Foobar Pro by CheapProFonts is a versatile and elegantly designed font that finds its origins in a creative pursuit towards balancing functionality with style. This font family embodies a modern aest...
The font "Stop" is a distinctive display typeface that first captured the attention of designers and typographers in the 1970s. Created by Aldo Novarese in 1971 for the Italian type foundry Nebiolo, ...
Gunplay by Ray Larabie is a font that grabs your attention as soon as you lay eyes on it. Designed with a robust and unapologetic style, it embodies a gritty, almost rebellious attitude that seems to...
Droid Serif is a contemporary serif typeface family commissioned by Google and designed by Steve Matteson of Ascender Corporation. Unveiled in 2007 as part of the Droid family of fonts, it was crafte...
As of my last update in April 2023, Reaver, a font crafted by Megami Studios, stands as a striking example of typeface design that blends contemporary aesthetics with nuanced historical influences. I...
Feldicouth Italic, a creation from the design studio of Three Mile Island, stands as a captivating embodiment of elegance and fluidity in the realm of italic typefaces. It is a font that seamlessly b...
Code 128 is a high-density linear barcode symbology that is widely used in various industries for encoding alphanumeric or numeric-only data. Introduced in 1981, Code 128 has become a standard in man...
As of my last update in early 2023, there isn't a widely recognized or popular font specifically called "Lastman" in the vast world of typography. However, let me paint a picture for you, imagining w...
Jingle Doodles is for those Christmas occasions, and for those alone! I sell them very cheap because it's Christmas time. Your red-nose-reindeer-type-designer Gert Wiescher Ho-Ho-Ho!
This is a Vanderburgh and Wells wood type cap font from 1877. We don't know if the originators made a lowercase for it, but we did. Most effective in larger sizes.
FlorishesA are a set of flourishes, that serves well for frames and other elegant embellishments, they are beginning of last century American. Your I-found-them-somewhere type-designer, Gert Wiescher
Bigfoot K-Type is a whole font based on the slab capitals used by Victor Moscoso in his 1960s psychedelic rock posters. Capital A alternatives can be found at keystrokes ± and §.
Baker ST is all caps type family. The family includes 5 styles, from regular to decorative, and includes multi-language support. The decorative uppercase is a bit different to the lowercase.
Made with a wide pen, with a lot of love! Loads of international letters, and 6 different versions of each lowercase letter (these cycles automatically AS you type - just like magic!)
Blop77 is a geometric sans-serif type family, consisting of 3 weights. It is based on the Blop11, being its expanded version. Blop77 is well-suited to headlines and short text.
Habana by Vladislav Ivanov, $15.00 This font opens a new era of typewriting and type design. At first sight, the font seems creepy, but it has a deep connection with some urban motives in its tune.
A handsome German art deco design that fits in well with other types of the 1920s and 1930s. Originally without a lowercase, so we drew one for it, extending its usefulness.
Cattle Call JNL is reminiscent of Old West posters and broadsides. The design is based on an extra condensed antique wood type and is available in both regular and oblique versions.
Loosely based on an early 20th century type from the Brussels foundry of Van Loey-Nouri. Many European foundries had fonts of this general design. Schelter & Gieseke of Germany had several.
Subtle slab serifs and distinctive hooks of this square ultra light type face will add a bit of elegant feeling to your sweet designs. Masherbrum Slab looks better in larger sizes.
Dabi is a bold sans serif type family of three weights plus matching italics. It is suitable for logos, titles, posters, etc. Made from a compilation of all his design projects.
TAN KULTURE is a bold display type. Simple in a good way and efficient with tight kernings making it a nice choice if you want a retro look in your design.
A revival of one of the popular wooden type fonts of the 19th century, suitable for text, expanded, unusual Antique, with unique features in lower case design, g, k, y, a.
Nina Ketchup is a hand drawn font made with lines. Each letters have his own style. Work perfectly with wood background or hipster logo types. Natural flow for a fantastic effect.
Ranch Land JNL is based on a classic French Clarendon wood type, many of which were popular in the 1800s and are now associated with either Western motifs or circus events.
Arabela is a modern and beautiful calligraphy script, ideal for use in elegant designs. This font has a dancing look and adds a lot of femininity to all types of projects.
A piece of 1940s sheet music for the song "Blue Orchids" was the inspiration for both the type design (based on the hand lettered title) as well as the font's name.
Spooky is a chilling font that is evocative of the type used in horror films and posters. It’s creepy, it’s kooky...it’s spooky. Perfect for invitations, banners or other ghastly uses.
Letterpress Embellishments JNL is another typographic collection of assorted stock advertising cuts, ornaments, cartoons and other miscellany found within the type drawers of letterpress printers and based on vintage source material.
Grande Parade JNL is a decorative version of Winnetka JNL, which was based on antique wood type. The look and feel of this design combines old-time typography and festive charm.
Jh Flynn is modern tall sans serif typeface; a variable type including eight weights: light / regular / medium / bold and the italics; Ideal for headlines, logo design, signage and short text paragraphs.
GoodBadUgly is a new sans serif type with a Wild West flair. This font family will be the best solution for posters, signage, magazine, product branding, corporate branding, logos and titles.
Acta Variable is a clean and fresh type system that remains conservative enough for newspaper setting. The complete Acta Variable allows the possibility to modify the Weight and Optical size axis.
A classic late nineteenth-century face from the Dickinson Type Foundry of Boston. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.
