A photo from Gene Gable (a regular contributor of ideas to Jeff Levine Fonts) shows the vintage signage for the Lasher Hatchery in a slightly different take on the classic Art Deco solid letter style. Since good ideas, like eggs can be hatched, thus the font's name of Hatchery JNL.

Introducing original font named Healthy Freak. All available characters you can see at the screenshots. This font has two styles: Regular and Rough. Main feature is a lot of ligatures for both styles! This font will look good on any street styled designs like a poster, T-shirt, label, logo, etc.

Introducing Holland Treasure, a hybrid font that merges script and sans serif styles. With two variations, Holland Treasure Display and Holland Treasure Regular, this font set is designed for both display and text purposes. Experience the modern luxury of Holland Treasure as it adds elegance and sophistication to your designs.

In the 1960 edition of Sam Welo’s “Studio Handbook – Letter and Design for Artists and Advertisers” you’ll find a bold, hand lettered Art Deco sans serif typeface designed by Welo with a decidedly 1930s-1940s look. This is now available as Pastry Shop JNL, in both regular and oblique versions.

Hand lettering from the title credits for the 1950 film “All about Eve” were the inspiration for Evening Event JNL, which is available in both regular and oblique versions. The font’s name is an (unintended) double-homage to the film’s title, for the first part of both words include “Eve”.

The cover of the 1939 sheet music for "I Wonder Who's Kissing Her Now" has the title set in an outline sans - or is in an inline? With almost equal space and line weights, it can be either! Outline Sans JNL in available digitally in both regular and oblique versions.

Syondola is Greater Albion's venture into the Wild-West. Need something to evoke saloon bars, or the OK Corral, or river Paddleboats? Syondola is it! Two styles are offered, Regular with clean and precise outlines, and Rustic, which has a deliberately slightly eroded look, for that old and timeworn feel.

The Graph is a Slab Serif font. The unique body of each letter without roundness makes it a pretty technical font. Similar letters often are used in coding or any tech frameworks. Currently, the font exists only in regular style. Strict and sharp, this font is designed for specific projects.

Minimal is a distinguished sans serif display family with minimalistic modern edges, designed by Khalid Al-Mazrouei and published by Kmaz. Minimal packs a complete set of uppercase and lowercase letters, numbers and punctuation and comes in 3 weights (Thin, Regular, and Bold). Perfect for headlines, magazines, and much more.

Sheet music for the song "I'm the One That Loves You" has the title hand lettered in a narrow, Art Deco-influenced sans serif, which is now available digitally as Dance Band JNL in both regular and oblique versions. The 1937 composition was popularized by Tommy Dorsey and Sammy Kaye.

Rusty Nail is a carefully hand-made uppercase only typeface with a full Central European character set which comes in two styles, Regular & Bold. It was created for a liquor company where hand-made letters were part of the corporate design. It’s perfect for labels or lettering with a "used look".

Kemading is a retro serif font that has a vintage, cute, fun and bold feel. Comes with four styles, regular, italic, outline and outline italic. Kemading's design is unique and energetic, making it perfect for adding a touch of fun nostalgia to logos, crafts, posters, branding, stickers and many other projects.

Redrawn from lettering found on a British publication circa the 1930s, Retail Price JNL is an extra bold display inline sans that’s great for catchy headlines, price cards, banners or any other attention-getters. Retail Price JNL is offered in regular, oblique, solid and solid oblique versions. Caps only Fonts.

Introducing new typeface. Caniago- A modern, luxury, fashionable display serif font. Embargo perfectly used for product presentation, elegant logo design, packaging or invitation cards or heading text. it is allcap with symbol and multilingual support Two style, Caniago Italic Caniago Regular Features Two style/ Numbers & Punctuation / Extensive Language Support/ligature/Alternate

Balcon is condensed sans family designed to be your first web font choice. Contains 5 weights: Light, Regular, Bold, ExtraBold and Black, it fits perfect into any project, from editorial editions to packages, labels, posters. If you're looking for "sharp" version of this family, feel free to check Balcon sans family.

