Belgato is a vintage-inspired typeface with delicate details. It comes in six weights – plus italics! – for a total of 12 fonts, making it a highly versatile display face. The variable font version allows for ultimateweight and slant customization in print and web. Belgato has Latin, Greek, and Cyrillic alphabets, and supports dozens of languages, making it ideal for multilingual branding, publications, ads, social media, and more! I had so much fun designing this typeface, playing with classic serif letterforms to create an elegant, mid-century modern vibe. Belgato Light is fresh, airy, and delicate – perfect for feminine branding. By contrast, Belgato Black boasts fat curves with thin details, perfectly-suited to bold layouts and retro branding projects. Each Belgato font has 665 glyphs, encompassing: - the Latin alphabet (including hundreds of accented characters) - the Modern Greek alphabet - the Cyrillic alphabet (for Russian, Ukrainian, Bulgarian, and Serbo-Croatian) - discretionary ligatures - stylistic and alternate glyphs - numerals (lining and old style), small figures, and fractions - extensive punctuation, symbols, and diacritical markings Software: No special software is required to use Belgato fonts. You can even use these fonts with Canva! To access Belgato’s variable font features, ligatures, and stylistic alternates, it is best to use software that supports these functions (Adobe programs, Corel Draw, Sketch, etc). Languages: Belgato supports dozens of languages which use the Latin, Greek, and Cyrillic alphabets. Among the most common languages it supports are: English, Bulgarian, Catalan, Croatian, Czech, Danish, Dutch, Filipino, Finnish, Flemish, French, German, Modern Greek, Hungarian, Icelandic, Indonesian, Italian, Luxembourgish, Maltese, Norwegian, Polish, Portuguese, Russian, Serbo-Croatian, Spanish, Swedish, Swiss German, Turkish, and Ukrainian.

Handcrafted signs line the stoned walkways of old Italy. Some a century old, these often forgotten works of unknown artists remain etched across cities and villages. But now, they make their inviting impressions once again as the inspiration for insigne design’s Gineso Soft typeface. Gineso Soft absorbs the personality of northern Italian posters, headlines and logotypes, providing a type especially nice for signs and titling with its condensed qualities. The font contains matching italics for the the eight weights and three widths. We’ve also included small features along with fractions and superior / inferior characters to broaden your options. Even more, Gineso Soft is ready for all applications and features a large character set for the languages ​​and literature of Europe. So add a soft touch the next time you’re in a tight spot. Add Gineso Soft and make your project a work to be remembered.

Darkness Falls… beware the Moon and stick to the road. Keep clear of the moors, for there you will only find a bloody, UNNATURAL death. Tonight, as every night there is a Full Moon, the Blood Beast stalks the village. It is ready to catch the unwary one, the show-off, the FOOL! It walks the Earth in limbo from one month to the next and only one who is loving in spirit can bring an end to its Carnivorous Lunar Activities! Blood Beast arrives in three weights, Regular, Bold and Heavy, but we recommend you don’t tackle any of them unless you are brave of heart and prepared to save the soul of the poor victim who was left with the Mark of the Blood Beast! Features: Three weights with alternate upper and lowercase characters Languages: Western & Central Europe Automatic alternates & Crossbar I Technology™

Introducing Pauline Didone Variable, a flawless blend of Art Deco elegance and contemporary script. Inheriting a splash of femininity from its lineage, Pauline, it’s the perfect choice for eye-catching logos, standout headings, and memorable snippets of copy. Dive into a 10-font family arsenal, complete with 5 distinct weights, italics, and a treasure trove of OpenType alternates. Reflecting the allure of retro scripts, its geometric silhouette, paired with bold brush contrasts, commands attention. Pauline Didone’s contemporary high-contrast design ensures your artwork isn’t just in Kansas anymore but in the vibrant world of modern design. Enhance your projects with over 150 alternate characters, including a set of whimsical ball terminals reminiscent of Toto's playful spirit. Access these Oz-inspired elements with advanced software like the Adobe Suite or Quark. Step into a realm of enchantment with Pauline Didone and let your designs shine like the Emerald City.

