A Classic italic Roman with a set of alternative swash caps and a number of original swash lower case characters that can create a number of unusual ligatures.

Finesolla is a cool brush script font. It’s perfect for creating logos, product branding, posters, social media posts and much more! Ignite your creativity with this fun font.

German type designer Johannes Erler created this pi and symbols FontFont in 1992. The font is ideally suited for advertising and packaging. It comes with proportional lining figures.

The letters of this cursive font connect together to create script lettering that will add a unique touch to your special occasion announcements, invitations, scrapbook layouts, and programs.

Fantasik is a sophisticated, charming serif font with a fashionable touch. Specially designed for luxury, elegant, feminine projects, this font is perfectly suitable for creating modern, chic designs.

The Billy family contains three individually useful and fun fonts. When combined, the energy and strengths of the different weights play off each other creating an essential family.

Auto-scanning an example of a vintage typewriter font created the design which is now the digital typeface Bitmap Typewriter JNL, available in both regular and oblique versions.

Elegant settings perfect for framing gems, words, quotes and pictures in groups of three. These were created to go well with Gingerbread Borders and Victorian Frames. 76 characters.

Cattleprod is an offbeat slab serif font full of swagger. It was created without any reference, but just the idea of a playful somewhat stumbling stance in mind.

Bagife is a sophisticated, charming serif font with a fashionable touch. Specially designed for luxury, elegant, feminine projects, this font is perfectly suitable for creating modern, chic designs.

North Blue is a new, stylish and quirky script. It was created to look as close to a readable script as possible, and includes great swash characters too.

Diamante Robusto Font is my new font, where all the letters came out of this strange shape created without intention of being the inspiration for this new font.

Niks is the first sans serif created by dooType. It has 4 weights with corresponding italics. The character set supports more than 30 languages and some Opentype Features.

Rogue - A Display Font : Rogue is a carefully crafted display font. It has Extended Latin and Cyrillic characters. It created for poster, web, brand and social media designs.

Gatkins, its a Elegant Script font with swashes! create your own customized signature, quotes, or logo design. This font is support multi language. Also Support PUA. Thank you!

Subikto One is the first of a series of pictograms from Subtitude foundry. We've create a multitude of hand positions and combinations. Each hand express a unique gesture.

Dillario is a sophisticated, charming serif font with a fashionable touch. Specially designed for luxury, elegant, feminine projects, this font is perfectly suitable for creating modern, chic designs.

This is a series of elegant ormnaments created for Valentine's day. Each ornament is designed with care to ensure that it can be used at the largest sizes.

Carefully considered letters written long-hand, sealed in an envelope and sent across continents were once the only connection for distant friends and lovers. Dear Sarah is a type that evokes the emotion of those handwritten messages. Using alternates, ligatures and a complex system for randomization and natural connected characters, Dear Sarah seeks to push the boundaries of digital type. The guiding question that drove the design of Dear Sarah was whether it was possible to create a natural looking script that worked well in running text. Hand-written types often work for two or three words, but as soon you you look at them in a paragraph, their unnatural textures make them feel contrived. As one of the first serious types to explore OpenType for a connected script, Dear Sarah uses a unique system to create natural connections. Often script types rely on one connecting point to make sure that all their characters fit together properly. Characters that naturally connect much higher, such as the ‘o’ or ‘v’ are distorted to connect at the same point as an ‘a’ or a ‘c’. Dear Sarah uses multiple sets of lower-case characters to connect at multiple points, creating a much more natural looking script. OpenType is also used to create variety, by using randomization techniques to insert disconnected characters as well as alternates, ligatures, swashes and ink blots to create a natural rhythm across multiple lines.

Nathaniel The "Nathaniel " font family epitomizes beauty and elegance in every character. With two distinct styles, Regular and Italic, this font is the perfect choice to infuse sophistication into your design projects. Key Features: Elegance and Beauty: Nathaniel has been meticulously crafted to ensure each letter is visually captivating. It's an ideal choice for creating stunning quotes and long paragraphs in your designs. Feminine Appeal: This font is perfectly suited for designs with a feminine touch, such as fashion, magazines, and logos with a simple yet enchanting design. Artistic Pairings: Nathaniel seamlessly complements script fonts, enhancing the artistic appeal of your projects. Combine these two font styles to create unique and attention-grabbing designs. Recommended Uses: Inspirational Quote Designs: Use Nathaniel to create motivational and inspirational quotes for social media, posters, or merchandise. Fashion and Magazine Design: Nathaniel is the perfect choice to create a luxurious and feminine look in magazine layouts and fashion promotions. Simple and Classy Logos: Craft simple yet character-filled logos using Nathaniel to represent your brand with unmatched style. Nathaniel is the perfect fusion of beauty and functionality, elevating your design projects to the next level. With this font, you'll be able to create impressive and captivating works. Get Nathaniel today and start making your design projects stand out. Don't miss out on this opportunity! Get Nathaniel now and start inspiring the world with your captivating designs.

