Presenting the 🎃 The Crots Typeface 🦇 by alitdesign. The Crots typeface is designed for the needs of design concepts themed about Halloween and events in October and November. The Crots font has a horror character with a character shaped like dripping blood, making the horo or Halloween themed design concept even better and unique. The Crots font also gets a bonus character of 150 Halloween-themed illustrations that make creating designs even easier. Simply by downloading The Crots font, creating a Halloween themed design is very quick and easy. The Crots Typeface is perfect for magazine cover designs, brochures, flyers. Instagram ads, Canva Design and so on with halloween and dark concepts. besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Crots Typeface contains 557 + 150 bonus glyphs with many unique and interesting alternative options. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Gogh is a geometric sans serif with a modern look and traditional spirit. It blends evenly without overly distracting the reader, yet still keeps a rich and distinctive character. The generous x-height, easily distinguishable glyph forms, and open terminals help the eye perceive a block of text smoothly, making it clearly legible. Gogh thrives when used both on-screen and on print media. Gogh type family consists of 10 weights from Hairline to Black and their matching Italics. Gogh is also available as a fully functional variable font, which gives unlimited opportunity to explore typography without the restrictions of predefined weights. Gogh Variable is also the best option if used on the web as it has a much-reduced size compared to the original font family. Regardless of which Gogh family you choose, the typeface covers a broad spectrum of languages, as it includes Extended Latin and Cyrillic. And it also comes with an alternative stylistic set that will completely change the overall look of a paragraph, giving it a more contemporary and display appearance. In addition to that, Gogh type family is enriched with an extensive list of OpenType features for advanced typographic layout, including standard and discretionary ligatures, tabular and small figures, fractions, language localizations, case sensitive punctuation, and more.

Yekow is a typeface with a Japan Style motif, making it ideal for projects that require a distinctly Japanese and Asian aesthetic. This font’s elegant and unique design will add an authentic and appealing vibe to your work. The Yekow font family includes a wide range of characters inspired by traditional Japanese characteristics, combining beauty with a contemporary touch. Each character is rich with delicate and vivid features, creating an enticing environment and exuding Japanese culture’s charm. You may add a genuine and distinctly Japanese ambiance to your advertising materials, posters, websites, and other projects by utilizing the Yekow font. This font will make an immediate impression and capture the attention of potential customers. Make your project stand out by using Yekow as the main typeface. With its rich detail and distinctiveness, this typeface provides a spectacular visual experience. Get on Yekow and take your designs on a memorable cultural tour. What’s Included : - File font - All glyphs Iso Latin 1 - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Presenting the ✨The Mietlor Typeface✨ by alitdesign. The Mietlor Typeface is inspired by stylish designs from the 80s to 90s. At that time the font style like "The Mietlor Typeface" had a firm and trendy impression. The Mietlor Typeface has a wide selection of alternative characters and swashes that make it easy to create bold retro-style designs. The Mietlor Typeface is very suitable for making designs with retro concepts, simple and playful designs, for example making magazine cover designs, music covers, YouTube thumbs, text headers, logotypes and so on with an elegant retort theme. Besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Mietlor Typeface has a total of 735 glyphs including symbol, multilingual and alternative glyphs. We really enjoyed the process of making The Mietlor Typeface, we hope you are also happy when using The Mietlor Typeface. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

World Discovery is a stunning calligraphy font that exudes a sense of beauty, romance, and exploration. The artistic swirls and slanted serifs come together to create a distinctive, high-quality, and exclusive typeface that will bring an antique charm to your designs. World Discovery has its origin in 15th-century discovery maps. Designer Mans Greback procured maps from the state library, and the exquisite penmanship and intricate details on the map, showcasing the venture of exploration and the grandeur of the Age of Discovery, sparked the unique and evocative letterforms that now make up the World Discovery font. The font offers an impressive array of 19 styles, including six distinctive main styles, their italic versions, as well as light, regular, and bold weights, as well as a Swash style for added flair. Combining the fonts gives you infinite possibilities to create a truly customized typographical artwork. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures, and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

