When you've got something big to say, but space is tight, the only way is up! Terje, an ultra condensed display font by Further Type, is here to help you create eye-catching, playful headlines, and logotypes that stand head and shoulders above the rest.

Quintrell is a very natural looking yet bold handwritten script. The Features of this fonts is; Standart ligatures, Stylistic Alternates, Stylistic sets, PUA Unicode (Private Use Areas). Programs that support in this font are Adobe Photoshop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office.

Bistro and Hot Sauce have been prepared quickly. In Bistro you will find 10 fine traces from coffee cups, and in HotSauce 10 pleasant-for-eyes stains from sauce. Both fonts are created in the 1998. OpenType revision, with extended Latin characters, made in 2009.

Artane, Tony Fahy's first typeface for Bitstream Inc., has a specific philosophy at the core of it's creation. He decided he would try to create a Roman sans that would have the elegance of a serifed italic, such as Stempel Garamond, Bembo, or Baskerville.

Introducing Lamarkie, a classic yet modern typeface with lots of style. For those who are needing a touch of elegany, stylish, classy, chic, and modernity for your design, this font was created for you!. Complete with ligatures alternates regular italic hollow icon kerning multilingual support

German type designer Klaus-Dieter Lettau created this display FontFont in 1995. The family contains 2 weights and is ideally suited for music and nightlife. FF Voodoo provides advanced typographical support with features such as ligatures. It comes with proportional oldstyle and proportional lining figures.

Nino Script is a decorative tattoo typeface. It has a wild style and ornamental letters that gives a customized appearance to every word. The font is provided as OTF and TTF and supports hundreds of languages.. Use underscore to create a swash. Example: Wild_

Pieve (means community): The idea was to create a gestual and fresh typeface, almost rustic and sometimes elegant, a Latin typography popular and irreverent. This font comes with stylistic variations that highlight their regular handwriting. The result is a modern writing readable and well balanced.

Bilestone inspired from vintage baseball, sign painting, and labeling, is suitable for logos, product names packages, labels, old fashioned coffee shops, bars and everything with specific characteristics of past times. Bilestone is a great combination to create something good and with a vintage feel.

Art Nouveau typeface ‘Secessionist’ draws inspiration from Wiener Secessionist Joseph Maria Olbrich's handwriting, as seen on his architectural drawings from the 1920’s. You can use these fonts to create posters, greeting cards, scrapbooks, CD labels, T-shirts, coffee mugs, digital videos websites and banners.

Viva Kaiva is one of our unique fonts with a psychedelic touch, this font has many stylistic alternates that make this font the best option for creating a unique title for your Illustrations, titles, posters, branding projects as well as designs with a fantasy theme.

Abellaice is a graceful script font. Fall for its ravishing style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more! Abellaice is PUA encoded which means you can access all glyphs and swashes with ease!

La Trains is a fashionable light handwritten font with a unique feel and a stunning impact. It will add a luxury spark to any design project you create, This font is PUA encoded which means you can access all of the amazing glyphs with ease .

Redmilk embodies fun, quirkiness and authenticity. This enchanting handwritten font will turn any creative idea into a true standout. Get inspired by its authentic feel and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and cute greeting cards.

Alan Birch created the LCD font in 1981. Its name is an abbreviation of the words Liquid Crystal Display," the display technology used in digital watches and clocks the world over. LCD is a great choice when a futuristic, high-tech look is desired.

The great sans-serif for heading:) This is the big update of my font Parallone created in 2018. I needed the compact but not monospaced font with oversized caps. And here it is) Extended latin set Friendly glyphs design Stylistic alternates + ligatures 6 weights + italics

Amarissima is a display font inspired in vintage Italian signs of baker shops. Regardless its crafty inspiration, the construction remains highly mechanical and structured. It has several OT features being the most iconic its contextual alternates that automatically create tails on every single word.

Create an elegant and exotic feel with our Arabic-style font, Qosydu. Bold fonts and extended spacing give your designs a middle eastern feel, make all your projects elegant with this font. Qosydu is the perfect choice for Arabic-themed packaging, advertising, or invitations.

The inspiration for designing this font was our company logo, that we created first. The design is influenced by a typeface called Din. The main characteristic and features are clean, minimalistic, geometric. Young playful companies and clients could definitely use this font for their branding.

Beauty Switzerland is an elegant, delicate and distinct script font. It will add a luxury spark to any design project that you wish to create! This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

German type designer Critzla created this display FontFont in 1997. The family has 11 weights, and is ideally suited for music and nightlife. FF Chemo provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional oldstyle figures.

