venfro is dynamic including tech display fonts, is a bold with futuristic character. it's work for games, logo & more

A bold new look great for headlines, magazines very powerful yet very distinguished works extremely well for many applications.

Chiland is a bold fun display typeface with unique style. Excellent for branding, packaging, advertising, logo, poster, print, etc.

Head­line Font / Dis­play Font / Techno Fat Font Hea­vy­Loun­dEdge with 4 styles (regu­lar, bold, light, line) & 304 gly­phs, including accents & €.

Look back to learn how to look forward - Joe Girard Find yourself and share your purpose with the Caride Script. With its bold vintage script type, sometimes you need to remind others that we must look to the past to pave a better way for our future. It’s time for you to unleash the old school retro trend again. Leather jackets? Making a comeback. Pompadour hairdos? Definitely cool. 70s music? They’re sampled in the music all over our radio stations! The magnificence of the past will surely help you give a new and fresh breath of life to your projects. This font was designed for you to use in any kind of projects that you might have! They were specifically designed to fit in anywhere you want them to be. We assure you that there will be no awkwardness in the relationship between your text and your designs, they’ll get along well like old-timey partners! The Caride Script is the perfect addition to bring your perspective to the world. Have the world see you and your encompassing view of the human experience with your creations!

The design of Gondolieri has its origins in an experiment to combine aspects of Didone and Tuscan typefaces. The result has a continental 'Italianate' feel. If you wonder what lies behind the name, just look at the lower case 'f'...definite overtones of a Venetian Gondola here, and throughout the design. Gondolieri is offered in regular and bold weights, as well as a simplified form for smaller text use. All of these are available in three widths. The Gondolieri family has a lovely Didone, 'Belle Epoch' feel for use in design, posters, book covers and so forth. An extensive range of Opentype features, including ligatures and terminal forms is included in the regular and bold faces.

Armavir by Fontazy is an uppercase type-family consisting of three gradually distressed sub-families Armavir 01, Armavir 02 and Armavir 03 (each in Regular and Bold weights) and Shadow (also in Regular and Bold). Armavir is a sans serif font with a slight touch of handmade. Each typeface contains stylistic alternate version of vowels -A, -a, -E and -e, that converting uppercase font in unicase(-ish). The Shadow style is suitable for each of three text styles. Being a duplicate of the text layer, it gives an additional decorative appearance to the text. All fonts in the family has Latin (West, Central and Baltic) and Cyrillic encoding. Armavir is perfect for logo making, print design, advertising, branding etc.

The Buum typeface evolved from the explosive lettering originally designed as part of a house style for an interactive science centre for kids. Beside its usual application as a strong display font in print and on screen, the bold angular shapes of glyphs are adapted for negative machine- or laser-cutting into structural materials such as iron sheets, plywood, or stone ... and for creating tactile expressive surfaces and 3D objects. This pictogrammic and dazzling font remotely echoes the morphology of the lettering of futurism and constructivism, when avant-garde typography was once an exciting adventure. It is a lettering building kit with a number of stylistic alternatives of glyphs that enable a user to shape the same word differently each time. Buum is recommended by nine out of ten old school futurists, favored by steampunk CNC operators and respected by the majority of infantile anarchists.

Spirited, unaffected and buoyant, the ITC Oldrichium type family pays homage to the calligraphy and typeface designs of Czech designer Oldrich Menhart. “I came upon one of Menhart's typefaces over a decade ago,” says George Thompson, designer of ITC Oldrichium. “I've been collecting examples of his work ever since.” Thompson was born in Chicago and grew up in north-west Indiana. “While I've been an educator and general graphic designer for over 30 years, lettering and type design have always been an important part of my work,” he says. Thompson now spends much of his free time designing typefaces. ITC Oldrichium is a subtle melding of the shapes and proportions of Menhart's Manuscript typeface, the energetic strokes of his calligraphy, and Thompson's own design skills. The result is a distinctive, powerful, and exceptionally versatile typeface family. Available in light, regular, demi bold and bold weights, with corresponding italics for all but the bold, ITC Oldrichium is comfortable setting both text and display copy. In addition to the basic weights, Thompson has created an Engraved version for those times when an especially powerful statement is called for.

