MAREGY is a modern sans-serif font with an elegant style. This font is perfect for branding projects, logos, social media posts, advertisements, product packaging, wedding invitations, product design, labels, photography, watermarks, stationery, and more.
Grammatik was made in the end of 2004. This typeface is clear and simple hybrid between sans and serif styles, which was so popular late 90s. Use Grammatik as a display face for best results.
Anchora is a contemporary sans serif font. Its characteristic feature is that it provides clear text at smaller sizes besides has a stulistic stance on screen sizes. The font contains Latin Characters support many languages.
Crisp contemporary Sans-serif family useful for clear, clean corporates, stylish branding letterforms or friendly, casual messaging too, with use of its capital and lower case ligatures, swash capitals, old style numerals and many ornaments.
Granola a completely hand-drawn font, when you need more than a regular sans serif to express random granularity. When used in smaller sizes from 14pt down, it works extremely well for book text too.
Stencil Set JNL takes the 2011 release of Stencil Mark JNL (a spur-serif letter based on a vintage set of brass stencils) and transitions it to the design of a clean, bold sans typeface.
A German travel poster from 1927 became the design inspiration for a type revival because of its pleasantly hand lettered sans serif type style. Euro Travel JNL is available in both regular and oblique versions.
Edith is the new elegant sans serif font that will bring in your projects a touch of luxury and style. It's perfect match for logotypes, branding, wedding monograms and invitations, blog headlines and much more.
Blout is the typeface for those who want to shout their message, but to do so with subtlety. It brings together elements of sans serif and late blackletter design, and is ideal for poster work.
Suisside is a sans-serif unicase font design inspired by international style and the new typography. Works great when set in simple, clean and minimal type layouts is recommended for short texts, logos and posters.
Loosely based on some hand-lettered title cards from various vintage Columbia Pictures two-reel comedies, Short Subject JNL is a pleasant sans serif typeface that is aptly suited for titling and other similar applications.
A practical font family with 3 weights for all your day by day design needs: headlines, web, signage etc. An extended sans serif typeface with rounded endings that provides unique softness appearance without losing legibility.
Auster Slab, is a new slab version of our reversed contrast sans serif font Auster. This font family works very well on packagings, branding and editorial purposes. More About Opentype Features: https://bit.ly/opentype-rsz
Please welcome, Magle - Homebrew Fonts. Freshly baked double fonts, straight from human’s hand. Done with click by click for your satisfaction as our goal. Comes in Script and Sans Serif, perfect for your branding needs.
Grambly is a bold sans serif and unique display typeface with a combination of elegant and bold style that will make it stand out. Suitable for logos, stickers, posters, packaging, branding, invitations, notes, print, etc.
Introducing Volianchy is a modern sans serif font designed for the discerning user in mind. This typeface draws inspiration from contemporary design trends, while retaining a timeless essence that ensures its relevance in any era.
Acumin is a versatile sans serif intended for a balanced and rational quality. Solidly neo-grotesque, it not only performs beautifully at display sizes, but also maintains an exceptional degree of sensitivity for text sizes.
Designed at Polygraphmash in 1958 by Elena Tsaregorodtseva; Latin characters and italic were added in 1987 by Emma Zakharova. An early sans serif ('Grotesque'), it was developed for primers and the first level school textbooks.
Peperoncino is a sans serif font. Designed first with a marker, the irregular strokes create a fresh handmade feeling. After the big success of Peperoncino Family, we create its vintage version adding some "rusted" elements.
Franklin Stencil JNL is based on the classic and perennial workhorse design of Franklin Gothic Condensed and is available in both regular and oblique versions.
A semi-heavy face slightly condensed, inspired by the Germanic & European type fonts. Applications include captions, packaging, invitations, cards, posters, ads, book jackets, and manuals.