Eckhardt Informal JNL was found in a Dan Solo alphabets book under the name "Circus Wagon". This hand-lettered design with a playful inline is reminiscent of the show cards of the 1940s and 1950s. The Eckhardt series of typefaces is named in honor of the late Al Eckhardt, Jr. - a good friend of type designer Jeff Levine whose talents in hand-crafting attractive lettering was appreciated by many. His work, like the others before him is fast become a lost art in today's technology-driven world. Eckhardt Informal JNL is available in it's regular (inline) version and also as a solid version.

Merel is a modern geometric typeface with humanist attributes. Geometry and logic are at the heart of this 6 weight font family. Humanist touches give it a number of distinctive characteristics, as well as aid legibility. Despite being rational and function driven in its nature, Merel has a soft and gentle touch. It was designed to tackle both print and onscreen challenges of the modern environment. Details include reduced x-height, mild stroke contrast and vertically sheared terminals with cushioned finish across the typeface. Merel features a number of alternative characters, manually edited kerning and Opentype features.

Xotor is a double styled typeface family destined for use in titling and headlines. The main style, the Triline weight, is a modular typeface composed of three strokes and is best used in large sizes. For smaller bodies of text, the second Regular style is based on the same letter construction but in a simple, solid stroke. Both weights can either be used individually or combined to add extra effect to any layout. With an extended Latin language support, Xotor covers most Latin based scripts and equally features a range of Opentype features, from ligatures, alternative letters or different styles of numerals.

DRUMBEAT, a brand new face from Edy Type, coming to help resolve the necessities of loose scripts in Packaging and Editorial Design. Its' very particular thicks and thins and ups and down, makes it very suitable whenever informalities is required. Used with tiny little characters, enlarged to mammoth sizes or filling a large page with it, would show it’s perfect balance and color, almost as if where hand writen. In fact, a truly different script, a graphologist would declare that is written by a person very sure of what he wants, and besides and best of all, it’s pretty.

Say hello to our new contemporary all-caps font "Wilde Rosa". Perfect for logos, magazine titles, this lovely font can be paired with clean sans serif. Wilde Rosa is designed to be used for large headings whether it be displayed on billboards, advertisements, or magazines.

Jambo ('hello' in Swahili) is a cute and bouncy typeface. I guess you can say that it is didone-ish in nature, but comic would also be an apt description. Jambo has generous curves, swirls and curls and comes with a jumbo amount of diacritics.

Say hello to our new display bold serif font "Marcgravia". Marcgravia is an elegant and luxurious serif font. Trendy and stylish, this font will elevate each of your creations. Marcgravia is PUA encoded which means you can access all the glyphs and swashes with ease.

Evening Paper JNL, one could say, was "culled from the headlines". It was. The front page headlines from some 1938 newspapers archived online were the basic model for this font. The typeface design goes back to a font first issued by Ludlow in the 1920s.

Say hello to my handy font! Use it whenever you need something handmade, vibrant and lively. I've added 6 different versions of each letter - just fo ahead and type and watch the letters automatically cycle - or choose the ones you prefer from the glyphs menu

Say hello to Boyish & Weird! (I actually don't know what boyish is, but I do like how that word looks with these letters.) I had a lot of fun making this weird little font. It has oval cutouts, heavy lines, and plenty of whimsical details.

The name says it all—another offering from the William H. Page Woodtype Company, spruced up (ouch!) and ready to dress up your next project. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

When you've got something big to say, but space is tight, the only way is up! Terje, an ultra condensed display font by Further Type, is here to help you create eye-catching, playful headlines, and logotypes that stand head and shoulders above the rest.

The name says it all. It is aesthetically located between American Gothics and European Grotesques and features small caps, a Central European character set and four number formats plus small caps numerals. This makes it not only a heartbreaking headline font, but also extremely versatile.

Multiverse is a display typeface designed to combine retro and futuristic styles into one package. Its geometric characters intertwine in unique ways that can support a high-tech context, but its curves and boldness echo the sci-fi of the 70's and 80's.

