Hubba is a modular geometric typeface. Its heavy weight is excellent for headlines and display. There is a plain, oblique, and opposite oblique styles. The variable version will give you the opportunity to be more free in design and not limited to standard styles.

Valentine Street - Graffiti Font is a free style font that has the characteristics of street art that shows freedom and is filled with unique characters. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature • Alternate. I really hope you enjoy it.

This font was a product of self-initiated project I started a while back. It started and finished as a project that I was working on while procrastinating at school, for fun; however, I spent enough time to not give it out for free.

Designors is a freestyle font that will make your project more stylish and free! You can use this font for any project. Suitable for quotes and your tees design. This font also support multilingual. With different lowercase and uppercase will make your design more natural!

Introducing by Essentials Studio Mysthiqa Is a Modern Script Font Mysthiqa is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Enjoy the font, feel free to comment or feedback, send me PM or email

Beautiful Weakness is a free-styled handwritten font that will make all your project more unique. With brush touch, this font will make your artwork feels more natural. Comes with ligatures and underline that you can access it from opentype feature. Also support multi language!

Aminetta is a beautiful hand-written display font which shows happiness and joy in your heart. This font is most suitable to celebrating your holiday season but also to any occasion you have. Feel free to use it on any creative design you want.

Moodystone A Playful Display Font Moodystone is perfect for product packaging, branding project, magazine, social media, wedding, or just used to express words above the background. Moodystone also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email.

Horas Sans Serif Geometric is a stunning and modern font, designed with a touch of minimalism and attractive geometrics. This font combines the beauty of serif-free design with the boldness of geometric shapes, creating a fresh, clean look for a variety of design projects.

TRIPOCA is a Handcraft Vintage inspired typeface with tropical summer vibes, come with 2 family style ( Regular, Slant ) Plus FREE Illustrations & Borders which is perfect for your designs that want a rough style, modern vintage, tropical, summer and carefully crafted for all graphic design needs.

Batistar is perfect for any tittles, logo, product packaging, branding project, magazine, social media, wedding, or just used to express words above the background. Batistar also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email.

Proudly Present, Signaday a Modern Monoline Handwritten Font. Signaday is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Sallyna Cattalya Is a A Monoline Signature Font Sallyna Cattalya is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Enjoy the font, feel free to comment or feedback, send me PM or email.

Sweet Rosetia font family consists of a script, a sans style and a set of dingbats. The handwritten modern script works perfectly together with the sans serif and 190+ cute illustrations. Sweet Rosetia Script includes a full set of lowercase letters with beginning swashes , a full set of lowercase letters with ending swashes, contextual alternates, stylistic alternates and ligatures features that makes the font look more natural. Sweet Rosetia is perfect in designs such as logotypes, brand, magazines, websites or blog headlines, packaging, branding, quotes, invitation cards, greeting cards, business cards, wedding invites, and more. Sweet Rosetia Includes: - Ligatures, Contextual alternates, Stylistic alternates, and Swash (Beginning and Ending Swashes) Uppercase, lowercase, numeral and punctuation - Sweet Rosetia Regular and Sweet Rosetia Sans - 190+ cute illustrations - PUA Encoded Characters - Fully accessible without additional design software - Multilingual support for English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian. How to get access alternate glyphs with designing software to OpenType fonts, check this link : http: //adobe.ly/1m1fn4Y

Herschel ventures into the elaborate world of late 19th-century typography to bring its winsome charm and compelling aesthetics into modernity. Staying true to the spirit of its historical era of inspiration, Herschel was designed with extreme attention to detail. Although its aesthetic roots are firmly planted in the treasury of Gilded Age typography, it has been technically constructed to withstand all the rigorous demands that modern technology places on type today. Herschel’s nostalgic, flared, and gently bifurcated serifs shine brightest when employed as display type, but are suited well for any application where inimitable character is needed. Named after designer Brian Brubaker’s maternal grandfather, a retired dairy farmer of more than 60 years, Herschel is available in six delectable weights: Skim, One Percent, Two Percent, Whole, Creamline, and Butter. Features overview: • 800+ glyphs per weight • 120+ stylistic alternates • Upper and lower case • Titling/Drop capitals with multiple and contextual ligatures • Lining, oldstyle, proportional, and tabular figures • Standard and discretionary ligatures • Unique dingbats and special characters • International language support for 200+ latin-based languages, including Vietnamese

