Following in the footsteps of his brother Frankie, FrankieDos entered our catalogue a few years later. FrankieDos follows the same pattern: how to imitate analogic features in a vector-based typeface.

Loosely based on an early 20th century type from the Brussels foundry of Van Loey-Nouri. Many European foundries had fonts of this general design. Schelter & Gieseke of Germany had several.

The strong, geometric letterforms of this typeface incorporate a heavy outline and were inspired by college and university sportswear, making Stanford an excellent choice for work associated with sports in general.

Border pieces, catch words, head and tail pieces and a generous amount of cartoons comprise Letterpress Assortment JNL. All of the printers' stock cuts were re-drawn from vintage source material.

Capital aphabet simulating blind embossing, to create distinctive stationery. Includes six border styles for monograms, each accessed by a single keystroke, as well as decorative rule characters to generate business letterheads.

Here is another design by jewelry designer Max Joseph Gradl. Zier is a verb, meaning to decorate, adorn or ornament; zierlich means decorative, elegant, fine, neat. Schrift means type. Zierschrift, therefore, means decorative type. Gradl Zierschriften is a decorative type in the Art Nouveau style, rather than the more ornate Victorian style. Very modern, very young, with an elegant simplicity of form. Maria Makela, in her book The Munich Secession (Princeton 1990) suggests that the frequent use of simple, flowing, organic forms that was so characteristic of Art Nouveau was a reaction against the growing complexity and rapid urbanization that resulted from 19th century industrialization. In keeping with that reaction is the hand-drawn quality that intentionally rejects a mechanistic mathematic precision of line rendering. Gradl Zierschriften preserves that hand-drawn quality. Designed with upper case only, this face was obviously intended for short headlines only and is best set at 18 points or larger. However, I don't think you really get to experience the grace of this design until you get to 36 points or more. In the larger sizes, it is simply stunning. Please note that while most of the uppercase letterforms are repeated in the lower case for convenience, the ‘F’,‘L’ and ‘T’ are rendered a little narrower than in the uppercase to provide for visual variety. The font also includes a generous supply of ligatures for just the right fit ... and just for the fun of using them. Three common ways of inserting a ligature, accented letter or other special character are: 1) Key in “ALT”+“0”+[ascii #]; for example ALT+0233 for the e-acute, 2) From within your application program, go to the INSERT menu and look for something like “Insert Symbol,” (this function is NOT available in all application programs) & 3) Cut & Paste from the CHARACTER MAP display that has been supplied by every generation of Windows Operating System that I can recall (All Programs>Accessories>System Tools). Isn't it amazing what you can do? Don't be afraid to experiment. If you back up your work, you have very little to lose and a lot to gain. Not only do you acquire a new tool, but by the very process you have learned how to continually expand your knowledge and skill base.

PTx Flowers Font Family 2 fonts: regular and silhouette each font - 6 glyphs TTF format Bear in mind that each glyph of the font PTx Flowers Regular is close to the maximum limit of points possible in ttf, which means that despite being tested in several programs, illustrator, photoshop, among others including word, some bugs may occur, depending on the rendering capability of the program you are working on. I found however that most of the time, that by the way the bugs, when tested, were only verified in word, that changing the size of the letter/glyph or even the zoom of the document, the letter/glyph was rendered correctly. These fonts have a very limited number of glyphs because, due to the glyphs having too many points, it can take some time to render. This will depend on the capacity of the machine's graphics card (computer, tablet, mobile phone). Hence a low number to take as little time as possible. See at work in word: https://youtu.be/PIMBlja2I5k See ar work in illustrator: https://youtu.be/RJp9X9TQ4so See at work in photoshop: https://youtu.be/yvrBmCJ80pc

A new take on the classic typeface used at Oxford University Press. Carefully crafted from original sources and updated for the modern times. Size specific weights and meant to act as a work horse for longer texts. A joint venture between Stefan Hattenbach and Johan Ström.

Cerita Kids is Doodle Comic font style. This font is look relax and fun, suitable for comic and Children book. This font is rendered and done by manual hand drawing that digitalized as a font so this font is very natural. Thank you for download this font.

