Sunsive Sans Serif Font family is the perfect choice for clean, minimalist, and professional designs. With a variety of weights and styles, it's suitable for headlines, body, web, print, and modern branding. This font provides a bold and elegant look to your graphic projects. Sunsive Sans Serif Font family provides a variety of variations from Regular to Black, allowing you to customize the appearance of the text according to your needs. From simple Regular to powerful Black, each weight provides flexibility in designing text with a professional, modern touch.

Roanne is a sans serif family named after a town in France. This font family contains 2 width variations: Normal and Condensed, and all together counts 44 font styles. Equipped with OpenType features (Tabular Figures, Fractions, Stylistic Alternates, Localization for Serbia, Poland and the Netherlands, Case Sensitive brackets) for extended Latin and Cyrillic character set with a small charming set of Dingbats. For easier usage as webfont, Roanne font files contain numeric values for CSS weight attribute – 100, 150, 200, 300, 400, 500, 600, 700, 800, 850, 900.

Bold, playful, and fresh - the lime squash font will make your design stand out from the rest. This fun, bold font will give your work an added creativity boost, whether for a logo, product packaging, or a headline. With its unique style that has been carefully crafted, the lime squash font is perfect for any creative project.

Introducing Agnes Mozarela is a modern and classic serif font that adopts a unique style. This font family is perfect for all kinds of elegant and stunning designs. Get this font immediately for your design use, especially for logo designs, branding, magazines and others. Multilingual support. Any question? just DM. Free update. Thank you

This is a complex typographic system which includes three different but complementary styles so far: Slab, italic and script, with nine weights each one; plus three sets of ornamental fonts: labels, negative labels and ornaments. The soul of the family is a slab feeling applied judiciously to the italic and script styles to make it coherent with the whole system. Each style has three sets of figures: Proportional lining, tabular lining and old style. You can mix the three styles in a single piece to obtain more expressive results without worring about the uniformity and complementing the design by using the ornamental sets.

Syrup is a friendly, subtly rounded type family combining sans and script styles. It’s aesthetic roots are in the sign painting of the 1950’s but the execution is distinctly modern. The different styles are designed to work well together so you can have multiple levels of typography all with the same feeling and aesthetic. Try combining the styles in different ways for maximum impact. All styles are packed with Opentype features to enable flexible customisation of your design and the font is especially well suited for branding and packaging typography.

Remora is an extensive new humanist sans serif which comes in 2 style variations, the effervescent Remora Sans and its corporate business partner Remora Corp . Both styles include 5 individual width sets ranging from the condensed W1 to the extra-wide W5. Furthermore, with an impressive 7 weights (Thin to Ultra) and true matching italics in each pack Remora is an ultra versatile super family comprising 140 individual fonts, perfect for any typographic assignment or design brief. Remora was designed by G-Type founder Nick Cooke. Both the Sans and Corp families share the same proportions, with the exception of certain key characters that change the overall appearance. Remora Sans is an exuberant and characterful typeface while Remora Corp, as its name suggests, is a businesslike typeface more suited to corporate typography. Quite early on in the design process Nick decided to give Remora Corp equal billing instead of incorporating these glyphs as alternates or a stylistic set that may get overlooked. “I created two separate families after learning a valuable lesson with one of my earlier typefaces, Houschka”, says Nick. “Houschka contained distinctive rounded A’s W’s and w’s, with ‘straight’ styles as character alternates. Even though style sets and alternates are easy to activate they are rarely used, so after many requests for customised versions of the fonts with the straight characters as defaults it was decided to create the separate ‘Alt’ family. So I cut straight to the chase with the two Remora variants and created two complementary families.” Both sets contain many shared letterforms, but it is the alternate characters that significantly alter the appearance of each font. Remora has been carefully designed for optimum legibility at large and very small sizes. Although fairly monolinear in appearance, especially in the lighter weights, particular attention has been paid to optical correction like the overshoots of the curved characters. Open counters and painstaking attention to detail (e.g. weight contrast between horizontal and vertical strokes, junctions of shoulders and stems etc) all boost readability and make Remora a great choice across all media. Remora Sans and Corp are ‘humanist’ rather than ‘geometric’ in style, meaning they’re not strictly based on rectangles and circles, resulting in a warm and friendlier feel. The slightly ’super-elliptical’ rounded forms create generously attractive curves. Remora has very distinctive italics in that they are only inclined by 8 degrees, but are not just based on slanted uprights. The italic styles are very alluring when used for display at large sizes and the good news is they come bundled free with their respective uprights. Each family also contains many OpenType features including proportional and tabular numbers, small caps, discretionary ligatures, plus five stylistic sets for ultra versatile typography.