Galvantur is a sans serif font, suitable for a wide range of applications. The main characteristic of this font is the slightly alien feel it can invoke, allowing it to really appear different and stand out, comparative to what other sans serifs may look like. The multiple styles included can further help customize your designs and projects, whether it's a body of text or an attention grabbing title. For example switching a block of text from regular style to oblique, can drastically change the overall appearance and feel of said text. Comes in 7 different styles - Regular, Oblique, Bold, Bold Oblique, Outlines, Bold Outlines and Oblique Outlines. To get an idea of the various styles, please check out the preview pictures or use the preview field to type in text. A full list of the glyphs included in this font can also be seen in the preview images. Galvantur supports Latin and Cyrillic based languages. The font includes a single alternative character for the letter "h". Because of the lack of ligatures and alternates, the font is rather standardized and will work with any and all software/applications.

Inscription is the work of Alan Meeks, a bold copperplate script with a fine open line running throughout. The relatively restrained initial capitals are complemented by a lowercase which joins together in the style of true handwriting. Inscription will give any text a look of refined elegance.

Golden Record is an elegant all caps sans serif typeface with a tall, classic, and high-quality feel. Its timeless design is perfect for adding a touch of sophistication to any project. The font's classiness evokes a sense of luxury and opulence, making it ideal for high-end branding and design applications. Golden Record is a versatile typeface family consisting of the styles Light, Regular, Bold, and Outline, each available in Italic, offering a wide range of creative possibilities. The idea for Golden Record came to life when Mans Greback was inspired by the elegance of vintage vinyl records and their iconic gold labels, merging classic aesthetics with modern design principles. Mans Greback is a Swedish typeface designer known for crafting high-quality fonts with a focus on versatility and aesthetics. He created Golden Records to provide designers with a unique and sophisticated typeface for upscale projects. Greback is committed to delivering exceptional quality in every font he designs, consistently pushing the boundaries of typography.

The new font “The Best We Could Do” was created by artist and author Thi Bui who used the font in the graphic novel by the same name. The font is brush-script handwriting font which displays human personality rendered with bold confident strokes full of passion and expression. Chank’s work on this font captured Bui’s distinctive textual style and also saved her a ton of headache and time in inking. A debut memoir that tells the story of one family’s journey from their war-torn home in Vietnam in the 1970s to their new lives in America, the autobiographical book is lauded for its heart-breaking exploration of identity, family, and home. Bui ties her modern life with the multi-generational experiences of her family, weaving together the emotional threads of their relationships to find clarity in her current day. “The Best We Could Do” graphic novel is published by Abrams ComicArts and is available wherever fine books are sold.

A mixture of bold and fine line helps this distinctive design evoke the spirit of the 1930s Jazz Age. Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).

Designed for a privately-published luxury edition of The Time Machine, HGWelles Ultralight, Regular and Bold are now being made available to the public. This is the Welles of the early 20th century, seeing many of his predictions coming true and anticipating the shape of things yet to come.

Although appearing at first as a no-nonsense bold titling face, Gordon actually offers a much greater complexity through the addition of a wide range of special superscript ornaments. This adds an element of spice and depth to the face, creating a wide variation of creative typographic possibilities.

Cat Fight is small decorative font family containing two "weights". They are not weights in actual meaning, as they differ by style but to secure safe OTF usage in all OS, they are named as Regular and Bold. Cat Fight is ideal for lively and cheerful usages on posters, packages, labels, website titles, book covers and other similar situations.

