Candrika is a classic label display typeface. Come up with solid and decorative style. This font inspired by the vintage package label and old signboards. The style of this font is strong, classic and dynamic. So that makes this font good for normal text sizes or large headline text sizes. Candrika is also great for any kind of display purpose from logos, label, tshirt, apparel, barbershops, tattoo, packaging, poster, signage, greeting card and logotype. This font is also support multi language.

Qiduwy is a futuristic and stylish font perfect for designing labels, retro, stamps, badges, Oktoberfest posters, packaging, titles, beer, logos, barbershops, whiskeys, tattoos, music, movies, or certificates. This font is perfect for a dark and mysterious look. Bold black lines make this font perfect for a classy and stylish look. The wide, bold typeface gives this font an upscale look. Sharp corners and edges add a touch of class. This is the perfect font for a dark and mysterious look.

Nogoom was inspired by the titles of Egyptian Magazine ALOSTUDIO, which used to be published during the 50s-60s. The typeface is part of Arsheef Alkhatt Project, a platform that revives and tributes classical Arabic lettering from different resources and presents them as affordable, digital fonts for independent designers. Nogoom means stars in Arabic, hence the name. Note: The font uses an Opentype feature for the connections that are not supported by MyFonts tester, but it works properly with all Adobe CS softwares.

P22 Kirkwall is an unusual and elegant design. The upper case letters have a slightly curved stem that ends in a small serif and wedge crossbars. The lower case letters have a fluid and easy design with end-hooks and long leading serifs. Kirkwall Trim and Bold Trim styles contain an alternate set of lower case characters without the long leading serifs and end-hooks. P22 Kirkwall is appealing for display work and appropriate for short texts and headlines. According to the designer: "The type design is inspired by my meeting with the people of Orkney Island and their culture, and it's my tribute to the St. Magnus Cathedral in Kirkwall."

"Sambia" is a geometric sans-serif, straight, extra condensed, monoweight font, accidental with sharp corners and closed aperture. The font family consists of regular and bold fonts. Typeface is great for headlines, logos and posters. The typeface is inspired by the Bauhaus style and tributes to the first half of the 20th century era. It has concise rounded forms, geometricity and a small letter-spacing. - Uppercase and lowercase letters - Numbers, punctuation and symbols - Multilingual support (Latin, Latin Extended, Cyrillic) - Support for more than 20 languages: Albanian, Belarusian, Bulgarian, Croatian, Danish (Norwegian), Estonian, Finnish, German, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Moldovan, Portuguese, Russian, Slovak, Slovenian, Spanish, Swedish, Turkish, Ukrainian and others

HGB Galaxo is a tribute to Othmar Motter (1927–2010), the Vorarlberg graphic artist and typeface designer, who designed very individual and perfectly crafted typefaces in the 1970's and later. (Motter Ombra, Motter Tectura ...)From a Motter sketch of 5 letters for a logogram, I derived a simplified letterform and developed all the necessary characters. Working on these glyphs and delving deeper into Motter's letterforms, the respect for the accuracy with which he drew his letters (in ink) grew more and more. The spiral resembles the shape of a galaxy, hence the name Galaxo. The font is suitable for retro, poster and logo design.

Decorative font Shaltai was developed by young Russian designer Katya Galuyan. The letters slightly resemble rolling, falling and broken eggs. Egg-shaped appearance of the characters determines the name of the font. Shaltai Boltai is a Russian cousin of English Humpty Dumpty, French Boule Boule and Swedish-Norwegian Lille Trille. The font can be used for advertising and display works, children books and so on. Released by ParaType in 2008.

This brand new signature font is so versatile that you can use it for just about anything. Its big, bold caps are perfect for logos and icons, giving off a genuine and unique handwriting feel to your designs. Other uses for this casual font could be on apparel such as bags, t-shirts, bottles, etc. I see it being used in taglines on a range of products such as sport & fitness products, tattoo branding, soft drinks (energy drinks). I'm sure you'll find a use for it!