Remora is an extensive new humanist sans serif which comes in 2 style variations, the effervescent Remora Sans and its corporate business partner Remora Corp. Both styles include 5 individual width sets ranging from the condensed W1 to the extra-wide W5. Furthermore, with an impressive 7 weights (Thin to Ultra) and true matching italics in each pack Remora is an ultra versatile super family comprising 140 individual fonts, perfect for any typographic assignment or design brief. Remora was designed by G-Type founder Nick Cooke. Both the Sans and Corp families share the same proportions, with the exception of certain key characters that change the overall appearance. Remora Sans is an exuberant and characterful typeface while Remora Corp, as its name suggests, is a businesslike typeface more suited to corporate typography. Quite early on in the design process Nick decided to give Remora Corp equal billing instead of incorporating these glyphs as alternates or a stylistic set that may get overlooked. “I created two separate families after learning a valuable lesson with one of my earlier typefaces, Houschka”, says Nick. “Houschka contained distinctive rounded A’s W’s and w’s, with ‘straight’ styles as character alternates. Even though style sets and alternates are easy to activate they are rarely used, so after many requests for customised versions of the fonts with the straight characters as defaults it was decided to create the separate ‘Alt’ family. So I cut straight to the chase with the two Remora variants and created two complementary families.” Both sets contain many shared letterforms, but it is the alternate characters that significantly alter the appearance of each font. Remora has been carefully designed for optimum legibility at large and very small sizes. Although fairly monolinear in appearance, especially in the lighter weights, particular attention has been paid to optical correction like the overshoots of the curved characters. Open counters and painstaking attention to detail (e.g. weight contrast between horizontal and vertical strokes, junctions of shoulders and stems etc) all boost readability and make Remora a great choice across all media. Remora Sans and Corp are ‘humanist’ rather than ‘geometric’ in style, meaning they’re not strictly based on rectangles and circles, resulting in a warm and friendlier feel. The slightly ’super-elliptical’ rounded forms create generously attractive curves. Remora has very distinctive italics in that they are only inclined by 8 degrees, but are not just based on slanted uprights. The italic styles are very alluring when used for display at large sizes and the good news is they come bundled free with their respective uprights. Each family also contains many OpenType features including proportional and tabular numbers, small caps, discretionary ligatures, plus five stylistic sets for ultra versatile typography.

The Edit Collection is a brand new super family designed to create multi-platform brand and editorial typography. The Renaissance construction allows the typeface to handle long texts in small, medium and large sizes, balancing its astonishing and recognisable details with high legibility. The Edit Collection with its rational, clean aesthetics and great versatility is best suited for complex typography programs. Edit Serif Pro is a modern multilingual multi purpose typeface and the first release of Atlas’ next super family. Its humanist contrast combined with modern details makes Edit Serif Pro suitable for headlines and texts that need to distinguish themselves — while still expressing rational and clean aesthetics. Each style comes with 1.540 glyphs, many features and alternative character sets. As the well known Heimat Collection and Novel Collection already are, Edit will soon become a huge superfamily like all typefaces published by Atlas Font Foundry. Designed by Christoph Dunst for Atlas Font Foundry between 2012 and 2017.

ITC Chino is a type family (Display & Text) designed by Hannes von Döhren and Livius Dietzel. ITC Chino Pro brings legibility and distinction to text copy. It is also a friendly design that will invite readers into content at large or small sizes. It is a melding of soft brush stokes and crisp edges. This is readily apparent in the bolder italic weights where the straight stems provide a counterpoint to the cursive terminals. The Typefamily is highly legible in a wide range of sizes. The text side of the family contains five weights of roman, each with an italic companion. Ranging from Light to Black, ITC Chino Pro provides a rich typographic palette. The OpenType fonts have an extended character set to support Central and Eastern European as well as Western European languages. Each font includes small caps, fractions, old style-, lining-, tabular numbers, scientific superior/inferior figures and a set of arrows.