Malabar is a type family for extensive text. Its design was developed with a nod toward newspapers. Malabar's characters are seriffed and of the Old Style genre. A strong diagonal axis is apparent within the curves. Sturdy serifs help strengthen the line of text in small point sizes, as well as define the overall feeling of the face. Malabar's x-height is very high, a deliberate choice that makes the most important parts of lowercase letters visibly larger in tiny settings. The height of the capital letters is also rather diminutive, allowing for better character fit, as well as eliminating a bit of clumsiness in German, which often includes quite a few uppercase letters. Diacritical marks and additional alphabetic forms required by many Western, Central, and Eastern European languages are naturally a part of the character set, including those needed in the Baltic states, for Romanian, and for Turkish. Malabar's accents are bold and direct, sitting well with their base glyphs. The family includes three weights, each with a companion Italic. Malabar Regular is equipped with small caps, and both it and Malabar Italic include oldstyle figures. All members of the family have both proportional and tabular-width lining figures, as well as special variants of certain punctuation marks vertically adjusted for all-caps text setting. Malabar is informed both by contemporary ideas of typeface design (sheared terminals, the wider-drawn s) as well as by 16th-century masters. Malabar Heavy and Heavy Italic are very loud; their blackness almost shouts out from the page. The Regular's wedge serifs become more slab-ish in nature as the letters' weight increases. Malabar Heavy and Heavy Italic are best relegated to headline use only. Malabar Bold and Bold Italic may be used for text emphasis, a job for which the Heavy is to dark. Malabar received a Certificate of Excellence in Type Design at the Type Directors Club of New York TDC2 competition in 2009.

As most successful German private press, «Bremer Presse» has strongly influenced German book art. It was founded 1911 in Bremen to print and produce books in perfection. The role model of the press’ typeface was the english Doves Press. Willy Wiegand drew three versions of the «Bremer Presse» antiqua font, starting with the regular weight in 16 pt and adding later the regular weights in 11 and 12 pt. The revival of this beautiful font is based on the 12 pt weight. During the design process, the focus was laid on finding the elegance and strength of original prints. As it was designed to print books, the typeface is optimally used for texts. And with the revival’s new weights «medium» and «bold» and OpenType features like ligatures or old style figures, you can design sophisticatedly typographical compositions.

With smooth curves and a deliciously bold personality, InstaLove Smooth leaves good vibes wherever it goes. The InstaLove Smooth Brush font is loaded with opentype features including character alternates and a large selection of natural looking ligatures. Scroll through the previews to get a good feel for what it can do. Included in the glyphs are 8 super handy swashes , and a few extra doodles, to add some extra punch to your designs. Perfect for making a bold statement, and getting second glances - InstaLove won’t let you down.

Introducing a bold and uncompromising sans-serif font that refuses to bend or sway. Its angular curves and sharp corners give it an air of authority and strength, while its bold weight demands attention and respect. This font is perfect for designs that require an unyielding, no-nonsense attitude. With its right angles and minimal curves, it embodies a stark and severe aesthetic that leaves no room for ambiguity or indecision. Its austere personality is sure to make a lasting impression, making it the perfect choice for projects that demand an authoritative and uncompromising presence.

Nauticus Sans is a hand-drawn, all caps, sans serif family. It features 4 different font weights: Thin, Regular, Bold and Bold Press. Every lowercase letter has three variations. When the font is used in OpenType-savvy applications, the 3 variants of glyphs are automatically alternated to achieve a random-like effect. Nauticus Script is a handwritten, fully connected script with ligatures and contextual alternates to help with flow and readability. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Not the usual bold serif, this is a bold serif that is unique, attractive and worth trying to apply to various backgrounds of your work, whether in branding, posters, logos, quotes, films, packaging and others. This serif has a magical curved shape that can be seen when you look at it, guaranteed to attract attention. Mugi Uppercase Lowercase 75+ Language So what are you waiting for? immediately purchase this font, feel free to comment, or send me my PM or email at khoirtypework@gmail.com Thank you for seeing

Lodge Introducing our retro chunky serif font, a bold and nostalgic typeface that brings a classic and timeless design to your projects. With its thick, distinctive serifs and strong character set, this font is perfect for creating eye catching headlines, vintage posters, and stylish branding. Embrace the 1970s-inspired aesthetics with this unique typography that adds a touch of nostalgia to your designs. Whether you're working on print materials, display graphics, or editorial layouts, our retro chunky serif font will give your projects a bold and timeless appeal.

Faringa is a New Bold Vintage Font with Retro style inside. An extraordinary style with vintage and retro in serif font, to make your design more standout. As our focus that analyze any typeface that helps to leverage any logo design to look more modern and unique. We prepared this font with any vintage characters to help you create creative style. Faringa Bold Retro Vintage Font ready with: Better style of characters with creative style Preview as a inspirations that you can do with Faringa font All Uppercase characters Wish you enjoy our font. :)

Chubby Elephant - Bold Playful Display Font. This font is very bold and playful. With a childish style, it will be very suitable for your project, which is related to children. Such as story books, illustrations, comic books, t-shirts, posters, greeting cards, logos, branding, stickers, svg, crafting. This font can be installed on MAC OS and Windows OS, it can also be installed in the procreate and cricut applications. Come with lot of ligatures character, its help you to make great lettering. This font is also support multi language.

