Cinzeled Victorian Alphabets is a bold and imposing display font. Add it to your creative ideas and notice how it makes them stand out! Letters crafted to obtain the cinzeled style from the press works from XVIII and XIX centurys.

The Art Nouveau styles of the late 19th century exhibited a bold approach to organic lines and lavish decoration. This new style was spread throughout the world and helped usher in a new era that led to modern art and design.

Frederic Goudy designed National Old Style Roman in 1916. It is loosely based on a logo he lettered for the National Biscuit Company in 1901. Steve Matteson expanded on Goudy’s original by designing a bold, semibold and matching italics. While much of Goudy’s work is strongly influenced by Venetian types of the 15th and 16th centuries - this design has a truly American quality about it. The design is useful for text or headlines that captures a sense of Americana.

Deco Metro is a 1920s and 30s inspired display family, ideal for posters, banners, book covers and other promotional work. Two weights, regular (with an incised centre line) and bold (without the centre line) are offered. The family has an extensive range of features including discretionary ligatures, old-style numerals, Swash Letter and numeral forms, small capitals, Roman numerals and fractions.

Bastion is an ultra-bold text-style font derived from some turn of the century hand lettered signage. It is characteristic of the very bold lettering used in a lot of advertising and product packaging in the early 1900s, a style of lettering which was also the inspiration for the Cooper font, though we think Bastion has a much more attractive overall look.

Gothic 13 is a bold condensed sans serif typeface. Originally designed in small sizes, Gothic 13 is very similar to Modern Gothic Condensed, which was a turn-of-the-20th-century modernization of a popular nineteenth century style. Until Linotype integrated it into their technology, it did not exist in sizes larger than 24 point. The design used for digitization was the 18-point. Gothic 13 is ideal for display work, especially where space is at a premium.

Nomarch is a charming new Art Nouveau font based on samples of poster lettering from the beginning of the twentieth century. The relatively bold weighting of the characters makes Nomarch particularly good for use in large sizes for titles on posters and flyers.

Birmingham New Street is the latest updated development of a typeface family inspired by the hand lettered title on a 19th century railway map. The map, prepared by the London and North Western Railway was headed "Birmingham and environs". New Street, meanwhile is the great 19th century commercial road linking the city centre of Birmingham with the train station of the same name. So, in a spirit of 19th century enterprise, we present "Birmingham New Street", a fun family of three display faces, laden with open type features and late Victorian charm, ideal for posters, book covers and any other high flown design you might have in mind.

Poem Script is a mixed collection of interpretations conjuring a late nineteenth century American pen script style. Though not an actual Italian letterform, this style was called “Italian Alphabet” stemming from an old penman’s term for an alphabet where the stress or shades are opposite their normal placement. The American variant followed from the late eighteenth century British hand also confusingly called “Italian Hand,” which itself evolved from some seventeenth century French batarde scripts. It showcases the phenomenal control and mastery of hand skills required to create such ornamental and lively letters centuries ago. Producing the shaded strokes in reversed positions such as this required holding the pen in a position horizontal to the baseline, or the letterforms would have to be written backwards or by rotating the paper at peculiar and extreme angles to achieve the effect. Exotic, elaborate and very attractive, Poem Script contains plenty of variations on each letter and comes with hundreds of calligraphic ornaments. Poem Script received a Certificate of Excellence at the Type Directors Club NY and was selected at the Bienal Tipos Latinos 2012.

Ceramika is a modern tribute to Old Style typefaces. This design is inspired by the letterforms of the serif faces found in history books from the beginning of the 20th-century. Its sturdiness and generous X-Height makes it bold and compact; while the high-contrast strokes and recognisable shapes makes it extremely readable. All this makes Ceramika a really versatile font, perfect for logos, headlines and even body copy. It comes in 6 different weights and 2 styles — Standard and Italic.

Diablo Light was originally called Fabric and was issued by the Farmer, Little & Co. foundry in New York. We liked everything about this font except for the lowercase 'g'. So we changed the offending letter, but for purity kept the orginal as an alternate. We created a bold version of Diablo Light, with minor changes to accomodate the bolder stroke weight. Although the original design is over a century old, the style seems to have an up-to-date look.

Pacifica – hand lettered elegant bold script for decorative typography inspired by American branding typography from end of XX century. Comes with different variates – filled, highlighted or pressed. Perfectly for headers, signs, logos, prints, etc. Comes with ending and some middle alternates and some standard ligatures.

Designed at Polygraphmash type design bureau in 1986. Based on "English" bold styles of the Ossip Lehmann type foundry (St.-Petersburg), of mid-19th century. The digital version was developed at ParaType in 1992 by Vladimir Yefimov. For use in advertising and display typography.

According to Wikipedia, Tin Pan Alley is the name given to the collection of New York City music publishers and songwriters who dominated the popular music of the United States in the late 19th century and early 20th century. The name originally referred to a specific place: West 28th Street, between Fifth and Sixth Avenues in Manhattan. With this in mind, Tin Pan Alley JNL, a typeface based on the bold hand lettering from a vintage piece of sheet music is aptly named.

Bookman, a little lighter than the original, is the ATF version of Phemister’s Antique Old Style, introduced as a textface at the turn of the century.

This font was inspired by lettering found on old stock certificate on the 19th century and comes with two guilloche borders, which makes national currency very useful.

Novela is a chisel flat pen style written with overtones of Uncial, from century old scribes. Very suitable for greeting cards, headlines, packaging and many other applications.

A Roman typeface with emphasized triangular serifs. A font like this one could have been designed in 18th century France. To some extent, Auxerre is a precursor of “Etienne,” which later became popular as an advertising typeface of the 19th century. Auxerre is available in five font weights: light, regular, semibold, bold and black. Auxerre supports Western and Central European languages including Scandinavian languages. Plus, the font includes lots of ligatures, tabular figures as well as a “Capital German Double S.” Auxerre fits perfectly with any topic related to the past two centuries. It also works amazingly well on technical issues. And of course it fits very well with topics of fine art and art history.

Flighter is a bold sans-serif typeface, in a somewhat geometric and balanced style.  It has speed and stability and should bring the thoughts to a mid 20th century traveler.  Created by Måns Grebäck in 2017-2018, this high-quality font has support for hundreds of languages.