Verstyle is a rich & elegant sans serif, that can be both an eye-catching display typeface and a clean & legible font for smaller text. It has 6 weights to choose from, plenty of ligatures, superscript letters, small caps and alternates to create a tailored look.

Roller Girl is a bubbly ligature filled 70's inspired retro font. Roller Girl has easy going curves and a laid back aesthetic. It has a ton of ligatures in both upper and lower case that can help you create unique designs that stand out.

Hercule is a decorative typeface family in two weights: Light and Medium. The inspiration for Hercule was the fanciful moustache of the great fictional detective Hercule Poirot. The typeface was created by hand. Hercule is ideally suited for headlines, logotypes, decorative and display use.

This is a modern-day interpretation of the 1930s font. With a wide range of alternates, you can create Art Deco and Bauhaus style typography in one piece. People who see it will be fascinated by the stylish and feminine look of the font.

There is nothing wrong with your computer screen. Do not attempt to adjust the picture. We will control the horizontal. We will control the vertical. You are about the experience the awe and mystery which is Super Chill. Super Chill Mind Control (MC) mixes super narrow letterforms with gothic inspiration, lulling you to sleep and also given you a freak out! The font includes: - A complete set of uppercase and lowercase letters, basic punctuation, numerals and currency figures, and diacritics - Stylistic Opentype Alternates to avoid letter crashing - Fun dingbats all sorts of nefarious purposes - Western Europe language support Need an extended license? Simply email us at hello@sajatypeworks.com and we’ll be happy to help! A collaboration between Dave Savage of Savage Monsters and Aaron Bell of Saja Typeworks. Get in touch: We’re here to help! If you have any questions or need assistance, please DM or contact us via hello@sajatypeworks.com Languages supported: Abneki, Afaan Oromo, Afar, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Arrernte, Arvanitic (Latin), Asturian, Aymara, Basque, Bikol, Bislama, Breton, Cape Verdean Creole, Cebuano, Chamorro, Chavacano, Chickasaw, Cofán, Corsican, Dawan, Delaware, Dholuo, Drehu, English, Faroese, Fijian, Filipino, Folkspraak, French, Frisian, Friulian, Galician, Genoese, German, Gooniyandi, Guadeloupean Creole, Haitian Creole, Hän, Hiligaynon, Hopi, Ido, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Kagaw Ya, Kapampangan (Latin), Kaqchikel, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Latin, Lojban, Lombard, Makhuwa, Malay, Manx, Marquesan, Meriam Mir, Mohawk, Montagnais, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Norweigan, Novial, Occidental, Occitan, Oshiwambo, Palauan, Papiamento, Piedmontese, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romansh, Rotokas, Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Slovio (Latin), Somali, Sotho, Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tetum, Tok Pisin, Tokelauan, Tshiluba, Tsonga, Tswana, Tumbuka, Tzotzil, Uzbek (Latin), Volapük, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu.

Introducing Astro, a charming serif font designed to bring an elegant and classic touch to your designs. Crafted with meticulous attention to detail and inspired by mid-millennium Serifs, Astro seamlessly blends traditional sophistication with contemporary elements, making it suitable for a variety of design projects, both print and digital. Enchanting Letter Shape Designs: Astro exudes charm with its letter design that is heavily inspired by the mid-millennium Serifs often found in European and American designs. Each letter is carefully carved to create a charming and luxurious impression. Unique Alternative Glyphs: Astro is not just a font; it is a standout typographic masterpiece. By offering several unique alternative glyphs, such as the letters a, g, and k, Astro gives designers the freedom to express their creativity in a unique and personal way. Mid-Millennium Serif Elegance: Astro features smooth lines and proportions, creating an elegant impression characteristic of mid-millennium Serifs. This design provides a timeless classic touch making it suitable for a variety of design needs, including books, magazines, posters and other printed materials. Ease Readability: While the Astro exudes striking elegance, its design also prioritizes readability and comfort. Each letter is created with balanced proportions and optimal contrast, ensuring text appears clear and easy to read, whether on a large or small scale. Flexible Use: Astro is designed to provide flexible use across a variety of design platforms. From the logo design to the magazine layout, Astro adapts beautifully, maintaining a consistent feel that enhances the aesthetic quality of the design. European and American inspiration: Astro creates a bridge between European and American typographic styles, combining the best elements of both traditions. This makes it the perfect choice for projects that combine elements from both continents. Astro is more than just a font, it is an artistic statement that leaves an unforgettable impression on any design project. Suitable for designers who appreciate classic beauty and modern uniqueness, Astro brings a special and charming feel to every character it creates.

