8,068 search results (0.05 seconds)
  1. Starzy Darzy - Personal use only
  2. Denne Threedee - Personal use only
  3. ICONOS SKATE - Personal use only
  4. (((O))) Basic - 100% free
  5. Cuivrerie by JBFoundry, $19.98
    Cuivrerie is a free interpretation of relatively common lapidary inscriptions in Burgundy. Letters fit together. Thus the engraver gains room and we lose legibility. No matter, we have forever to read !
  6. Old Russian by Grummedia, $20.00
    Old Russian is a fake Cyrillic alphabet, based on old Slavic characters universally adopted in the old days of the Russian empire. Offering an opportunity to create a unique historical look.
  7. Kingsley by Red Rooster Collection, $45.00
    Designed by Les Usherwood. Digitally engineered by Steve Jackaman. This beautiful recreation by Les of the Frederick Goudy typeface, Kennerley Old Style, circa 1911-24, may be superior to any other.
  8. Template Basic JNL by Jeff Levine, $29.00
    Template Basic JNL was inspired by a simple sans serif lettering template used in the days of ink and technical pen renderings, and is available in both regular and oblique versions.
  9. Saskia Pro by RMU, $30.00
    A tribute to Jan Tschichold. His hot-metal font Saskia was released in 1931 by Schelter & Giesecke. This elegant italic font was finally redrawn, extended and digitized for present-day use.
  10. Arco Perpetuo Pro by Hanken Design Co., $25.00
    Arco Perpetuo Pro is a sans serif typeface with subtle rounded corners for the display stability on screen. Arco Perpetuo Pro may be used as small text or as big headlines.
  11. Pekora by Typoforge Studio, $15.00
    To design the font Pekora I was inspired by a You And Me Monthly published by National Magazines Publisher RSW Prasa that appeared from May 1960 till December 1973 in Poland.
  12. Gimcrack by Bogstav, $15.00
    Gimcrack is "showy but cheap or badly made" - that's what a search on the internet says. Well, that description fits this font quite well - although it was deliberately made that way!
  13. DB Bridal Doodles by Illustration Ink, $3.00
    DB Bridal Doodles is a mixture of lovely phrases and cute doodles themed after that special day. Very useful in making a wedding book for you or your friends and family.
  14. Mixed Silhouettes by Intellecta Design, $13.90
    Mixed Silhouettes are inspired by people, animals and various situations. It includes a wide variety of topics and may be used individually or in combination with wide range of design possibilities.
  15. Chockabloc NF by Nick's Fonts, $10.00
    What else is there to say? Children's wooden blocks inspired this playful face. Use and enjoy! Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.
  16. Crispy Blue by Bogstav, $14.00
    Crispy Blue is handmade, using a blobby brush. Inspired by a clumsy sign I saw the other day: full of blobby lines and uneven strokes - but full of life and personality!
  17. Bellissimo Brushed by Make Media Co, $12.00
    Say Ciao to Bellissimo Brushed! A trendy, hand-brushed font, designed with branding in mind. Bellissimo Brushed looks gorgeous on logos, websites, invitations, greeting cards, magazines, business cards, packaging and more!
  18. MPI Atlas by mpressInteractive, $5.00
    Atlas is an affable display font (think friendly neighborhood pub) originally created by Day & Collins of London. Atlas has thick strokes and triangular, rounded serifs. Some characters feature curly, decorative elements.
