Cycladic is a distinct display monospace typeface. The Cycladic name is derived from the Greek kyklos meaning “circular” and reminiscent of writing in ancient Greece with a geometric circular style. Cycladic is great for fashion, events, branding, nautical and suited for luxury work, display, invitations, writing, architecture, posters, logos, titles and headings. Cycladic is designed by Thoma Kikis and is currently available with Latin, Cyrillic and Greek character sets in 4 styles including Regular, Rounded, Rough and Outline.

Voguer Sans is an elegant high-contrast sans-serif font inspired by the fashion glossy magazines typography. It perfectly represents modern and vintage esthetics. The font have 2 weights: regular and bold and includes uppercase and smallcase letters, alternate characters and multilingual support. The font is perfect for wedding elegant invitation cards, beauty and fashion package design, glossy posters. It have supporting for many european languages and perfect cyrillic! Thank you and have a great day!

Qisharon is a contrast sans serif font, consisting of four styles (light, book, regular, bold) and including 5 writing systems such as Latin (supporting all European languages and Turkish), Cyrillic, Greek, Hebrew, and Arabic. It is based on classic calligraphic rules and respects the traditions of every script. There are plenty of ligatures, that will draw attention to your design. Qisharon with it's formal and elegant nature is a perfect fit for logos, visit cards and magazine headings.

When your handwriting is that good... make a font! Now you can "Be Me." Give your text a little attitude with this fun font! This font is great for beauty, fashion, announcements and so much more! With a variety of swashes and fun symbols to create quirky posters. Regular & Bold fonts include: 1821 Glyphs Including Basic Latin, Latin-1 Supplement, Latin Extended-A, Latin Extended-B, Greek and Coptic, Cyrillic, Thai, Miscellaneous Symbols, Hiragana, Katakana, CJK Unified Ideographs, & More.

SK Pupok is a soft decorative typeface with rounded shapes. Its friendly appearance is suitable for many design tasks. The typeface has two styles: regular and outline. This configuration allows you to experiment with typeface compositions and styles. The SK Pupok typeface is multilingual and supports many languages, including the basic and extended Latin, Cyrillic, and many others. It is great for creating any design works and will look great in poster design and even in web design.

Introducing a retro narrow grotesque called "Agitaciya" (Agitation). Bring back to the Soviet Era Agitation inspired by Soviet posters, movie titles and book covers. The letterforms are straight and condensed and come in 2 styles: uppercase and small caps alternatives. It has Extended LATIN and Extended CYRILLIC letters. "Agitaciya"created for titles, poster design, web design, branding and packaging works, illustrations, badges and other typography works. *ST Agitaciya supports 15+ languages: English, German, Spanish, Belarusian, Bosnian, Bulgarian, Croatian, Dutch, Norsk, Dannish, Macedonian, Polish, Russian, Serbian, Slovenian, Swedish, Ukrainian, Kazakh, and probably others )

Teen Years JNL was inspired by the hand lettered name for the Joyce Records label (circa 1956) which first recorded the New York doo-wop group The Crests (of “16 Candles” fame). The type design is a block sans serif, and is available in both regular and oblique versions.

The 1935 sheet music for Shirley Temple's "That's What I Want for Christmas" [from her 20th Century Fox film "Stowaway"] provided the hand lettered sans which became the model for Artistry JNL. A condensed block design with rounded corners, the typeface is available in both regular and oblique versions.

A vintage Canadian-published music book circa the 1940s had the title "Strauss Waltzes" hand lettered in a bold Art Deco sans serif that featured block style letters with rounded corners. This was the working model for Formal Dance JNL, which is available in both regular and oblique versions.

Hakan is an modern display font with an Arabian look. This font particularly for those not native to Arabic languages. Hakan try to bring back the Baghdad and Alladin memories to your design or typography. The font suits creative titling on both web and print, perfect for scroll text. Well balanced letters make for readable blocks of copy or headings.

Palitura is a display typeface designed to translate Cyrillic flavor into the Latin script. Palitura means lacquered book cover in Old Ukrainian. The design of letter shapes is inspired by Early Cyrillic handwritten letters and Ukrainian patterns that are conveyed through the sharpness of form, vertical strokes that are narrower at the bottom, stylized oblique hooks at the top, and triangular accents. Languages: 480+. Scripts: Latin, Greek, Cyrillic. Specimen: michaelrafailyk.com/typeface/specimen/Palitura.pdf The promo images used photo of Tima Miroshnichenko from Pexels.

To design the font Bobbin Cyrillic I was inspired by the You And Me Monthly published by National Magazines Publisher RSW Prasa that appeared from Mai 1960 till December 1973 in Poland. In the Bobbin Cyrillic family, every variety contains 3 alternative characters with automatic replacement.

