9,315 search results (0.031 seconds)
  1. Swish, designed by the talented Eric Djengué, is a compelling typeface that encapsulates the vibrancy of modern design while anchoring itself in traditional sensibilities. This font is a symphony of ...
  2. As an imaginative exploration of the font named "End of Path," let's embark on a journey into its design and character attributes. Although it's essential to acknowledge that this specific font might...
  3. Ah, Retriga! Imagine if a 70s disco and a sleek, modern smartphone had a love child, and you’re getting close to the vibe of the Retriga font. Picture the letters slipping on some platform shoes, gro...
  4. As of my last update in April 2023, "Pointened" by Holitter Studios appears to be a fictional creation or not widely recognized in mainstream font directories and discussions. Given that I cannot dra...
  5. The Europe Underground Worn font, crafted by the skilled typographer Måns Grebäck, is a profound artistic expression that encapsulates the essence of history, culture, and resilience. With every stro...
  6. The Runic AltNo font, crafted by the talented Nikolay Dubina, is a distinctive typeface that delves deep into the ancient roots of runic alphabets. This font stands out for its innovative approach to...
  7. Tank Junior, designed by the talented Levi Halmos, stands as an exceptional font that seamlessly combines the essence of strength with a touch of playful charm. At its core, Tank Junior is distinguis...
  8. Addict is not a font that I have specific knowledge of, as my database does not contain proprietary or niche fonts that might not have widespread recognition or use by 2023. However, based on its evo...
  9. As of my last update in 2023, "Omicron Zeta" is not a widely recognized or standard font within the extensive libraries of typography that are commonly used across graphic and web design, advertising...
  10. The font named SpideRaY, created by the designer or entity known as SpideRaY, embodies a distinctive blend of creativity and character that sets it apart in the realm of typography. At its core, Spid...
  11. As of my last update in early 2023, Canuth may not be among the most recognized or widely discussed typefaces within the vast and eclectic world of typography. However, let's embark on a creative jou...
  12. FarHat-Quintas - Unknown license
  13. FarHat-Acordes - Unknown license
  14. FarHat-Acordes b y # - Unknown license
  15. Alright, fasten your seat belts, typography enthusiasts and font aficionados, because we're about to take a wild ride into the cosmos of creativity with "Blaster Infinite" by the enigmatic and clever...
  16. As of my last update in 2023, "Drebiek" isn't a widely recognized or established font within major typographic collections or font libraries. However, the imaginary essence of "Drebiek" allows us to ...
  17. As of my last update in early 2023, PassCaps is not a widely recognized or established font within the vast landscape of typography. Given this, we'll approach it from a conceptual standpoint, imagin...
  18. As of my last update in April 2023, I don't have specific details about a font named "AZ" by Christoph Mueller in the databases I was trained on. It's possible that it could be a newly released typef...
  19. As of my last update in April 2023, the described font name "(afGiHmtV)" is not recognized as part of standard font collections or widely known typefaces. This name seems unconventional and doesn't f...
  20. **The Enigmatic Elegance of Xiparos Lombard: A Font Review by Yours Truly, the Artistic Oracle** In the grand parade of typographies where fonts like Arial and Helvetica march with their heads held...
  21. "City Burn Night After Night and We Spraypaint the Walls" is not just a font; it's a declaration, an embodiment of the urban spirit captured in digital typography. Imagine walking through the heart o...
  22. Project Y, designed by David Kerkhoff, is a remarkable typeface that distinctively stands out due to its unique blend of creativity and functionality. This font seems to encapsulate Kerkhoff's renown...
  23. As of my last update in early 2023, the font "Paper" designed by Swimming Poulp isn't a widely recognized or specifically documented font in major typographic resources or font directories. However, ...
  24. As of my last update in April 2023, the font "Tobminx" designed by ffeeaarr is a unique addition to the world of typography, embodying a distinctive blend of creativity and practicality. While I don'...
  25. Oh, gather round, typography aficionados, design enthusiasts, and lovers of all things that speak in silent voices but with the presence of a medieval knight at a Renaissance fair! Today, we dive int...
  26. Ah, the font "Carrois" by 04 | Yuji Oshimoto, you mean? Before we dive into the sea of glyphs and curves, let's get our facts aligned like a perfectly justified paragraph: it seems like a little mix-...
  27. As of my last update in early 2023, there is no widely recognized or mainstream font specifically known as "Veruca." It is possible that Veruca could be a custom or less widely distributed typeface, ...
  28. As of my last update, Cubiculo Gallery by Billy Argel is a distinctive font that captures the essence of creativity, combining elegance with a touch of the experimental. While I can't provide real-ti...
  29. As of my last update in April 2023, the font "Romanicum" by Jambo! represents a fascinating blend of historical inspiration and contemporary design sensibilities. While specific details about its cha...
  30. As of my last knowledge update in April 2023, while specific details about a font named "Cherry Blue" by Zain Fahroni might not be extensively documented or widely known, I can still conceptualize an...
  31. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  32. Yiggivoo - Unknown license
  33. Waschkueche - 100% free
  34. Berlin Email - 100% free
  35. cbe - 100% free
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