Tomkin font is an extra large super family of 54 fonts! Tomkin have such a big abundance of contrast, styles, weights, width. Typesketchbook consists of a very usable, clean and modern sans typeface with Semi-square struture. The complete Tomkin type family includes 9 weights with italic and 3 width (normal, narrow, condense) versions for each of them all in all 54 fonts for a multifunctional usage, especially for cooperative work, such as website, magazine, editorial, publishing , as well as packaging.

Beauty Snowy is an expressive super slanted signature script font. With high contrast contrast stroke, condensed and fun character with a bit of ligatures. To give you an extra creative work. Beauty Snowy font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Beauty Snowy font. Cheers, MaulanaCreative

Introducing the Love Shine. made with love design harmony in every single character. love Shine and a touch of the extras makes this font look great and stylist. Plus the OpenType features that allows you to mix and match pairs of letters to fit your design. and last the beautiful all will make you work easily to create : Badges, lable, greeting card , book cover, Posters, Logos, Print, Quotes, Headers, Clothing, etc. Features : Uppercase + Lowercase Numerals & Punctuations Stylistic Alternates Thank you

Gritts Rolly is a slanted expressive signature script font. With medium contrast stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Gritts Rolly font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Gritts Rolly font. Cheers, Maulana Creative

Elicit Script is a hybrid script family, that can be as casual or formal as the occasion demands. Created by Laura Worthington and Jim Wasco, the design is based on pointed pen Spencerian Script handwriting. “It’s like one of those German italics from the early 20th century, that have beautiful shapes that hold their own,” says Wasco. Elicit Script spans five weights, from Extra Light to Bold, and three styles – Formal, Normal and Casual. This makes it an incredibly versatile script design, easily paired with other typefaces and able to be dressed up or down, depending on what it’s used for. The monoline Casual style offers a more relaxed tone of voice, while Formal sits at the more decorative end of the spectrum. Designers can keep things straightforward, tidy and practical with the typeface’s simple caps, or add in swash caps if they need more exuberance and expression. Generous spacing means Elicit Script works well at smaller sizes as well. Elicit Script Variable Set is a single font file that features two axes: Weight and Contrast. The Weight axis has instances from Extra Light to Bold. The Contrast axis has instances from Casual (low contrast) to Formal (high contrast).

Wingman consists of nine fonts, that can work together in perfect harmony to create beautiful designs. Like a true wingman they reinforce each others potential and offer mutual support. Wingman Brush takes the lead and is, with its six styles, well equipped for many challenging typographic tasks. All Brush styles (except Brush Extra) have 815 glyphs and are packed with Open Type magic, e.g. contextual alternates, that automatically replace beginning and ending glyphs as you type. There are lots of swashes to choose from, organized in several stylistic sets. The bold and the regular styles have matching shadow versions. Brush Bold and Brush Silhouette fit together also. Nice logo-like effects can be achieved by layering these styles. On top of that Brush Vintage was added for a rustic feel. Brush Extra has 322 design elements in both smooth and vintage style. Wingman Serif was designed to use together with the brush styles. It comes in a solid and outline version. Both fonts can fly solo, but together with Wingman Brush they make a powerful formation. Wingman Family requires the use of an Open Type savvy application.

Arthur Sans is a new font design in the spirit of the Art Deco era, the age of elegance, stylishness and refinement. Use this unique typeface for distinctive personal stationary, outstanding business papers, captivating brochures and invitations; for marvellous posters, wonderful menus, hotel leaflets, exciting ads … for outstanding designs. You’ll find out that Arthur Sans is your friend for more than just fine typography. Five weights plus Italics – all equipped with a comprehensive Euro-Latin character set – will hardly leave anything to be desired. Additionally, the font Arthur Sans Regular contains an outstanding extra range of 70 ornamental characters, carefully designed to the very tone of the typeface, to give you a very special kick of extra value to enchant your designs. Alternatively, you can get this set of ornaments seperately, look at the Arthur Ornaments! Arthur Sans is but one part of a greater suite of exciting fonts: you may wish to also check out the sister fonts of the gorgeous Arthur Cabinet family, which will offer you another wonderful scope of fascinating typographic possibilities. For a matching Greek font go to Artemis. And finally, Arthur’s Irish friend is the fabulous Ardagh. __________________________________________________________________________________________