Gorus Duo is a modern and futuristic display font family. This is irreproachable font to diversify your headlines, logo, poster, branding visual identity, magazines and etc. Gorus Duo includes 5 fonts. Goes well with Gorus typefamily. The combination of futuristic and geometric elements renders a modern design.

On the cover of the 1926 sheet music for “There Ain’t No Maybe in My Baby’s Eyes”, the title is rendered in Art Nouveau hand lettering; pen-drawn with rounded ends. The type design is now available as Nouveau Vaudeville JNL, in both regular and oblique versions.

Masoud Nejabati has drawn upon his capable calligraphic skills to create this typeface. Persia represents his first latin-based design. This gentle and finely rendered script reveals Nejabati's extensive background in Islamic calligraphic art. The slight back slant further enhances the appearance of hand-scribed pen calligraphy.

Type family of two weights was designed in 2000-2001 by Oleg Karpinsky and licensed by ParaType. Similar to Ariergard face in letterforms but differs from it by slab serifs, which always project to the center of an em square. For use in advertising and display typography.

"Overmind Demond" is a striking display font designed with a futuristic theme in mind. Its sleek and modern letterforms exude a sense of technological advancement and innovation, making it a perfect choice for a wide array of design projects centered around futuristic concepts or space exploration.

The movie trailer for the1936 film "After the Thin Man" is filled with text lettered in this classic Art Deco condensed typeface. Sleuth JNL seems the appropriate name for this digital revival, as the romantic comedy centers around detective Nick Charles' and his wife Nora's adventures.

A movie poster for the 1952 Dean Martin & Jerry Lewis comedy “Sailor Beware” had the text rendered in a casual style of brush lettering similar to that found on store show cards. This inspired Show Card Brush JNL, which is available in both regular and oblique versions.

Plata font is a humanist display font with unique authentic value. available with 4 weights will add value to the authenticity of this font. generally suitable for use in logo design, packaging.

Adesso is a humanistic sans serif very generous & comfortable. It has been created for very young readers. With its wide opened & rounded shapes it is particularly peaceful & legible especially in small sizes.

Alisha is an expressive yet legible script face with a generous x-height and a equally generous complement of over 200 alternates and swash forms. Alisha retains the distinctive look of custom lettering with varied letterforms that are personable; yet polished and refined. Alisha is ideal for attracting buyers to product packaging, beckoning readers to headlines and hero graphics, or charming clients in identities and wordmarks. See what’s included! This font has been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here.

Phat Chance is a funky, in-your-face font that has strong overtones of modern rap and hip-hop culture. Its broad, fluid line evokes the beat of modern music, the rhythm of contemporary dance, and the power of videogame computer graphics. It is essential for marketing companies targeting: ⁃ the music scene: CD covers, posters, music videos, presentations ⁃ the movie scene: posters, ads, promotion material, copy, movie titles ⁃ the theatre scene: posters, programs, ads, promotions ⁃ the fashion scene: hangtags, posters, brochures, signage, ads ⁃ the fast food market: packaging, promotions, menus, signage ⁃ general packaging ⁃ general advertising

Spring Fashion JNL was modeled after an example of hand lettering from an old book displayed on an online auction. Rendered in lower case only with basic punctuation, this type design was made specifically for headlines. Its light, airy personality adds charm to simple ad copy or titles.

Geometa is based on Paul Renners Futura Classic, the one that he designed before he had to soften it to make it more appealing to the broad public. I thought the normal rounded fonts needed a decorative sister. Here they are! Your type-designer for decorative solutions, Gert Wiescher

Resolution is a modern monospaced typeface with 4 weights. The typeface is a satire of rendering of early screens and inherited its name through this sentiment. Since screen resolution is getting higher, this font is a memorial to low resolution screens. Resolution is also an excellent programmer’s choice.

Display Prominent is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. In place of a lowercase there are short caps that are centered horizontally on the tall caps. There are also short numbers, punctuation, and miscellaneous characters.