Introducing retro sci-fi label font duo named Space Journey. This display font is inspired by movie posters from the 60s and 70s. Font family has two styles: Regular and Rough. This font will look good on any retro sci-fi styled designs like a poster, T-shirt, label, logo, etc.

The Typorium presents a new optimized and enriched version of ITC Ellipse which first appeared in 1996 in the International Typeface Corporation typeface library. ITC Ellipse Neo design has been lightly modified. Three weights have been added (light, Medium, Extra Bold, including Italics) to the original Regular and Bold styles. ITC Ellipse Neo is both modern and classic. Modern in the unusual shape based on the geometric ellipse form. And classic in the structure of some letters like the lower cases c, e, g, o, s. These letters alone could come from a traditional typeface, but they fit perfectly with the atypical rest of the alphabet giving it a present-day and traditional mix. Furthermore, the ellipse shape fits naturally in the italic styles, giving the font an organic and fluid feeling. ITC Ellipse Neo offers OpenType features such as alternate characters for upper and lower case, and an extended accented character set to support many languages. Five weights have been created for each style to offer a wide range of graphic possibilities in a tidy digital footprint. Designer: Jean-Renaud Cuaz Publisher: Typorium MyFonts debut: December 15, 2020 Le Typorium présente une nouvelle version optimisée et enrichie d'ITC Ellipse qui est apparue pour la première fois en 1996 dans la bibliothèque de caractères de l'International Typeface Corporation. Le design de ITC Ellipse Neo a été légèrement modifié. Trois graisses ont été ajoutées (léger, moyen, extra gras, y compris les italiques) aux styles originaux Regular et Bold. ITC Ellipse Neo est à la fois moderne et classique. Moderne dans le dessin inhabituel basé sur la forme géométrique de l’ellipse. Et classique dans la structure de certaines lettres comme les minuscules c, e, g, o, s. Ces lettres pourraient provenir d'une police de caractères traditionnelle, mais elles s'intègrent parfaitement avec le reste de l'alphabet plus insolite en lui donnant un mélange de modernité et de tradition. De plus, la forme de l'ellipse s'intègre naturellement dans les styles italiques, donnant à la police une sensation organique et fluide. ITC Ellipse Neo offre des fonctionnalités OpenType telles que des caractères alternatifs pour les capitales et les bas de casse, et un jeu de caractères accentués étendu pour prendre en charge de nombreuses langues. Cinq graisses ont été créés pour chaque style afin d'offrir un large éventail de possibilités graphiques pour une empreinte numérique rigoureuse.

The word ‘Ghibli’ per se refers to a Saharan hot and dry wind commonly known as the Sirocco. In Arabic language, ‘Ghibli’ is known as ‘Qibli or Kibli’, meaning ‘Southern’ for those Arabic nations who live in the North of Africa. The ‘Ghibli’ wind is most common during spring and autumn, and can blow at almost 60mph; it is this wind which is responsible for the dry, dusty conditions on the Mediterranean coast of North Africa. ‘Ghibli’ can last for days making life miserable and is therefore feared by the desert dwellers in that region. It can also have profound effect on the landscape by moving vast quantities of sand and dunes. Inspired by the Studio Ghibli’s unique and magical characters, the ‘Ghibli’ typeface is designed as a Latin free and literary serif typeface. It strongly expresses transition, imagination, sharpness, characterization, and modernization. It is a literary type that can capture the eyesight of readers and other observers with its acute and stylistic letterforms, dots, and numerals. It has transitional serifs and it is generally based upon the Latin printing style of the 18th and 19th centuries, with a pronounced vertical contrast in stroke emphasis (i.e., vertical strokes being heavier than the horizontal strokes). It has more regular forms in which serifs are bracketed and more symmetrical. The main characteristic of ‘Ghibli’ typeface is in its new designed serif letters. Special letters that can be described as having modern designs include small ‘g’, ‘p’ (with their open ends), ‘x’, and capital ‘B’, ‘P’, ‘Q’, and ‘R’ (with their open ends). ‘Ghibli’ typeface has also both of lining and old-style numerals which makes it more suitable for any literary and printing purposes. This gratuitous font comes in only two weights (i.e., Ghibli Regular and Ghibli Bold). It is absolutely preferable to be used in the wide fields related to literature and publication industry. This includes typing titles of diverse literary and academic books, readable texts of novels, novellas, short stories, prose, poetry, textbooks, newspapers, and magazines. It is also notable if chosen for designs that include movies’ titles, logos of academic institutions such as colleges and universities, organizations and associations’ names, medical packages such as those dedicated for tablets and syrups, and also other different educational and social materials. ‘Ghibli’ is simply a free literary typeface dedicated for all who want to write and read using a modern and stylish serif font. Enjoy it.