Introducing "Mate" - a modern mecha font that pushes the boundaries of typographic design. Inspired by the sleek aesthetics of mecha machinery, this font combines hexagonal formations with a futuristic and cyberpunk visual language, giving your projects a bold and captivating edge. The "Mate" font captures the essence of the future with its hexagonal shapes meticulously integrated into each character. The geometric precision and interconnectedness of these forms create a visually striking and dynamic appearance. The carefully crafted letterforms evoke a sense of advanced technology and mechanical elegance, making them perfect for projects seeking a contemporary and cutting-edge look. With its cyberpunk-inspired design, "Mate" transports your audience into a world where technology and imagination intertwine. The font's sleek lines, sharp angles, and futuristic elements capture the essence of a dystopian future, adding an air of intrigue and sophistication to your designs. The unique hexagonal feels of "Mate" create a sense of interconnectedness and harmony within the letterforms. Each character seamlessly integrates into the next, forming a unified and visually captivating composition. Whether used in titles, logos, or headlines, this font demands attention and conveys a sense of progress and innovation. Unleash the power of "Mate" in your design projects to evoke the spirit of mecha aesthetics. Whether you're working on sci-fi book covers, gaming interfaces, futuristic posters, or branding for technology-driven companies, this font will effortlessly infuse your creations with a modern, cyberpunk-inspired charm. With "Mate," you have the perfect tool to unleash your creativity and redefine the boundaries of typographic expression. Let this modern mecha font propel your designs into a realm where imagination meets technology, and the future is brought to life in stunning visual form. This font is perfect for Logo designs, Gaming branding, Technology magazines, Sci-fi book covers, Cyberpunk posters, Futuristic product packaging, Robotics company branding, Virtual reality interfaces, Futuristic event invitations, Mecha-inspired apparel branding, Tech-themed websites, Dystopian novel covers, Futuristic movie titles, Cybernetic-themed party invitations, Gaming convention banners and many more! Mate features: A full set of uppercase Numbers and punctuation Multilingual language support PUA Encoded Characters OpenType Features Cyber Mecha Style +298 Total Glyphs

You may recognize the looks of Retroxoid - if not, then let me help you out: Retroxoid is actually a font I made back in 2007. I ran prints of the font, through a very bad copymachine, used a wet cloth to make the print look worn, scanned the prints and voila! Retrozoid, my very first Open Type font, was born! Now in 2010, Retroxoid has risen from the past, and is ready to burst your designs with clean, round and futuristic shapes!

Xylotype guru Rob Roy Kelly identified this specimen from his personal collection as "Phanitalian". This addition to the Whiz-Bang Woodtype series takes its name from a small Texas town in the middle of nowhere which has risen to international prominence—at least for folks interested in such things—as the site of the World Championship Chili Cook-off. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

The idea started with the 1934 sheet music of “Mazurka Amabile”. Its hand drawn title had most of the letters rendered in a rectangular shape [‘square’ in the sign trade] that featured rounded corners and terminals made by the shape of the lettering pen nib. A few letters were rounder in design than others, so those were scrapped in favor of a more consistent character shape throughout the font. Pen Nib Square JNL is available in both regular and oblique versions.

Need to cram a zillion words on to a single page? Nicotine is your vice. Cram it. Nicotine Jazz is a bit more musical as it trades uppercase and lowercase letters for an interesting unicase effect. Italic can be used for extra emphasis. The condensed nature of the Nicotine fonts allows for impressive use at larger, poster sizes. Another interesting tidbit? The I in Nicotine is a silhouette of a traditional filtered cigarette; that's how the font got its name.