Elevate your design game with the Bueno Font Family, a stunning creation by the talented team at FolkCraft Studio. From extra light to extra bold, each style boasts a unique, detailed, and handmade look that sets it apart. Dive into the world of possibilities with Bueno Font. Experience its captivating allure in all caps with wide spacing for a classy aesthetic, or let it shine in a mix of capital and lowercase letters for a timeless appeal that transcends trends. Envision the Bueno Font Family as the centerpiece of your creative projects. Its versatility makes it perfect for gorgeous logos, captivating displays, elegant headers, enchanting invitations, memorable save-the-dates, and timeless wedding designs. Imagine the impact it can have on titles, web layouts, and comprehensive branding strategies. Don't miss out on the opportunity to enhance your designs with the Bueno Font Family! Ideal for online uses and printing, this font collection is your ticket to creating sophisticated and stylish visuals that leave a lasting impression. Perfect for a wide range of applications, from logos to web layouts, this font family is a must-have for designers seeking to make a statement.

Karlie is a neat combination of a friendly script & a modern all-caps serif in five widths. The font family is extremely versatile and is perfect for high-end logotypes and magazine headlines, let alone greeting cards, invitations, posters, book covers, ads and the various web and screen usages. The combination of two different font styles (script and serif) also performs very well on product packaging. As for the technical side, the Karlie family has extensive language support and includes a handful of ligatures, stylistic sets and swashes that add visual interest to every letter. We've also included some extras with ready-made words and symbols for more design freedom. The Karlie Font Family in a nutshell: - Karlie - a dancing baseline script with connecting letters - Karlie Alt - similar feel to Karlie, but with disconnected letters - Karlie Serif - a set of five serifs with different widths for a different impact - Karlie Extras - a set of additional designs that will add up to the family’s charm. The overall feel of the family is a combination of casual and sophisticated, thus making it perfect for modern-day applications.

You can download usiful link: Bodrum Sans PDF Type Specimen Bodrum Sans is a sans serif type family. Designed by Bülent Yüksel in 2018/19. The font, influenced by style serifs, popular in the 1920s and 30s, is based on optically corrected geometric forms for better readability. Bodrum Sans is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give Bodrum Sans a harmonious and sensible appearance for both texts and headlines. Bodrum Sans provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Bodrum Sans 14 Regular” forms the central point. "Bodrum Sans" is available in 10 weights (Hair, Thin, Extra-Light, Light, Regular, Meduim, Bold, Extra-Bold, Heavy and Black) and 10 matching italics. The family contains a set of 650+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy in all graphic programs. Bodrum Sans is the perfect font for web use.

"Bodrum Style" is a serif Style family designed by Bülent Yüksel in 20018/19. The font, influenced by serif styles that were popular in the 1920s and 30s, is based on optically corrected geometric forms for a better readability. "Bodrum Style" is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances help the legibility and give "Bodrum Style" an harmonious and sensible appearance for both texts and headlines. Bodrum Style provides advanced typographical support for Latin-based languages. An extended character set - supporting Central, Western and Eastern European language - rounds up the family. “Bodrum Style 14 Regular” forms the central point. "Bodrum Style" is available in 10 weights (Hair, Thin, Extra-Light, Light, Regular, Medium, Bold, Extra-Bold, Heavy and Black) and 10 matching italics. The family contains a set of 650+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs. Bodrum Style is the perfect font for web use. Enjoy using it.