"DARK SAME" is a unique and versatile font that combines the striking and bold elements of blackletter with the elegant and refined features of a serif font. This font is perfect for anyone looking to add a touch of sophistication and style to their design projects. With over 701 characters, "DARK SAME" offers support for PUA Unicode and multilingual use. Its extensive range of alternate glyphs, ligatures, and swashes allow for endless creative possibilities and customization. The font's classic modern and beauty dark style makes it an excellent choice for various design projects, including branding, logos, invitations, book covers, posters, and more. "DARK SAME" will add a touch of timeless elegance to any project and will make your designs stand out from the crowd. Overall, "DARK SAME" is a must-have font for anyone looking for a versatile and sophisticated typeface that combines the best of both worlds: the boldness of blackletter and the elegance of a serif font. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Many sport publications missed typefaces designed especially for sport communication conditions. We usually see only mechanically slanted or other synthetically destroyed standard typefaces. I want to fill in this space and create a system of fonts, that will be used primarily in sport. It is usable for many prints - logotypes, magazines, catalogues, posters etc. Elasticity of glyphs reflected an adrenalinous shapes of latest bikeframes, skies or sportcars. Maximum open arches guaranteed good readability in very small sizes and prevented interchanges of glyphs „o, c, e“ per poor reading conditions. Softness of lowercase is at uppercase balanced in bottom arches, that are subtly kicked-up. Numerals are an important component of sport communication, so this font offers expressive design, different from numerals of book typefaces. Every font has 9 kinds of numerals. Character case contains over 1000 glyphs, sport icons and othes signs creating the sport feeling. The font name, Akceler, represents acceleration, which is characteristic attribute of this typeface. It’s suitable for display and text usage, too. To see more please visit the PDF specimen. ■24 styles (2 alternatives, 3 grades of dynamics, 4 weights) ■over 1 000 glyphs per font ■9 kinds of numerals ■icons of sport equipment ■8 stylistic sets ■8 kinds of arrows ■23 OT features ■support of latin languages

Presenting the 🎃 The Zukones Halloween Typeface 🦇 by alitdesign. The Zukones Halloween Typeface is designed for the needs of design concepts themed about Halloween and events in October and November. The Zukones Halloween Typeface has a horror character with a character shaped like distortion character, making the horror Halloween themed design concept even better and unique. The Zukones Halloween Typeface also gets a bonus character of 150 Halloween-themed illustrations that make creating designs even easier. Simply by downloading The Zukones Halloween Typeface, creating a Halloween themed design is very quick and easy. The Zukones Halloween Typeface is perfect for magazine cover designs, brochures, flyers. Instagram ads, Canva Design and so on with halloween and dark concepts. besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Zukones Halloween Typeface contains 663 + 150 bonus glyphs with many unique and interesting alternative options. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Mesmerised by the sparkling greenish-yellow mineral called Olivine hidden within the black basalt of Lanzarote's lava fields, we named the gem of our library after this natural beauty. Peridot is not just another typeface – it's a multifaceted sans serif type system crafted with passion and precision by Foundry5. Painstakingly developed through long hours and a keen focus on every minute detail, this typeface boasts a high-quality 10 weight family with matching italics in 6 widths, and the highly versatile variable format. Brimming with character, Peridot invites you to experiment with its various stylistic variants, allowing you to tailor the typographic tone to fit your creative vision perfectly. The diverse range of widths and styles in Peridot offers a dynamic typographic toolbox, ready to inspire and captivate even the most innovative designers. Peridot Devanagari supports Devanagari and Latin and covers over 330 languages. It includes all required localised variants, tabular numerals and currencies, fractions, clever discretionary ligatures and many more features. Peridot performs in varied environments – from branding, display, corporate use, editorial, advertising, poster, web, screen usage etc. Think of any other use case as well, and Peridot will perform. Peridot Devanagari comprises 20 static fonts, family package, and variable support. It is the gem you ought to have in your collection.

Presenting the Billock Script font by alitdesign. The Billock script font is inspired by the strokes of a highlighter marker that has a bold square character combined with a dynamic signature script style. Combined with the concept of bright and neon colors, the design of the Billock font becomes more sporty and modern. This Billock script font is very suitable to be the latest collection of your font library, because it has many and very unique swashes and alternatives that make the designs you will make look different and cool. The Billock Script font is perfect for magazine cover designs, brochures, flyers. Instagram ads, Canva Design and so on with unique and modern concepts. besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Billock Script contains 887 glyphs with many unique and interesting alternative options. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Hello! Let me introduce Walonka – a modern calligraphy font. With its natural, elegant shapes Walonka is the perfect choice for logos, branding, web, blog headlines, invitations, magazine and book design, product packaging – or for any text on postcards and on your favorite photos. Walonka includes: a standard set of characters with wide multilingual support: Western-, Central- and Eastern-European, Baltic, Turkish, Latin-type Africans, and Asian (94 languages in total) two additional character sets: lowercase letters with alternates shapes and lowercase letters without a connection stroke - for the position at the end of a word another two additional lowercase character sets – initial and final swashed forms 75 ligatures for double letters and frequent combinations Walonka has a large number of embedded context-dependent auto-replacement features that give the text a natural, handwritten look and correct inharmonious combinations of letters. These features work well in many apps (even simple ones like Notepad/TextEdit), and if you need to customize their application – you could use programs that support OpenType features (for example, Adobe apps or CorelDraw). All these additional glyphs are PUA-encoded, so if your software does not support OpenType — you could access them through Character Map (Windows) or Font Book (Mac). I hope you will like Walonka and create great designs with it!