Tremida is a handwritten font with irregular trace.

The Journal Sans typeface was developed in the Type Design Department of SPA of Printing Machinery in Moscow in 1940–1956 by the group of designers under Anatoly Schukin. It was based on Erbar Grotesk by Jacob Erbar and Metro Sans by William A. Dwiggins, the geometric sans-serifs of the 1920s with the pronounced industrial spirit. Journal Sans, Rublenaya (Sans-Serif), and Textbook typefaces were the main Soviet sans-serifs. So no wonder that it was digitized quite early, in the first half of 1990s. Until recently, Journal Sans consisted of three faces and retained all the problems of early digitization, such as inaccurate curves or side-bearings copied straight from metal-type version. The years of 2013 and 2014 made «irregular» geometric sans-serifs trendy, and that fact affected Journal Sans. In the old version curves were corrected and the character set was expanded by Olexa Volochay. In the new release, besides minor improvements, a substantial work has been carried out to make the old typeface work better in digital typography and contemporary design practice. Maria Selezeneva significantly worked over the design of some glyphs, expanded the character set, added some alternatives, completely changed the side-bearings and kerning. Also, the Journal Sans New has several new faces, such as true italic (the older font had slanted version for the italic), an Inline face based on the Bold, and the Display face with proportions close to the original Erbar Grotesk. The new version of Journal Sans, while keeping all peculiarities and the industrial spirit of 1920s-1950s, is indeed fully adapted to the modern digital reality. It can be useful either for bringing historical spirit into design or for modern and trendy typography, both in print and on screen. Designed by Maria Selezeneva with the participation of Alexandra Korolkova. Released by ParaType in 2014.

Burdigala X Serif is an open and spacious typeface inspired by the classic Didones. The X Serif is ideal for larger amounts of (printed) texts in brochures, magazines and books. Being wider than usual, it works especially well in media intended for on-screen reading, such as in Pdf-documents and e-books etc. Burdigala is the ancient Roman name of the city of Bordeaux France.

A wise orange cat said once: There are three things certain in life. Death, taxes and teddy bears. The closest thing to a fourth is red tape. Restricting you, bounding you to the rules of a bureaucratic organisation. My advise, carry a scissor with you all the time to cut through it. WBP Red Tape is a great monospace font specifically designed for headings and logo design.

If there is ever a need for a heptagonal font, that is, a font based on a seven-sided polygon, Heptagroan may fit the bill, unless the need is also for true lower-case letters. Heptagroan is caps only, though some of the caps on the lower-case keys differ from those on the upper-case keys. Heptagroan is monospaced and is available in two weights.

Gimbo is bold. This heavy sans-serif design features thin counters. The interior spaces inside letterforms have been reduced as much as possible. Often, they seem abstract. There are three fonts in the Gimbo family: Black, Ultra, and Ultra Shadow. What do those terms mean? Well, Ultra is wider than Black. It takes up more pixels on-screen or brings more ink to the page.

Waiting Awakmu is a classy handwritten font, This is a truly versatile font combining sophisticated, casual and even fun sides depending on the style you use. Files Include : Basic Latin A-Z and a-z Numbers Symbols PUA Encode Multilanguage Support Thanks and have a wonderful day, If you have any questions, please get in touch with us Don't forget to check out our other products.

Inspired by show card lettering and the more human side of art deco, I wanted this font to retain the casual unevenness of informal hand lettering. As decorative as the font looks, I do envision it being used for text more than display. Obviously not a workhorse, but rather a quirky niche font. I find it makes dense philosophic texts more friendly to read.