The British Telegraph font family was inspired by classic headers of Britain newspapers from the middle of XX century. Classic look with three width – Light, Regular and Bold. Great for headers, signs or logos. Also, working well for text blocks. - The British Telegraph Light: Use it for text blocks, or for gently light header typographic. Try to make more wide tracking with capitals, it looks good. - The British Telegraph Regular: Great for simple message, quotes, subheaders (If the header is Bold) or advert slogans. - The British Telegraph Bold: Is a killing title buddy. Massive, strong, bold and in the same time – very gentle. Perfectly for main words, headers, signs or logo's. The British Telegraph has full glyph set with standard and discretionary ligatures (Open Type Features).

Garrigue is a sans-serif typeface, it's inspired by the typography of German rationalism of mid XXth century, the base version is combining this rationalism with more organic elements, while Garrigue Sharp is simpler, ideal for technical applications. The OpenType functions allows near 700 different combinations of ligatures in Capital letters, which gives to text interesting patterns and a lot of dynamism in 100 different languages, including cyrillic. The family contains different stylistic alternates which gives more flexibility to the typeface. The Garrigue family includes 14 weights, seven styles from Thin to Black in Normal and “Sharp” version. Each font includes OpenType Features such as Discretional Ligatures, Proportional Figures, Tabular Figures, Numerators, Superscripts, Denominators, Scientific Inferiors, Subscript, Ordinals, Standard Ligatures, Stylistic Alternates and Fractions. Larsseit family supports Latin and Cyrillic, all these languages are covered: Latin language support: Afrikaans, Albanian, Asturian, Azeri, Basque, Bosnian, Breton, Bulgarian, Catalan, Cornish, Corsican, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Filipino, Finnish, Flemish, French, Frisian, Friulian, Gaelic, Galician, German, Greenlandic, Hungarian, Icelandic, Indonesian, Irish, Italian, Kurdish, Latin, Latvian, Lithuanian, Luxembourgish, Malagasy, Malay, Maltese, Maori, Moldavian, Norwegian, Occitan, Polish, Portuguese, Provençal, Romanian, Romansch, Saami, Samoan, Scots, Scottish, Serbian, Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish, Walloon, Welsh, Wolof Cyrillic language support: Adyghe, Avar, Belarusian, Bulgarian, Buryat, Chechen, Erzya, Ingush, Kabardian, Kalmyk, Karachay-Balkar, Karakalpak, Kazakh, Komi, Kyrgyz, Lak, Macedonian, Moldovan, Mongol, Permyak, Russian, Rusyn, Serbian, Tatar, Tofa, Tuvan, Ukrainian, Uzbek

Linotype Cutter was designed by Georg John in 1997. As the name suggests, the font looks like it was cut out of black cardboard pieces. Each letter has a irregular rectangle black background and they combine to form heavy rows of letter elements. The strong contrasts of the font make it good for short headlines or initials in larger point sizes and combines well with almost any text font. Georg John made a second version of this theme called Linotype Schere (scissors) it is a companion typeface where the conturs of the letters are even rougher in its form.

The Neue Haas Unica™ family is an extended, reimagined version of the Haas Unica® design, a Helvetica® alternative that achieved near mythical status in the type community before it virtually disappeared. Originally released in 1980 by the Haas Type Foundry and designed by Team ’77 — André Gürtler, Erich Gschwind and Christian Mengelt— for phototypesetting technology of the day, the design was never successfully updated for today’s digital environments – until now. Toshi Omagari of Monotype Studio has given this classic a fresh, digital facelift with more weights, more languages and more letters to meet today’s digital and print needs. Available in 18 styles, the Neue Haas Unica family is remarkably appropriate for a wide range of applications, possessing a delicate gradation of weights and clear character shapes. The family's lighter weights are perfect for headlines and other large settings, as well as small blocks of copy at typical text sizes. The regular, medium and bold weights know no boundaries and the heavy and black designs are ideal for when typography needs to be powerful and commanding. Like the Neue Helvetica and Univers Next typefaces, the Neue Haas Unica family can be used just about anywhere – or for any project. In addition to its 9 tailored weights and complementary italics, the Neue Haas Unica family also possesses additional characters for Eastern and Central European, Greek and Cyrillic language support, which did not exist in the original design. A cosmopolitan typeface for today's modern, discerning design needs, the Neue Haas Unica collection is a new classic in the making—one that every designer should surely have at their disposal.

A sans serif headline font with full Latin plus Cyrillic character sets

Stanzer is an interpretation of wood type combined with the idea of modern stencils. Instead of cutting every letter, we are presenting an example of how a modern stencil typeface could look like, as we have come to the conclusion that almost every letter works without cutting it. Stanzer is a Unicase typeface, available in three OpenType weights: Black, Shadow and Block. Stanzer first started as part of our diploma 2010 (it was called Stanley at that time). The basic idea behind this typeface is that it is fully stencil usable, and, unlike other stencil fonts, does not require any bridges (except for the O and Q). Almost every letter can be sprayed without inserting planks. However, Stanzer also offers the display weight Block, which is only suitable for print or online usage.