Introducing Horse Boy Typeface The Horsebow typeface is inspired by the vintage cowboy western style. The Horseboy font family consists of 6 very cool fonts when combined to create western and cowboy themed designs. Can be used for the design of alcoholic beverage packaging, tattoo, poster, pomade designs, barbershops and so on with the western American concept. Apart from that this font is very easy to use in both design and non-design programs because all alternates and glyphs are supported by Unicode (PUA).

Franklin Gothic was designed between 1903 and 1912 by Morris Fuller Benton for the American Type Founders Company. The font serves as the American Grotesk prototype. It was named after Benjamin Franklin. Even today, Franklin Gothic remains one of the most widely used sans serif typefaces. The robust character of the font gives text a modern feel. It is widely used in newspapers and advertising and is frequently seen in posters, placards and other material where space is restricted. Featured in: Best Fonts for Tattoos

Kia ora is a M?ori-language greeting which is used as an informal greeting, equivalent to "hi" or "hello", or an expression of thanks. The koru (M?ori for loop or coil) is a spiral shape based on the appearance of a new unfurling frond. It is an integral symbol in M?ori art, carving and tattooing, where it symbolises new life, growth, strength and peace. Its shape conveys the idea of perpetual movement, while the inner coil suggests returning to the point of origin.

The Buntro is a Display Typeface designed with carefully crafted. Comes with 2 Styles, Regular and Outline. This is a simple yet refined All-Caps Typeface. Also suitable for Branding & Packaging, Poster Design, T-shirt, Tattoo Design, Logotype, and any project. Support multilingual, number and symbol, alternates, and already PUA Encoded. What's inculded? The Buntro Regular The Buntro Outline Multilingual Support many different languages. Included AÀÁÂÃÄÅCÇDÐEÈÉÊËIÌÍÎÏNÑOØÒÓÔÕÖUÙÜÚÛWYÝiŸỲŸÆŒßÞþ We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback.

It's a beautiful, elegant, clean and unique typeface you need to have! Contains over 1000 glyphs, it has many alternate characters so you can make a beautiful decorative type easily. Familia Script is truly a perfect script for any project that needs a delicate typeface such as custom name, greeting card, create logos, etc. A handy font for tattoo designers and artsy creative people! How to get access alternate glyphs from open type fonts: http://adobe.ly/1m1fn4Y USER GUIDE: https://www.youtube.com/watch?v=kwYVZznG4Bo

Domestic Script is a modern calligraphy font. This font is perfect for quotes, branding, ornaments, shirts, mugs, headings, blogs, logos, invitations and more! What's Include : Alternates PUA encode & Opentype ( It is full of Tails and glyphs ) Multilingual support Use the fonts for: logos, branding materials, wedding sign, wedding website card, farmhouse signs, sign bridal, shirts, pantry labels, sign bridal shower, business cards, greeting cards, wall decor, social media, planner prints and websites. If you have any question please do not hesitate to contact me. Thank You!

Violant fonts are designed as a tribute to Queen Violant, wife of Jaume 1st, king of Aragon, a woman of strong character, who supported her husband in the conquest of Valencia in 1238. Probably, Violant read texts in Gothic letters, which at that time were subjected to a stylization process in Castile and Aragon. Violant family comes with 736 glyphs, with OpenType features, swashes for all glyphs, stylistics sets, stylistics alternates, a lot of ligatures and a generous set of ornaments to play with your texts.

A tribute to Jan Tschichold. His hot-metal font Saskia was released in 1931 by Schelter & Giesecke. This elegant italic font was finally redrawn, extended and digitized for present-day use.

Sadina™ is the first font family in Sadina's series, based on geometric modernism with a classic touch. Designed with triple thicknesses to build a beautiful mix between modern humanist style, contrast, and classic sense, it provides support for double linguistic zone scripting in the world, depending on "Western European and Cyrillic" languages. It supports Professional Opentype features and supports a wide variety of alternative letters and styles for scripting and an attractive titling.