“Safety first!” claimed the sign. The janitor huffed, and continued mopping up the nuclear sludge from the floorboards. Just another day in the wasteland. Industrial Spill is available in three destructive styles: - Regular (great for those warning signs that everyone ignores when rummaging for salvage) - Ooze (reminds you to always clean up after contaminated muck covers the floor) - Wasteland (gives that wonderful feel of wandering around a desolate landscape) Please note that Industrial Spill Wasteland is highly detailed, realistic texturing. It may render slowly in older applications. Each font includes: - A complete set of uppercase and lowercase letters, basic punctuation, numerals and currency figures, and diacritics - Stylistic Opentype Alternates to avoid letter crashing - Punctuation shifts in All-Caps scenarios for better placement - Western Europe language support Need an extended license? Simply email us at hello@sajatypeworks.com and we’ll be happy to help! A collaboration between Dave Savage of Savage Monsters and Aaron Bell of Saja Typeworks. Get in touch: We’re here to help! If you have any questions or need assistance, please DM or contact us via hello@sajatypeworks.com Languages supported: Abneki, Afaan Oromo, Afar, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Arrernte, Arvanitic (Latin), Asturian, Aymara, Basque, Bikol, Bislama, Breton, Cape Verdean Creole, Cebuano, Chamorro, Chavacano, Chickasaw, Cofán, Corsican, Dawan, Delaware, Dholuo, Drehu, English, Faroese, Fijian, Filipino, Folkspraak, French, Frisian, Friulian, Galician, Genoese, German, Gooniyandi, Guadeloupean Creole, Haitian Creole, Hän, Hiligaynon, Hopi, Ido, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Kagaw Ya, Kapampangan (Latin), Kaqchikel, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Latin, Lojban, Lombard, Makhuwa, Malay, Manx, Marquesan, Meriam Mir, Mohawk, Montagnais, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Norweigan, Novial, Occidental, Occitan, Oshiwambo, Palauan, Papiamento, Piedmontese, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romansh, Rotokas, Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Slovio (Latin), Somali, Sotho, Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tetum, Tok Pisin, Tokelauan, Tshiluba, Tsonga, Tswana, Tumbuka, Tzotzil, Uzbek (Latin), Volapük, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu.

Handy Andy Andy Lethbridge had only just completed his graphic design BA at the University of Portsmouth when he was spotted by Jason, who’d seen Andy’s exquisite hand lettering at his degree show and on Instagram. Keen to push the handwritten theme further, having recently launched a digitally-created, chalky script font (FS Sammy), Jason offered Andy a job and the chance to develop a suite of more stylised, truly hand-drawn fonts. Andy duly got out his pads, pencils and pens, and started experimenting with styles and textures. Magic followed. Imperfection perfected Most ‘handwritten’ typefaces are created entirely digitally. Not FS Shepton. From the start, the intention was to create a collection of alphabets of similar character but different texture and style – 100% hand-drawn and purposely imperfect, with the kind of inconsistent, organic shapes and textures of market stall signs, dashed off in chalk or paint. FS Shepton Regular, drawn with a wet brush pen, is solid with a rough outer edge and a casual but controlled feel. The dry brush used to create FS Shepton Light gives it more inner texture and a more formal, slanted, calligraphic style. FS Shepton Bold, drawn using a wider, looser dry brush pen, has a woody grain in the middle of its broad strokes and greater solidity where the brush moves more slowly. Fresh as a daisy Think of FS Shepton not as a family of three weights of the same font so much as a collection of three fonts penned by the same author. All of them – the light, regular and bold – were created independently as display fonts that offer something different to labelling, packaging, point-of-sale and advertising. Lovingly crafted by hand, they’re a good match for products and settings that share the same artisinal qualities: organic foods, drinks and healthcare products, as well as premium chocolate, coffee and condiments.