Julia Child once said: the secret to great french cooking is butter, butter, butter. Thus, we present to you Manteiga - butter in Portuguese! - a typeface for heart-melting, word-spreading goodness. The idea we had was to play with brush lettering - a style we love - and go as far as we can with the shapes of the letters while finding balance between positive and negative space. We wanted biiiig personality. And small inconsistencies - the ones that add texture and life to lettering. We left extensive OpenType features and technical stuff aside for a moment, adding later only what we thought was necessary, like different shapes for the Q, a and g - for example. All caps setting was something we wanted from the beginning. In text case, the x-height is rather short for a brush script, and this lends a quirky voice. Spacing is ultra tiiiiight so don’t go too small, but make it as big as you want! Ah! And there are some fun dingbats thrown in for good measure.

Like a lovechild of American Typewriter and Cooper Black, typewritten in melted chocolate, this is Margot. A bold single weight display typeface in roman and italic styles, Margot is boisterous but cuddly; warm but impactful. Margot comes fully loaded with a bunch of esoteric dingbats (grouped in the ornament feature), four figure styles (proportional- and tabular- lining, and proportional- and tabular- oldstyle), a spattering of swash capitals (K, Q and R), stylistic alternates and one discretionary gi ligature in the Roman. Stylistic alternates are split into stylistic sets thus: SS01 - alternate forms for ampersand and asterisk, and # changes to an attractive numero symbol. SS02 - in the Roman, a and g change to single storey versions; in the italic, the ae digraph changes to a less ambiguous double storey version. SS03 - the lining figure 3 gets changed to its alternate form. SS04 - the lining figure 4 gets changed to its alternate form. Margot is perfect for friendly headlines, logos, T-shirts (I love New York, perhaps?), food packaging and videogame apps. Margot gets its name from my equally boisterous and cuddly cat. Enjoy!

Adriane Text was designed between 2006 and 2007 with additional production completed by Silas Dilworth for this 2008 release [v1.002]. Focusing on text composition and unique typographic characteristics, details within the characters provide both personality and excellent legibility at small sizes. With a medium contrast, a predominantly vertical axis, and a generous x-height, it can be classified as a transitional typeface. This package of advanced OpenType fonts consists of the style-linked quartet of Regular and Bold weights accompanied by corresponding Italics, each of which include small caps and full support for Extended Latin character sets - now including Central European diacritics. Old style and lining figures are provided in both proportional and tabular spacing, and an extensive set of ligatures, ornaments, dingbats, and alternate ampersands are available across the family. The Italics possess a fluidity that contrasts with the staid posture of the Roman styles. The degree of inclination for the uppercase and lowercase characters are slightly different, offering an enhanced visual rhythm in the text settings.

Absurdies is a trilogy of pictorial typefaces with lots of mischief, fun, weirdness, black humour and amusement. It includes 143 digitized illustrations. You will find many inexplicable behaviours, madmen, strange occupations, absurd and chaos-loving characters, and general whimsy. This little crowd can be used in many ways, from spot illustration to big illustration work or graphic designs, taking advantage of the vectorial format of the font file. The characters in Absurdies (together with their kin, the Illustries, Whimsies, Ombres, Bizarries and Genteta dingbats) are drawings from the sketchpad of Joan M. Mas, drawn from imagination and with no reference, except in a handful of cases pulled from historical photography. He wanted an easy-to-use format to collect his hundreds of imaginary ink drawings and he realized a digital typeface was an ideal solution. Having the illustrations gathered in a font file means you can use them instantly in any program you like. You may choose to use the images out of the box, or further customize them with colours and textures. The possibilities are endless.