Muisca, that in its early edition was named as «Muisca Sans», was developed in mid-1997 and based on the graphic concept of pre-Columbian characteristics figures within some of the very few visual elements recovered from the Muisca culture. This ancient pre-Columbian tribe disappeared since the arrival of the Spanish 500 years ago, in what is now the center of Colombia. In fact, the name of the capital Bogotá goes back to Bacatá as primary or village downtown of what was once the imperial capital of the Muisca tribe. This typographic project was submitted as my work for the degree in Graphic Design, obtained in September of that year (at the Universidad Nacional de Colombia), under the creative concept of vindicating the ancient culture and identity through a functional typeface, into a fact without precedent in the country. Muisca was recently edited, arranged and completed, including multilingual diacritic glyphs to be versatile in several languages. Related and inspired by Latin America, Ethnic, Native, Tribal, Mysthical, Handmade, Aboriginal, Pre-Hispanic, Pre-Columbian, Textured, Fantasy. Ideal to be used in logos, display text & titles, games and other design applications that reminds of the Pre-Hispanic art.

Say Hello to Swily Bright. Trendy, classy & modern style serif font for your fancy projects. Elegant, fashion and classic style on Swily Bright font will be great for any branding project. With 2 style Regular and Italic, alternates and ligatures will help you to create unique letters

My teacher used to say my writing looked like ‘hanenpoten’ (“rooster legs”). It is a Dutch expression for a scrawly script. When this script emerged, it had ‘scrawl’ written all over it! Scrawlerz is a messy script font with a lot of joie de vivre. Enjoy!

Techno Retro JNL looks like a design straight out of the 1980s, but it actually appeared as hand lettering on a sheet music cover for the circa-1940s edition of the song "To You Sweetheart, Aloha", proving the old saying that "everything old is new again".

It is what it says: a classic woodtype face by the same name from Vanderburg and Wells' 1878 specimen book. What it lacks in refinement, it makes up for in exuberance. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Fontazia Mazzo features a unique assortment of floral bouquets in abstract vases. A modern addition to any interior design layout or for any project where flowers say just the right thing! Like other type, these dingbats can easily be integrated into any text document or graphic program.

Thymesans was one of Chank’s earliest fonts, created way back in 1994 for CAKE Magazine. Sometimes it's got serifs, sometimes it doesn't. “What a weird and fickle futuristic font!” says Chank. Emancipate your designs with this decidedly modern font. Good for funk or country album covers.

Created in Minneapolis in 1996, Chunder is inspired by the hand-painted cursive signage of urban boutiques where a shopkeeper can't afford to hire a very good sign painter. Kinda clunky, kinda flowery. Like beer spilled on a daffodil. "It's not pretty, but it's mine," says Chank.

Boxigen is a futuristic font that exudes simplicity and strength. With its bold, eye-catching characters, this font is perfect for projects that require a modern and sleek aesthetic. Boxigen draws inspiration from various sources, including modern technology, synthwave, sci-fi movie posters, science, and space themes.

Streamlined Stencil JNL is based on a photo of an Art Deco era shipping stencil saying "With Care" which was heavily influenced by the Futura Black style of lettering. The image was seen in the Steven Heller-Louise Fili book "Stencil Type" (published by Thames and Hudson).

Destrod is a modern techno sans serif font. Its futuristic and minimalist style makes it incredibly suitable for all your projects that need a sci-fi touch. Uppercase letters with alternate characters in lower case. Included: Latin base and extended. Cyrillic base and extended. Multilingual support.

Introducing Volaroid font duo , simply font with modern and vintage style combination. This will bring a modern and vintage atmosphere together. Minimalist design for your best project. Volaroid font best use for logotype, branding, and t-shirt printing. Whats included? : - volaroid script - volaroid sans Volaroid feature : - Swash (A-Z,a-z) - SS 1 (A-Z,a-z) - SS 2 (a-z) - SS 3 (a-z) - SS 4 (a-z) - S.Alt 1&2 (b,d,h,k,l,t) - PUA encoded - Multilingual Support. --- Notes = Every swash, stylishtic set and alternates have include in Volaroid Script (ttf.otf,woff) I hope this font can meet your design needs. Feel free to contact me in the message or direct email donis4design@gmail.com.