Schwarz is a Black Letter typeface inspired by all that is black. Jagged edges and sharp diagonals make Schwarz a head banging font. Some stylistic alternates and ligatures are also available.

The 1907 sheet music for "Take Me Back to Dear Old Dixie" had the song title hand lettered in a decorative serif typeface with strong Art Nouveau influences. This design is now available digitally as Fancy Nouveau JNL, in both regular and oblique versions.

TF Silence - The awesome bold display font is back for your design projects. There are 2 styles available (Regular & Outline). Suitable to be applied to clothing designs, posters, logos etc. Features: Uppercase, Lowercase, Numeral, Punctuation & Multilingual. For any questions please contact me 🙂 Thanks!

An ad promoting the 1919 silent film comedy “Back Stage” starring Roscoe “Fatty” Arbuckle was hand lettered in a thick-and-thin sans style with Art Nouveau influences. This lettering is now available digitally as Picture Show JNL, in both regular and oblique versions.

Introducing our brand new black metal font! It is Rusted Sabbath, baby! This savage death metal font can be used for logos or branding and your metal band name without having to pay for expensive logo-making services. You can immediately make your band or brand logo name by buying this font. Combine it with the death metal ornaments and make your death metal design with ease! This black metal typeface is perfect for logotypes, t-shirts, vintage badges, branding, packaging, posters, clothing brands, horror movies, album covers, and many more! ——— Rusted Sabbath features: A full set of uppercase and lowercase Numbers and punctuation Multilingual language support PUA Encoded Characters OpenType Features +295 Total Glyphs +Death Metal Ornaments included! ——— Rusted Sabbath Includes: Rusted Sabbath Regular

All uppercase typeface for comic book lettering. Designed by Abay Emes. Supports extended Cyrillic and Latin characters. Has a stylistic set alternate L and D for Cyrillic and a stylistic set for languages with dotless i and i with dot (like Turkish). "Hiykäyä" translates from Qazaq as "Story".

Diegeometrische is an all uppercase geometric-based serif typeface featuring Latin, Extended Latin and Cyrillic character sets. - Latin, Extended Latin and Cyrillic character sets offer multilingual support. - Over 1000 kerning pairs for optimal letter spacing. - Unique combination of serif, geometric, and stencil design elements provides a distinct design.

The Greyspark Font is a great font selection for a big range of design projects. These fonts will add a beautiful and light retro charm to any design project! This font is perfect for branding logo, illustration, or apparel design. This font also support multilingual, number and symbol. This font comes in three style, regular, stamp, and block. The script style have the clean feel, the stamp gives you the aged feel with texture on it, and the block style have a rough edge.

Gogh is a geometric sans serif with a modern look and traditional spirit. It blends evenly without overly distracting the reader, yet still keeps a rich and distinctive character. The generous x-height, easily distinguishable glyph forms, and open terminals help the eye perceive a block of text smoothly, making it clearly legible. Gogh thrives when used both on-screen and on print media. Gogh type family consists of 10 weights from Hairline to Black and their matching Italics. Gogh is also available as a fully functional variable font, which gives unlimited opportunity to explore typography without the restrictions of predefined weights. Gogh Variable is also the best option if used on the web as it has a much-reduced size compared to the original font family. Regardless of which Gogh family you choose, the typeface covers a broad spectrum of languages, as it includes Extended Latin and Cyrillic. And it also comes with an alternative stylistic set that will completely change the overall look of a paragraph, giving it a more contemporary and display appearance. In addition to that, Gogh type family is enriched with an extensive list of OpenType features for advanced typographic layout, including standard and discretionary ligatures, tabular and small figures, fractions, language localizations, case sensitive punctuation, and more.

Originally designed by Alois Ganslmeier as a Billboard-Font, the Coma Font was later developed into a complete typeset with capitals and small letters, Cyrillic letters, Greek letters and Hebrew letters by Andy Jörder and Jörg Herz. The Coma Font is a massive constructed font which can be used for headlines. When only typed in capitals it gives the impression of blocks for there are no ascenders or descenders. The font comes alive because of its massive appearance, its edgy form and the opulence impression when used line-by-line. Not without reason, the font is named “dick und eckig”.

Elise is a sweet natured, layered display typeface, with a few layers but a wealth of options. From the feminine to the fun to the nostalgic, Elise is a capable and personable set. Best used BIG and with color, you’ll always find an occasion for Elise’s charm. To use this typeface, once you have your copy in place in the design program of your choice, copy your text block and paste it directly on top of your existing text block. Set this new text block to a different Elise layer and voila! You’ll already start to see some interesting effects take place. In some cases, different effects are achieved by bringing The Elise Ribbed layer to the front or to the back. Also available is a free ornament set to get you started.