LunchBox is a uniquely hand-drawn typeface that gives infinite customizable options and a fully authentic look. Using Lunchbox’s OpenType features gives access to over 1,500 different characters. Contextual alternatives give each letter 4 different character styles, all cycling through each other to ensure that no two letters ever show up together. There is also a custom set of small caps, each with 4 style variations as well. Stylistic alternatives give an extra hand-drawn flourish, loop and slight variation, also with 4 different styles per letter. Discretionary ligatures pertain to both regular all caps Lunchbox as well as stylistic alternatives. It takes special letters and gives a unique interaction with the characters around them, giving your design a unique and personalized look. Swashes also have four style variations to both the regular and stylistic alternatives, as well as lowercase letters with ascenders and descenders. All of these options are available in Light, Regular and Bold and can be purchased with Lunchbox Ornaments for an extra element. If you do not use Opentype but are using a program that includes a full glyph panel, you will be able to access each of the style variations you want. Enjoy!

“Bodrum Slab” is a slab serif type family. Designed by Bülent Yüksel in 20018/19. The font, influenced by style serifs, popular in the 1920s and 30s, is based on optically corrected geometric forms for better readability. “Bodrum Slab” is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give “Bodrum Slab” a harmonious and sensible appearance for both texts and headlines. Bodrum Slab provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Bodrum Slab 14 Regular” forms the central point. “Bodrum Slab” is available in 10 weights (Hair, Thin, Extra-Light, Light, Regular, Meduim, Bold, Extra-Bold, Heavy and Black) and 10 matching italics. The family contains a set of 650+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs. Bodrum Slab is the perfect font for web use.

Suddenly...it’s the World of Tomorrow! With the push of a button Dynatype automates your typesetting experience. Dynatype is actually Two fonts in One–without switching fonts you can instantly change from Dynatype’s “regular” style to its alternate connecting version with the simple push of a button. For more details download “The Dynatype Manual” from the Gallery Section. What is Dynatype? Dynatype is the upright, slightly more formal cousin of Dynascript. It shares many of the characteristics of it’s slightly older relation, but is drawn entirely from scratch and has it’s own unique character. Dynatype may be reminiscent of various mid-century neon signage, and of sign writing, Speedball alphabets and even baseball scripts. Its design also takes some cues from a historical typographic curiosity that began in Germany in the ‘20s and which lasted into the ‘60s—when Photo-Lettering gave it the name "Zip-Top". Basically it was believed to be the wave of the future—that by weighting an alphabet heavier in its top half, one could increase legibility and reading speed. The jury’s still out on whether or not there’s any validity to this notion, but I think you’ll agree that in the context of this design, the heavier weighting at the top of the letters helps to create some uniquely pleasing forms, and a font unlike any other. Typesetters across the planet will also be able to set copy in their language of choice. Dynatype’s 677 glyphs can be used to set copy in: Albanian, Basque, Catalan, Cornish, Croatian, Czech, Danish, Dutch, Esperanto, Estonian, Faroese, Finnish, French, Galician, German, Hungarian, Icelandic, Indonesian, Irish, Italian, Kalaallisut, Latvian, Lithuanian, Malay, Maltese, Manx, Norwegian Bokmål, Norwegian Nynorsk, Oromo, Polish, Portuguese, Slovak, Slovenian, Somali, Spanish, Swahili, Swedish, Turkish, and Welsh—and of course English. Sorry! Off-world languages not yet supported. PLEASE NOTE: When setting Dynatype one should ALWAYS select the “Standard Ligatures” and “Contextual Alternates” buttons in your OpenType palette. See the “Read Me First!” file in the Gallery section.