Hua type family is a sans-serif with very humanist details to represent the essence of nature. It features 14 weights from the very thin to the very bold, generously covering a wide range of the natural spectrum. Aiming to represent the soft and elegant side of nature, Hua features very unique italics that have their own take on the identity. The letterforms of the italic fonts are inspired by the lineage of both traditional calligraphic approaches for serifs and much simpler forms for sans-serifs. Hua provides very crisp performances on screens and its large x-height combined with fine-tuned proportions help it retain legibility very well on smaller sizes.  Features: • Support for 200+ Latin languages • Double & single storie “a” & “g” • Unique italic letterforms • Low contrast with unique details • Small caps with symbols • Arbitrary and defined fractions • Support for superscript & subscript in normal & scientific alignments • Proportional lining, proportional old-style, tabular lining, tabular old-style

Nurhalifa New fresh & modern style with handmade calligraphy, decorative characters and dancing lineage! So wonderful are invitations like greeting cards, branding material, business cards, quotes, posters, and more !! Nurhalifa The comes with 564 glyphs. Alternate characters are divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternate, Contextual Alternate. Open Type features are accessible by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X versions, and Microsoft Word. And this font has code PUA unicode (font with special code). So that all alternative characters can be easily accessed by craftsmen or designers. Nurhalifa Uppercase & lowercase International signature & symbol Punctuation Support & PUA number Unicode Style Style Alternative Style Style Range 1-22 Contextual Character Variations. If you do not have programs that support OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all alternative flying machines using Font Book (Mac) or Character Map (Windows).

Several roads have been closed around my village, so I need to drive alongside narrow country roads ro get my groceries done. The roads are so narrow that two cars cannot pass, so you need to use the (muddy) kerbs. A lot of cars these days have Xenon lights and they shine really bright and blue. I am non xenon-phobic, but I can tell you that the ‘old’ yellowish headlight were softer on the eyes, especially when you’re trying to navigate narrow country roads! Yes, I know, a long story leading nowhere, but a little personal story (in my opinion) is better than a boring text full of technical bla bla. A font is a font after all and I don’t need to explain what it looks like, because you can see that for yourself! Headlight Blue is a handmade, all caps display font. It comes with all the trimmings, including two sets of alternates that cycle as you type.

Rhonda Script is a new fresh and modern handmade calligraphy with decorative characters and dancing lineage! So wonderful on invitations, greeting cards, branding material, business cards, quotes, posters, and more. Rhonda Script comes with 489 glyphs. Alternate characters are divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates. OpenType features are accessible by using OpenType savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X versions, and Microsoft Word. And this font has code PUA unicode so that all alternative characters can be easily accessed by craftsmen or designers. Rhonda Script contains uppercase and lowercase, International lingual support, signature and symbols, Punctuation and PUA numbers, Unicode Style, Alternative Styles, Style Range 1-11, Contextual Character Variations. If you do not have programs that support OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all alternative sets using Font Book (Mac) or Character Map (Windows).

Nurhalifa New fresh & modern style with handmade calligraphy, decorative characters and dancing lineage! So wonderful are invitations like greeting cards, branding material, business cards, quotes, posters, and more !! Nurhalifa The comes with 564 glyphs. Alternate characters are divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternate, Contextual Alternate. Open Type features are accessible by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X versions, and Microsoft Word. And this font has code PUA unicode (font with special code). So that all alternative characters can be easily accessed by craftsmen or designers. Nurhalifa Uppercase & lowercase International signature & symbol Punctuation Support & PUA number Unicode Style Style Alternative Style Style Range 1-22 Contextual Character Variations. If you do not have programs that support OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all alternative flying machines using Font Book (Mac) or Character Map (Windows).

Donnerstag is an extended slab serif and a new companion to insigne's Montag, Dienstag and Mittwoch typefaces. Donnerstag conveys power and personality with its strong slab letterforms and ball terminals. Donnerstag's seven different weights give it a great deal of versatility, from its beefy and masculine black weight to the delicate and feminine hairline. Because of Donnerstag's width, this typeface is best used for logotypes, headlines or short blocks of text. Donnerstag includes many useful OpenType features, including a set of upright italic swash alternates, ligatures, small caps, fractions and old style figures, alternates for the ball terminals and simplified characters for titling. OpenType-capable applications such as the Adobe suite or Quark can take full advantage of automatically replacing ligatures and alternates. This family also includes the glyphs to support a wide range of latin based languages. For complementary companions, be sure to check out the rest of the typeface super family, also available from insigne.

