Modica is a strong and agile Geometric Sans type family comprising 18 fonts. This typeface began life as “Meccanica” – a quirky, heavy, engineering typeface, that later evolved into the more conservative “Technica” type family. And now, the typeface has been distilled down to its simplest and most perfect form to become “Modica”. Modica is a nimble typeface that can handle a multitude of applications – everything from body copy to retail fashion to corporate identities... why not put Modica to task today? Key features: • 9 weights in Roman and Italic • Full European character set (Latin only) • 450+ glyphs per font.

Introducing Oxine Display new generation Typeface with 7 Weights. Oxine Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Oxine is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, servers, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project. The Typeface includes Seven Weights. ExtraLight, Light, Regular, Medium, SemiBold, Bold and ExtraBold

Vivala-Marbod is a versatile serif font that boasts a wide range of features and styles. With ten styles and 545 glyphs, the Marbod enables a wide range of applications. Whether subtle headings or easy-to-read body text, Marbod offers the necessary versatility. A set of symbols with fractional numerals, scientific numerals, and matching arrows makes them particularly suitable for informative design. Advanced language support makes it ideal for international projects. In addition to the upright font, Marbod contains a well-developed italic. This is great for making posters, brochures, and corporate designs that need to be precise and stylish.

Mahardika is a Retro Sport sans Serif family with variable font technology, and its axis weight range spreads from Light to black forms. Flexible and adaptable, it is 100% Latin Plus, Supporting 219 Latin-based languages, which are spoken in different 212 countries. This font is suitable for any project. Great for graphic design and any display use. It can easily work for web, signage, corporate as well as editorial designs. Jantur Type has 9 weights with a total of 9 styles. and legibility makes it suitable for any kind of text application, from brand design to extensive text layouts.

Illuminated Initials font family has Regular and Colored styles and inspired by medieval initials. It's all you need to precisely imitate dark-ages style text. Use this font as a decorative element at the beginning of a paragraph or section, other part of the paragraph should be in regular black letter font. You’ll get Drop Caps & Numbers set. --- *You can use color fonts in PS CC 2017+, AI CC 2018+, ID CC 2019+, macOS 10.14 Mojave+ * *Please note that the Canva & Corel doesn't support color fonts!* *Please download this test file with only A letter ( https://www.dropbox.com/s/fbt3wpu2j3t0ymv/IlluminatedInitials-Test.otf?dl=0 ) to check your app & system.* --- Please feel free to request any help you need: kaer.pro@gmail.com Best, Roman.

Medieval Knots font family has Regular and Colored styles. It inspired by Celtic knots initials and lines. It's all you need to precisely imitate medieval style text. Use this font as a decorative element at the beginning of a paragraph or section, other part of the paragraph should be in regular black letter font. You’ll get Drop Caps & Numbers set. --- *You can use color fonts in PS CC 2017+, AI CC 2018+, ID CC 2019+, macOS 10.14 Mojave+ * *Please note that the Canva & Corel doesn't support color fonts!* *Please download this test file with only A letter ( https://www.dropbox.com/s/w6n0zmga231xng1/MedievalKnots-Test.otf?dl=0 ) to check your app & system.* --- Please feel free to request any help you need: kaer.pro@gmail.com Best, Roman. Thank you!

Happy to introduce you Medieval initials set made of twisted beast, lions, birds and spiral pattern. Ornamental type for history identity, ethnic prints, tribal posters, etc. It's not a color font! You can color glyphs yourself and use bright version. If you have any questions or issues, please contact me: kaer.pro@gmail.com Best, Roman.

Monogram font provides a striking effect, giving your monogram or business logo a custom-designed look. A bordered font includes a choice of components to project your own individuality. The parts align automatically as you press the keys.

Nyctophobia - a pathological fear of the dark. Hopefully no fear for this font, as it will add that bit of horror to your projects. Comes with kerning and the most used accents.

A geometric modern with rounded corner sans serif font. This sleek and clean typeface is perfect for futuristic, scifi, technology theme projects. Use canno for poster, headlines, titling, logo and many more.

Presenting a vintage font set named La Belman. It is composed of a clean version and one with rough textured effects. Lots of ligatures will help you make your lettering more unique.

Fibra One looks like a “soft” version of the Fibra font, but it is actually more than that—the second part of its name suggests that it is a reinterpretation of the original typeface. While this new version maintains the overall structure of Fibra and influence of the Avant Garde font, its shapes are different from those found in its predecessor—Fibra One features both soft corners and smooth transition between curved and straight sections. This gives the font a more dynamic and playful personality. Fibra One keeps the original contrast between curves and straight lines in glyphs such as ’n’ and ‘h’ (not found in rounded glyphs such as ‘a’ and ‘d’); details of display characters (e.g. three upper terminals in ‘W’ and projection off the stem in ‘A’); and exaggerated terminal in ‘R’. All these features give Fibra One a strong personality—a typeface that ‘gives you the chills’. Fibra One was specially designed for display use. The font has a very generous x-height that allows for use in corporate text, thanks to its good readability. Fibra One comes with 2 subfamilies—a more ’normal’ Basic family, with a smaller amount of stylistic features, for use in subheadings or any other type of text that requires formality, and an Alt family that shows off the true potential of the font, making it the perfect choice for magazine headlines, posters and logotypes.

