Westwood is the work of American West Coast designer David Westwood, a bold display typeface featuring a fine linocut effect. Westwood exhibits a dramatic, eye-catching style with a rough-hewn look.

Wood type for display. Serifs like brush strokes are associated with Japanese calligraphy ‘Shodo’. East meets West. There are two styles, Regular for ordinary use and 3D for more eye-catchy part.

Meksa is sleek, minimal & very clean. This wide typeface is perfect for bold headers, impact text, or logo design. Meksa is multilingual, appropriate for international publications. Includes Cyrillic, West European diacritics & ligatures.

Impression ist indeed quite impressive, art nouveau, hippy, flower power, groovy? Impression was redesigned and digitally remastered by German designer Ralph M. Unger for profonts. You want to have fun ? take impression!

A very cute cursive font! Porto is a beautiful script ~ its unique linework creates a distinctive look. Porto is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

This font was inspired by the title logo of the TV show The Wild Wild West (season two). The font was named after the train in the TV show. Wanderer is a combination of my Classic Tuscan Rodeo Clown font and a Robust Slab Serif font. Wanderer is available as a stand alone font or with the optional fill fonts. Caution: Use of this font may cause the Wild Wild West theme song to play over and over in your head. Solution: Try temporarily using another FontMesa font such as Rough Riders.

The title on the cover of Street & Smith’s “Wild West Weekly” for Jan. 27, 1934 made for an interesting contrast in terms. Here was a pulp magazine dedicated to stories of the Old West, but its title was hand lettered in an extra bold, squared shape style using a round pen nib – not exactly an alphabet that represented cowboys and desperados… This aside, this type style made for a good digital font revival, and it is now available as Bold Pen Lettering JNL in both regular and oblique versions.

The inspiration for this typeface family came from my childhood experiences at West Monkton, amidst an historic part of the South West of England. Studies of the original incised capitals of the Trajan column in Rome were analysed and polished for this modern version. The lower case letterforms and numerals were then created in sympathy, taking their proportions from the incised letters of local gravestones. Its name honours not only the area where the original alphabet was conceived and drawn, but also the people responsible for fostering my initial interest in letters.

Farmland JNL is an unusual Western version of Cornfield JNL. The shape of the original letters (inspired by a 1950s popcorn box) create a new variation on the lettering of the Old West.

Re-drawn from examples of vintage wood type, Primitive Tuscan JNL captures the essence of early letterpress printing of the 1800s; the styles of which were most closely associated with the Old West.

Sumi is an inked Asian brush font. Nice Japanese calligraphy with a consistent yet distressed look in ink! Sumi is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

Sasparillo is an "extreme" Tuscan face, with reversed emphasis, by which we mean the horizontals are far heavier than the verticals. Recreate the spirit of the "Wild West" with a sense of fun!

Bring an old west flavor to your lettering projects. The block letters of this "Wanted" font are reminiscent of western posters and signs. It's a fun choice for cowboy scrapbook pages and cards.

Beautiful Things is a wistful non-connecting script with sweeping ascenders and descenders and natural, flowing lines for an informal, yet elegant look. Contains over 700 glyphs, including foreign Latin characters, alternates and ligatures.

Candy Cursive is a sweet & lovely connected script. Use this flowing cursive wherever eloquence or delicacy is required. Candy Cursive is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

Lost Hills JNL is a split-serif Western font based on Jeff Levine's Brogado JNL. Named for an actual location in California, this font has all the basic characteristics of a traditional Old West design.

Inspired by Schelter & Giesecke’s Sylphide Sylphe Pro comes as an elegant, calligraphic Italic with the touch of the Golden Age of type design. This beautiful font encompasses most European languages, Central and West, plus Turkish.

Script Love is a connected cursive script appearing as hand written in three weights: fine pen, pen & marker. Script Love features extended characters, containing West European diacritics & ligatures, making it suitable for international environments & publications.

Based upon remnants of the Ludwig & Mayer font Magnet, first released in 1951, this Italian-style design was completely redrawn and extended for most main European languages, West and Central, plus a character set for Turkish.

Dave West released the Behemoth Semi-Condensed font in 1960. With nineteenth-century wood-cut influence PL Behemoth Semi-Condensed is an example of the revival of slab serif styles, popular in the sixties and seventies.

Rocktopus is a minimal fat blocky letter font. Each letter is designed for simplicity and maximum style points. Check it out! Rocktopus is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

Plowright is a new font based on hand lettering from the 1880s. It's a great example of the style we often associate with signmaking in the old west, with a lot of quirks and original character.

The Iberian scripts are the Paleohispanic scripts that were used to represent the extinct Iberian language. Most of them are typologically unusual in that they are semi-syllabic rather than purely alphabetic.[1] The oldest Iberian inscriptions date to the 4th or possibly the 5th century BCE, and the latest from end of the 1st century BCE or possibly the beginning of the 1st century CE. The characters in this font do not contain all the characters of the Iberian script. If there are friends who need all the characters, contact me so that I can install the font on the system.

White Oleander is a stylish handwritten font, with subtle texture imperfections, to appear as authentic as possible while remaining clearly legible in your projects. With four versions of the font: Regular, Slanted, Upright, and Compact, each with a slightly different feel, White Oleander is a truly versatile font — displaying a sophisticated, casual, and even playful tone — depending on which style you use. A comprehensive set of upper and lower case letter alternates, as well as a second set of lower case alternates is accessible via its handy Opentype features. White Oleander also features 32 natural-looking ligatures, along with ten swooping swashes, to add authentic variation to your design.

"Hello Agatha" - a delightful font pair with a handy set of illustrations This font duo consists of a beautiful script and a playful caps serif font. Together or separate they are perfect for tshirt design, quotes, mug, bag canvas, greeting cards, branding, stationery design, social media, packaging, prints and many more! If you combine them with the illustrations - you can create even more typographic designs, logos, labels and seasonal cards Hello Agatha script comes with tons of alternates for each lower case letter and a selection of standard ligatures so the possibilities are endless. It supports multiple languages and offers PUA encoding. The doodles make this font so perfect.

Mugio is the latest addition to our San Serif font family. Mugio is a one-of-a-kind font that can be used for any project. It includes a lot of qualities that make it particularly powerful and handy for making elaborate designs. This font’s slanted letters and curves make it ideal for logos, flyers, posters, and a wide range of other typographic projects. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Inspired by lettering styles of the 1930s, Seagrass BF is jazzy and jumping as a Lindy Hop. As such it captures I believe, something of the spirit of that age, yet somehow retains a fresh, contemporary feel. Headlines, logos, packaging, signage and branding are just a few of many usages. Seagrass BF contains Stylistic Alternates and Stylistic Sets for uppercase letters Y and Z, as well as ampersand (&). Other OpenType features include Standard Ligatures and Contextual Alternates. These features should at all times be employed to optimize the appeal of your word settings. So whenever your visual communication demands an energetic, vibrant voice please consider Seagrass BF.