Rock it! is a type family that let's you create instant graphic design for any ROCK, PUNK, HARDCORE, HORROR and so on -gig, poster, logo, and whatever you need. Just type your texts and combine all the tree versions for authentic look! Rock It! includes three ultra condensed sans fonts with different eroded textures and partially different letter shapes. Different versions of Rock It! are set as "Light," "Regular," and "Bold", where Light and Regular have eroded holes in them whereas Bold has "dirty print stains" all over the characters.

Skid Rock is a modern, bold and clean font that will be perfect for multipurpose projects. This font looks cool in any design and is very recommended for craft, posters, books, branding, quotes, print templates, packaging, invitations, music labels or anything else that needs a touch of something bold and clean. Skid Rock comes in uppercase and lowercase, with punctuation, symbols, numerals, swashes and it also has multilingual support. Swashes is alternate from numeral 0 - 9. You can access swashes from your OpenType panel in your design software.

German type designer Jörg Hemker created this sans FontFont in 2002. The family contains 4 weights: Regular, Italic, Bold, and Bold Italic and is ideally suited for logo, branding, small text, software and gaming as well as web and screen design. FF Zwo Correspondence provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with tabular lining and proportional lining figures. This FontFont is a member of the FF Zwo super family, which also includes FF Zwo.

Madden is a bold, single weight typeface designed for use in titles, editorial design, branding or any other setting that requires capturing attention. With a bold, rugged stroke, inspired by the wide brush used in hand made protest signs, this typeface exploits Opentype features to randomly replace letters set in a line of text, thereby simulating the erratic and irregular letterforms that could be create by a manual writing. Madden is designed to give you an expressive and impactful typeface that will grab attention and shout your message.

Rise Up With Fists is a fun, sans serif font with lots of variations and extra drawings, inspired by protest posters. Use Rise Up With Fists in any design that needs a bold font, such as logotypes, quotes and social media posts, website and magazine layouts, and poster designs. Rise Up With Fists includes: Rise Up With Fists Regular, with 100 ligatures that makes this font look truly handmade and realistic (and fun to use!) A Filled alternative for a more bold look An Extras font with floral drawings and doodles

Koran Sans is a clean family sans humasnist style that is absolutely perfect for editorial headlines. The complete font family of upright and italic letters is easy for you to use 18 styles in many projects. This font is complete with symbols and multilingual. This font style is bold, bold, and sleek, making it perfect for editorial, web, posters, t-shirts, and magazine covers. . etc Including: Uppercase Letters, Numbers, Punctuation & Symbols. Multilingual Support Koran sans exudes character but is still useful thanks to its restrained geometric styling and modern construction.

Highman is a modern condensed bold font. Its contain all caps letter yet its have a different height between the uppercase and lowercase. Its fit for brand, titling, stacking or grid layout and all kind of display usage.

Valvolina is a bold headline font inspired by Italian Futurism and the Moderne graphic design of the inter-war period. It uses elementary geometric shapes to build its characters, lending it an energy and punch. Dramatic and contemporary.

Introducing the "Stinko" font designed elegantly and simply, with a combination of bold, thick, and symmetrical. This font is suitable for your work needs. Web font Uppercase Lowercase Numbers & Punctuation Any Questions? just ask! Designed by hanief farandi

Ecentric is a bold font inspired by the vintage style of letters on posters, bagde, packaging, labels from antiquity. The classic feel is really perfect you who needs a vintage typeface for logotype, apparel, branding, packaging, quote etc.

Lokanova is a display font with a sans serif type designed in a bold and unique style to give the impression of a firm but still playful design. Lokanova is available with uppercase, lowercase, number, symbol and multilingual

Dustine script is an extraordinary and bold script, suitable for a large number of designs. This font has two styles, Regular and Italic. With two styles, you can choose according to the project that you are working on.