Slab serif in 3 weights

BoldPen is based on an ancestor of the German DIN-Schrift. The font was traced with a plastic template on transparent paper, scanned and worked over carefully to keep the handmade, authentic touch.

Introducing by Timur type Proudly Present, Bold Marker Bold Marker A Handwritten Font Bold Marker is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. This Bold Marker font includes: -Full Set of standard alphabet and punctuation & symbol -multilingual support. Embelish your designs with our original fonts.Enjoy the font,Thank you!

Hello All!! Introducing!! Teiqulato is a calligraphy script with a perfection style of the letters you want to use, modern handwriting with many alternatives. Now this is an opentype! It's smart and in line with your wishes! You are welcome to use it, suitable for various purposes: logo, corporate symbol, wedding invitation, title, creative, t-shirt, business card, letterhead, nameplate, label, poster, news, badge, quotation, etc. Teiqulato Features 458 glyphs and alternative characters. Includes the initial letter to terminal, alternative, ligature and multiple language support. Thanks...

This face was designed by Andre Guertler’s class in room 505 at the Kuenstgewerbeschule in Basel. It follows the principles of Frutiger’s Egyptienne, and won the first of the VGC type competitions.

Kaleko 105 is inspired by the classic, geometric sans-serifs such as Gill Sans, but has shallower ascenders and descenders for a more compact look. It’s a well-balanced, versatile, modern sans, highly legible as a text font and with a clean, elegant look as a display font at larger sizes. It includes old style non-aligning (lower case) numbers, both proportional and tabular as well as accented characters for Central European languages. The Kaleko 105 family comprises of six weights, and is closely related to Kaleko 205. The most notable differences between the two variations, are the single-storey lower case a and g in Kaleko 105, where they are two-storey in Kaleko 205.

Kandel 205 is a geometric, tri-line, display and headline font available in a family of three weights. Its bold, graphic styling gives it great stand-out qualities and a highly individual look. It’s particularly well suited to bringing energy to designs, or for designs with a sporting theme. It’s also available with character variations as Kandel 105 .

Kettering 205 is a geometric slab-serif with Art Deco influences, such as lowered crossbars on many characters, and a crossed W. It includes old style non-aligning (lower case) numbers, both proportional and tabular as well as accented characters for Central European languages. It’s a highly individual looking font, but retains good legibility coupled with striking looks as a display font. The Kettering 205 family comprises of six weights and is closely related to Kettering 105, its less Deco flavoured cousin.

Kessel 105 is inspired by the classic, geometric sans-serifs such as Futura, but has shallower ascenders and descenders for a more compact look, and features an art deco influence with sharp points at the apex of many characters. It's a versatile, modern sans, highly legible as a text font and with a clean, elegant look as a display font at larger sizes. It includes old style non-aligning (lower case) numbers, both proportional and tabular as well as accented characters for Central European languages. The Kessel 105 family comprises of six weights and is closely related to Kessel 205, it’s more intensely Deco flavoured cousin.

Kaleko 205 is inspired by the classic, geometric sans-serifs such as Gill Sans, but has shallower ascenders and descenders for a more compact look. It’s a well-balanced, versatile, modern sans, highly legible as a text font and with a clean, elegant look as a display font at larger sizes. It includes old style non-aligning (lower case) numbers, both proportional and tabular as well as accented characters for Central European languages. The Kaleko 205 family comprises of six weights, and is closely related to Kaleko 105. The most notable differences between the two variations, are the two-storey lower case a and g in Kaleko 205, where they are single-storey in Kaleko 105.

Byte 205 is a modular font, resulting from experiments in creating a practical, legible font from a minimum set of geometric components on a uniform grid. It has full upper and lower case character sets and includes all accented characters for Western and Central European languages. It's available in three styles – 105, 205 and 305. Each style has different corners, 105 is square, 205 is bevelled and 305 is round. Each style is available in three weights, Light, Medium and Bold.

