Plusquam Sans is a humanist sans serif family in eight weights, roman and italic. It’s neutral character and legibility in smaller sizes recommend it as a text face, and wide range of weights and swash capitals make it usable for various designer purposes. While roman fonts are simple, although in humanist spirit, italics are more vivid. Typographic variants are supported through OpenType features. Several kind of numerals are offered: lining and Oldstyle, tabular and proportional, superior and inferior, fractions. Small caps and math symbols are provided. There is a range of standard and discretionary ligatures. Alternates sorted in three stylistic sets are created to soften the overall appearance. Most distinguished feature is a set of swash capitals balanced to match sans serif characters. Plusquam Sans comprises multilingual Latin and monotonic Greek characters.

Fans of Comicraft have made a lot of noise (HELP!) about the availability of ready-to-wear, factory surplus sound effects, not unlike those made available over a decade ago in our extremely popular and raucous ZAP PACK. It may sound impossible (WHA--?!), but Comicraft's Sonic Specialist, John JG Roshell, locked himself away (CLIK) in our top-secret SFX lab forming Onomatopoeia at high speeds (FWOOSH) and extreme temperatures (BBRRR), and sounded out over One Hundred (GASP) of the loudest (BTOOM), most intense (UNNGHH), squawkiest (KRAKK), discordant (SPLANGG), dissonant (SQUTCH) -- as well as dulcet and restrained (THWIPP) -- sound effects ever conceived (WOO HOO!) Helpfully arranged in alphabetical order (YIPPEE!), this Library of Onomatopeia -- the ONOMATOPEDIA, if you will (DING) -- is now available for use by the general public. WARNING: Comicraft Sound Effects may explode on contact with skin (AAAH!); please use protective clothing and eyewear when handling the Onomatopedia.

Jali is a humanist sans serif typeface ideal for wayfinding, supporting Arabic, Greek, and Latin. 'Jali' means clear in Arabic, its design embodies this with low-contrast strokes, distinct marks, and a warm, readable style. Jali excels in demanding typographic spaces. Awards: TDC Certificate in Typographic Excellence, Granshan’s 1st Prize, Arabic & Latin Category, 2019.

Marcher is a modern display type family in 10 weights plus matching true italics. Designed for an impactful and stylish visual impression especially on logos and posters. Marcher has semi-humanist and semi-geometric details and extensive language support. Marcher has OpenType features like fractions, numerators, denominators, tabular numbers, stylistic alternates and 12 stylistic sets.

Gluy is geometric humanist hybrid. It blends the two categories into one design. Mixing geometric rational shapes with a touch of organic calligraphic forms. Comprises a total of 20 styles and supports most Latin languages and Cyrillic. Ideal for branding but very versatile. It can be used in many contexts from print to web.

This Arabic extension to Adrian Frutiger’s Avenir typeface family was created by Nadine Chahine for Monotype. Avenir Arabic proudly incorporates a timeless geometric style with humanistic nuances that made Avenir so famous. Featuring six weights from Light to Black, Avenir Arabic supports OpenType features for Arabic, and includes Windows codepage 1256 Arabic character set support.

Hook Eyes is Display Font This font describes about funny, dynamic, selling, sale, humanist, easy going, and easy to use. FEATURES - Uppercase letters - Numbering and Punctuations - PUA Encoded Characters - Multilingual Support - Works on PC or Mac USE Hook Eyes works great in titles, sale campaign, product packaging, brand, poster, print, etc. Enjoy using! Thanks. HIRO.std

Allektra is a humanist sans serif with a modern feel. It is not as whimsical as many of my fonts, but there are many special dingbats for bullets, and so on. It has oldstyle numbers and the small caps versions have lining numbers and small caps numbers. The Fat version is especially interesting and useful.

Andis’ rough cut makes it an interesting display typeface, but thanks to its generous x-height and firm serifs, Andis works equally well in text sizes. The typeface’s idiosyncratic italic builds a strong contrast with the roman. Andis is both functional and expressive; using it lends a humanistic touch to editorial or advertising work.

The main 20-th century handwritten display font in the USSR, usually performed with a flat brush or a wide poster pen for all kinds of signage during 1920-1990s. It had also many analogues in other countries, but never was that popular as in the Soviet Union, used everywhere. The softened modern humanistic version.