Here's a faithful rendering of an old face from the James Conner's Sons specimen catalog of 1888, alternately known as Aetna or Painter's Gothic. Its compact descenders allow for tightly-spaced headlines. Both versions of the font contain the complete Unicode Latin 1252 and Central European 1250 character sets.

Once upon a time, in the days BC (that's Before Computers) there lived a very talented group of men and women whose job it was to render ads by hand. So skillful were these people that some say it was possible to actually identify the typefaces that the layout artists were emulating. Their renderings were swift and slick, no time for detail as it was necessary to do a whole bunch of variations, usually within ridiculous deadlines. Their only tools: bullet-tip markers and bond paper - often mistakes resulted but no time to re-do and white paint was totally unacceptable - just let the slipups be. Here's a simulation of their craft, we don't really know what typeface this was supposed to represent… any ideas?

Point of Sale JNL is a specialty font for producing retro-style price cards, tags, stickers, labels and similar items. Within this design are a large set of numerals and two smaller sets of numerals. Both of the smaller sets are centered against the larger ones with one set also having underscores. In addition, there are a number of price card designs provided for those who want a truly nostalgic feel to their price marks. The layout of Point of Sale JNL breaks down as follows: A through J = 1 through zero in large numbers K = a decimal point L = dollar sign M = cents sign N through Z = various price cards a through j = small centered numbers k through t = small numbers with underscores

This font consists of individual pieces that can be combined to make a wide variety of borders. For each border design, the pieces generally include four corners, a vertical section, and a horizontal section.

PT Sewed is based on a set of monoline vectors/ letters. Designed for a cultural project. The sewed look was generated for an encyclopedia about jeans. Recommended only for T-shirt Designs and Headlines.

Resiliency font family offers 6 font; 3 weight in regular and italic that provides a variety of looks and possible combinations. Resiliency offers great looks on esports themed designs and other sports in general.

Tuscan wood types cover a fairly wide range of styles, and there is sometimes confusion over what is classified as a Gothic Tuscan and what is considered an Antique Tuscan. HWT American Chromatic and P22 Tuscan Expanded are more precisely faces of the Antique Tuscan variety. Gothic Tuscans are generally absent of the heavy serifs typically associated with their Antique Tuscan brethren (although decorative bifurcation of terminals can imply serifs). Additional internal decoration with spikes along the stems gives some Tuscans their distinctive look, these faces are often described as “Circus Types.” Tuscan Extended is an extremely wide design, with a distinctive slab crossbar running through the center of most characters. Each letter is a complex system in its own right. This typeface is best used very large in short headline work. The style defies falling clearly into either the Antique Tuscan or Gothic Tuscan category. The new HWT version of Tuscan Extended has been meticulously redrawn by Frank Grießhammer. During production, he also incorporated a number of new letterforms, bringing the font to over 300 characters (including a full ASCII character set and Central European accented characters).

URBANI is the result of a mix between Neohumanist and Neogrotesque types. The subtle narrowness of its proportions makes it ideal for composing extensive blocks of text. The slightly superior height of its ascenders, the wider proportions of its counter-forms, the addition of ink traps at certain stroke intersections; every aspect of URBANI’s design was conceived with reading in mind. The Opentype tool Alternative Glyphs is especially important, since its use is fundamental in achieving a universal and geometrical visual language through the rationalization of the font family. URBANI is inspired upon the works of Adrian Frutiger and Paul Renner, a constant source of admiration and inspiration to W. This type family comes fully equipped with Opentype tools, a huge range of alternate glyphs, fractions, modern and old style numbers, superiors and inferiors, ligatures and smallcaps. Universality is a major goal when it comes to creating our fonts. URBANI is ideally suited for general graphic design, print and digital publications, motion graphics, web design, branding and interaction design. Learn about upcoming releases, work in progress and get to know us better! On Instagram W Foundry On facebook W Foundry wtypefoundry.com

The collection of letterpress cuts included in Printers Helpers JNL offers a generous helping of billing and accounting helpers along with the usual assortment of pointing hands, stylized arrows, cartoon embellishments and other miscellaneous images.