10,000 search results (0.022 seconds)
  1. The Hands of Deaf - Personal use only
  2. Oaxaqueña Tall - Personal use only
  3. Ben-Zion - Personal use only
  4. Mario and Luigi - Unknown license
  5. Hitch - Unknown license
  6. Evil Cow - Unknown license
  7. Electrofied - 100% free
  8. Graffito - Unknown license
  9. Fontasia V2.0: The Revenge - Unknown license
  10. Zapped - Unknown license
  11. War Eagle - Personal use only
  12. 50's Headline DSG - Unknown license
  13. !MISQOT - 100% free
  14. Dirty Ames - Unknown license
  15. Vahika - Unknown license
  16. Kirsty - Unknown license
  17. Southville by Rillatype, $15.00
    Introducing, Southville! a bold and fun display font. it's bold characteristic and round at the edges makes this font bold and brave but have soft and fun charm. this font is perfect for books, packaging, branding, make up, novel, label, etc. Features : uppercase & lowercase numbers and punctuation multilingual PUA encoded
  18. Mayflower Antique - Personal use only
  19. NeoTrash - Personal use only
  20. Alien Encounters Solid - Unknown license
  21. Movie Poster Condensed - Unknown license
  22. DreamerOne - Unknown license
  23. Dreamspeak - Unknown license
  24. ZonoToon - Unknown license
  25. Cosmic Age - Unknown license
  26. Groove Machine ExpUpright - Unknown license
  27. Americana Dreams Upright - Unknown license
  28. Groove Machine Upright - Unknown license
  29. Groove Machine Expanded - Unknown license
  30. ARKHAM - Unknown license
  31. Nebbiolo by Jonahfonts, $39.00
    A single-stoked gothic font with UltraLight, Light, DemiBold, Bold and Extra Bold weights. Usage recommendations: Captions, packaging, cards, posters, ads, book jackets, manuals, menus, fashions.
  32. Transylvanian by Comicraft, $19.00
    At the end of every road in Transylvania stands a dark, foreboding castle, seemingly clouded by impossibly dark shadows. Bat-like creatures scurry across its gargoyle-festooned towers, and slimy green patches of moss climb inexorably up its cold walls. Blood has been spilt in the tombs of this chilling location, and there, etched in stone above the arched entranceway, is inscribed -- in Comicraft’s TRANSYLVANIAN typeface -- a simple legend: ABANDON ALL HOPE YE WHO ENTER HERE. TRANSYLVANIAN is a small-caps font that includes Comicraft's revolutionary Crossbar I Technology™, to locate that mysterious character in exactly the right places. Artwork from ASK FOR MERCY by Richard Starkings & Abigail Jill Harding, available on Comixology.com Features Four weights (Regular, Italic, Bold & Bold Italic) with upper and lowercase characters. Includes Western European international characters.
  33. Kremlin Grand Duke - Unknown license
  34. Grecian by Solotype, $19.95
    Our first font of Grecian was so old that it had been cast in a hand mold. Extremely popular face in the nineteenth century, made by many foundries and wood type makers in various widths. Lowercase was added by some foundries in later years.