Gigranche font Family is Modern Expanded Grotesque sans serif style and which is where this font is very strong and bold for digital manufacture/ printing industry. This font is inspired by streetwear (Urbanstreet) which relies on courage, art, and strength. The Gigranche font also comes with several symbols, fractional numbers and additional glyps from various languages (Multilingual Support).

Gilton by Jolicia Type is a display font inspired by retro playful style writing.This font comes with a unique shape where every corner and There are 16 font family for the choice of the desired letter design, Support for 93 languages This font suitable with your projects such as poster, user interface, magazine, logo, apparel design, etc.

Such an honor to introduce our new font family Gratia Singer, a serif font with modern ligature style. Highly recommended font for you who need glamour and stylish looks, perfect choice to make your design projects; logo, branding, invitation, social media ads & website have classy looks, just type and add this font....abra ca da bra! it's magic

Pixel Grid is a font that lets us know that we have entered the digital age. We know about grid systems from the very first computers and electronic LED boards. Pixel Grid offers three types of grid resolution as well as many incarnations of individual segments. It is an electronic game: characters can be animated, overlapped, and played with in different ways. If you need a font that is strictly technical in nature, you can use tried-and-true square and round points. You can save ink by using them on receipts, for example, so the font can be used sustainably. Pixel Grid is suitable for engraving, or it can be used as a stencil. This complete font family aims to gain an extensive selection covering the early digital font style, facilitating the use of the style in professional applications today. Specimen: http://carontwice.com/files/specimen_Pixel_Grid.pdf

Last year, we visited Brazil and we were totally captivated by its cheerful and warm people. Its wild nature is absolutely amazing and very noticeable in textile printing as well as in floral design. That was precisely what inspired us to create some ornaments and dingbats, which we then turned into a single typographic work. The resulting typeface was called Garden , a serif display handmade font with a playful and spontaneous feel. The Garden family offers a font with a set of original “catchwords” (‘Garden Catchwords’, based on brush calligraphy), floral dingbats and botanical ornaments. Please be aware, “Garden Catchwords” is a ‘Catchwords’ font, and does not offer standard AlphaNumeric characters. The OpenType version provides a wide range of creative options. Garden is well-suited for text composition, posters, headlines, label design and handmade-style items. Garden is inspiration, nature and joy!

Rocket Pop Outline and Rocket Pop are influenced by product packaging and cereal box art from the 1960’s and 1970’s. The fonts will work as companions or separate. Best used over 36pt as a headline display face, these fonts will bring a bold playfulness to any project where a vintage or retro style is in the concept. The style reflects the era when things were indeed, mad, where men (and some women) did crazy art for vinyl records, food packaging and kiddie products. This outline font will bring a snap and crackle and a pop to any of your vintage design projects. Watch for the Cerealboxx Set coming soon that will include the astroluxtype fonts, Sugarbang! Koo Koo Puff and Rocket Pop together in one delicious box.

Andina Janelia is a modern signature font which is combining classic calligraphy with a modern style. Its dancing baseline will give your design an elegant and modern touch.

Astallya Script is a modern signature font which is combining classic calligraphy with a modern style. Its dancing baseline will give your design an elegant and modern touch.

Mogenta Signature is a modern signature font which is combining classic calligraphy with a modern style. Its dancing baseline will give your design an elegant and modern touch.

Brilliant Gemstone is a modern signature font which is combining classic calligraphy with a modern style. Its dancing baseline will give your design an elegant and modern touch.

This is the vintage version from my best selling font - Duarose, you can check it from this link - https://crmrkt.com/8dVKRE Duarose - Vintage Version is a classic and vintage serif with a bunch of alternates up to 6 style for each characters that will make your presentation or logo even more stunning and stand out! With two style, Rough & Stamp, this font will make your design looks more handmade and vintage. You can use this font for any adventure and outdoor design. Duarose also support Multi Language. and already PUA Encoded! Features Rough & Stamp Style All Uppercase Number & Symbol Multi language Alternates for each characters PUA Encoded

Redoneta Display is a bonus subfamily of the geometric Redoneta Trilogy (Sans, Sans Rounded, and Slab) with extra bold trendy forms. It contains a display style for each style. Expressivity and efficiency: Redoneta Display has the same OpenType features as the rest of the Redoneta family, 100 icons & emojis plus, and a unique personality for each style.