Sparkster - Futuristic Font Introducing Sparkster, a bold and sleek futuristic font inspired by modern digital technology. This typeface is designed to create a cutting-edge and futuristic vibe for your design projects. The Sparkster font family includes both uppercase and lowercase characters, with Opentype features such as alternates and ligatures for a more customized look. The idea behind Sparkster was to create a typeface that captures the essence of digital technology and future-oriented design. With its bold and sleek appearance, it is perfect for a wide range of design projects, including logos, covers, posters, branding, UI, titles, and more. Whether you're designing for a tech company or a forward-thinking brand, Sparkster is sure to make a statement. For a futuristic and modern look, try using Sparkster for your branding and packaging projects. Its bold and sleek appearance is perfect for creating a cutting-edge and futuristic feel that will make your brand stand out. You can also use Sparkster for album covers, posters, and social media graphics to give your designs a high-tech and futuristic vibe. Sparkster comes with a range of features, including uppercase and lowercase characters, Opentype alternates and ligatures, and multilanguage support. It also includes numbers, punctuation, and symbols to make it versatile for a range of design projects. In the font package, you will receive three different file types: Sparkster OTF, Sparkster TTF, and Sparkster WOFF. This ensures that you can use the font on a range of devices and software programs. In summary, Sparkster is a bold and sleek futuristic font that is perfect for creating a cutting-edge and modern look for your design projects. With its unique and customizable features, you can make your designs stand out and make a statement. Try using Sparkster for your branding, packaging, logos, album covers, posters, and social media graphics to create a high-tech and futuristic feel.

Fractura ND is a stencil typeface designed by José María Cerezo. It includes, in addition to four fonts of different weights, an outline font, a pair of fonts to make bicolor sets and a dripped font. A geometric sans serif that, with the particularity of being a stencil, provides personality and wide compositional possibilities. Fractura is a Trademark of BauerTypes SL

Beneath the dominant signifier of identity, a surprising dimension of Bodoni is revealed—its core architecture, stripped of the famous high contrast cloak. Further subverting typographic norms, a monoline of even width (in all but the heaviest weights) here describes capitals, lower case, and serifs. And yet a certain quaintness is evident; this is, after all, both deconstruction and historical fiction.

Iza and Paulo W (Intellecta Design) are proud to announce Bradstone-Parker script Script. A free interpretation of the golden age writing style from American classical penmanship. Inspired in Zaner and his contemporaries Bradstone-Parker has evocative (sometimes exaggerated) ligature forms and voluptuous forms. This enhanced OpenType version is a complete solution for producing documents and artworks with a evocative and voluptuous style of calligraphic script: - many stylistic alternates for each letter (upper- and lowercase), accessed with the glyph palette; - ornaments and tails (“rasgos”) in the typical style from the XIX to the first decades of the XX century writing style, all accessed with the glyph palette using the Ornaments feature; - an extensive set of ligatures (100s of contextual alternates ligatures) providing letterform variations that make your designs really special, resembling real handwriting on the page; - a tour-de-force kerning work: over 4600 kerning paris soft adjusted handly. In non-OpenType-savvy applications it works well as an unusual and beautiful script style font. Because of its high number of alternate letters and combinations (almost 700 glyphs), we suggest the use of the glyph palette to find ideal solutions to specific designs. The sample illustrations will give you an idea of the possibilities. You have full access to this amazing stuff using InDesign, Illustrator, QuarkXpress and similar software. However, we still recommend exploring what this font has to offer using the glyphs palette: principally to get all the power of the Contextual Alternates feature. You can get an idea of the power of this font looking at the “Bradstone-Parker Script Guide”, a pdf brochure in the Gallery section. Take a special look at the Bradstone-Parker Words (ready words). Bradstone-Parker Script has original letters designed by Iza W and overall creative direction plus core programming by Paulo W.

Passport48 exclusively in otf. opentype format, originally debuted in 1997 as Passport, close to the beginning of the indie typographer boom. Almost 25 years have passed since it was introduced at MyFonts as PS1 and later in 2003 in TT TrueType.** It was designed by Joseph Coniglio of Coniglio Type as a revival. Historically, Passport was digitized from a shiny black enamel 1948 Royal Silent Deluxe portable. Kept on the ship of merchant marine, Captain John O’Learn, it was a salty manual typewriter with no intrinsic value as a collectable, even though it is awash as a work horse and a fine communicator of it’s time.. **NOTE: Little Passport family leaves the nest: The old weight variations, styles and formats have been eliminated to allow the original face to be stand alone, on its own attributes. For those purchasing their first typewriter fonts and to our diehard collectors as well, Passport presents a friendly new port-of-entry. A simple set, that is freed of many of the normal distressed points and paths that had made most “typewriters” authentic looking, but difficult to print and manipulate in layouts back in the day. It’s smooth nature comes from its impressions struck directly onto a piece of carbon paper bypassing the silk ink ribbon and going directly from metal to carbon paper transferring to a piece paper with very little tooth. Examine the glyphs to be certain you have what you need from this minimalist set, Passport48 is intended for ease of use and affordability. This is a warm font in a cold cruel world and a real port in the storm! It is versatile in today’s layouts with 24 years of worldwide sales. …Please enjoy the fruits of its travels, hoping your destinations and explorations into graphic design and letter composition are happy ones. -Joe Coniglio, the Pacific Northwest (2021).