  35. VTC Bad DataTrip - Unknown license
  36. Another Passion by Sarid Ezra, $19.00
    Introducing, Another Passion Script Family, make your own handwritten! Another Passion Script Family contain 4 FONTS including ligatures and underline. Also comes with italic, bold, and bold italic. Another Passion Script is a handwritten font that you can use to make a logo for branding, beautiful fashion design, or handwritten quote. Also already PUA Encoded. Foreign Languages Support: ÀÁÂÃÄÅÇÈÉÊËÌÍÎÏÐÑÒÓÔÕÖØÙÚÛÜÝßàáâãäåæçèéêëìíîïðñòóôõöøùúûüýÿ What Will You Get: Another Passion Regular Another Passion Italic Another Passion Bold Another Passion Bold Italic
  37. Calvino by Zetafonts, $39.00
    In designing the Calvino typeface family Andrea Tartarelli set himself the challenge to follow the principles expressed by the Italian writer Italo Calvino in his masterpiece Six memos for the next millenium. Exactitude and visibility are translated typographically through the reference to sixteen century garalde typography and its controlled, highly legible letterforms. To balance this formal rigour, lightness and quickness were added by letting the design be inspired by the calligraphic hand, following the lesson of Gudrun Zapf. The idea of multiplicity was kept central, developing Calvino in a range of weights encompassing both display and text use cases, and then expanding the design space with the inclusion of a display sub-family, Calvino Grande, to provide users with a full typographic palette to cover all editorial needs. Sharing the same formal structure, Calvino Grande sports condensed proportions, sharper details and tighter metrics. Both Calvino and Calvino Grande are complemented with a set of italic letterforms, with differences in design and slant to better work at different point size. All the 34 weights of the Calvino family come with a extended Latin and Cyrillic charset, covering over two hundred languages, and all equipped with a wide range of open type features including positional numerals, alternate forms, and stylistic sets. Four variable typefaces are also included in the full package, for any need of fine-tuning the typeface grade of weight. Special thanks go to Laurène Girbal for the help in developing the regular weight. • Suggested uses: Calvino aims to provide users with a full typography palette to cover all editorial needs. Perfect for contemporary branding and logo design, dynamic packaging and countless other projects. • 38 styles: 9 weights + 9 italics, 2 different styles + 4 variable fonts. • 779 glyphs in each weight. • Useful OpenType features: Access All Alternates, Contextual Alternates, Case-Sensitive Forms, Glyph Composition / Decomposition, Discretionary Ligatures, Denominators, Fractions, Kerning, Standard Ligatures, Lining Figures, Localized Forms, Mark Positioning, Mark to Mark Positioning, Alternate Annotation Forms, Numerators, Oldstyle Figures, Ordinals, Proportional Figures, Stylistic Alternates, Scientific Inferiors, Stylistic Set 1, Stylistic Set 2, Stylistic Set 3, Stylistic Set 4, Subscript, Superscript, Tabular Figures, Slashed Zero • 203 Languages supported (extended Latin and Cyrillic alphabets): English, Spanish, Portuguese, French, Russian, German, Javanese (Latin), Turkish, Italian, Polish, Afaan Oromo, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Bulgarian, Shona, Quechua, Albanian, Catalan, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Lombard, Lithuanian, Tsonga, Jamaican, Dholuo, Galician, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Zazaki, Latvian, Nahuatl, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), Māori, Tok Pisin, Tongan, Alsatian, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Kaingang, Palauan, Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Cornish, Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Old Norse, Slovio (Latin), Volapük.
  38. Steampipe by Just My Type, $25.00
    Jules Verne. Wild, Wild West. Tomorrowland. The Past’s extrapolation of the Future. So it was wrong, it’s still romantic. Steampipe is a font constructed of bits and pieces, reminiscent of the ironwork construction of the Crystal Palace or the inner workings of The Time Machine. Although it works fine as is, it comes alive with some Photoshop Layer Styles. Steampipe has the most extensive kerning of any font I've designed, just so (most) letters fit together as if they were constructed as a unit; use them in a program that supports special kerning.
  39. Macho Modular by CAST, $45.00
    Macho was designed in 2010 for MAN, Museo d'Arte Provincia di Nuoro, as a part of the corporate identity designed by Sabina Era. Macho is based on the idea of modular widths of the 20th-century typesetting systems, as the Olivetti Margherita and the hot-metal Linotype machine. The basic module is 7,5 percent of the body size (75 upm units) and every letter width is up to 20 modules. Every letter has the same width across different weights. Macho includes a large set of boxes and underlines that can be overlapped on the letters.
  40. Harmona by Locomotype, $19.00
    Harmona Font Family comes from a romantic feeling and a strong desire to unite in harmony. Harmona Script presents a simple yet beautiful and elegant typeface while still prioritizing readability on various sizes and media. For those of you who love signature fonts, this font is suitable for you to capture beautiful poems and quotes, invitation design, posters, logotype etc. To complement Harmona Script, we also provide Harmona Sans with a classic and luxurious touch to make it easier for you to combine the design into a more fun and attractive.
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