Rogsant Crisp is a luxurious sans serif typeface that combines contrasting letterforms with delicate and fine features, creating a beautiful and tasteful appearance. Designed by Mans Greback & Delaga, this clean and clear font exudes professionalism and style, making it perfect for fashion, art, and high-end branding projects. The elegance of Rogsant Crisp lies in its attention to detail and carefully crafted letterforms, which allow for a harmonious balance between sophistication and readability. With its refined appearance, Rogsant Crisp is an ideal choice for both print and digital designs that require a touch of luxury and delicacy. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures, and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers. Mans Greback is a dedicated typeface designer from Sweden, who continually strives to create innovative and unique fonts. His passion for design and typography shines through in his work, earning him recognition from designers around the globe.

'1812' type family is a revival and further development of the typeface '1812' by Lehmann Type Foundry (St. Petersburg). It was created for the centenary of the French invasion of Russia, known in Russia as the Patriotic War of 1812 along the lines of decorative engraved inscriptions and ornamented typefaces of that time, presumably by the artist Alexandre Benois. It was used mainly for the decoration of luxurious elegant publications. Later, in 1917, this typeface was used on the Russian Provisional Government banknotes. In the Soviet period of time '1812' appeared to be one of the few typefaces included in the first Soviet type standard OST 1337. It was produced for manual typesetting until the early 1990s. This typeface could be seen on Soviet letterheads, forms, posters and even air tickets. The digital version development was launched in 2010. The original version was supplemented with lowercase letters and alternative symbols, the extended Latin and Cyrillic alphabets were fully supported. The font was evolved into a family of 14 decorative styles which can refine any design giving it a festive and elegant but at the same time strict and nostalgic look. Despite its decorative nature, '1812' is perfectly readable in small emphasized text blocks due to its classic shape and careful spacing.

Redshift is sans with 12 upright weights and 12 oblique weights. Its a soft edged, spaced out offering from Rocket Type. It supports most extended Latin languages including English, Spanish, French, Italian, German, Polish and Portuguese. The name redshift means the displacement of spectral lines toward longer wavelengths (the red end of the spectrum) in radiation from distant galaxies and celestial objects. The original concept behind the font was that I wanted to create a massive heavy sans which would give the sense of tranquility within the user not unlike watching an object float through space. Redshift was designed by Dathan Boardman during 2016. Strongly rooted in the tradition of other notable geometric sans faces however much attention was paid to create a soothing experience for reading both large and small bodies of text. Each letter was painstakingly modified for optimal readability and warmth. Redshift was designed with the intent to create the ultimate bold header font. From there I wanted create the lighter weights to be readable when set within large bodies of text. Redshift works great for body headers & text as well as for logo design. It looks great juxtaposed with any number of other Rocket Type Fonts.

The original brief for Vox was a extensive monoline typeface that can be both precise and friendly, yet contain enough choice of seamlessly interchangeable variants for the user to be able to completely transform the personality of the typeface depending on the application. Basically, a sans serif with applications that range from clean and transparent information relay to sleek and angular branding. When the first version of Vox was released in 2007, it became an instant hit with interface designers, product packagers, sports channels, transport engineers and electronics manufacturers. This new version (2013) is the expanded treatment, which is even more dedicated to the original idea of abundant application flexibility. The family was expanded to five weights and two widths, with corresponding italics, for a total of 20 fonts. Each font contains 1240 glyphs. Localization includes Cyrillic and Greek, as well as extended Latin language support. Built-in OpenType features include small caps, caps to small caps, four completely interchangeable sytlistic alternates sets, automatic fractions, six types of figures, ordinals, and meticulous class-based kerning. This kind of typeface malleability is not an easy thing to come by these days. For additional versatility, take a look at Vox Round, the softer, but just as extensive, counterpart to this family.

You can download Bodrum Soft PDF Type Specimen here . "Bodrum Soft" is a rounded sans serif type family, designed by Bülent Yüksel in 20018/19. The font, influenced by serif styles that were popular in the 1920s and 30s, is based on optically corrected geometric forms for a better readability. "Bodrum Soft" is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances helps the legibility and gives "Bodrum Soft" an harmonious and sensible appearance for both texts and headlines. Bodrum Soft provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. “Bodrum Soft 14 Regular” forms the central point. "Bodrum Soft" is available in 10 weights (Hair, Thin, Extra-Light, Light, Regular, Medium, Bold, Extra-Bold, Heavy and Black) and 10 matching italics. The family contains a set of 650+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures can be accessed with one simple touch in all graphic programs. Bodrum Soft is the perfect font for web use. I hope you enjoy using it!