Chankbats are the original hand-drawn illustrations of artist Chank Diesel. Insert these nifty little doodles into your layouts when you feel an illustrator's touch would add personality to your designs. Or when you want a nice little horsie picture to break up the grayness of a long text passage. Or get yourself a tattoo. We trust you'll come up with a clever use for these whimsical, folk art drawings. The fonts in this family come in 4 varieties in cross-platform OpenType format for both Mac & Windows.

Looking for a way to make your brand look dark, mysterious, and even gothic? look no further, HAYEN Blackletter! This font is perfect for creating labels, retro designs, stamping, badges, and packaging. Use it for your next retro Oktoberfest poster or for your next tattoo. It’s also a great choice for a barber shop or whiskey brand. Plus, it’s available in a variety of different styles and weights, so you can find the perfect one for your needs. So why wait? Add this Blackletter font to your next project today!

Gold Queen is a vintage font family with features opentype with extension svg. Perfect for the vintage tattoo studio logos, barbershops, alcohol labels and many other. Includes a full set of character A-Z, numerals, and punctuation. Product content: HKF Gold Queen Regular - (OTF) HKF Gold Queen Drop line - (OTF) HKF Gold Queen Drop shadow (B&W) - (OTF) Color fonts (available only with Adobe illustrator CC 2018 and Photoshop CC from 2017) HKF Gold Queen Drop line (color) - (OTF SVG) HKF Gold Queen Drop shadow (color) - (OTF SVG)

The Alitun incanor font is inspired by Gothic style typography and calligraphy. It has clean, sharp lines making it easier to read by combining old and new. If you are looking for a font with these features, Alitun incanor can meet your needs. This font is equipped with natural calligraphy - characteristic of gothic synthesis and multilingual support.Font; ideas for headlines, flayers, greeting cards, product packaging, book and magazine covers, logo types, clothing designs, tattoo designs, album covers. With this font you can create your own unique design. Have a good time.

Galaxo Dot is a sister to Galaxo Line. HGB Galaxo is a tribute to Othmar Motter (1927–2010), the Vorarlberg graphic artist and typeface designer, who designed very individual and perfectly crafted typefaces in the 1970's and later. (Motter Ombra, Motter Tectura ...) From a Motter sketch of 5 letters for a logogram, I derived a simplified letterform and developed all the necessary characters. Working on these glyphs and delving deeper into Motter's letterforms, the respect for the accuracy with which he drew his letters (in ink) grew more and more. The spiral resembles the shape of a galaxy, hence the name Galaxo. The font is suitable for retro, poster and logo design.

Introducing Hero Beam Typeface Hero Beam typeface is inspired by the form of writing in the era of the European empire. Carrying a Victorian theme that has an elegant and of course cool swash. Hero Beam typeface is perfect for classic Victorian themed designs, packaging beer, whiskey, barbershop, pomade, tattoo studio logo and so on. Hero Beam also has 2 types of letter shapes, namely the regular type and the hold type which is like bone which makes it more character. Apart from that this font is very easy to use in both design and non-design programs because all alternates and glyphs are supported by Unicode (PUA). In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Bedposka is an attractive signature font with an elegant style that gives it the best look. Bedposka is an elegant script combination. It is elegant, feminine and noble, while maintaining a friendly atmosphere. Bedposka is versatile and is perfect for fashion, branding, trending blogs, bridal boutiques or any business that wants to look luxurious, chic and elegant. Bedposka has a variety of stylistic features, making it ideal for creating original and functional designs. It has extensive language support and many ligatures, alternatives, and style sets to add visual interest to each letter.

Unveiling Arabico, a captivating typeface that bridges cultures and aesthetics with its exquisite design. Arabico is a tribute to the elegance and fluidity of Arabic script. Its letterforms are carefully crafted to echo the aesthetic beauty and expressive nature of Arabic writing. Every stroke and curve of its letters pays homage to the graceful artistry of the flow of Arabic calligraphy. Arabico fits in headlines, logos, posters, flyers, branding materials, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview.