Project Soft is the more playful version of our 2017 release, Project Sans. The font features the same 10 weights and matching italics but while the Sans version was more structured, the Soft version shows a cheeky side that creates a vast array of potential. The font still features substantial language support as well as specifically designed italics that feature a unique look for certain characters.

The inspiration source for Arteaga Borders Three is a collection of the embroidery and beading patterns from a vintage embroidery patterns catalog dating back to 1865. The original collection of patterned sides has been expounded upon to create matching corners that continue the fluidity of the ornate forms. Download and view the “MFC Arteaga Borders Three Guidebook” if you would like to learn a little more.

Our Quintessential Pro is based on the calligraphic lettering style known as the Italic Hand. As speed became more essential in writing hands, styles became less formal and more relaxed. Classic, clean, and casual, Quintessential fits a lot of design uses - hence its name. The SmallCaps and extensive figure sets only work to further expand the usefulness of the typeface across a wider breadth of applications.

A postcard for a 1952 DeSoto automobile, combined with the (non)sensibilities of legendary British lettering artist Cecil Wade, yielded this slightly tacky and thoroughly wacky gaggle of letters. Use liberally whenever levity, brevity (the soul of wit), or a bit of mischief is called for. Both versions of the font include 1252 Latin and 1250 CE (with localization for Romanian and Moldovan) character sets.

Giacometti Letter is a fun design by Sine Bergmann and Leonore Poth. It has a rough, handwritten-looking style that is perfect for informal communications. The letters are light and narrow similar to her thin figures in the Pi font Giacometti." When combining Giacometti Letter with other fonts, try using "Jump" - another of Sine's designs - which contrasts well since is it wider and bolder."

Chilloxine is a clean font with detailed edges combined with sharp corners and one side with rounded corners. font with 18 families that bring more varied thickness and slope, with many style choices in one family, the font is very good to use for logos, titles headlines, & can even work well for text. Chilloxine is very minimalist with a clean form and is more professional.

Shortly after the preparation of the original Century, the two Bentons (father Linn Boyd and son Morris Fuller) prepared a wider version for De Vinne’s press and called it Century Broadface. In 1900 ATF released the design for general use as Century Expanded, one of the most popular and effective of typefaces, to this day the text face of the New York Daily News.

Punch was born because we wanted to create a stencil font. At first glance, Punch gives out an audacious persona with its bold shape and form. It’s softer side is revealed in it’s carefully cut stencil lines. The balance of heavy and refined gives the font family its very own charm. Punch Pro comes in six different weights; Slab, Bracketed, Wedge, Deco, Hairline and Sans.

If it's dog friendly, it must be something good! Actually, I was never really into dogs, not until me and my wife decided to get a dog. We got a French Bulldog and life hasn't been the same since! I found out that I love dogs, and especially French Bulldogs! This font is a kind of tribute to everything good that has to do with dogs! :)

An elegant display face influenced by Aldine oldstyle letterforms, Miranda Pro brings the early successful Tim Rolands font Miranda into the OpenType era. Miranda Pro now includes numerous extended ligatures, alternate forms, small capitals and support for a wider range of languages. Use it as a companion display for classic text fonts or on its own as a refined but stylish messenger for all sorts of projects.

Cuisine originated from a how-to lettering book from the 1950s. It suggests the script style found on food and beverage labels in the early 20th century. This creamy font does for food advertising what Bodoni does for haute couture. Its simmering, hand-scribed charm captures the complexity of wine and the robust energy of coffee. It shines on luxe food packaging or high-end menus

Celesse - A classic serif font, perfect for creating bold & gorgeous designs. Pour yourself a glass of your finest wine and get classy with Celesse. This font is great for designing elegant logos, quotes, magazine covers, wedding cards, invitations, and brandings. Its stark contrasting lines are best used in headlines and projects with big type. Celesse adds timeless beauty, heavenly curves and a classic appearance to any project.

Champloo is very unique typeface which combines serif features and brush stroke. Some letters have serif, but some don’t. Serif to be found on left side of stem only. It gives a quirky impression on short text. However the larger the text become, the more consistent look it gets as a whole. These two versatile weights let you play with the typeface freely and beautifully.