My first font for 2009 was Aerle. It is a new dark sans serif font in my continuing objective of designing book fonts that I can really use. It made a little ripple in the industry, but more than that I found that I loved it with Aramus and Artimas — my latest book font family with the same proportions. In many ways, Aerle is a very different direction for me built on what I have learned on Aramus and other recent developments in my style. The concept came to me while using Bitstream's Mister Earl on a site online—though there is no direct reference. I wanted a more playful heavy sans with a much smaller x-height than I have been using lately, plus taller ascenders. As I was using Aerle, I constantly needed a light and bold version. The new direction I am taking is a result of a decision that my fonts, though I loved the character shapes, produced an even type color that is too dark or a little dense. Aerle was an attempt to get away from that look even though the letterspacing is quite tight. For Aerle Thin I pushed a little further in that direction and increased the letterspacing. The hand-drawn shapes vary a lot, many pushing the boundaries of the normal character. This gives a little looseness and helps the lightness in feel I am looking for. It will be interesting to see where this all goes. Most new type around the world is far too perfect for my taste. While the shapes are exquisite, the feel is not human but digital mechanical. I find myself wanting to draw fonts that feel human — as if a person crafted them. In most ways this is a normal font for me in that it has caps, lowercase, small caps with the appropriate figures for each case. These small caps were very small (x-height as is proper). So Aerle's small caps are a little oversize because they plugged up too bad at x-height size. The bold is halfway between. These size variations seem important and work well in the text. This font has all the OpenType features in the set for 2009. There are several ligatures for your fun and enjoyment: bb gg sh sp st ch ck ff fi fl ffi ffl ffy fj ft tt ty Wh Th and more. Like all of my fonts, there are: caps, lowercase, & small caps; proportional lining figures, proportional oldstyle figures, & small cap figures; plus numerators, denominators, superiors, inferiors, and a complete set of ordinals 1st through infinity. Enjoy!

DIN Serif: Specimen Manual PDF The DIN Type System: A Comparison Table This is the first ever release of a true serif companion for the popular DIN typeface. DIN Serif originated in a custom project for a watchmaking journal which required a modern serif to work in unison and match the inherent simplicity of DIN. As a result, a solid, confident and well-balanced typeface was developed which is simple and neutral enough when set at small sizes, but sturdy and powerful when set at heavier weights and bigger sizes. It utilizes the skeleton of the original DIN and retains its basic proportions such as x-height, caps height and descenders, whereas ascenders were slightly increased. DIN Serif makes no attempt to impress with ephemeral nifty details on individual letters, but instead it concentrates on a few modern, functional and everlasting novelties which express an overall distinct quality on the page and set it apart from most classic romans. This is a low contrast typeface with vertical axis and squarish form which brings out a balance between simplicity and legibility. Its narrow proportions offer economy of space which is critical for newspaper body text and headlines. At small sizes the text has an even texture, it is comfortable and highly readable. The serifs are narrow at heavy weights and when tight typesetting is applied at large sizes, the heavier weights become ideal for headlines. DIN Serif was inspired by late 19th century Egyptian and earlier transitional roman faces. Bracketed serifs were placed on the upper part of the letterforms (this is where we mostly concentrate our attention when we read) whereas small clean square serifs were placed on and under the baseline to simplify the letterforms. In order to reduce visual tension at the joins and make reading smooth and comfortable, a slight hint of bracketed serif was added at the joins in the form of a subtle angular tapered serif, which softens the harsh angularity. These angular tapered serifs tend to disappear at smaller sizes (or smooth out the joins) but stand out at bigger sizes exuding a strong, modern and energetic personality. What started out as a custom 2 weight family, it has developed into a full scale superfamily with 10 styles from Regular to ExtraBlack along with their italics. Additional features were added such as small caps, alternate letters and numbers as well as numerous symbols for branding, signage and publishing. All weights were meticulously hinted for excellent display performance on the web. Finally, DIN Serif supports more that 100 languages such as those based on the Latin, Greek and Cyrillic alphabet.

Arcandias Downtown is a serif with high contrast combined with alternates so that it can match projects created using this font with trends in modern times.This font is made with precision for each character so as to create a quality font that is beautiful to look at. Arcandias Downtown can be used in various projects, both Magazine Titles, Posters, Newspapers, and others. This font has a variety of alternatives, so that any project that uses this font will look striking, beautiful, and modern.

ITC Atelier Sans began as one of Curtis's renovations. His goal was to create a monoline design with Art Deco “sensibilities,” but without the geometric precision and relatively small x-height of faces like Futura or Kabel. Gentle curves and suggestions of serifs create a crisp, clean and open face that is at once sleek, sensuous and still affable. Available as a two-weight family with complementary italics, ITC Atelier Sans is another successful and usable revival from Nick Curtis.