TAN KULTURE is a bold display type. Simple in a good way and efficient with tight kernings making it a nice choice if you want a retro look in your design.

DB Bridal Doodles is a mixture of lovely phrases and cute doodles themed after that special day. Very useful in making a wedding book for you or your friends and family.

Cinthya Einzberg feels equally charming and elegant. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch.

Hello, Introducing my new font "Briskly Cabrales" The Briskly Cabrales is block handmade font. Strong, elegant, modern, calm. What's Inside The Fonts ? Uppercase Lowercase Symbols Numerals European Multilungual Thank you, Regards!

It is a new version of Clarence, with very noticeable changes, very funny and informal signs. It also contains different variants like Shine, Extrude and you can combine them enjoy it! :)

Do not believe that Friandise is reserved for the chocolate enthusiasts. It’s a pair of fonts which will allow you to ally simplicity and frivolity, sweetness and hardness, discretion and show.

Sellviny Queen feels equally charming and elegant. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch.

Really excited to introduce Caustin Bolar is a bold brush script and will be perfect for all your designs project. Uppercase Lowercase Number & Symbol International Glyphs Ligature Hope you enjoy it.

Costino Macko a display font, fun character with a bit of ligatures. To give you an extra creative work. Costino Macko font support multilingual more than 100+ language. Cheers, Maulana Creative

Sylfane graffiti display font, fun character with a bit of ligatures. To give you an extra creative work. Sylfane graffiti display font support multilingual more than 100+ language. Uppercase. Maulana Creative

Patricia Rustine is a romantic and sweet calligraphy typeface with characters that dance along the baseline. It will add a luxury spark to any design project that you wish to create!

Aberration is a distressed display typeface with a flair for exploration. Suitable for headings where you want to convey just a hint of danger, this font includes Cyrillic and Greek characters.

Melatti allows you to create stunning and easy hand-lettering in an instant. Ideal for the logo, quotes, wedding, product label/packaging, fashion, letter, advertising, invitation, poster, merchandise, greeting cards, etc.

Kallisa is such a artistic font, Script with a touch of hand-written, It's best used for logos, wedding stationery, social media, and quotes. Kallisha features: Multilanguange PUA Encoded Thank you!

The 1934 sheet music for "I'll String Along with You" from the Dick Powell-Ginger Rogers musical "20 Million Sweethearts" yielded the charming Deco monoline design for Words and Music JNL.

SG Munke is a groovy display font with a curvy base shape. Very suitable for you who want to make both vintage and modern pop designs. Include multilingual, uppercase, and lowercase.

Belly Swing is natural, organic and kind of cute. It's my handmade sans font with contextual alternates - meaning that you have 3 different versions of each lowercase letter to choose from!

Say g'day to Ainslie Sans, insigne Design’s new typeface. Like its big brother, the new face incorporates a mix of influences from Oz, although Sans is pared down from the original semi-serif. The original Ainslie was inspired by Mt. Ainslie and the city of Canberra’s inner suburb of the same name. Canberra is Australia’s capital--a planned city designed by American architect Walter Burley Griffin. Griffin’s style and geometric design for the city, which include Mt. Ainslie, are now also the same structure that make up the foundation of Ainslie Sans. Unlike the original Ainslie family member, though, Ainslie Sans does away with much of the aboriginal-inspired touches by eliminating the semi-serifs, forcing the font to borrow more heavily than its predecessor from Canberra’s distinct, geometric design and style. The result’s a spiffy Australian font that’s usable within a wide array of applications. The trendy typeface incorporates a multitude of alternates. You can access these in any OpenType-enabled application. Alternates, swashes and alternate titling caps allow you to customize the look and feel. Also incorporated are capital swash alternates, old style figures, and compact caps. Check out the PDF brochure to view these options in action. OpenType enabled applications can take complete benefit of your automatic replacing ligatures and alternates. This font also presents the glyphs to help a wide array of languages. Try it for copy. Try it for a headline. Try it alongside the original Ainslie. Whichever way suits you best, give it a burl. You won't be sad you did.

Hi there! Let me introduce Symply – a handwritten signature-style font. Symply is perfect for logos, branding, quotes, blog headlines, magazine and book design, product packaging, web design – or for any text on postcards and your favorite photos. Symply contains: a standard set of characters with wide multilingual support: Western-, Central- and Eastern-European, Baltic, Turkish, Latin-type Africans, and Asian (94 languages in total) 2 additional sets of alternative characters for lowercase letters 8 alternative characters for some initial letters 28 ligatures for double letters and frequent combinations a bonus font with 62 swashes and doodles Symply has two types of embedded auto-replacements: lowercase letters without connecting strokes (for a case of the last character of the word), and ligatures (for a case of two letters that do not pair well together). These features work well in many apps (even simple ones like Notepad/TextEdit), and if you need to customize their application – you could use programs that support OpenType features (for example, Adobe apps or CorelDraw). All these additional glyphs are PUA-encoded, so if your software does not support OpenType — you could access them through Character Map (Windows) or Font Book (Mac) Swashes and doodles come in a bonus font, Symply Swashes. To type them, please press keys with letters A – X, a – x, and numbers 0 – 9 I hope you will like Symply and create great designs with it! And if you have any questions, feel free to contact me via e-mail: triple.hely@gmail.com