Rialto dF is a book face inspired by calligraphic tradition. Named after the famous bridge in Venice, it was conceived as a bridge between calligraphy and typography, roman and italic. It can also be thought of as an imaginary bridge between Italy and Austria, since it is the result of collaboration started in 1995 between the Austrian Lui Karner and Venetian Giovanni de Faccio. The letterforms of Rialto dF were drawn directly in digital format with a starting point deriving from humanistic letterforms memorized in the hearts, minds and the manual ability of its designers… As tradition demands, uppercase, numerals and punctuation are used in combination with italics – the same solution adopted by Francesco Griffo when he cut his first italic for the Virgil, the first of the octavo series printed and published in Venice by Aldus Manutius in 1501. Rialto dF comes in two optical weights: Piccolo, for up to 14 pt, and Grande for 16pt and above. Alternate characters and various dingbats are also provided and these are available through OpenType features developed by type designer and technician Karsten Luecke.

Ever since we started publishing on MyFonts in 2009, we've received requests for a typeface to complement our popular dingbat fonts. So here it is: LiebeErika. Friendly and polite, rather thin, extra narrow, and of course‚ carefully hand-crafted. LiebeErika’s casual and warm style is perfectly suited for invitations and personal correspondence. It’s even in the name: German phrase, Liebe Erika‚ translates to, Dear Erika, the beginning of a personal letter. But LiebeErika is not limited to English or to the German character set. It supports many other languages, too! LiebeErika comes with a stunning variety of ligatures and alternative forms available through OpenType features. (Please make sure your software supports OpenType if you wish to use the advanced features.) The font contains over 500 glyphs, so it’s actually two or three fonts in one. If you like this font, you may want to look at LiebeOrnaments, our perfectly matching set of swashes and curls to complement LiebeErika. By the way: LiebeErika gets along great with our wide range of illustrative fonts such as LiebeCook, LiebeFish, and LiebeTweet.

This is an extension of Mikolaj's Grabowski first typeface. Formerly known as EPILEPSJA, now coming as ACHTUNG. Adding lowercase and small caps, as well as additional language support including Cyrillic script and some dingbats. ACHTUNG Color Type Family has a range of application from warnings and safety signage to propaganda posters and anarchist graffiti. Every place where you need an indisputable message, be it in headlines or titles, this font comes in handy. It’s a stencil, it’s layered and impossibly dimensional. Download the specimen HERE. I advise you to do so in order to being aware of how the layers work and how to use color fonts. Total of 1020 glyphs. Languages: Afrikaans, Albanian, Bosnian, Bulgarian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Macedonian, Maltese, Norwegian, Polish, Portuguese, Romanian, Russian, Serbian, Slovak, Slovenian, Spanish, Swedish, Turkish, Ukrainian, Vietnamese, Zulu. OpenType features: small caps, localizations, superscript, fractions, ordinals, proportional and tabular figures, case sensitive forms, stylistic alternates, contextual alternates, and proper mark attachment.

Have you ever imagine to make layered Victorian logo as fast as you blink your eyes? or even make your document and website with victorian classical vibes? Abracadabra! Introducing you opentype font... King Edward and Queen Victoria fonts in one solid package. Very victorian, ornamental, decorative and classical. A solid combination that can bring your design, logo, document, website, etc. back to 1800 decade. Multilingual fonts-family and playful one with 200 alternate characters. Personal & commercial license is included! HOW TO GET ACCESS TO ALTERNATES? Make sure you run an APP or Software that allow you to access Glyph panel. All characters are available through Glyph panel, even more each of the alternate letter has it’s own unicode (PUA) so you can copy/paste from Apple Font Book or Windows Character Map. Total amount of glyphs 1814. OPENTYPE FEATURES - First lowercase (after a capital) and last letter swap automatically. You just need turn on Contextual Alternates. The Victorian graphic Dingbats collection joined together into standard font format (OTF and TTF). Easy to use and great for your decorative document, layout, sign, logo, etc.

Diad was born on 2000 in order to design posters about second World War. The original idea was obtained by breaking, burning and getting wet a bunch of written copies with an old writing machine. Today, Diad is a small typographic system useful for bringing relevance to any content with a grunge look. Each and every detail passed through a strict experimentation process. Its outrageous and unconventional spirit travels from high leveled corrosion, up to a delicate visual neglect. Diad 2 and 3 work for designing words. Diad 1 is ideal for long phrases and titles. Diad dingbats includes 26 illustrations about motocross. In total, adding Diad 1,2 and 3, it has around 260 glyphs. Diad will make your design shine providing different graphic atmospheres, optimizing time and work to its users. Diad is perfect for graphic design on contexts such as death metal, drum and bass, films, war and horror video games. It could work also for logos, words, titles and short texts in covers, tags, clothes, wraps, cards, stickers, toys, bicycles, surf boards, etc.

