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  1. The Peninsula font, crafted by the talented type designer Vladimir Nikolic, is a distinctive typeface that stands out for its unique characteristics and versatile application. This font can be catego...
  2. Arista 2.0, a creation of Studio Kmzero, is a distinctive and versatile font that has carved its own niche within the design world. Emerging from the Florence-based studio known for its innovative ap...
  3. The Janda Celebration Script is a creation by Kimberly Geswein, a font designer known for her wide range of expressive and character-rich typefaces. This particular font stands out as a celebration o...
  4. The Nihilschiz Handwriting font, crafted by the designer known as nihilschiz, stands as a distinct and captivating typeface that embodies the essence of personal touch and artistic flair. This font t...
  5. As at the last update I received in 2023, the font "NewMedia" created by Denis Potschien offers a fresh and contemporary take on digital typography. It is designed to capture the essence of modernity...
  6. Mutter, a font conceived by the creative mind of Levi Halmos, stands as a unique testament to contemporary typography, merging artistic flair with practical functionality. At its core, Mutter embodie...
  7. Cubicle is an intriguing font style that exudes a blend of modernity and meticulous design, tailored for both digital and print mediums. It plays a pivotal role in delivering messages with a crisp an...
  8. The font "Lido STF" is an intriguing and versatile typeface that merits a close examination for its design, usability, and overall aesthetic appeal. Its design springs from a blend of old-style serif...
  9. The Canadian font, much like the country it's named after, is characterized by its diverse and inclusive design elements, making it a versatile and welcoming choice for a wide range of applications. ...
  10. As of my last update in April 2023, Reaver, a font crafted by Megami Studios, stands as a striking example of typeface design that blends contemporary aesthetics with nuanced historical influences. I...
  11. The MW Talon font, designed by Milkwort, is a distinctive and charismatic typeface that immediately captures attention with its unique characteristics and artistic flair. Designed to blend functional...
  12. Alrighty, imagine you're diving into a world where comic books aren't just stories; they're experiences that leap off the page. That's where ShockTherapy BB by Blambot Fonts punches its way in, decki...
  13. As of my last update in 2023, Lakmus by Fenotype emerges as an intriguing font offering versatile usability across a wide spectrum of design projects, showcasing a blend of classical sensibilities wi...
  14. Imagine a font that embodies the sleekness of modern design and the openness of futuristic concepts, all while maintaining an ease of readability that makes it perfect for a wide range of application...
  15. As of my last knowledge update in early 2023, there isn't a widely recognized or specific font known as "Kijkwijzer" within the general libraries of typography that artists and designers commonly ref...
  16. "Black Metal Logos" isn't a specific font you'll find pre-made in font libraries, but rather it encapsulates a unique and intense style of typographic design deeply rooted in the black metal music sc...
  17. Oxona Caps is a revamped and streamlined version of the Oxona family , preserving the essence of its predecessor. It is a capital letter and small caps typeface that redefines legibility and visual ...
  18. The Tektrron font, created by the designer known as onezero, is a striking and imaginative typeface that captures the essence of modernity and technological sophistication. Its design is a nod to the...
  19. As an AI model, I cannot browse the internet or access new databases in real-time; my last update was in April 2023. As of my last update, "Recognition" by WhoAmI Design was not a widely recognized o...
  20. Alright! Imagine you're flipping through an old-school comic book or gazing at a vintage poster at a quirky market. The bold, eye-catching letters that scream for your attention? That vibe is pretty ...
  21. LT Beverage is the life of the font party, showing up fashionably late with a pineapple hat and a coconut bra! Its letters are like little party animals, dancing on the page and leaving a trail of co...
  22. Alright, picture this: Smiley Font isn't just a font; it's like a burst of happiness captured in typographic form. Imagine every letter you type infusing a little sprinkle of joy into your text, embo...
  23. The Europe Underground Worn font, crafted by the skilled typographer Måns Grebäck, is a profound artistic expression that encapsulates the essence of history, culture, and resilience. With every stro...
  24. As of my last update in April 2023, the font "Chicken Butt" designed by Tom Ledin isn't a widely recognized typeface in major font libraries or among the common databases I reference. However, in cre...
  25. Eau by YOFonts is an artistically refined font that captures the essence of elegance and fluidity, suggesting a beautiful amalgamation of classic and modern design elements. The name 'Eau,' French fo...
  26. The PunkerChicksinLeatherJackets font by Donald Synstelien is an evocative and distinctive typeface that seemingly transports its audience straight into the heart of the punk rock scene. This font is...
  27. Imagine if a font went to boot camp, survived on black coffee, and decided it was going to be the most unapologetically bold personality in any room or webpage it entered. Meet EDGE – not just a font...
  28. Well, let me paint you a word-picture of the font “Bauer,” crafted by the talented Samuel Park. Imagine, if you will, stepping into a time machine, dialing the year back to a vintage era where typewr...
  29. Imagine a font that struts in with a leather jacket flung over its shoulder, slides a comb through its slick-back hair, and orders a milkshake with an extra cherry on top. That's the 50's Headline DS...
  30. Waschkueche - 100% free
  31. Berlin Email - 100% free
  32. XAyax - 100% free
  33. cbe - 100% free
  34. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  35. Ah, the LondonBetween by Francois Bruel – now that’s a font with more personality than my Aunt Edna at a yard sale! First off, let's establish the vibe of this font. Imagine if a cup of Earl Grey tea...
  36. Imagine a font that sneaks out at night, wearing a leather jacket, revving its motorcycle under the moonlight—it would be called Tattoo by Lime. This isn't just a font; it's a rebel with a cause, bor...
  37. WARFIELD is, by definition, a stencil typeface , drawing from its military and industrial heritage, but shedding any aggressiveness to embrace absolute legibility. It is a contemporary sans-...
  38. LT Saeada by LyonsType is like a smooth-talking sophisticate at a fancy cocktail party. With its sleek lines and balanced proportions, this font exudes an air of elegance and refinement that's sure t...
  39. Scythe, imbued with the sharpness of its namesake, evokes a blend of sleek modernity and impactful edginess in its typography. This font, mirroring the curvature and pointed ends of a scythe, embodie...
  40. The Rotterdam Demo typeface, crafted by Omaikraf Studio, stands as a testament to modern design with a nod to classical typography principles. This font embodies a unique blend of contemporary aesthe...
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