P22 Araminta is a new font family from the prolific hand of Ted Staunton. Araminta Regular is a Tuscan style decorative font in the Victorian tradition. The Araminta Caps features a multi-font chromatic type system which allows for layering in colors using optional floral embellishments or simple colorful splashes in drop cap settings. Araminta Regular includes over 390 glyphs for multiple language options, while the multi-layer caps fonts contain only the capital letters A–Z.

Attack is Corporate Logo Sans Serif Font is a well-balanced modern font with a minimalist, unique, and iconic sans serif, font that you can combine to get any variations and unique shapes easily just in seconds with choose ligatures of them. It is a sans serif font with minimalist style that perfect for branding projects, logo, poster designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, and any projects, it makes with a high level of legibility. What's Included: 9 Weights Attack font Ligature Characters Character set A-Z Numerals & Punctuation Accented Characters (West Europe) Works on PC & Mac Recommended using Adobe Illustrator or Adobe Photoshop. Wish you enjoy our font. :)

Encore Sans Pro is a sans serif which projects an image of reliability, authority and competence making it ideal for corporate applications. A functional typeface which combines utility with style. It’s subtle round characteristics such as the slightly curved-in edges, create a distinctly contemporary look, blending effectively traditional with modern details. Encore Sans Pro has received 3 international awards and distinctions including a Silver at the european ED Awards 2010. This is a contemporary typeface which may function as the perfect alternative to several overused classic sans. Encore Sans Pro does not pretend being different but it does claim its own personality. It is simple and stylish. Furthermore, it is extremely versatile. It comes with 22 weights and supports simultaneously Latin, Greek and Cyrillic. Each font contains 1535 glyphs and is loaded with 22 advanced OpenType features. Extreme weights, such as the elegant hairline, are carefully designed to establish an even color throughout, while ultra black despite its heavy characteristics is quite legible and powerful. Other intermediate weights such as light and book are ideal as body text for magazines and catalogs. Every font in this series has been completed with 270 copyright-free symbols, for packaging, public areas, environment, transportation, computers, fabric care and urban life.

Backstage is a bold sans serif stencil with subtly rounded corners.

The new version of Bordonaro Spur includes rounded corners. Meet it!

Alphabet Agency presents Elite Sport Expanded, a super bold sans serif font inspired by college sports lettering. The font has a strong character defined by the straight edges and corners. Elite Sport Expanded is an all caps font. The font contains Latin Simple characters.

Marek is a slab serif font it takes it's name from a football player from the Naples soccer team  “Marek Hamsik”. It is composed of 5 weights (thin, light, regular, bold and black with matching italics), it's ideal for big headers as for magazines, t-shirts, branding and much more. It is available in open type format and includes alternative fonts (a,K,k,g), ligatures, oldstyle and linear number. Moreover, it includes the glyph of the new bitcoin currency, supports more than 80 languages and it's composed of 392 glyphs.

Georges Peignot designed Cochin based on copper engravings of the 18th century and Charles Malin cut the typeface in 1912 for the Paris foundry Deberny & Peignot. The font is named after the French engraver Charles Nicolas Cochin (1715–1790) although its style had little to do with that of the copper artist’s. The font displays a curious mix of style elements and could be placed as a part of the typographical Neorenaissance movement. Cochin is especially large and wide and was very popular at the beginning of the 20th century.

A versatile compressed font for film posters, credit blocks and trailers, Due Credit is a display font specifically designed for the film and television industry. A versatile typeface that’s suitable for bold headline titles and small credit blocks, with an additional horror genre inspired extra style. Watch Due Credit in action in this showreel: https://youtu.be/2XeoqG17wo8 Contents: Due Credit Version One and Two Uppercase Characters Lowercase Capitals Light, Regular, Bold and Extra Bold Weights Additional Cast and Crew Glyphs (simply drop in crew titles in one click) Additional "Horror" genre style with Alternatives

Urban Philosopher is a experimental font, its kind of mix of vintage typography with 80 s grunge. The font have a little messy and dirty texture, which gives it a little "horror" effect. The font includes almost all letters of the Latin alphabet.

