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  1. The Notice2Std font, designed by the talented Denis A. Serikov, is a typeface that manages to capture attention through its unique blend of classical charm and contemporary flair. At first glance, No...
  2. Trumania EEN is a font that immediately captures the imagination with its playful yet enigmatic aura. Designed in a style that feels both retro and futuristic, it resonates with a unique personality ...
  3. The "Janda Closer To Free" font, designed by Kimberly Geswein, embodies a perfect blend of casual charm and heartfelt emotion, making it stand out in the realm of typography. This font captures the e...
  4. "Smiling Quotes" by Octotype is a delightful and expressive font that encapsulates the essence of positivity and warmth. The very name of the font suggests a design that doesn't just aim to convey wo...
  5. The Ginga> font, created by the talented Billy Argel, is an embodiment of creativity and flair that effortlessly captures attention. Designed with a unique blend of street art influence and elegant c...
  6. The WetPaint font, conceived by Richard William Mueller, is a dynamic and lively typeface that emulates the appearance and energy of hand-painted brush strokes. Its distinctive character is derived f...
  7. The font "Luvya Babe" by GemFonts, a collective pseudonym used by the talented designer Graham Meade, captures the essence of playful affection through its design. Distinct in its appearance, Luvya B...
  8. The HURTMOLD_ font, crafted by the talented Billy Argel, is a distinctive typeface that immediately captures attention due to its unique characteristics and visual appeal. This font is a brilliant ex...
  9. The TPF Senseless Strokes font, crafted by the talented Samuel Marcius, offers an intriguing journey into the realm of abstract and expressive typography. This font stands out due to its distinctive ...
  10. The "Whatever" font by AEnigma is a unique and expressive typeface that embodies a blend of casual flair and creative whimsy. Created by the British font designer Brian Kent, the talent behind AEnigm...
  11. Heavy Rotation is a font that exemplifies boldness and dynamism, making a striking statement in any context it's used. Designed to capture the essence of contemporary bold typefaces, it features thic...
  12. The "Rose Tattoo" font, crafted by Billy Argel, is a striking and ornamental script that embodies a unique blend of elegance and rebellion. This font stands out due to its intricate designs and the s...
  13. As of my last update, the Jabbie Junior font by Fontalicious is a distinctive display typeface characterized by its playful and dynamic design. This font falls within the category of fonts that are c...
  14. "Express" by dibujado, operating under the pseudonym dabnotu, is a distinctive and versatile font that stands out for its unique character and flair. At a glance, the font encapsulates a sense of mov...
  15. The font named "Jean-Claude's Hand" by Philippe Blondel is a handwriting style font that captures the essence of personal, hand-crafted correspondence. This particular font is characterized by its or...
  16. The Quark Outline font, crafted by dustBUSt Fonts, is an embodiment of creativity and modern design that subtly plays with the contours of letterforms to capture the viewer's attention. This distinct...
  17. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  18. "My Nerd" is a distinctive font created by renowned font designers Kevin and Amanda, known for their playful and innovative approach to typography. This font stands out due to its quirky and endearin...
  19. "Donnie" is a font that embodies a playful yet structured character, making it an attractive choice for a wide array of design projects. Its design straddles the line between the whimsical and the me...
  20. Idolwild by PizzaDude is an intriguing and distinct font that immediately catches your eye due to its unique characteristics and playful energy. Created by Jakob Fischer, the Denmark-based designer b...
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  24. "Coming Home" is a handwritten font created by the talented Kimberly Geswein, which beautifully combines the comfort of familiarity with the gentle joy of returning to a beloved place. At first glanc...
  25. Sure, I'd love to help you get to know Fiolex Girls—a font that captures the essence of whimsy and charm at first glance. Imagine dipping your brush into a pot of ink and then dancing it across a bla...
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  29. Banco is an eye-catching display font that instantly grabs attention with its bold and expressive style. Created by the French graphic designer Roger Excoffon for the Fonderie Olive foundry and first...
  30. Major Snafu, conceived by the imaginative mind of Vic Fieger, is a typeface that doesn't merely exist within the realm of digital design but actively jumps off the page, daring the viewer to sit up a...
  31. Arthines, a creation by Hanzel Studio, is a font that perfectly marries elegance with a contemporary vibe, making it a versatile choice for various design needs. Its design is a testament to meticulo...
  32. Sure thing! Castorgate - Messed by Apostorganic Labs is a fascinating and distinctive font that truly stands out with its unique characteristics. It is part of the broader creative work that the Apos...
  33. As of my last update, there is no widely recognized or specific font known as "Can Control" within the standard typographic or design communities. However, the name itself evokes a particular style t...
  34. Moby, a distinctive and architecturally inspired font, beautifully captures the modernist spirit coupled with a playful twist. Its design is not just a mere arrangement of letters but a thoughtful cr...
  35. "Synthetic BRK" is a font that embodies the confluence between technological appeal and a touch of futuristic design, marking it as a unique creation by AEnigma. AEnigma, known for crafting fonts tha...
  36. As of my knowledge cut-off in early 2023, there isn't a widely recognized font specifically named "Chilluns." However, allowing for the playful and laid-back connotation of the name—evocative of "chi...
  37. Plakative Grotesk, designed by Uwe Borchert, stands as a testament to the power of typographic expression in conveying direct and impactful messages through design. As suggested by its name, with "Pl...
  38. The Prayh font, crafted by the talented Niclas Hjelm, is a remarkable testament to the fusion of traditional calligraphic styles with contemporary design sensibilities. This font stands out due to it...
  39. "Peach Sundress" by Teagan White is a font that embodies a sense of delightful whimsy and gentle nostalgia, capturing the essence of sunny days, carefree afternoons, and the soft, welcoming embrace o...
  40. RomanticFont2, as its name suggests, is a font that breathes life into the essence of romance, elegance, and an exquisite touch of delicateness. Crafted with a keen eye for harmonizing the traditiona...
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