Over the past few years, every designer has seen the surprising outbreak of blackletter types in marketing campaigns for major sports clothing manufacturers, a few phone companies, soft drink makers, and more recently on entertainment and music products. In such campaigns, blackletter type combined with photos of usual daily activity simply adds a level of strength and mystique to things we see and do on a regular basis. But we couldn't help noticing that the typography was very odd in such campaigns, where the type overpowers all the other design elements. This is because almost all blackletter fonts ever made express too much strength and time-stamp themselves in a definite manner, thereby eliminating themselves as possible type choices for a variety of common contemporary design approaches, such as minimal, geometric, modular, etc. So extending the idea of using blackletter in modern design was a bit of a wild goose chase for us. But we finally found the face that completes the equation no other blackletter could fit into: Leather is a digitization and major expansion of Imre Reiner's forgotten but excellent 1933 Gotika design, which was very much ahead of its time. In its own time this design saw very little use because it caused problems to printers, where the thin serifs and inner bars were too fragile and broke off too easily when used in metal. But now, more than seventy years later, it seems like it was made for current technologies, and it is nothing short of being the perfect candidate for using blackletter in grid-based settings. Leather has three features usually not found in other blackletter fonts: - Grid-based geometric strokes and curves: In the early 1930s, blackletter design had already begun interacting back with the modern sans serif it birthed at the turn of the century. This design is one of the very few manifestations of such interaction. - Fragile, Boboni-like serifs, sprout from mostly expected places in the minuscules, but are sprinkled very aesthetically on some of the majuscules. The overall result is magnificently modern. - The usual complexity of blackletter uppercase's inner bars is rendered simple, geometric and very visually appealing. The contrast between the inner bars and thick outer strokes creates a surprising circuitry-like effect on some of the letters (D, O, Q), wonderfully plays with the idea of fragile balances on some others (M, N and P), and boldly introduces new concepts on others (B, F, K, L, R). Our research seems to suggest that the original numerals used with this design in the 1930s were adopted from a previous Imre Reiner typeface. They didn't really fit with the idea of this font, so we created brand new numerals for Leather. We also expanded the character set to cover all Western Latin-based languages, and scattered plenty of alternates and ligatures throughout the map. The name, Leather, was derived from a humorous attempt at naming a font. Initially we wanted to call it Black Leather (blackletter...blackleather), but the closer we came to finishing it, the more respect we developed for its attempt to introduce a plausible convergence between two entirely different type categories. Sadly for the art, this idea of convergence didn't go much further back then, due to technological limitations and the eventual war a few years later. We're hoping this revival would encourage people to look at blackletter under a new light in these modern times of multiple design influences.

Magicstar is a daring handwritten font created with brush pen strokes. This bold font will beautify and emphasize your design. Add it confidently to your projects, and you will love the results.

This font inspired by scary movie. You can this font for your journal logotype or something about scary or horror and maybe hardcore style. Let's try and have fun with this font.

Ultraxoid has got autoligatures for both double numbers, double letters, and a good handful of the most common letter combinations. You will need to use OpenType supporting applications to use the autoligatures.

Mango Flavor is my super cool comic-ish font with a taste of ... you may have guessed it...Mango! :) It's playful and jumpy and wants to be a part of the action!

A Large and Small cap design great for Headlines Sub heads and even works great in text. A unique look. Allows you to fit a lot of copy in a small space.

April Blossom is a sweet, brush font with a playful character. This fun will look gorgeous on all your branding materials, cards, quotes, and any other lovely projects you are working on.

Look @ Me is a cartoonish, fancy font. Its special features are the different eyes of the capital letters. The letters literally have faces and who knows, probably they may talk to you... ;)

Ekaliptus, Display Condensed and Humane Typeface, Containing 4 Weights + 4 Matched Italics, Can be used for Headlines and Logos. Two Styles that work well together to form a better tool for you.

Kind of squarish handtraced comic font, yet with soft edges. Use it for massive text, speech balloons or just headlines. You will need to use OpenType supporting applications to use the autoligatures.

Tsuki is a beautiful and elegant handwritten font. You can use them to create a logo or templates, invitations, blog, branding, marketing, book covers, magazines, advertising, stationery, logo design, and much more.

Hi! Introducing a script font named Sweettooth. It's fully handcrafted and has a natural look. Also it has several ligatures to make it more authentic. Thank you and have a great day!