An ever so slightly off kilter sans-serif, Good Grief started as a digitization of a film typeface called Carmel by LetterGraphics. From there, this fun and friendly typeface was taken from its limited character set and fleshed out to a fully functional typeface. With the legibility of a text typeface, yet the personality of a display type, Good Grief - why haven't you gotten this fantastic font yet?

Jiwez Arabic style font is a premium Arabic style font that is a great way to bring a new level of luxury to your designs. The classic, yet modern style of this font is perfect for creating elegant titles and cover pages for your projects. With its classy, yet simple structure and easy-to-read fonts, you can use this font to create the perfect typeface for your projects.

Concinnitas (Latin for 'neatness') is a very neat print handwriting script. It's a light weight very easy to read, yet elegant handwritten font.

Is it Halloween yet? Dead Inside Chilling Font is an adorable hand-made typeface with 13+1 chilling icons, for the upcoming Halloween.

Inspired by classic serif fonts such as (adobe) Garamond, this pencil drawn typeface give your designs a unique and elegant, yet distressed look.

Yet another experimental typeface. I love trying different things I’m very happy with the results here. See the whole presentation here: Behance,net

Anything Okay is a simple, yet classy signature typeface. It includes beautiful swashes, that will add an organic feel to any design project.

Linotype Aroma No.2 appears straightforward in form, completely sans serif, yet with a trace of humanistic features that gives it that extra edge.

Comment is a unique yet still basic sans serif created to provide a consistent, attractive appearance in print, especially in small-to-medium sizes.

Odditype is a font that surely lives up to its name... Odd, quirky, techno...yet not. Its use is as broad as your imagination.

Bold yet distinctive, Capstan is a stand out slab serif ideal for signage, headlines, branding and other applications intended to convey strength and character

FG Petra looks like usual handwriting yet very pretty! It has a large 'K' in lowercase; I think that is what makes it special.

Thistle Borders are yet another "trouvaille". Great borders made out of thistles, teasles and flowers from the meadows of Victorian times by Gert Wiescher

Signage mandated by the Americans with Disabilities Act of 1990, plus additional accessibility signs, in both font and EPS format in the same package.

Looking for a big, bold, black typeface? Meet the fat solid curves of Blonk! This type is based on hand-drawn letterforms with basic curves and angles, so it still retains softness and has a handcrafted feel. Yet, its boldness suits poster design, packaging, and other uses that needs to draw attention, in an quirky yet distinctive way. All glyphs are handcrafted by illustrative designer Zeptonn. Prepare to make a Blonk statement!

Cirquela is a new direction in type design for me. This is my first calligraphy font and my first hand drawn. This is a limited character set, but as I continue to explore this space, I hope to expand the character sets of fonts I offer for sale. In the meantime, please enjoy Cirquela. This is a fun font. Eccentric, yet it possesses a subtle formality in spite of itself. Passionate, furious, yet sublime.

Chalice is a new original Canada Type family inspired by two different engraving eras and locations: Medieval England and 19th century Russia. Chalice's construct is geometric at heart, though the wedge serifs and their contribution to the overall idiosyncrasies of the counterspace give it a spirit entirely different from usual geometric types. Chalice's personality is that of a knowledgeable advisor, clinical yet old-fashioned, aware yet unsurprised, secular yet serene, clear yet artistic, hungry yet redeemable. Chalice comes in 4 weights, light to black, that range in expression from a sobering wise whisper of confidence all the way to the bells and whistles of Judgment Day. Such flexibility in expression among the different weights of the same typeface of this kind is quite rare, and will be appreciated by discriminating graphic artists who require more than just another tombstone type. Chalice's character set comes fully loaded across all 4 weights. Two dozen alternates are built into the map, including unicase variations on the a and e, double-barred alternatives for A, E, F, H and S, and connecting versions of b, d, f, h and t. Such variety gives the user to subtly define the set type without overpowering it. Chalice comes in all popular font formats, and is available in single weights, as well as one complete affordable package.

A usable version of the classic artists’ stencil font, picks up from where Josef Albers left off. Pared down for maximum minimalism, yet remarkably readable.

Ernest is a handmade typeface with an unique yet strong personality. Say it bold with this font. Punk & Wave styles. Ideal for type based designs.

It is a font created with images of space, movies and games in the near future. The font is futuristic yet has a retro vibe.

Fashyon was created as an experiment blending script and calligraphic elements, and with a perfect balance between characters, looks dynamic yet with a classical look.

Mystere is a new, hand-drawn font. This is currently a limited set designed for display usage. The font has a crude, yet stylish feel.

Happily-lettered handwriting full of optimism. This handwriting was drawn with a chunky round marker and is bold enough for drawing attention yet still completely legible.

So friendly yet so naughty. A practical font family with 3 weights for all your needs: headlines, body text, signage etc. High legibility at small sizes.

Stay and Shine is a strong and tall display font. Its sharp yet approachable feel makes this font incredibly versatile, fitting a wide range of contexts.

Carbona is our attempt to imagine the future through typography. The perspective of the future is, perhaps, the greatest force of action humans have. Knowing that there will be a tomorrow is the stimulus we depend on to decide how we are going to act today. This idea is also one of the best fuels for creativity. That's why we thought of Carbona as a typeface in sync with everything that appears on our technological future. From the countless births of new digital currencies to the sending of ultra complex algorithms at 5G speed, the future of any habit, choice or task that we will perform will transit through some super computer located somewhere very far away – who knows even on another planet. The family is designed to deal with the situations of the digital world, today and what is yet to come. It is optimized for programming, contains cryptocurrency symbols, advanced features for use in interfaces, and much more.

The object of Grover was to join two distinctive typeface designs: the basic European gothic of the late nineteenth century and the ‘rounded’ style found in 1960s America. The result is a clear, friendly face with subtle yet unforgettable features. Named after Grover Washington, Jr., the jazz saxophone player, Grover is geometrically constructed and yet very human in appearance. Sans and slab serif variations, true italic weights, as well as small caps afford Grover versatility and unique display characteristics.

Cern is a family of20 weights of neutral, yet formally nuanced grotesk typefaces that takes inspiration from the original metal types from Switzerland, yet had a slightly larger x-height for more pronounced legibility. Cern is designed to be highly readable in print and on-screen. The italic variations are true italics and have been designed for smooth, fluid reading and text-setting. The Cern family works equally well for text typesetting and for display design work.

The object of Grover was to join two distinctive typeface designs: the basic European gothic of the late nineteenth century and the ‘rounded’ style found in 1960s America. The result is a clear, friendly face with subtle yet unforgettable features. Named after Grover Washington, Jr., the jazz saxophone player, Grover is geometrically constructed and yet very human in appearance. Sans and slab serif variations, true italic weights, as well as small caps afford Grover versatility and unique display characteristics.

Happyfin is a sumptuous font based upon the free nature of a handwritten text, it balances the organic form with the necessary preciseness of a traditional typed font. With a smooth light hearted elegance, this font is perfect for designs involving organic produce and situations where a professional yet fun and friendly typeface is needed. The font has high readability level, and yet conveys a good deal of character and style within the simplest of forms.

Dark Misery is a simple yet spooky display font. This original look will appeal to a wide range of crafty ideas, from letterheads and titles to stationery.

Bushwick JNL and Bushwick Oblique JNL are modeled from a wood type sanserif that has a strong resemblance to Franklin Gothic, yet keeps its own distinct personality.