Montio is a simple Humanist sans serif typeface with rounded corners. It’s a family of 4 fonts: 2 weights and their italics.

Linotype Aroma No.2 appears straightforward in form, completely sans serif, yet with a trace of humanistic features that gives it that extra edge.

Rabona is a typeface for designers; easy to implement, clean and utilisable. A quintessentially modern geometric san-serif, filtered through a gently humanist lens.

Opium — a humanist display typeface with futuristic flared lines inspired by the anatomy of opium flowers. Designed using the herbarium specimens of Papaver somniferum.

Auxilia is a geometric sans serif font with a bit of humanist feeling, comes with various weights and condensed width for all purpose design.

Conamore is a new Humanist Sans family. It consists of 16 styles (8 weights and 8 italics). The structure of the typeface is in a position that is neither too modern nor too classic. It was based on humanist frame and style, but we controlled the shape and removed potential eyesores so it can be easily recognized. These characteristics are suitable for the design requirements, such as editorial design, packaging, branding and display.

JH Hala is a modern style typeface; it is designed based on Koufi style & latin humanist sans serif classification, typical for corporate identity, branding & signage...

This script loops and loops like a spaghetti using the power of OpenType alternates. The lettering made by this font would evoke your young days in the 60s & 70s.Please check the instruction in the Galley tab.

Paine was designed to be a humanistic sans serif with an overall contemporary feel while at the same time evoking the feeling of earlier transitional faces.

Gusto is a mixture of San Serif and Humanist style fonts together. We put the craft into the character. It's a unique option available for you.

It is inspired by the friendliness and cordiality of neo-humanist typefaces with a mix of rounded shapes, some apexed characters, and a little bit of black. Although it follows the ductus, D Sari is also a daring font with less pointed shapes, as is the case with regular neo-humanist typefaces. D Sari has 22 variants, which make it a very dynamic typeface. Well-suited for highlighting lettering, magazines, motion graphics, advertising, logotypes, signs, etc.

Ukrainian humanistic sans of universal purpose. Thanks to humanistic proportions and somewhat calligraphic sharpness, the typeface unobtrusively disturbs the eye, while remaining at the same time a “strong” modern grotesque. Asymmetric motive, distinctive letters and alternative glyphs give the font a Ukrainian flavor. The character set includes Slavic Cyrillic, European Latin and Monotonic Greek. Humus contains traditional and original ligatures, numeral variants, fractions, stylistic and historical alternatives in Cyrillic. The typeface was designed by Andrij Shevchenko in 2007-2022

Magallanes Essential a contemporary neo-humanist sans serif font designed by Daniel Hernández. Its strokes and terminals are related to the calligraphic strokes from humanist typefaces. Every weight comes with alternative glyphs for a more dynamic use. Magallanes is the perfect titling font to complement text faces in magazines, logotypes, etc. It is a essential family of 8 fonts, 4 weights and italics. This typeface no contains alternate glyphs and add only Windows 1252 Character set (219 Glyphs).

Markisa is a simple, cool, and dynamic Humanist-flavored Sans Serif type family. It consists of eighteen weights from Thin to Black in both Upright and Italic styles. The resilient yet robust typeface. A san-serif with a humanist touch, a steady combination of seriousness and merriment. Works well as texture in small sizes, while at the same time claiming its space on the display. With its distinctive characteristic, can catch anyone’s attention wherever and whenever.