4,509 search results (0.029 seconds)
  1. PinballWhizNF - 100% free
  2. Yaroslav - Unknown license
  3. AgencyGothic - Unknown license
  4. Hall Fetica Narrow - Unknown license
  5. Xray Ted [skew] - Unknown license
  6. The Doorman - Unknown license
  7. Monsterchild - Unknown license
  8. HappyCampersNF - Unknown license
  9. Winter in Gotham - Unknown license
  10. Blockbusted - Unknown license
  11. Mr. Quincy - Personal use only
  12. Discrdive 3D - 100% free
  13. Hennigar - Personal use only
  14. Castelforte - Personal use only
  15. Exterminate by Comicraft, $19.00
    THIS FONT IS ONLY THE BEGINNING... WE WILL PREPARE MORE. WE WILL GROW STRONGER. WHEN THE TIME IS RIGHT EXTERMINATE WILL EMERGE AND TAKE ITS RIGHTFUL PLACE AS THE SUPREME FONT IN THE UNIVERSE! This ragged & worn font is great for titles, sound effects, and the speech of certain genetically engineered universe-conquering sci-fi supervillains. Remastered Exterminate includes Western & Central European language support, automatic alternates, stylistic alternates & Crossbar I Technology™, improved spacing & kerning, and a Color Font
  16. Californian FB by Font Bureau, $40.00
    In 1938, Frederic W. Goudy designed California Oldstyle, his most distinguished type, for the University of California Press. In 1958, Lanston Monotype issued it as Californian. Carol Twombly digitized the roman 30 years later for the University of California; David Berlow revised it for Font Bureau with italic and small caps; Jane Patterson designed the bold. In 1999, assisted by Richard Lipton and Jill Pichotta, Berlow designed the black and the text and display series; FB 1994–99
  17. Moncler by W Type Foundry, $23.00
    From the universe of horror fiction literature, Dracula, carrier of the undead curse, is one of the most exciting and inspiring characters. Inspired by the classic novel, Moncler sets to explore into the renaissance art movement, its shapes, and personality. The outcome is a Variable Font with big contrast and 220+ weights and widths, from Condensed to Expanded, and Light to Heavy. Moncler is a dramatic looking font, its main features are its alternative symbols and punctuation set, and small-caps as lowercase, perfect for more dramatic titles and graphic designs.
  18. Squarish by The Type Fetish, $10.00
    Squarish could have been the Universe or Helvetica of the 1980's, if only it was designed then. Now it is just a little quirky gridded typeface.
  19. LTC Californian by Lanston Type Co., $24.95
    Frederic Goudy designed Californian as a private commission for the University of California at Berkeley in 1939. The first Commercial release was by Lanston Monotype in 1958.
  20. Express 18 by Kosinsky, $30.00
    Express 18 is a sans-serif with open forms and optically balanced noticeable contrast. typeface is designed for universal use. supports extended latin and open type function.
  21. Karloff - Unknown license
  22. Bungehuis by Hanoded, $15.00
    Bungehuis font was modeled on the lettering found on an Amsterdam art deco building from 1931. This building on the Spuistraat, also called "Het Bungehuis", used to house offices, but is now part of the University of Amsterdam. In 2015 it had its brief moment of fame, when students, demanding more democracy at the University, occupied it. Bungehuis is a heavy art deco font and would look great on posters and in headlines. It comes with a rather democratic range of diacritics.
  23. Architype Tschichold by The Foundry, $99.00
    Architype Universal is a collection of avant-garde typefaces deriving mainly from the work of artists/designers of the inter-war years, whose ideals underpin the design philosophies of the modernist movement in Europe. Their ‘universal’, ‘single alphabet’ theory limits the character sets. Architype Tschichold is a faithful rendering of Jan Tschichold’s 1929 experimental alphabet which was influenced by Bayer’s single-alphabet. His design was never put into production. This re-creates his original geometrically constructed design, including some phonetic characters.
  24. Loretta Display by Nova Type Foundry, $44.99
    Loretta Display is a version of Loretta designed to bring it to bigger sizes. Loretta Display is elegant and sharp. Expand your universe of editorial typefaces with Loretta Display.
  25. Casper - Unknown license
  26. Oron MF by Masterfont, $59.00
    A multi functional modern Hebrew font family, based on function rather than decoration. This font family enables many combinations, maintaining visual consistency. An excellent companion with Latin Universe font family.
  27. Athletico by GRIN3 (Nowak), $26.00
    Athletico is a layered type family inspired by college and university sportswear lettering. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.