Who haven't heard the phrase that ‘any past time was better’?. Although I sometimes find this phrase a little too pessimistic (because I try to think that the best is yet to come), it may be true regarding my passion, typography. I'm too young (29) unfortunately, and this means I did not have the pleasure of being contemporary with maybe the man who has influenced my work the most (1). The man that showed that letters are more than just letters to be read. Herb Lubalin (1918-1981), also called sometimes as ‘the rule basher’ (2), smashed the taboos and sacred rules of type design and gave it personality. He rejected the functionalist philosophy of europeans in favor of an eclectic and exuberant style. To him, letters were not merely vessels of form, they were objects of meaning. (3). Nowadays, when looking at his portfolio, who dares to deny that the term ‘typography’ and ‘beauty’ may go hand-in-hand without any problem? Ed Benguiat, one of Herb’s partners, still likes making jokes with the phrase “screw legibility, type should be beautiful” and what I understand of this is not to forget the rules, but to know and break them carefully. In an era of pure eclecticism, we, the lovers of flourishes and swashes, can't do nothing but admire all the legacy that Lubalin, this wonderful type-guru, left. My font Lubaline read as “the line of Lubalin” is my humble tribute to him. Those who know his work, may see the influences easily like in his ‘Beards’ (1976) and ‘The Sound of Music’ (1965) posters; the art-deco forms in many of his amazing logos and practically in all his creations where letters seem to be alive just like you and me. I really hope that the future finds me still learning more and more about type-design and letterforms, and like him, always willing to make innovations in my field: Because letters are not just letters to be read. NOTES (1) These are some of my fonts in which some of Lubalin’s influences can be seen (in order of creation): Reina, Aire, Erotica, String, Beatle, Heroe, Selfie, Model, Seventies, and many others that are still in progress. (2) (3) Steven Heller. Herb Lubalin: Rule Basher. U&lc (1998) http://www.printmag.com/imprint/my-favorite-lubalin/

“More is better” may have been the motto of Richard Austin of Austin and Son’s Imperial Letter-Foundry on Worship Street at Finsbury Square in London when he designed and cut his Antique typeface. The year it was created is uncertain, but it is known to have appeared in a specimen book produced in 1827. At first glance, the upper case letters of Austin Antique look very much like Figgins Antique. But, upon examination, one will note that the Austin face is much darker. In general, the letters designed and cut by Richard Austin have fatter strokes, larger serifs and smaller counters -- more metal and less daylight. The premise was that the darker the letter, the more attention an ad using the typeface would receive. In old pictures of London and Paris one may see walls crowded with posters and “bills” -- competing for the attention of the passerby. Morris and Updike aside, the early nineteenth century marked the beginning of a commercial as well as industrial revolution. Patterns of commerce were changing. With new methods of marketing came the need for new typefaces to support the new methods. Foundries found the display types were very profitable and competed most energetically and creatively for the trade. There was a lot of trial-and-error. Some ideas faded away. Others, like the Antiques or Egyptians, were refined and developed. From them came the Clarendons that were to prove both popular and long lasting -- because they worked. Their job was to sell goods, not please the aesthetic sensibilities of the critics. They did their job well. Austin Antique has a full Western European character set, plus the following ligatures: ct, st, fi, fl, ff, ffi and ffl. Tabular numbers. Surprisingly readable.

Madelican is a beautiful combination of modern and classical calligraphy, inspired by the handwriting of Italian women and ancient manuscripts. I think calligraphy has an advantage for the alternate characters, Madelican has tons of possibilities for just one letter. My exploration of this fonts was not as easy as in my imagination, it took several trial and errors for the perfect balance of the style. Madelican is very suitable for weddings, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires a classic, formal or luxurious touch. Almost all letters have more alternate than others, it is fine because the limitations of the shape of the letters. It must be readable and legible. Every letter that I've chose are only the best on it and fit with the character style. Multi-lingual support and up to 16 stylistic alternates. If you do not have programs that support OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all alternative flying machines using Font Book (Mac) or Character Map (Windows). And feel free contact me if you have a question.