A modern humanistic san serif typeface. The horizontal structure of the font gives it a clean lateral dynamic that is ideal for on screen uses. Also the proportions have been condensed to maximize the use of space across various layouts. Details include seven weights, a full character set, manually edited kerning and Euro symbol.

‘Bambino New’ font is a geometric sans serif with humanist readability. It comes in 7 different weights, 14 styles and plenty of OpenType features. It can be said it’s an arrogant cousin of Bambino font, mostly because of its legibility, personality and attitude. Each character has been carefully crafted and implemented with properly modified italics.

A humanistic sans-serif typeface with subtle chamfer detailing. It’s strong lateral emphasis is combined with open apertures to create sharp and legible letter forms. These balanced and narrow proportions make it ideally suited to a variety of online applications. Details include 8 weights, a standard character set, manually edited kerning and Euro symbol.

ISZO is a modern precision, seamlessly blending tech innovation with humanist elegance. Sleek lines and meticulous geometry reflect architectural brilliance. Subtle curves evoke approachable essence. Resonating with standardization and excellence, ISZO captures the contemporary design and typography's future—a harmonious balance of allure and human connection, ideal for conveying technical prowess and artistic sensibility.

Caracas is a new family of sans serif fonts, looking friendly, sweet and comfortable to read. Where text flow between straight lines and round by becoming transparent in the interest of readability. Caracas is ideal for working in small letters and texts of a technical nature. Caracas is a humanistic approach to reading sans forms.

Glamure was inspired by the Myriad font which has been frequently used by technology companies and governments since the 1990s. Glamure is a clean, sleek and versatile font, by applying geomattric shapes to create a fantastic, modern and humanistic font. Glamure can function as a title, logo, body copy, subtitle, headline and so on.

Avenue is an eleven font family with five synthesist serif faces, five humanist sans serif faces, and one old style face. It is designed as an extrememly versatile body copy set. There are many special dingbats for bullets, and so on. It has oldstyle numbers and the small caps versions have lining numbers and small caps numbers.

Blank Moment is a quotable handwritten sans. You can use this font for any project. This font will make your project more natural and humanist. Blank Moment is a nice and never goes wrong choice for your instagram post! This font also contains unique lowercase that will make your project less ordinary. This font also support multilingual.

In 1913, Leipzig-based foundry C. F. Ruehl released a hot-metal font called Caesar-Schrift which was cut by the engraver and medalist Georg Schiller (1858-1937). This humanist sans combines successfully traditional classic forms with the flowing lines of the Art Nouveau period. Now revived as Caesar Pro, this font was carefully extended and made multilingual.

Stylin is…stylin! It’s unique in that some of the letters join together where you wouldn’t expect (mostly at the top of the letters). Stylin is very legible at small sizes and is great for body copy, falling somewhere between a monoline sans serif and humanist. If you’re looking for something unique and very readable, Stylin is your font.

Caracas Stencil Pro is a new family of stencil sans serif fonts, looking friendly, sweet and comfortable to read. Where text flow between straight lines and round by becoming transparent in the interest of readability. Caracas Stencil is ideal for working in small letters and texts of a technical nature. Caracas is a humanistic approach to reading sans forms.

Jali is a humanist sans serif typeface, suitable for wayfinding. It supports Arabic, Greek, and Latin. ‘Jali’ means clear in Arabic. Its design reflects clarity, with low-contrast strokes, ample counters, and distinguishable marks. Jali offers a warm and efficient reading experience. Awards: TDC Certificate in Typographic Excellence and Granshan’s 1st Prize, Arabic & Latin Category, 2019.

Mezzo is a slender, humanist sans serif with four font styles. Designers will find it useful when creating packaging, candy and pastry wrappers, perfume and wine labels, etc. Slim and elegant letterforms are especially fit for small pieces of text, headings and subheads. Mezzo is a good choice for women’s magazines with their particularly subtle approach.

Up and Down is a Display Font. This font describes about fun, dynamic, rough, headline, pleasure, humanist, easy going, and easy to use. FEATURES - Uppercase and Lowercase letters - Support Ligatures - Numbering and Punctuations - PUA Encoded Characters - Multilingual Support - Works on PC or Mac USE Up and Down works great in any branding materials, logotype, poster, print etc.