Presenting the 🐈‍⬛🌙🎃 The Beat Ghost Halloween Typeface 🐁🌙🎃 by alitdesign. The Beat Ghost Halloween Typeface is designed for the needs of design concepts themed about Halloween and events in October and November. The Beat Ghost Halloween Typeface has a horror character with a character shaped like distortion character, making the horror Halloween themed design concept even better and unique. 🐁🌙The Beat Ghost Halloween Typeface also gets a bonus character of 150 Halloween-themed illustrations that make creating designs even easier. Simply by downloading The Mouse Moon Halloween Typeface, creating a Halloween themed design is very quick and easy. The Mouse Moon Halloween Typeface is perfect for magazine cover designs, brochures, flyers. Instagram ads, Canva Design and so on with halloween and dark concepts. besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Presenting The Longlight! An Elegant Calligraphy Font with some alternates and ligatures. This font made with the perfect combining of each character. It looks original and can be used for all your project needs. Each glyph has its own uniqueness and when meeting with others will provide dynamic and pleasing proximity. This font can be used at any time and any project. You can see in the presentation picture above, The Longlight looks elegant and stylish on design projects. So, The Longlight can't wait to give its touch to all your design projects such as quotes, poster design, personal branding, promotional materials, website, logotype, product packaging, etc. Besides that, The Longlight also has some ligature that gives a surprise when you type certain characters combining. The ligatures are ee, ff, gg, gg1, ii, jj, ll, ll1, mm, nn, oo, pp, ss, tt, tt1, pp, and yy. WHAT'S INCLUDED? 1. The Longlight • The first version comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). 2. The Longlight Alternate • Included some alternates: f, g, i, j, l, p, s, t, y, and g. A Million Thanks Colllab Studio

Presenting the 🎃 The FUNROOT Halloween Typeface 🦇 by alitdesign. The FUNROOT Halloween Typeface is designed for the needs of Halloween themed design concepts and events in October and November. FUNROOT Halloween Typeface has a horror character with a character shaped like a haunted tree root, making the Halloween horror-themed design concept even better and unique. The FUNROOT Halloween Typeface also gets a bonus character of 150 Halloween-themed illustrations that make creating designs even easier. Simply by downloading The FUNROOT Halloween Typeface, creating a Halloween themed design is very quick and easy. The FUNROOT Halloween Typeface is perfect for magazine cover designs, brochures, flyers. Instagram ads, Canva Design and so on with halloween and dark concepts. besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The FUNROOT Halloween Typeface contains 561 + 150 bonus glyphs with many unique and interesting alternative options. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Saint Bartogenia is a handscript font that elegantly bridges the gap between handwriting and formality. Exuding a beautiful and lovely aura, this font is a perfect choice for wedding invitations and other elegant stationery. Its script form is both classy and fine, mirroring the artistry of traditional calligraphy with a modern twist. The thin, delicate lines of Saint Bartogenia create a sense of sophistication and grace, making each character swirl across the page like a light wind. Use underscore _ anywhere in a word to make a swash. Example: Ele_gant Use multiple underscores to make longer underlines. Example: Wonder___world The font is built with advanced OpenType functionality and guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more automatic and manual features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europa to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers. Saint Bartogenia is a manifestation of Mans Greback's commitment to combining aesthetic beauty with practical usability, making it a go-to choice for designers seeking to infuse their projects with a touch of finesse.

Meet Arlen, a funky, variable type family in 36 styles. Inspired by 20th century hand-painted signs and the visual culture of the 1980's, Arlen adds a little extra to this already charismatic mix. Arlen is a display sans serif that can be freely used for larger bodies of text. Among its most prominent visual features are high contrast, flaring stems and dynamic letterforms. With 860 characters in each font, Arlen supports most Latin-based languages and offers a large number of extra characters, dingbats, alternate glyphs, ligatures, and punctuation marks. Some of the most useful OpenType features are included too, such as Case-Sensitive Punctuation, Stylistic Alternates, Tabular Figures, Fractions, Localization, and a lot more. Some letters and characters come in two versions: thin and bold, and you can easily alternate between the two using a corresponding stylistic set. Arlen is a cheerful typeface that conveys kindness, good cheer, and only good vibes. It would feel at home both in digital and print mediums; it can be used in advertising, editorial design, social media, web design, packaging, or personal design projects. With versatility at its heart, Arlen would be a perfect typeface for large design systems that require multiple styles for typesetting.