  19. Galaxus - Personal use only
  20. Helveticrap - 100% free
  21. Tavern by FontMesa, $25.00
    Tavern is a super font family based on our Algerian Mesa design, with Tavern we've greatly expanded the usability by creating light and bold weights plus all new for 2020 with the introduction of extra bold and black weights Tavern is now a five weight family. The addition of the bold weight made it possible to go further with the design by adding open faced shadowed, outline and fill versions. Please note, the fill fonts are aligned to go with the open faced versions, they may work with the outline versions, however you will have to apply them one letter at a time. The Tavern Fill fonts may also be used a stand alone font, however, the spacing is much wider than the regular solid black weights of Tavern. In the old days of printing, fill fonts rarely lined up perfect with the open or outline font, this created a misprinted look that's much in style today. To create that misprinted look using two different colors, try layering the outline fonts offset over the top of the solid black versions. Next we come to the small caps and X versions, for a font that's mostly seen used in all caps we felt a small caps would come in handy. The X in Tavern X stands for higher X-height, we've taken our standard lowercase and raised it for greater visibility in small text and for signage where you want the look of a lowercase but it needs to be readable from the street. In August of 2016 I started the project of expanding this font into more weights after seeing the font in use where someone tried creating a bold version by adding a stroke fill around the letters. The result didn't look very good, the stroke fill also caused the shadow line to merge with the serifs on some letters. This lead me to experiment to see if a new bold weight was possible for this font and I'm pleased to say that it was. After the bold weight was finished I decided to type the regular and bold weights together in a first word thin second word bold combination, however the weight difference between the two wasn't enough contrast. This lead me to wonder if a lighter weight was possible for this font, as you can see yes it was, so now for the first time in the history of this old 1908 type design you can type a first word thin second word bold combination. So why the name change from Algerian to Tavern? Since the original font was designed in England by the Stephenson Blake type foundry I decided to give this font a name that reminded you of the country it came from, however, there were other more technical reasons. During the creation of the bold weight the engraved shadow line was sticking out too far horizontally on the bottom right of the serifs dramatically throwing the whole font off balance. The original font encountered this problem on the uppercase E, L and Z, their solution was a diagonal cut corner which was now needed across any glyph in the new bold weight with a serif on the bottom right side. In order to make the light and regular weights blend well with the bold weight diagonal cut offs were needed and added as well. This changed the look of the font from the original and why I decided to change the name, additional concerns were, if you're designing a period piece where the font needs to be authentic then this font would be too new. Regular vs. Alt version? The alternate version came about after seeing the regular version used as a logo and secondary text on a major product label. I felt that some of the features of the regular version didn't look good as smaller secondary text, this gave me the idea to create an alternate version that would work well for secondary text in an advertising layout. But don't stop there, the alternate version can be used as a logo too and feel free to exchange letters between both regular and alternate versions. Where are the original alternates from Algerian? Original alternates from Algerian are built into the regular versions of Tavern plus new alternates have been created. We're excited to introduce, for the first time, all new swash capitals for this classic font, you're going to love the way they look in your ad layout, sign or logo. The best way to access alternate letters in Tavern is with the glyph map in Adobe Illustrator and Adobe InDesign products, from Adobe Illustrator you can copy and paste into Photoshop as a smart object and take advantage of all the text layer style features Photoshop has to offer. There may be third party character maps available for accessing alternate glyphs but we can't advise you in that area. I know what you're thinking, will there be a Tavern Condensed? It takes a lot of hours to produce a large font family such as this, a future condensed version will depend on how popular this standard version is. If you love Tavern we're happy to introduce the first weathered edge version of this font called Bay Tavern available in February 2020.
  22. Lemonheads - Unknown license
  23. Skin & Bones - Personal use only
  24. triangler - Unknown license
  25. Kingthings Italique - Unknown license
  26. Kremlin Georgian I 3D - Unknown license
  27. Jura - Unknown license
  28. BOODAS.DE | Subtract - Unknown license
  29. Pea Beth - Unknown license
  30. Hau Ruck - Unknown license
  31. Untitled 2 - Unknown license
  32. Mango Flavor by PizzaDude.dk, $13.00
    Mango Flavor is my super cool comic-ish font with a taste of ... you may have guessed it...Mango! :) It's playful and jumpy and wants to be a part of the action!
  33. Look @ Me by Matthias Luh, $20.00
    Look @ Me is a cartoonish, fancy font. Its special features are the different eyes of the capital letters. The letters literally have faces and who knows, probably they may talk to you... ;)
  34. Sweettooth by Gleb Guralnyk, $12.00
    Hi! Introducing a script font named Sweettooth. It's fully handcrafted and has a natural look. Also it has several ligatures to make it more authentic. Thank you and have a great day!
  35. Blazedale by Chank, $99.00
    Check out this new guy: he’s casual & elegant, jaunty and sharp. Fancy, but not over-the-top. Blazedale is an instantly likable new display face ready to send a funky upbeat message.
  36. High German by Grummedia, $20.00
    Based on examples of common medieval Gothic typefaces, High German has lots of character, giving an immediate impression of the densely packed pages of the 'traditional' backward looking printers of the day.
  37. Predators Cuspid by Gleb Guralnyk, $14.00
    A vintage angry looking typeface named "Predators Cuspid". It has a grunge scratched texture effect. Protruding "fangs" can be achieved by using a capital letters. Thank you and have a nice day!
  38. TrueLove by Autographis, $39.50
    TrueLove is my script for those occasions when you want to show someone that you really love him or her, when what you have to say really comes deeply from your heart.
  39. FM Thank You by The Fontmaker, $20.00
    FM Thank You consists of 26 ‘thank you’ hand letterings - all custom made and handwritten. Now you have 26 unique ways to say ‘thank you’, adding a personal touch to your message.
  40. Golden Treasure by Gleb Guralnyk, $14.00
    Golden Treasure is a vintage font with an original, decorative look and seamless connected letters. All available characters you can see on the 5th screenshot. Thank you and have a great day!
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