Freud is a sans family of 9 weights ranging from hairline to extra bold (also available as a 5 styles Economy Pack). It’s a legible face with straightforward geometry spiced with lovely humanist terminals. Some strokes are cut at an angle to enhance its identity. Freud provides a strong partner both for screen and print projects.

Sumptuous is a classic sans-serif family that combines geometric and humanist shapes. It comes in 14 weights, 10 uprights and 10 italics. Each weight includes OpenType features such as standard ligatures, directional ligatures, tabular figures, fractions and more and also extended language support. Suitable for magazines, headline, body text, logo, poster and other graphic design projects.

Closer is a highly customizable Swiss Grotesque with overclosed aperture. Being a bit wider than the average grotesque and featuring some humanistic shapes, Closer feels less bland though still relatively neutral. Closer comes in 9 weights (18 styles altogether), features extensive language support including Cyrillic and is highly customizable with 7 stylistic sets to mix and match.

Experience the evolution of the humanist sans-serif style with this contemporary and classic font. Designed with a modern sensibility and clean, spurless letterforms, this font offers a fresh take on a time-honored tradition. Its refined curves and harmonious proportions create a sophisticated look that is perfect for branding, editorial design, and other professional projects.

TKT Kate is a new interpretation of elegant sans serif display font with a modern touch. It inspired from Optima and Humanist font. The overall look is round, open counters and with a large x-height, geometrically constructed which is intentionally meant to be used in branding projects such as packaging, corporate design to on line applications.

Raker is a science fiction-inspired geometric sans serif text typeface family with a humanist influence and solid spacing/kerning. Regular, Display, stencil, and display stencils versions are included. Think NASA. Think the Space Race. Think Geometric. Think “works with text, too.” Detailed spacing, Western and Eastern European language support, and automated ligatures. Think hidden glyphs.

Inspired by midcentury motorsports, technology, and business, Turismo CF is designed for stunning logotypes and gripping headlines. Constructed from strong rectangles with sloping, elongated curves and a confident, affable stance. Turismo CF is a display typeface pairs well with mellow, text-friendly serifs that won't compete visually, like Artifex CF, or humanist typefaces like Artifex Hand CF.

Amelia Rounded is a geometric sans that keeps the softness of humanistic strokes. The combination of contrasting styles makes Amelia Rounded an ideal choice for both body and display text. The different styles included in the Amelia Rounded family offer flexibility and variation for your projects, either for a formal or a relaxed look, thanks to the Up version.

Adria Grotesk is a superfriendly and sunny humanist typeface that comes in 7 carefully crafted weights and charming upright italics. Try combine it with its stylish family member Adria Slab. You will find a fine choice of lining, tabular and old style figures, numerators, denominators, tabular figures, fractions, ligatures, some sweet symbols and even alternate arrows.

Mushin is a typeface, that comes with 14 fonts, roman and the matching italics, which draws inspiration from the grotesques of the beginning of the 20th century. However, its humanistic details and endings, remove the coldness so characteristic of this style, making Mushin a typeface of lively and dynamic curves, which can be used for various purposes.

This family started as a graduation project back in 2009, coming from calligraphic studies and sketches with a broad nib pen, based on humanist proportions and inclination. From its ink and paper origins it has come a long way until the current form, being digitalized and made into fonts through the course of the last 8 years.

Ramston is a humanist sans serif typeface of 20 fonts in total — a normal and a condensed width in 5 weights with matching italics. The condensed version is designed for space-saving typography but with high legibility in mind. Ramston is an ideal font family for display, print, corporate identity, mobile devices, magazine cover, signage, and web design creation.

Cormac is a humanist typeface characterized with it's large x-height and slightly flared stems. The word that best describes our ideas in the beginning of the project is "simple" - the idea behind it was to strip the letter forms of everything unnecessary, and yet keep the typeface interesting. The typeface is friendly without being too cheezy thanks to its humanistic character, flared ascenders and stems reminding of its calligraphic origin. The proportions are closer to the traditional old style typefaces. Cormac is open and readable typeface coming in 7 weights plus their matching 'true' italics - from Extra Thin to Bold. The family comes with Cyrillic support, great range of numerals, fractions, ligatures, alternates and a lot of special characters making Cormac a great solution for greate range of design work - branding, editorial, web, wayfinding, etc.