PRISMATIC SPIRALS PRO FONT! The Prismatic Spirals PRO is a Decorative Type-System and ‘Assembling Game’, itself. Settled in squared pieces modules or tiles, embedded by unprecedented Intertwined Prismatic Structures Design, or intricate interlaced bars that may seem quite “impossible” to shape. Although it originated from the ‘Penrose Square’, it may not look totally as an Impossible Figures Type of Optical Illusions. More an “improbable” Effect in its intertwined Design, that even static can seem like a source of Kinetical Sculptures, or drive eyes into a kind of hypnosis. Prismatic Spirals Pro has two related Typefaces both more basic or easier to use versions, the Default Family plus its “bold” braided version Prismatic Interlaces… PRO provides a more advanced, complex, and twisted Design, plus requires to be typed alternating caps. Instructions: Use the Map Font Reference PDF as a guide to learn the 'tiles' position on the keyboard, then easily type and compose puzzle designs with this font! All alphanumeric keys are intuitive or easy to induce, you may easily memorize it all! Plus, often also need to consult it! *Find the Prismatic Spirals Pro Font Map Reference PDF Here! (!) Is recommended Print it to have the Reference or open the PDF to also copy and paste, when consulting is required or when it may be difficult to access, depending on the keyboard script or language. The 2 glyphs sets are separated in colors for facilitating. Also use the Map Font with key captions or switch to it for ensure that the characters are alternating between both uppercase and lowercase letters as other Keys as numbers, marks, and punctuation along the strings, holding Shift one by one or actually two by two. As a Tiles Type-System, the line gap space value is 0, this means that tiles line gaps are invisibly grouted, so the user can compose designs, row by row, descending to each following row by clicking Enter, same as line break, while advances on assembling characters. Background History: The first sketches of my Prismatic Knots or Spirals Designs dates back then from 2010, while started developing hand-drawn Celtic Knots and Geometric Drawings in grid paper, while engage to Typography, Sacred Geometry and the “Impossible Figures” genre… I started doing modulation tests from 2013, until around 2018, I got to unravel it in square modules or tiles from the grid, then idealized it as fonts, along with other Type projects. This took 13 years to come out since the first sketches and 6 months in edition. During the production process some additional tiles or missing pieces were thought of and added to the basic set, which firstly had only the borders, corners, crossings, nets, Trivets connectors or T parts and ends, then added with nets and borders integrations. Usage Suggestions: This type-system enables the user to ornate and generate endless decorative patterns, borders, labyrinthine designs, Mosaics, motifs, etc. It can seem just like a puzzle, but a much greater tool instead for higher purposes as to compose Enigmas and use seriously. As like also to write Real Text by assembling the key characters or pieces, this way you can literarily reproduce any Pixel Design or font to its Prismatic Spirals correspondent form, as Kufic Arabic script and further languages and compose messages easily… This Typeface was made to be contemplated, applied, and manufactured on Infinite Decorative Designs as Pavements, Tapestry, Frames, Prints, Fabrics, Bookplates, Coloring Books, Cards, covers or architectonic frontispieces, storefronts, and Jewelry, for example. Usage Tips: Notice that the line-height must be fixed to 100% or 1,0. In some cases, as on Microsoft Word for example, the line-height default is set to 1,15. So you’ll need to change to 1,0 plus remove space after paragraph, in the same dropdown menu on Paragraph section. Considering Word files too, since the text used for mapping the Designs, won't make any literal orthographical sense, the user must select to ignore the Spellcheck underlined in red, by clicking over each misspelled error or in revision, so it can be better appreciated. Also unfolding environments as Adobe Software’s, the Designer will use the character menu to set body size and line gap to same value, as a calculator to fit a layout for example of 1,000 pts high with 9 tiles high, both body size and line gap will be 111.1111 pts. Further Tips: Whenever an architect picks this decorative system to design pavements floor or walls, a printed instruction version of the layout using the ‘map’ font may be helpful and required to the masons that will lay the tiles, to place the pieces and its directions in the right way. Regarding to export PNGs images in Software’s for layered Typesetting as Adobe Illustrator a final procedure may be required, once the designs are done and can be backup it, expanding and applying merge filter, will remove a few possible line glitches and be perfected. Technical Specifications: With 8 styles and 4 subfamilies with 2 complementary weights each (Regular and Bold) therefore, Original Contour, Filled, Decor, with reticle’s decorations and 2 Map fonts with key captions. *All fonts match perfectly when central pasted for layered typesetting. All fonts have 106 glyphs, in which 96 are different keys with 2 versions of each of both caps and shift keys, plus a few repeated for facilitating. It was settled this way in order for exchanging with its Prismatic relative fonts which has only 48 different keys repeated twice. Concerning tiles manufacturing and Printed Products as stickers or Stencils, any of its repeated pieces was measured and just rotated in different directions in each key, so when sided by other pieces in any direction will fit perfectly without mispatching errors. Copyright Disclaimer: The Font Software’s are protected by Copyright and its licenses grant the user the right to design, apply contours, plus print and manufacture in flat 2D planes only. In case of the advent of the same structures and set of pieces built in 3D Solid form, Font licenses will not be valid or authorized for casting it. © 2023 André T. A. Corrêa “Dr. Andréground” & MMC-TypEngine.