Sharik Sans (named after the brave and smart dog-hero from my favorite TV series) has a warm and gentle personality. It does not shout; it does not stand out. Sharik serves his master in everyday work. Although it is a sans serif, you can feel a calligrapher’s touch in its subtle details and endings. They shine out, especially at display sizes. The family consists of nine weights plus matching italics. It meets most of the needs designers deal with on a daily basis, including web usage. It is stuffed up with various OpenType features such as small capitals, a wide set of numerals, fractions, ordinals, alternates, and, of course, ligatures. And it perfectly harmonises with my other serif-like typeface family Clavo. NB: This font is NOT style linked by weight!

Rundfunk-Antiqua was originally designed as a font for small point size and shorter texts. It was presented 1933/35 by Linotype Designstudio but unfortunately never developed as a font family, including only Antiqua roman and sans-serif bold. Such an unusual combination resulted from the font combinations common during that time. The font’s basic forms tend toward the Transitional style but its details come from the influence of Jugendstil.

This font was designed to create unique typography in graphic design. It consists of one style and only capital letters. It is deliberately complicated by the addition of styles and lines that are not traditional for the latin or cyrillic alphabet, which adds zest, makes you look closely. The uniqueness of this font also lies in the fact that it is made in a geometric style using only square angles or perfect rounding in glyphs. This font will add futurism to your project, the unusual font always looks stylish and memorable. I am sure that the font will come in handy for those who want to add something new, modern and unique to their work.

Revista is a typographic system that brings together all the features to undertake any fashion magazine-oriented project. The font harmoniously blends different styles into a single big family, which consists of a Didone uppercase and small caps family—including 4 variants ranging from a monolinear Thin to Black with matching italics—and an Inline Black variant that works as a decorative alternative to the Didone fonts. Revista Stencil, one of its versions, comes with the same number of variants. Revista also comes with a Script Family that includes 5 weights, ranging from Thin (monolinear) to Black, contrasting in a tidily untidy way with many ligatures and alternates. You can choose between using stylistic alternates—if you want to give your designs a different untidy look, in the style of the modern calligraphy—or switching between different options if you are looking for a hand-written style. We highly recommend using the default contextual alternates and discretionary ligatures in order to take more advantage of this great font family. Revista includes 2 sets of dingbats, varying from zodiac signs symbols to technology symbols, and complementary ornaments in 3 different weights: Thin (monolinear), Regular and Black. All these features make Revista an ideal typeface for users to design to their liking! Photo by Fervent-adepte-de-la-mode

Sebino Soft family is a rounded version of Sebino. It is a neutral sans-serif type family with 9 weights, from thin to black, with corresponding italics. Sebino Soft has a large x-height with open apertures which make texts more legible at small sizes. Each font includes OpenType Features such as Proportional Figures, Tabular Figures, Numerator, Superscript, Subscript, Case-Sensitive, Denominators, Scientific Inferiors, Ordinals, Ligatures and Fractions. Sebino Soft will make your artworks better with its clean & clear shapes.

Rikon is a modern Sans Serif Family designed by Joël Carrouché and available in six weights, from Thin to Black. With its simple yet original letter shapes, this family displays a strong personality and will really shine in branding or titling applications, while being legible enough to endure longer texts and smaller sizes. The fonts are available in OpenType format, and include diacritics for most European languages and a selection of OpenType features (two stylistic sets, case sensitive forms, tabular figures...).

Scientist Castle Family Slab Serif Font Is A Great Font For any project! Available in 4 styles that you can use for various purposes, as a combination or separation according to the design style. Complete with OpenType features, which allow you to give a more calligraphic look! There are regular, Italic, Outline, and Outline Italic styles and very easy to use. Scientist Castle Family Slab Serif Font is a great choice for Projects you like branding, design, wedding, photography, Magazine, logo designs, album, covers Book, business cards, quotes, and projects other designs. What’s Included : – S-Alt – Works on Win, Mac – Simple installations – Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. – PUA Encoded Characters – Fully accessible without additional design software. Thanks for your support, please kindly send us a message for any question about our product. Hope you like it.