Typography enters the Space Age! Dynascript brings the ease of “Pushbutton Automatic” to your typesetting experience. Dynascript is actually Two fonts in One–without switching fonts you can instantly change from Dynascript’s connecting font to the non-connecting italic with the simple push of a button. For more details download “The Dynascript Manual” from the Gallery Section. What is Dynascript? Dynascript is the slanted script cousin of Dynatype. It shares many of the characteristics of it’s sibling, but is drawn entirely from scratch and has it’s own unique character. To some it may be reminiscent of various mid-century neon signage, and of sign writing, Speedball alphabets and even baseball scripts. The design of Dynascript also takes some cues from a historical typographic curiosity that began in Germany in the ‘20s and which lasted into the ‘60s—when Photo-Lettering gave it the name "Zip-Top". Basically it was believed to be the wave of the future—that by weighting an alphabet heavier in its top half, one could increase legibility and reading speed. The jury’s still out on whether or not there’s any validity to this claim, but I think you’ll agree that in the context of this design, the heavier weighting at the top of the letters helps to create some uniquely pleasing forms, and a script unlike any other. Typesetters across the planet will also be able to set copy in their language of choice. Dynascript’s 694 glyphs can be used to set copy in: Albanian, Basque, Catalan, Cornish, Croatian, Czech, Danish, Dutch, Esperanto, Estonian, Faroese, Finnish, French, Galician, German, Hungarian, Icelandic, Indonesian, Irish, Italian, Kalaallisut, Latvian, Lithuanian, Malay, Maltese, Manx, Norwegian Bokmål, Norwegian Nynorsk, Oromo, Polish, Portuguese, Slovak, Slovenian, Somali, Spanish, Swahili, Swedish, Turkish, and Welsh—and of course English. Sorry! Off-world languages not yet supported. PLEASE NOTE: When setting Dynascript one should ALWAYS select the “Standard Ligatures" and “Contextual Alternates” buttons in your OpenType palette. See the “Read Me First!” file in the Gallery section.

Dog Days is an American hand lettering style brush script family. Dog Days is swift, strong and full of bursting energy. Due to its clean features it’s legible even in small sizes. Dog Days is great for any display use -from poster to packaging and logo to t-shirt. Dog Days is also great for lettering works. Dog Days Brush boasts with more than 700 glyphs and plenty of OpenType features: Keep Standard Ligatures on - it adds variety in hand lettering style and keeps the flow steady. If you need more action try turning on Swash, Stylistic or Titling Alternates in any OpenType savvy software. Dog Days Brush is also equipped with Old Style Numerals if you need your numbers to fit more into text. Dog Days Brush uppercase letters are designed to work as initials so if you need to write all caps you might want to use Dog Days Caps or Dog Days Small Caps. Dog Days Caps can also be used as uppercase letters for the script. Dog Days Extras is a set of badges, swashes and swirls designed to play with the font. Dog Days is inspired by a hand lettering sample in a vintage American swimsuit advertisement.

Somersault is a nonchalant, rough edged, hand painted, brush font, with a spontaneous personality. With its natural charm it brings cheer and lightness to any design. Alternate characters for upper and lowercase letters and lots of ligatures enable you to avoid repetition of identical glyphs.They are managed by Opentype features such as stylistic alternates, swashes and discretionary ligatures. Somersault also comes with some fun extra's like strokes, hearts and splatters to play with. Somersault is PUA encoded, so no special design software is needed to access all glyphs. You can easily access all of them in Fontbook (Mac) or Character map (Windows). Somersault is paired with Somersault Tall, a complementary all caps font. The result is a versatile font duo. A perfect match.

Yumo is a new, textured remix of the original 2010 Yume typeface, and has plenty to offer of its own. Angular and blocky, this typeface creates impactful text with a hint of playfulness, expanded upon by its rough finish. There are no extraneous edges to this font because most of them have been subsumed into the characters themselves, so any sharpness it may have from the squared corners is removed by the lack of thin strokes or serifs. Perfect for headlines and large text that wants to stand out, Yumo’s big, bold text will help your message make an impact. Playing with colours on the textured surface only helps to strengthen this effect, so that Yumo will blow people away, whatever you want to say.