Moho is a broad family of types inspired by the burgeoning modernism of the early twentieth century. Moho introduces an unconventional style in the form of his glyphs which aims to impregnate the text compounds thus a distinctive aesthetic sobriety and elegance while creating a flow of practical reading. The Moho family consists of a wide range of various weights. Thought for innovative text composition, Moho covers all shades of Medium, Regular, Light, ExtraLight to delicate Thin. Moho has a square shape letter style, provided with a competent OpenType programming for Moho OT family and basic functions for Moho Std family. Among the family characteristics OT has features such as small caps for letters and numbers, stylistics alternates, swash letters where "t" is extend over others, giving the typeface that particular style ideal for headlines, ligatures for pairs and triplets of letters, fractions and ordinals. In addition, each comes with its weight set italics. Moho has a character set to compose texts in European languages ​​of east and west with over 600 glyphs. Moho is a letter in resonance for general topics like sports, art. technology trends, fashion, tourism and transport. There exist two groups of Moho Family OT = Full OpenType Features and full set of glyphs Std= Basic OpenType Features and less glyphs

Bieta is a sans-serif font family designed by Naghi Naghashian in four weights. Bieta Light, Bieta Regular, Bieta Bold and Bieta Heavy. Width of this font family is almost condensed therefore specially space saving. Bold and heavy versions are suitable particularly for big titles. This font family is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Bieta supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. Bieta design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Bieta’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Bieta was developed for multiple languages and writing conventions. Bieta supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Traseraha – A Retro Cartoon Font Traseraha, a captivating retro cartoon font, effortlessly channels the whimsical charm of classic animated aesthetics. Designed by the creative minds at Traseraha Studios, this font pays homage to the golden era of cartoons with its playful curves and vibrant personality. Each letter exudes a nostalgic vibe, reminiscent of vintage comic strips and animated shows, making it an ideal choice for projects seeking a touch of retro flair. The Traseraha font seamlessly blends fun and readability, allowing it to shine in a variety of applications, from logo designs to creative headlines. With its unique character and timeless appeal, Traseraha captures the essence of a bygone era while injecting a dose of lighthearted energy into contemporary design projects. Traseraha is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. cartoon font, cute font, traseraha font, retro, vintage, 90s, 80s, 70s, cartoon, cartoon font, comic, comic font, delicious, display, display font, distressed, hand drawn, handwritten font, headline, holiday font, lettering, mexican, mexico, mexico font, packaging, playful, poster, retro, sticker, vintage font Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

"Le Mano" is a captivating serif display font that seamlessly blends classic elegance with modern sophistication. Crafted with precision, its graceful strokes and refined serifs exude a sense of timeless charm, making it a versatile choice for various design projects. This font commands attention with its distinctive and carefully balanced letterforms, each meticulously designed to offer a harmonious flow and readability. The deliberate spacing and clean lines ensure clarity, even at larger sizes, while maintaining a graceful presence in smaller text. Features: - Uppercase, Lowercase, Number, and Punctuation - Standard and Special Ligatures and alternates - Works on PC & Mac - Simple installations - Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even works on Microsoft Word - Fully accessible without additional design software - Multilingual Support, ä, ö, ü, Ä, Ö, Ü, ß, ¿, and ¡. Utilizing this font for titles, headings, or focal points within a design can create a unique juxtaposition that captures attention and adds a touch of sophistication to the fun and spooky theme. If you're looking to insert "Le Mano" into your designs for these themes, consider experimenting with its application in headlines, titles, accent text, horror theme, and horror font, leveraging its elegant yet slightly haunting aesthetic to amplify the overall feel of the design.

Abril is an extension of the Abril typographic system that was engineered as a response to a very specific requirement from the editorial design community: a low contrast typeface for head- lines. Given its broad range of styles though, Abril deserves to be considered a separate font family on its own. Based on the original text styles of Abril, the letter shapes are sturdy, very legible, and deliver a newsy and trustworthy feel. The accented editorial style of the Scotch Roman finds continuity in this new type family, but some of the details have been ironed out for improved performance in headline, both in print and on screen. The family is conceived as four series of different widths, with four weights in each series plus matching italics, a total of 32 fonts. This wide range of styles allows for setting titles at almost any size. The wider series are aimed for smaller point sizes while the con- densed weights can deliver a striking and cohesive appearance as front cover headlines. Abril was designed as a versatile tool for those graphic and web designers looking for a workhorse with high impact. It is also an excellent companion for the rest of the Abril type family: Abril Titling and Abril Narrow.

Rational TW is the typewriter addition to the Rational family. It is a monospaced font building on the same principles as its proportional, neogrotesque brother, such as maximum legibility and flexibility while combining Swiss and American gothic elements with a modern aesthetic. Due to the monospaced environment, some of its letter shapes like “r”, “m”,“f”, “i” and “w” have been slightly adapted but kept the same in appearance. Rational TW comes in two version: Rational TW Display and Rational TW Text. As indicated by its name, Rational TW Text is not limited to, but works best in small font sizes because it features distinctive letter shapes like a double storey “a” or “g” in order to help differentiate similar glyphs in small sizes. Rational TW Display, on the other hand, creates a geometric uniformity by implementing round shapes in “a” and “g”, giving it a subtle friendly and open character. Unlike many other monospaced fonts, Rational TW has a large amount of opentype features like small caps, alternative glyphs, case sensitive shapes, and many more making it the perfect choice for countless scenarios. With more than 700 glpyhs per font, it performs excellently in any project from print to digital.