Gord’s unique blend of typefaces creates a mesmerizing and trippy effect that will transport you straight back to the era of disco balls, bell-bottoms, and groovy tunes. This typeface is like no other—it’s a puree of samples that will make your design stand out from the crowd. Gord’s ugly design is so bad, it’s good! Its quirky, uneven shapes and mismatched curves give your text a distinctive retro look that’s perfect for any project that needs a touch of 70s nostalgia. So if you’re ready to embrace the beauty of ugly and want to add some vintage flair to your design, Gord is the typeface for you. Get ready to unleash your inner boogie and take a trip back to the era of peace, love, and funk with Gord! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Smart, legible and elegant, Gravesend Sans is a based on the unique typeface used for the iconic grass-green signage for the Southern Railway. In existence from 1923 to 1948, when the network was nationalised, the Southern Railway linked London with the Channel ports, South West England, the South coast resorts and Kent. The same design was also used for the ‘hawkeye’ signs on the London, Midland and Scottish Railway, differentiated by black letters on a yellow background. Reference for each letter was taken from vintage ‘target’ station nameplates and other platform signage. The rarest letters were the Q, seen in Queens Road Battersea, the X, seen in East Brixton, and the Z, used in Maze Hill, site of an infamous train crash in 1958. Being hand-made, the letters often differ in width and thickness. There was no lower case. The Bluebell Railway, a heritage steam line, runs over part of the old Southern Railway network and uses a very similar type. The design of the numbers differed considerably, but here have been taken from the Device 112 Hours font Smokebox. As well identifying platforms, they were used on the front of the steam engine’s smokebox, hence the name, and stylistically are more in keeping with the letters than some of the squarer versions that can be seen in old photographs. William Caslon IV is credited with the first Latin sans-serif type, shown in a 1816 Caslon specimen book. ‘Two Lines English Egyptian’, as it was called, was caps-only, and there are several other correlations between that type design and this one. Includes a selection of authentic arrows and manicules, plus abbreviated ligatures such as ‘St.’ (Saint or Street) ‘Rd.’ (Road) and ‘Jn.’ (Junction). The Cameo version includes many graphic banner elements that can be freely combined.

Looking for a typeface that embodies both grit and grandeur? Look no further than Lerku. This crispy font takes its inspiration from the timeless classic Bold Antique by Morris Fuller Benton, but it adds a grungy edge that’s perfect for today’s contemporary designs. With letter pair ligatures that help break up the monotony of repeating characters, Lerku is perfect for OpenType-savvy applications that demand a bit of variation. Whether you’re designing a website, a logo, or a marketing campaign, Lerku will give your message a bold, authoritative voice that’s sure to make an impact. So if you want to add a touch of vintage charm to your design, while still keeping it fresh and modern, Lerku is the perfect choice. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Welcome to Polarband—the retro-inspired sans-serif headline typeface that adds a touch of warmth and personality to your designs. Polarband’s stacked layer design allows the inner layer to nestle snugly, creating a sense of depth and dimension that adds an extra layer of interest to your designs. Play around with different color combinations and layering options to create a truly unique look that sets your designs apart. So whether you’re looking to add a touch of retro charm to your next design project or create a bold and eye-catching logo, Polarband is the perfect typeface for you. With its appealing geometric shapes and humble style, it’s sure to become a go-to choice for designers looking to add a touch of vintage flair to their work. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Meet Gnuolane Jump, the lighthearted typeface that bounces with personality. Inspired by early twentieth-century grotesque designs, Gnuolane Jump is a typeface with a playful 1960s twist. Its superelliptical appearance gives it a unique charm that sets it apart from other headline fonts. Gnuolane Jump features old-style numerals, adding to its vintage appeal. But what really makes this font stand out is its OpenType ligatures. With tailored combos that automatically substitute common character sequences, Gnuolane Jump creates a bouncing effect that brings your text to life. If you’re looking for a more subdued style, be sure to check out Gnuolane and Gnuolane Stencil. But if you want to inject some fun and personality into your headlines, give Gnuolane Jump a try. Its lively spirit and unique character will add an extra touch of charm to your design. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

With Transmute, you’ll be transported back to a time when science and machines were the focus of the world. Our display typeface is inspired by vintage technical lettering, with squarish letterforms and quirky angles that give your designs an unmistakable edge. Transmute’s harsh, precise letterforms are the perfect choice for anyone who wants to evoke thoughts of unusual electromechanical, scientific apparatus from a bygone era. Whether you’re designing a cutting-edge website, an eye-catching poster, or an attention-grabbing ad campaign, Transmute has everything you need to make your designs stand out from the crowd. And with three weights to choose from—light, regular, and bold—you’ll have complete control over the look and feel of your designs. So why settle for boring, traditional typefaces when you can add a touch of techno to your designs with Transmute? Try it out today and see the difference for yourself! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.