In 1939 the Stephenson Blake Company bought a very popular script called Undine Ronde and began marketing under the name Amanda Ronde. Although Undine/Amanda was quite popular and can be seen in many advertisements from the 1930s and 1940s, there seems to be no surviving record stating the original foundry or designer. We thought that six and half decades of dust layers over the once-popular typeface were enough, so here and now you have its complete and expanded digital incarnation, Adore. It is quite easy to see why this typeface was popular. A round script with graceful meaty curves is rarely found and can be used in plenty of applications. Wedding paraphernalia, chapter titles, posters, poetry, book covers, religious literature... you name it, Adore can fit it. Aside from its totality being unmatched by currently available designs, Adore also possesses some of the most unique and imaginative letter shapes. The narrow loops on the B, P and R, the minuscule-like Z, the looped b and d, the descending h... all these shapes contribute to a breathtaking and adorable calligraphic work unlike any other. The original design came in a basic alphabet, but we have updated it for current digital technologies, and expanded it to include plenty of alternates and ligatures, as well as some ornaments. The Postscript Type 1 and True Type versions come in two fonts, the second containing the alternates and extras, while the Open Type version is a single font containing all the alternates and extras in conveniently programmed features, easily accessible at the push of a button in OpenType-supporting software. We also encourage you to take a look at Typodermic's Mecheria font, which is further experimentation with the same letter forms, resulting in a quirky, friendly, curly, angular gothic-like creature.

Gill Sans is a humanistic sans serif family that, while is considered by many to be quintessentially British in tone and concept, has been used in virtually every country and in nearly every application imaginable. Gill Sans has reached this level of near-ubiquity for one simple—and very good—reason: it is an exceptionally distinctive design with a potential range of use that is almost limitless. This toolkit family includes a wide range of styles including the standards such as Light—which is open and elegant—and a Regular that, with its flat-bottomed d, flat-topped p and q and triangular-topped t, has a more compact and muscular appearance. Its Bold styles tend to echo the softer, more open style of the light while the extra bold and ultra bold have their own vivid personalities, but each of them would make for an eye-catching headline. Take into account the family’s many weights, including condensed and extra condensed designs, and extended language support and you have yourself a tool you’ll be thrilled to return to, time and again. Gill Sans was designed by Eric Gill: a versatile, brilliant, and prolifically successful designer of the early part of the last century. One of the main reasons for the enduring success of his namesake design is that it is based on Roman character shapes and proportions, making it unlike virtually any other sans serif out there. Gill also worked his own warmth and humanity into his design, resulting in a typeface in which each weight retains a distinct personality of its own. Pair with serif fonts like Gill's own Joanna; or more modern offerings like Frutiger® Serif, Malabar™, Syntax® Serif, FF Scala®, or DIN Next™ Slab.

Unpack is a soft and inviting face. It is available in two cuts, upright and slanted, both all-caps with 2 options for each letter for a nice uneven organic look. The family counts also with a picture font, loaded with some handy extras like banners, stars and ornaments. This versatile family fits greatly many usages. Type some food name and you'll get hungry, type a toy and you'll want to play. Don't believe it? You don't even need to unpack it to try!

This font family is the first collection of almost all pictograms, signs and letters that refers to the topic of White Magic, witches and witch hunt. There are plenty of witch symbols, astrology signs, woodcuts and witch letters. The cryptic symbols are explained in an extra style. In addition to the symbols the scripts contain both: a digitized original manuscript from the ending 18th century and a modified newer script version. Bringing the light of the Enlightenment to the dark ages of suspicion, chasing and unjustness!

Filler is a display variable font that allows you to flexibly change the width ratio of font characters from extra narrow to extremely wide shapes. The typeface includes complete Latin language support with contrasting drawing of accents and punctuation. The character set includes special symbols, such as a set of emoticons or arrows that support OpenType features. In addition to the variable font, Filler also offers five width styles – Compressed, Condensed, Medium, Extended, Expanded. The font is intended primarily for strong display use in large proportions.

Mosaic is a Modern Vintage Font A Serif Vintage font that we created special for classy branding needs, with extra ligature in unique and vintage shape add value of your brand. It's so nice to leverage designer or product owner that need solutions to make their design look more stylish and casual. Mosaic Modern Vintage font ready with: Lowercase and Uppercase characters Numbers and Punctuations Preview as a inspirations that you can do with Mosaic font Available for PC and Mac Wish you enjoy our font.