John Baskerville (1706-1775) was an accomplished writing master and printer from Birmingham, England. He was the designer of several types, punchcut by John Handy, which are the basis for the fonts that bear the name Baskerville today. The excellent quality of his printing influenced such famous printers as Didot in France and Bodoni in Italy. Though he was known internationally as an innovator of technique and style, his high standards for paper and ink quality made it difficult for him to compete with local commercial printers. However, his fellow Englishmen imitated his types, and in 1768, Isaac Moore punchcut a version of Baskerville's letterforms for the Fry Foundry. Baskerville produced a masterpiece folio Bible for Cambridge University, and today, his types are considered to be fine representations of eighteenth century rationalism and neoclassicism. Legible and eminently dignified, Baskerville makes an excellent text typeface; and its sharp, high-contrast forms make it suitable for elegant advertising pieces as well. The Linotype portfolio offers many versions of this design: ITC New Baskerville® was designed by John Quaranda in 1978. Baskerville Cyrillic was designed by the Linotype Design Studio. Baskerville Greek was designed by Matthew Carter in 1978. Baskerville™ Classico was designed by Franko Luin in 1995."

Praxis® Next has the same robust shapes and proportions as the original 1976 Praxis design. Its large x-height, substantial counters and open apertures guarantee high levels of legibility and reading ease in print and on screen. More weights, condensed designs and true cursive italics differentiate Praxis Next from the older design. Praxis Next shines where space is at a premium. The regular designs are modestly narrow while the condensed typefaces perform with grace in the most crowded of environments. The bold designs create powerful headlines and banners and the lighter weights are ideal for both long and short-form text copy. Because of its many weights and proportions, Praxis Next is also an ideal design to build a brand identity. Praxis Next Variables are font files which are featuring two axis and have a preset instance from Light to Ultra and Condensed to Roman. Pair Praxis Next with old-style designs like Bembo® Book and Stempel Garamond™ to create a dynamic typographic contrast. Or complement the design with its serifed counterpart, Demos® Next . Unger also drew ITC Flora® as an alternative italic design. Looking for something a little different? Pair Praxis Next with Masqualero™ .

Nuit, a delightfully handwritten family font with strong character designed by Carine de Wandeleer. Its slight bounce and intentional irregularity, gives your words a wonderful flow. The fatness and thinness of their strokes give an impressive harmony. This new font family includes Regular, Italic, Bold and Bold Italic. It has OpenType features such as Stylistics alternates, Swashes, Ligatures, up to four Stylistic sets by letter, initial and terminal forms in upper and lower, ornaments that allow you to mix and match pairs of letters and a Central European language support to fit your design. This OpenType features may only be accessible via OpenType-aware applications, or the Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. This will help your creativity and make it easier to make expressive and elegant your typographic work. Also with Nuit it is possible to write all in capitals. Nuit looks lovely on wedding invitations, greeting cards, logos, posters, labels, t-shirt design, logos, business-cards and is perfect for using in ink or watercolor based designs, fashion, magazines, food packaging and menus, book covers and whatever your imagination holds! Nuit was made to make your project more beautiful and attractive.

The new font family Twogether Rounded, designed by Raúl Plancarte and published by Sudtipos, is a Sans Serif style with a rounded appearance. The aim of its design is to establish connections with diverse audiences and create a positive "feel good" sensation. The rounded style of typography is currently appreciated for its friendly and fresh personality. It is in trend, and the internet and technology have welcomed it with open arms, giving it a new sense of purpose. The proof is in the way that brands such as Box, Cox, Gaia Online, Imgur, Instacart, Instagram, itv 4, Jio, Skype, Twitter, Viasat, Vimeo, and Zoom Video have incorporated it into their visual identities. In the case of Twogether Rounded, a technical design has been combined with avant-garde contrasts, while still maintaining an institutional feel. These modern and lively fonts allow for a personal touch to be the protagonist, making them perfect for a range of design applications. Twogether Rounded's design makes it the perfect font family for a variety of design applications, including UX/UI, apps, branding, editorial design, and more. Its versatility and modern style can adapt to different design needs, making it a valuable asset for any designer or creative professional.​​​​​​​

This typeface finds a perfect balance between technical excellence, careful design of letter forms for extended reading, and a measured dose of charm and personality. Its informal feel allows for successfully typesetting a wide range of applications, from magazines and fiction books to advertising and websites. Calligraphy, be it done with the broad-edge pen, brush, or other tools, has been fundamental in the development of Pollen. Its influence is clearly visible in the construction of the top serifs contrasting the curved bottom serifs and the fluid aspect of terminals and tails, such as on “g” and “r”. The shapes of the diagonal letters are based on a less formal calligraphic model, but still uses the broad edge pen. ­The letters were then subject to a further process of pencil drawing and digital re-interpretation, which gave them the final shape. The designs of “e” and “c” are derived from drawings made with only one continuous line, with the pencil always touching the paper. The letters “g” and “y” express the intention to bring informal elements to a typeface intended for long text reading, usually characteristic of casual writing. Pollen consists of 3 basic styles with an extended OpenType Pro character set and large language support, perfectly serving the most common typographic needs.