Electroz font is a techno themed font made with futuristic values, made with condensed width and slanted cuts at the corners of the letters making this font look cool and have a strong futuristic value. suitable for use in futuristic-themed designs

Restrick is a strong display font. uses curved corners for flexible use on a variety of media displays. This font is very suitable for use as a headline in a newspaper, poster, or magazine. This font is available in regular and italic format.

Cira is a superfamily with 7 weights and italics under two main styles: sans and serif. The original concept was created for Katachi Media as a corporate font for text and experimentation in an iPad magazine. It has a diversity of outlines with straight angles which create unusual shapes and counterforms. Its middle weights are suitable for text and can be combined with extreme weights at display sizes. Cira is a versatile superfamily with an original and modern feeling and it’s a great option for giving identity to your designs.

Gilroy is a modern sans serif with a geometric touch. A younger brother of the original Qanelas font family. It comes in 20 weights, 10 uprights and its matching italics. The Light & ExtraBold weights are free of charge, so you can use them to your heart’s content. Designed with powerful opentype features in mind. Each weight includes extended language support (+ Cyrillic), fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as for editorial design.

During the years of physically doing camera-ready paste-up work before the advent of the digital age, clip art books dominated the way stock art was added to a print project. Clip art books were eventually replaced by clip art CDs, DVDs and online download sites, just as the books themselves had replaced the stock photo engravings of the letterpress era. With the kind permission of Graphic Products Corporation, Jeff Levine Fonts offers up a sampling of images found within the pages of Graphic Source clip art books; aptly entitled Classic Clips JNL.

Roman-style stencil fonts have been around for much longer than most people realize - from the interlocking brass stencils of the 1880s to the laser-cut plastic stencils of today. A 1 inch Roman lettering guide [die-cut from oil board with spacing holes for correct alignment] made by the now-defunct Zipatone Corporation in the 1970s was a clone of an existing design of another company; but with variations in certain character shapes. This then became the working model for Classroom Stencil JNL, which is available in both regular and oblique versions.

The Canava Grotesk represents simplicity. Its clean and plain appearance ensures high readability. This font increases compatibility for your UI/UX designs and makes your designs more understandable. It offers you support in many languages. Canava's fluid functionality is achieved through multiple OpenType features such as case sensitive forms, contextual and stylistic alternatives. The standard set of numbers includes tabular figures and symbols, top and bottom numbers, numerators and denominators, as well as fractions. Thanks to its corporate structure, Canava can be shaped and used in accordance with many design trends.

Cira is a superfamily with 7 weights and italics under two main styles: sans and serif. The original concept was created for Katachi Media as a corporate font for text and experimentation in an iPad magazine. It has a diversity of outlines with straight angles which create unusual shapes and counterforms. Its middle weights are suitable for text and can be combined with extreme weights at display sizes. Cira is a versatile superfamily with an original and modern feeling and it’s a great option for giving identity to your designs.

Strelka Ultra is a space age, in-your-face headliner, perfect for your fledgling space tourism business or sentient robot army’s corporate identity. What’s included in Strelka Ultra then? Here goes... For that authentic space age look, a Cyrillic alphabet was a must. This is Eclectotype’s first font to include a Cyrillic character set. Small Caps are included for Latin glyphs, including numerals, and stylistic alternates are SS01 - alternative A and E, and SS02 - alternative y. Lastly, automatic fractions are there for all your (g)astronomic cookbook needs.

Nuno Sans is an elegant sans-serif typeface with a humanist touch. It offers 72 styles with 4 widths, ranging from Extended to Condensed, including 18 styles of both uprights and italics. This versatile font supports Western, Central, and Eastern European languages, as well as Vietnamese, ensuring widespread accessibility to readers. Nuno Sans excels in various applications and situations, from bold headlines to easy-to-read text, making it suitable for web, print, and corporate identity projects. Nuno Sans is a contemporary and diverse typeface, perfect for any design project.

VISIA Pro - Our flagship Geometric Sans-Serif typeface, a perfect blend of elegant, minimal and premium design aesthetics at it's level best. A perfect typeface for logotypes, headlines, branding, marketing graphics, corporate identities, all web & print purposes. This pack comes with a total of 14 fonts: 7 Weights (Extra Light / Light / Regular / Semi Bold / Bold / Extra Bold / Heavy) 7 Weights of Italic versions (Extra Light / Light / Regular / Semi Bold / Bold / Extra Bold / Heavy) Each weight includes extended language support including Western European & Central European sets. A total of 258 glyphs are included.

Salda; It is a modern sans serif family that blends old and new generation sans serif fonts in the same body. It has a wide usage area with its light narrow structure, sharp and clean lines, humanist touches. It provides clean and smooth visuals in vertical screens, mobile applications and block texts. With two different x heights (xL-xS), the body offers richness in text and headings. It consists of a total of 40 styles. Ideal for all kinds of editorial design, packaging, corporate identity, brand, application, web and desktop.