Collint Billy is a fancy handwritten script font duo pair with handwritten sans. With medium contrast stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Collint Billy font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Collint Billy font. Cheers, Maulana Creative

Embroi Ghokib Handwritten Script Font Embroi Ghokib is a fancy handwritten script font. With medium contrast stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Embroi Ghokib font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Embroi Ghokib font. Cheers, Maulana Creative

An update and extension to the popular September family. An authoritative and robust design for headline and shorter texts in the lighter weights, this modern family has all the necessary weight and presence for corporate and academic use, company brochures, branding, sport packaging, television idents, posters, packaging and film titles. This all-new version includes: Six extra weights in both upright and italic, bringing the full family to nine weights Extended character set Old style numbers Numerators and denominators Superior and inferior numbers Alternate glyphs

Azero is a extra heavy sans serif font with four style variations. The uppercase alphabet in particular is stylized to feature a wavy baseline on many of the characters, for a unique look that's just enough to add some unusual vibe and uniqueness. When your layout calls for heavy type with a wide (but not too wide) look, Azero is a strong choice. Great for bold headlines, logos, branding, wide horizontal banners, themes with a Hispanic flair, fitness products, food packaging, or retro poster styles.

Alesand A new contemporary font family designed with balance and versatility. The addition with outline and extrude font styles, makes it very simple to coat these fonts together perfectly. Simply duplicate the "Extra Bold" layer and change the setting to "Outline, Extrude", and the type will be automatically offset for you! And supports international communication extending to Western languages. Perfect for displays, headers, invitations, save the dates, weddings, brand creation, graphic design and so much more, Alesand will become a playful staple in your font library!

P22 Zaner is based on ornamental penmanship from the turn of the 20th century. The Zaner font set includes four unique fonts that complement the other fonts in the set. Each font is available in PostScript and TrueType formats as well as OpenType which offers even more characters, options and overall functionality. Set options include PostScript and TrueType with a bonus set of extras and a “super” pro set containing over 3,000 characters. Zaner is perfect for wedding invitations and documents that require a touch of elegance.

The typeface EURO Icon Kit is designed at 2020 for the font foundry Typo Graphic Design by Manuel Viergutz. The display font is inspired by the here and now. 763 glyphs incl. icons, dingbats & symbols. Decorative extras like arrows, emojis, ornaments, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ❤ or #SMILE for ☺ as OpenType-Feature dlig) and stylistic alternates (20 stylistic sets) + sign of the zodiac. Have fun with this font & use the DEMO-Font (with reduced glyph-set) for FREE!

Amberlion is a bold 70's script font, with a curvy bold stroke, uprights and fun character. It has Opentype features ligatures of character and alternate lowercase swashes, To give you an extra creative work. Amberlion script font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Amberlion font. Cheers, MaulanaCreative

Gilly Fleurs Signature is casual signature font, with clean thin mono-line stroke, slanted, condensed and fun character. It has Opentype features ligatures of character and lowercase alternates, To give you an extra creative work. Gilly fleurs font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Gilly Fleurs Signature font.

Terrakota is casual signature and Sans font duo, with clean thin mono-line stroke, slanted, condensed and fun character. It has Opentype features ligatures of character and lowercase alternates, To give you an extra creative work. Terrakota font duo support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Terrakota font duo. Cheers, MaulanaCreative

This duo of handlettered-style vintage Americana fonts is a versatile package that can not only provide that subtle secret sauce that transports the viewer back 60 or 70 years to the neighborhood grocery store, it's also capable of conjuring up a very forward-looking and relaxed modern vibe. Whether it's the extra bold mid-century signpainter style of the sans serif, or the quick-brush liveliness of the casual script, you'll find this versatile pair is a real go-to for a variety of great looks.

"Drive Hearts" is an 90's vibes expressive signature script font. With mono-line stroke, slanted, fun character with a bit of expressive natural ligatures and lowercase alternates. To give you an extra creative work. "Drive Hearts" font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with "Drive Hearts" font. Cheers, MaulanaCreative

Qritticaly is a Marker Script font. With regular marker stroke, fun character with a bit of ligatures and has a to files lowercase alternates. To give you an extra creative work. Qritticaly font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Qritticaly font. Have some fun enjoy the products :) Cheers, MaulanaCreative