Patrilya Script A New Romantic Script Calligraphy made with a touch of lovely and charming attraction that adds to the impression of a beautiful and elegant. a charming typeface and So beautiful on invitation like greeting cards, wedding invitation, branding materials, business cards, quotes, posters, headings, signature, logos, t-shirt, letterhead, signage, label, news, posters, badges and more Patrilya Script has a script typeface and extra letters and included floral ornaments that allows you to be more fancy and more extraordinary in designing. Patrilya Script requires no special software to use or access the alternate letters. You can even use Patrilya Script in basic writing apps like Word For those with Opentype capable software ( Photoshop CC or any version of Illustrator/ Indesign), Patrilya Script also comes with Opentype features such as access to all the alternate letters and double letter ligatures. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. Don't forget to check out other cool fonts on our store and wait for new fonts. Follow our shop for upcoming updates including additional glyphs and language support. feel free to send me a message, comment, like and share. Thanks

Jaleh is a sans-serif font family designed by Naghi Naghashian in tree weights, Jaleh Light, Jaleh Regular and Jaleh Bold. Width of this font family is Extra-expanded; a unique typeface. It is extremely legible even in very small size. This font family is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Jaleh supports Arabic, Persian ( Farsi ) and Urdu. It also includes proportional and tabular numerals for the supported languages. Jaleh design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Jaleh’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Jaleh was developed for multiple languages and writing conventions. Jaleh supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Say hello to Odds - a versatile, chunky casual sans with lots of personality! It’s fresh, friendly and easy to read. It is also a great mix of boldness and cuteness, so it definitely captures attention. The Odds family comes in five distinct fonts styles : - Odds - an artistic handwritten-style sans - Odds Sans - a typical neat and clean sans (caps and small caps which you can mix & match) - Odds Narrow - a cute handwritten narrow sans (uppercase and lowercase), and two awesome sets of goodies: - Odds Extras - borders, arrows, speech bubbles, etc. - Odds Symbols - palm leaves, plants, fruits and other useful objects. Odds works great on a variety of mediums from web to print, but you can find it particularly useful if you're designing food packaging (actually any packaging) and clothes. Other awesome usages include posters, signage, ads, printed and personalized cards, t-shirts, sale banners, everything kids related - merchandise, toys, you name it. Its quirky character and fat letters make up for bold and friendly presentation while the slender letters of the Odds Sans and Odds Narrow are perfect for plain text. And yes, all fonts have Cyrillic! They also have some neat ligatures and alternates to spice up your designs and create more interest!

Spiderwort is a lovely script font designed in a natural handwriting look. Like the other cursive fonts, the letters are interconnected to each other. This font type is perfectly applicable for texts that combine uppercases and lower cases in order for the writing to look flawlessly connected. Furthermore, it expresses soft and relaxing nuances to use in informal texts. The character of this font is the low contrasts in thin, unfirm lines. Nevertheless, it shows you unique, artistic displays on your designs particularly when you use it well and based on the desired theme. You can apply this font for any text sizes because it is greatly legible and also enjoy the available features here. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Spiderwort fits best for various design projects, such as brandings, invitations, greeting cards, name cards, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Introducing our new Font named Seatyio This font is designed with a script model that is suitable for writing for outdoor and indoor events, such as traveling or for the title of any particular event. and to be sure this font is not only limited to that purpose but also very special for every need of your project, be it a formal or non-formal project, this font is still beautiful and elegant. start creating awesome designs with this font! This charming font also offers the beauty of abstract typography harmony for a wide variety of design projects, including digital natural handwriting for designs, quote designs, for social media business designs, advertisements, trademarks, food and beverage promotion banners, text, posters, a signature, and all designs require handwriting or whatever design you want. This font is equipped with uppercase, lowercase, numbers, punctuation marks, swhases and several variations on each character including multi-language. ================================================== This font is best suited for open type friendly applications. How to get alternative glyphs from open type fonts: http://adobe.ly/1m1fn4Y PUA Character Code - Fully accessible without additional design software. do not hesitate anymore start using this font. and Feel free to send any message you want to convey.

Font is the most important design element to increase your branding. However, it may be tricky and take quite a while to figure out the perfect font for your design. Resting is a perfect display serif font for any of your design projects. Serif font is a font type with sticky small lines on the letters’ edges expressing formal, classic nuances and more aesthetic, creative touches due to the display font combinations. This display font has thick, high contrast lines perfect for catching attention and creating firm impressions. In addition, use this font for big text sizes for a legibility reason and make use of the other interesting features to beautify your designs. Features: Stylistic Sets Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Resting fits best for various design projects, such as brandings, posters, banners, logos, magazine covers, quotes, headings, printed products, invitations, name cards, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.