Günter Gerhard Lange designed El Greco for Berthold in 1964. This script dresses up informal documents and adds lightness to formal documents.

Print Shop Stencil JNL was created from the few letters spotted on the packaging of a 1960s-era toy printing press set.

Pentangle is a complete font freely based on the eight characters used for the title of the 1967 folk/jazz/rock album.

Gravur-AR is a digital version of a type designed by Georg Trump and issued as Trump-Gravur by Weber in 1960.

Ornaments 2 contains designs for the Fanfare Press by Berthold Wolpe, 1939; and for the Kynoch Press by Tirzah Garwood, c. 1927.

Developed at ParaType in 1995 by Alexander Tarbeev, based on Pragmatica, 1989, by Vladimir Yefimov. For use in advertising and display typography.

Neuzeit Grotesk was originally designed by Wilhelm Pischner (1904-1989) and was released by the font foundry D. Stempel in 1928-1939. In 1970, the German Standards Committee advised the standard use of Neuzeit-Grotesk for official signage and traffic directional systems, and the abbreviation DIN was added to the name of the font. DIN" stands for Deutsches Institut für Normung (The German Institute for Industrial Standards). Neuzeit Grotesk was also once the standard in the German printing industry. It has been seen as a straightforward and utilitarian typeface, with no unusual or distracting features. Like other typefaces from the 1920s, it reflects the philosophy of those times, "Form is Function." Today, however, because of its familiarity and practicality, Neuzeit™ Grotesk has acquired an almost cheerful and reassuring aura. Try it out for signage, magazine headlines, or flyers. See also Neuzeit S for text weights of Neuzeit Grotesk.