Y’all ready for this? Now starting for Insigne: the new serif Mirantz. This rookie all-star plays a precise game every game, cutting at all the right angles to leave your reader impressed and ready to see more. You can always count on Mirantz to lead with solid mechanics and a clean style, but don’t be surprised when the face keeps it real with a little individual flare and creativity. This personal touch is nothing short of elegance in every appearance. So what makes us love this rookie above the other great players in the field? Contrast, for one. Mirantz brings more contrast to the game than most serifs out there. The serifs on this face have a crisp, sharp wedge that naturally draws the reader’s eye. You can’t help but fall in love with its clean, natural style. Mirantz also features a tall x-height and regular proportions that can play a number of positions on the page and still stay strong through the last half of the copy or even the final period. Mirantz is a solid powerhouse player, containing a complete set of small capitals and nine weights from thin to bold. It can play well both down low and up top with its subscripts and superscripts and can move your reader’s eye easily across the copy with its titling capitals, condensed and extended variants, and open style figures. With its options covering more than 72 Latin-based languages, look for this newcomer to have international success in the near future. It you haven’t set your draft picks for this next round of projects, think hard before passing up Mirantz. A capable serif like this one is a guaranteed asset to any team of fonts. Production assistance from Lucas Azevedo.

Yes, finally. This one took the most time and the most restarting. Years went into imagining what Lust Text should look like and how it should structurally behave in order to truly improve upon a setting that includes any of the Lust typefaces. I approached it as much from the side of the type designer, as I did a potential user. The flow, the warmth, the personality needed to be there, but all of the excess had to be removed responsibly. In the process, and in need of inspiration, I looked backward to historical artifacts and precedent. In each early Lust Text approach, the solution was lackluster and/or vanilla and not actually a ‘Lust’ typeface. The exercise was not in vain though. By exploring past examples, I found my footing drawing for media now and how it might be used later—all the while, producing seamless, elegant curves and restrained indulgence (that sounds almost silly to say, but I like it). The Lust Collection is the culmination of 5 years of exploration and development, and I am very excited to share it with everyone. When the original Lust was first conceived in 2010 and released a year and half later, I had planned for a Script and a Sans to accompany it. The Script was released about a year later, but I paused the Sans. The primary reason was the amount of feedback and requests I was receiving for alternate versions, expansions, and ‘hey, have you considered making?’ and so on. I listen to my customers and what they are needing… and besides, I was stalling with the Sans. Like Optima and other earlier high-contrast sans, they are difficult to deliver responsibly without suffering from ill-conceived excess or timidity. The new Lust Collection aggregates all of that past customer feedback and distills it into 6 separate families, each adhering to the original Lust precept of exercises in indulgence and each based in large part on the original 2010 exemplars produced for Lust. I just hate that it took so long to deliver, but better right, than rushed, I imagine.

The market for humanistic sans serif type families is saturated, so what can a new release add, and what does it take to stand out from the crowd? Asterisk Sans Pro (named after my favourite glyph to make) aims to be a highly versatile type family; massively useful due to its pan-European language support and bounty of OpenType features which make it the ideal choice for demanding typography. The look is contemporary; details which give the fonts character at large sizes all but disappear when small, making the middle weights suitable for large chunks of text. The family ranges from a hairline ultra light to a pretty weighty black – a must in a new typeface. Asterisk Sans Pro supports Latin, modern Greek and Cyrillic, with localized forms for Bulgarian, Serbian and Macedonian to boot. This is rare enough, but to have small caps for all these scripts in both upright and italic fonts is a big plus. Your client may not need all this language support right now, but this typeface gives them the option to grow while keeping a consistent look, and at a similar price point to families with a much narrower scope. The ability to customize Asterisk Sans Pro through the use of Stylistic Sets in OpenType savvy layout programs means you are really in control. Want more italic forms in the uprights? Go for it. A more Roman italic? Easy! The spurless m, n, r and u, accessible through SS13 give a graphic, almost bauhaus feel. The Dutch IJ glyph can be changed to a much cooler thing using SS14, and the family even supports ij-acute. Other OpenType features include a wealth of numeral styles (tabular and proportional, lining and oldstyle, plus small cap figures, numerators, denominators, subscript and superscript) and automatic fractions. There are also case-sensitive forms for all caps settings, a bunch of useful arrows, and superscript lower case Latin letters. All in, there are well over 1200 glyphs per font, making Asterisk Sans Pro an invaluable tool in your typeface arsenal, great for everything from corporate identities to editorial work, apps to cookbooks.