Kinghorn 105 is an Egyptian style slab-serif. The strokes are all of a roughly equal weight for an even, geometric look. Although original Egyptian slabs date from the early 19th century, the even look gives the font a balanced, contemporary look. It's intended mainly as a display font, but it's even strokes mean it remains legible even at smaller sizes. It's also available with some character variations as Kinghorn 205.

Karben 205 is inspired by the classic, no nonsense DIN, and has a form that follows its highly legible function. Based on a lozenge, it has a clean and pure geometry with even stroke weights. Karben 205 is available in a family of five weights, and is also available with character variations as Karben 105. There are also monospaced variants of both Karben 105 and Karben 205 and a stencil version. All of the Karben fonts feature an extended character set, including accented characters for Central European languages.

Immi 505 is another of Tim Donaldson�s prolific works. Inventive and fun-loving as always, Tim used a pen nib called a ?Brause 505? to create the letterforms for this design. The Brause 505 was an invention of Karlgeorg Hoefer. Hoefer created his typefaces Salto" and Saltino" with this nib. The other part of the name, Immi, is the nickname of Donaldson�s five-year-old daughter Imogen. The resulting unusual curves and open character of Immi 505 create a distinctive rhythm and color appropriate for short blocks of ad copy, titles, music CD covers, and Web page headlines where a bit of extra width is needed."

Byte 105 is a modular font, resulting from experiments in creating a practical, legible font from a minimum set of geometric components on a uniform grid. It has full upper and lower case character sets and includes all accented characters for Western and Central European languages. It's available in three styles – 105, 205 and 305. Each style has different corners, 105 is square, 205 is bevelled and 305 is round. Each style is available in three weights, Light, Medium and Bold.

Kamerik 205 is inspired by the classic, geometric sans-serifs such as Futura and Avant Garde, but has shallower ascenders and descenders for a more compact look, and features a traditional double-storey lower case a and g. It's a versatile, modern sans, highly legible as a text font and with a clean, elegant look as a display font at larger sizes. It includes old style non-aligning (lower case) numbers, both proportional and tabular as well as accented characters for Central European languages. The Kamerik 205 family comprises of six weights, and is closely related to Kamerik 105. The most notable differences between the two variations, are the two-storey lower case a and g in Kamerik 205, where they are single-storey in Kamerik 105.

A text and display font with square proportions, inspired by the type styles of soviet-era Russia. Very shallow ascenders and descenders and a large relative x-height, exaggerate the compact and geometric look. Related to Kursk 205 , its cousin with a rounder look.

Kettering 105 is inspired by the classic, geometric slab-serifs such as Lubalin, but has shallower ascenders and descenders for a more compact look. It's a versatile, modern slab-serif, highly legible as a text font and with a clean, elegant look as a display font at larger sizes. It includes old style non-aligning (lower case) numbers, both proportional and tabular, as well as accented characters for Central European languages. The Kettering 105 family comprises of six weights and is closely related to Kettering 205, its more intensely Deco flavoured cousin.

A text and display font with square proportions, inspired by the type styles of soviet-era Russia. Very shallow ascenders and descenders and a large relative x-height, exaggerate the compact and geometric look. Related to Kursk 105 , its squarer-edged cousin.

Kessel 205 is inspired by the classic, geometric sans-serifs such as Futura, but has shallower ascenders and descenders for a more compact look, and features an art deco influence with sharp points at the apex of many characters, lowered crossbars and an oblique crossbar on the lower case e. It's a versatile, modern sans, highly legible as a text font and with a distinctive, elegant look as a display font at larger sizes. It includes old style non-aligning (lower case) numbers, both proportional and tabular as well as accented characters for Central European languages. The Kessel 205 family comprises of six weights and is closely related to Kessel 105.

Kinghorn 205 is an Egyptian style slab-serif. The strokes are all of a roughly equal weight for an even, geometric look. Although original Egyptian slabs date from the early 19th century, the even look gives the font a balanced, contemporary look. It's intended mainly as a display font, but it's even strokes mean it remains legible even at smaller sizes. It's also available with some character variations as Kinghorn 105.