  28. Leaner by Kulturrrno, $9.00
    "Leaner" is uppercase sans-serif typeface. It’s clean and universal. Best for logos and heading. Extended latin glyphs Uppercase letters Thin / Regular / Bold weights + Same italics Numbers & punctuation That's it!
  29. Mollis Lux by Blendy wine, $9.00
    This font is designed using straight lines and circle segments. The font is simple and universally usable. But there are some unique characters such as S,K,X, and Y.
  30. Collegium by GRIN3 (Nowak), $20.00
    The Collegium is a font family inspired by college and university sportswear lettering. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.
  31. Modern Sans by Larin Type Co, $16.00
    Modern Sans this is a font family that includes 9 weights from thin to black and two styles basic and oblique. In this font you will find a classic and universal grotesque that will perfectly cope with a variety of tasks and will always look stylish and modern, as well as many alternates for Upper and Lowercase, with which you can play and find the most incredible and stunning option. This universal font covers a huge range of possibilities for the design and creation of your project.
  32. SL Cortazar by Sudtipos, $29.00
    Julio Cortázar (1914-1984) was a unique and unclassifiable writer inside the universal narrative. His creative trajectory was full of hits which couldn't find echoes in later works. SL Cortázar portraits that singular work through the brilliant creation of Facundo Nicolás Velilla. With particular sensibility, SL Cortázar describes the universe of obsessions in the author: music, women, politics, reading, revealing the edges of intense daily in this legendary rebel. SL Cortazar takes part of the "Icons of Icons" Gallery, developed by SinergiaLab for Sudtipos
  33. Old Russian by Grummedia, $20.00
    Old Russian is a fake Cyrillic alphabet, based on old Slavic characters universally adopted in the old days of the Russian empire. Offering an opportunity to create a unique historical look.
  34. Stanford by profonts, $41.99
    The strong, geometric letterforms of this typeface incorporate a heavy outline and were inspired by college and university sportswear, making Stanford an excellent choice for work associated with sports in general.
  35. Sandokan by Matyas Machat, $30.00
    Sandokan is a brush script font with a character and morphology that nears Oriental calligraphy, Art Nouveau typefaces, psychedelic “flower power” fonts from the Sixties and Tuscan poster fonts from the 19th century. Its main features are the high contrast between thick and thin strokes and the extreme slanted angle in the typewriter imprints, creating inverse shadowing. The letter set is further accentuated by exotic decorative details and the often unusual connectors between small letters. The typeface supports all languages using the universal Latin character set. Sandokan is a slightly sweetened cultural cocktail. As such it looks best on everything that needs to come across as exotic and rather solid but unmistakeably eccentric - such as labels and packaging on exotic delicacies or circus posters.
  36. Garmalad by Si47ash Fonts, $18.00
    A distorted and fun Persian Arabic font which brings a lot of diverse emotions! Garmalad font is playing with standard and traditional way of Right to Left Arabic script. Based on Naskh, letters are designed in a deformed and disintegrated way to make it a typographic artistic typeface at the end. This font is a great choice for all graphic designers, typographers and visual artists. Shahab Siavash, the designer has done more than 30 fonts and got featured on Behance, Microsoft, McGill University research website, Hackernoon, Fontself, FontsInUse,... Astaneh text and headline font which is one of his latest designs, already got professional typographers, lay-out and book designers' attention as well as some of the most recognizable publications in Arabic/Persian communities.
  37. Athletico Clean by GRIN3 (Nowak), $18.00
    Athletico Clean is a clean version of Athletico font, inspired by college and university sportswear lettering. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.
  38. Long giraffe by Ask Foundry, $19.00
    Meet "Long giraffe," a condensed font inspired by a giraffe's elongated neck. It offers two font families, one displaying significant thickness contrast between horizontal and vertical strokes. Perfect for mobile screens and narrow spaces. Supports Western and Eastern European languages, making it versatile for diverse design needs. Embrace the elegance and functionality of Long giraffe.
  39. Dopis by Tour De Force, $25.00
    Dopis (Допис on Cyrillic) is neo grotesque family available in four weights and in two widths. It is universal and neutral typeface, fully applicable in every situation. Contains extended Latin character set with Cyrillic support.
  40. Zokak Arabic by FarahatDesign, $39.00
    Zokak is a first-of-its-kind ultra condensed Arabic typeface designed for display uses. The name means an alley in Arabic which comes from its very narrow letters, which makes it perfect in small spaces. Zokak has two main styles, the default style and the tall one to give more diversity and to be suitable for more uses.
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