The typeface Hand Writing of Janina is designed from 2021 for the font foundry Typo Graphic Design by Janina Fels & Manuel Viergutz. The cha­rac­ter of the hand­written script type­face is rough, ruggend and raw. With state-of-the-art OpenType-Feature (like Con­text­ual Alter­na­tes (calt) and Sty­listic Alter­na­tes (salt)). Each upper­case and each lower­case let­ter has auto­ma­ti­cally alter­na­ted two varia­ti­ons to bring humanly-random cha­rac­te­ristics of hand­wri­t­ing to life. 4 font-styles (Book, Bold, Dark & Icons) with 786 glyphs (Latin 3) incl. 100+ decorative extras like icons, arrows, catch words, dingbats, emojis, symbols, geometric shapes (type the word #LOVE for ♥︎ or #SMILE for ☺ as OpenType-Feature dlig) and stylistic alternates. For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! Font Spe­ci­fi­ca­ti­ons ■ Font Name: Hand Writing of Janina ■ Font Styles: 4 font-styles (Book, Bold, Dark, Icon) + DEMO (with reduced glyph-set) ■ Font Cate­gory: Dis­play Script for head­line size ■ Font For­mat:.otf (Mac + Win, for Print) + .woff (for Web) ■ Glyph Set: 786 glyphs (Latin 3 incl. decorative extras like icons) ■ Lan­guage Sup­port: 93 languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Inari Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, Northern Sami, North Ndebele, Norwegian Bokmål, NorwegianNynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu ■ Design Date: 2021 ■ Type Desi­gner: Janina Fels, Manuel Viergutz

Departura is a sans-serif family inspired by art deco travel posters in early 20th century, fused with modern & geometric touch. It comes in 18 styles, 9 weights and its matching italics. With those style variatons, Departura offers many possibilities to be applied in many graphic or editorial projects.The modernized retro-look makes this family great to presents any contents related to travel, history & culture in the present/modern way. Also thanks to the extended latin character set so that Departura supports 200+ latin-based languages plus Cyrillic (including the Bulgarian and Serbian characters). P.s.: The Bold Italic & ExtraLight styles are free to download, so you can use them for any projects free of charge.

R21-h sq is stand for "Ratio 2:1 in horizontal square"; a comparison in making a glyph typography, horizontally in the form of a square. R21-h sq font consists of bold-retro typeface with its own unique funky style. Suitable for app design, games, toys character face, storybook covers, logos, advertisements, branding, poster, or anything that needs a daring and fresh typography. Font include: R21-hSq-Latin (+extended) font R21-hSq-Cyrillic font R21-hSq-Greek font* * Additional Light font for Greek only. All styles include Latin standards (except for free/demo version). The glyph 6, 8, 9, x, O, Q and X on display are for commercial version (the free/demo version are different).

Mak is a display font with a Ukrainian feeling inspired by Ukrainian music. Customize weight and contrast to the smallest value to your needs with a variable version of Mak. This is a big update of the first free two styles of Mak (SemiBold High & Black High) that were created in 2019 and become widespread among free display fonts. The big update wasn't been only adding more weights and contrasts but also changing a lot of glyphs and adding new ones. Now Mak supports all Latin-based languages and European Cyrillic. Experiments with historical forms, contrasts, and daring shapes to create a new image of Ukrainian Cyrillic and Latin based on it.

These fonts will join-as-you-type in your OpenType application as shown in the posters above. Choose Use Contextual Alternates option in your app to get basic recommended baseline joins for teaching. Additionally, use can choose from 7 Stylistic Sets of alternative letterforms that are so important for Teachers. Create ‘pen lifts’ anytime too! Fonts display unjoined by default on this website and are delivered that way - joining is controlled by your application. Free to download resources Stylistic Sets and how to access the alternative letters feature in these OpenType fonts Purchasers of this font package may use their Order Number to receive a free Copybook PDF by Rosemary Sassoon recommended for effective teaching