work. Quite readable in all sizes.

Rock Wood is a fresh version of old western wood type. With its strong and sinuous lines it has a taste of vintage and modern at the same time.

Tokyotrail is inspired by the capital of Japan. Over 2,000 square kilometers to explore. Lines run vertically horizontal and aslant. Square and geometric form attracts notice in various scenes.

Claxon is reminiscent of the types from the 1920s Bauhaus movement. Designed with very short ascenders and descenders for tighter line spacing. Effective for short headlines and general use.

Kemuning font is a traditional handwriting style font with thin and beautiful lines, this font is a reflection of naturalism, and the beauty that exists in the surrounding environment.

Modernist is a square font with very clean lines that is currently available in 4 weights. Works well in a number of sizes to create a stylish, modern look.

Continue your branding with the ever popular Viva Beautiful font. A new hand-painted brush script collection by Cultivated Mind. Viva Beautiful is back with nine new fonts that include six scripts, a caps font, free words font, free extras and plenty of alternates/ligatures. There are five sets of alternates for every letter adding to the uniqueness of your designs. The new Viva Beautiful scripts are a much cleaner brush script than the original. All scripts come in pro and regular versions. Both versions are Latin Pro. Pro scripts include 260 alternates and 8 common ligatures. Ligatures are programmed to pop up when specific letter pairs are typed. Try the alternates and ligatures together to give your designs a realistic hand-painted look. The all caps font is a basic version that includes 5 common ligatures and looks great paired with the scripts. Regular versions include Latin Pro characters but do not include alternates and ligatures. Viva Beautiful Collection works best for beauty products, music branding, film, television, cookbooks, book covers, food marketing, magazines, and websites. Check out Cultivated Mind Type on Instagram for fun Viva design ideas. Bring beauty to your designs with Viva Beautiful! Fonts designed by Cindy Kinash. Poster designs by Corinne Alexandra.

A revival of one of the popular wooden type fonts of the 19th century, suitable for text or display, narrow, short descenders, diamond shaped ornamental points at median.

Inspired by painted letters of Otto Heim, "Tombola" reflects in a charming way the feelings of the Roaring Twenties, especially in advertisement and in the creation of posters.

Peppercorn seems to have been thickly painted on a rough surface. Comes in regular and a spattered Black version. Based on the font Hubbub, which compliments it well.

Remnant Sorts JNL is an assortment of twenty-six various images. Pointing hands, price tags, vintage stencil designs and other miscellany comprise the choices gathered in this font.

This happy font family derives its geometric shapes from old Hebrew typefaces with added a modern twist. Suitable for any point size with a variety of 4 weights.

Hermann Zapf’s Melior exhibits a robust character through classic and objective forms. Versatile and extremely legible, it can be used for a variety of texts and point sizes.

Generous is painted with a somewhat dry brush. That's why it looks so authentic! Comes with contextual alternates (7 different versions of each letter!) and multiple language support!