Karben 105 is inspired by the classic, no nonsense DIN, and has a form that follows its highly legible function. Based on a lozenge, it has a clean and pure geometry with even stroke weights. Karben 105 is available in a family of five weights, and is also available with character variations as Karben 205. There are also monospaced variants of both Karben 105 and Karben 205 and a stencil version. All of the Karben fonts feature an extended character set, including accented characters for Central European languages.

Byte 305 is a modular font, resulting from experiments in creating a practical, legible font from a minimum set of geometric components on a uniform grid. It has full upper and lower case character sets and includes all accented characters for Western and Central European languages. It's available in three styles – 105, 205 and 305. Each style has different corners, 105 is square, 205 is bevelled and 305 is round. Each style is available in three weights, Light, Medium and Bold.

Kamerik 105 is inspired by the classic, geometric sans-serifs such as Futura and Avant Garde, but has shallower ascenders and descenders for a more compact look. It's a versatile, modern sans, highly legible as a text font and with a clean, elegant look as a display font at larger sizes. It includes old style non-aligning (lower case) numbers, both proportional and tabular and accented characters for Central European languages. The Kamerik 105 family comprises of six weights, and is closely related to Kamerik 205. The most notable differences between the two variations, are the single-storey lower case a and g in Kamerik 105, where they are two-storey in Kamerik 205.

Kandel 105 is a geometric, tri-line, display and headline font available in a family of three weights. Its bold, graphic styling gives it great stand-out qualities and a highly individual look. It’s particularly well suited to bringing energy to designs, or for designs with a sporting theme. It’s also available with character variations as Kandel 205 .

Talbot Type Klamp 105 is an elegant and streamlined, geometric sans-serif. A legible text font, its narrow proportions mean it’s economical with space; while at larger sizes it makes a confident, modern display face. Klamp 105 is available in a comprehensive family of seven weights, featuring an extended character set to include old style numerals, as well as accented characters for Central European languages. It is also available with some character variations as Klamp 205, most notably featuring a traditional, double-storey lower case a and g.

Talbot Type Klamp 205 is an elegant and streamlined, geometric sans-serif. A legible text font, its narrow proportions mean it’s economical with space; while at larger sizes it makes a confident, modern display face. Klamp 205 is available in a comprehensive family of seven weights, featuring an extended character set to include old style numerals, as well as accented characters for Central European languages. It is also available with some character variations as Klamp 105, most notably featuring a more modern, single-storey lower case a and g.

Gold is all new for 2021, the complete family has been rebuilt using the multiple masters technique. In this new version we've removed any alternatives that could not be shared across all weights in the family and we've trimmed a few others that just were not practical in keeping a consistent look to the whole font. All the alternates now have matching accented glyphs across all weights. Case sensitive forms have also been added to all weights. With 14 weights the difference between weights are closer together which may give you the effect of a variable font where variable fonts are not supported. For technical reasons the original Gold family has now been split into two families with Gold having ten weights and the four heavier weights under the Gold Magnum family. The Gold and Gold Magnum font families support accented characters for western, central and eastern European countries. Gold comes with OpenType features to access the alternate glyphs however you will need an application such as Adobe Creative Suite to take advantage of alternate glyphs.

Bonding Font that has a distinctive character that is very thick and elegant to use Bonding is a relaxed and flowing Handwritten Font. Incredibly versatile, this font fits a wide pool of designs, elevating them to the highest levels. Add this font to your favorite creative ideas and notice how it makes them come alive! Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature Multilingual Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Catalan, Chiga, Cornish, Danish, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu There it is! I really hope you enjoy it

Boldye Font Inspired by the Reebok Logo and Sport typeface style. Boldye are strong on the curves and sharp on the edges of some of the letters suitable for logo projects, branding, posters with sports themes. Easily creates your own logo type with fonts. Boldye has an Open Type feature to access a large selection of unique alternative letters and many ligatures to make it easier for you to create. Boldye can be accessed perfectly on design applications such as Adobe Illustrator, Adobe Photoshop, Corel Draw, Affinity Designer but does not rule out the possibility that it can also be accessed using web-based applications such as kittl, canva, artboard studio and others.