Waradala is a Halloween display font. Perfect for any of your October craft ideas. Which will make your design look mysterious, horror and spooky. Add it to your font library, and it will enhance your creativity! This font is PUA coded, which means you can access all the glyphs and swashes easily!

946 is a multilingual techno-style family developed by Berlin-based type designer Roman Wilhelm (RomanType). While more and more text families have recently been extended to a multilingual and multi-script level, not so much attention has been given to the more decorative styles. The 946 family does exactly that. A lot of care has been given to the various diacritics: they were designed a little more brutal, a little more European than with some other fonts of this category. Do also watch out for the non-Latin legs of this family. 946 is inspired by electronic music. When Roman found a second-hand Roland TR-606 drum machine in a store in his hometown back in 1995, he started to hang out with would-be DJs and musicians, trying to play the beats that went around the globe. When he started to study visual communication three years later, he was assigned the matriculation number of 946, which has now become the name of this family. Language support: Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Romanian, Slovak, Slovenian, Spanish, Swedish, Turkish, Vietnamese, Zulu. Do also watch out for the other script versions of this family!

Dickson is a sans font belonging to 10 font families, made in a very bold style. Dickson is a sans font that has a skinny upright style, comes in 10 upright weights. Dickson works well in all brands, logos, magazines, movies. The different weights give you a wide host of applications, while the outlined fonts give a real modern feel to any project. Multilingual support for multiple languages including: French, German, Spanish, Portuguese, Italian, Dutch, Finnish, Swedish and many more.

This comical styled Jester Script font was created to suit various design applications within the typeface market and is aimed at people looking for a clown styled brush script typeface that is very unconventional indeed. Designed and produced by Paul O'Connell of POCT, it is a distinct styled font script, loosely drawn with irregular rounded edges and curves to create a free flowing handwritten font that will appeal to everyone.

Aradela Display is a psychedelic style font with unique ornamental characteristics that will set your project apart from the rest. Aradela Display comes using the opentype feature to access ligatures and alternates, each glyph is created to create harmony. It will brighten up your work, for sure.

Biosphere is inspired by industrial style typeface that's will give look a modern and technical industrial display font. That will take any design idea to the next level, covering a wide range of project types such as poster design, book covers, prints, headlines, id cards, packaging, branding.

Fomtage Script is a font with a retro style made to make your designs look more attractive. Fomtage has 2 styles, namely script and extrude, this makes it 2 layers that can be combined so that it gives a very interesting shadow effect to add a retro impression. It will be very easy to use and will save you time on designing. Fomtage also has many opentype features such as ligature, and alternate. This will be very suitable for use as a logo, poster, packaging, merchandise, social media & greeting cards.

Blacksign is a cursive brushed handwritten font, featuring a lovely style. No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation.

TWT Prospero is the kind of typeface you seldom find in blocks of continuous text these days. Similar fonts based on late-18th-century work by Bodoni, the Didots, and others tend to be reserved for display type: their exaggerated contrast and vanishing hairlines can make you squint and strain at small sizes. But TWT Prospero, with its moderate contrast and fairly robust hairlines, is impressively legible in book text while remaining ideal for use in display situations. The full family has seven styles: roman, italic, bold, bold italic, condensed roman, condensed italic, and condensed bold.

The Lunaris font family has an elegant character with soft curved turns and includes 9 styles. If you want to try a modern or classic, elegant appearance, it can meet all your needs with its timeless structure that is ideal for your projects with capital and small letters. Lunaris is a versatile serif with a luxurious feel. You can easily use Lunaris in magazines, books, titles, websites, logos, clothing, invitations, branding, packaging, advertising, and more. CHARACTER RANGES : Basic Latin, Latin-1 Supplement, Latin Extended-A, Latin Extended-B, General Punctuation, Currency Symbols, CJK Symbols And Punctuation, Private Use Area (plane 0),

Consuelo a font inspired by brush strokes. The family consists of a set of 4 variants, with their respective italics, plus a set of ornaments that will give the designer multiple choices when composing texts. Consuelo is ideal to be used in decorative titles, short phrases, magazines, logotypes and advertising.