Introducing our brand new ethnic font "Naluka". Funny, joyful, and unique! The new exploration of the ancient-style font, inspired by the geometric tribal ornaments and wood texture applied to the font as the special effect to gives this font looks more fun and friendly! Naluka is created especially for specific themes such as summer, holiday, tropical, ethnic, cartoon, beach, cultural, children, and many more! This font is suitable for displays, packed with OpenType features that you can combine to express your concept! Font featured: Uppercase Lowercase Numbers & Punctuation Stylistic alternates Stylistic set Custom ligatures Multilingual characters Dingbats font Thank you so much for watching. Good luck and happy designing!

Known to many eastern artists as the California Poster Letter because it originated in the West, this old 1930s style has reappeared in digital form. Carl Holmes, in his wonderful book on old lettering styles, pays tribute to this uniquely American design. Faintly reminiscent of the lettering of Fred G. Cooper, California Poster Bold is at times wildly exaggerated and boisterous. Letters appear to be inflated and loopy. The design might aptly be described as a kind of rollicking Cooper Black (Oswald Bruce Cooper). An extensive range of alternates and figures has been provided for your convenience. California Poster Bold is now available in the OpenType Std format. Some new characters have been added to this OpenType version as stylistic alternates and historical forms. These advanced features work in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Valuxe — modern and minimalist sans serif. This font pairs well with a basic font like Arial and any script with an elegant style.

American Grunge is a spooky font. It was created using a steel pen and China ink - and a lot of splatter. American Grunge is my tribute to that nineties wave of fantastic music coming out of Seattle.

Destra is a contemporary, narrow serif family, suitable to save space and legible at small sizes. Its shapes are the result of a mix of styles. "Destra" is the Portuguese word for "right hand". The font has several OT features - fractions, old style-, lining-, tabular numbers, superiors/inferiors, alternative glyphs, dozens of ligatures (standard + discretionary) and an exclusive feature to convert Arabic to Roman numerals up to 1000 (download the “OT Features Guide” pdf). Moreover, Destra has an impeccable technical finish, with a systematic review of nodes, curves, spacing and internal data, eliminating the possibility of errors when using it. The family consists of 8 styles, 4 weights - Regular, Medium, Bold and Black, plus their respective italic versions. The fonts are available in OpenType PS/TT and have extended character set to support CE, Baltic, Turkish as well as Western European languages. You can test Destra downloading the free trial font in Medium version (TT only). This trial file supports only Western languages.

The Joseph Struhl Company of Long Island, NY pioneered the use of cling vinyl in the field of reusable signs. Along with sets of die-cut letters and numbers, one of their main products for many years was a set of letters and numbers silk screened onto vinyl panels for larger window displays. Cling Vinyl JNL is Jeff Levine's tribute to this sign kit and its innovative contribution to retail marketing. The font comes in two styles: Cling Vinyl JNL has white characters on a black background and Cling Vinyl Clear JNL has black characters on an open (clear) background. For those wanting a "panel" space between words, there are two different width ones on the < and > keys. Please note: limited character set.

Albion's Americana is a fun display family and a tribute to our transatlantic friends. The stars and stripes motif is applied to an American inspired all capitals Roman display face, producing something that is bold and boisterous and well...American. The regular face is intended for conventional use, while the 'Black', 'Red', 'White' and 'Blue' faces are designed to facilitate patriotic multi-coloured lettering (of course, you can use other colours as well). It's worth trying out different combinations here- Black and White alone work well, as does read, white and blue minus black. Albion's Americana Companion is also offered, intended as a small or all capitals face for subsidiary lettering. Next time you need some graphic typesetting with that American feel, this is your answer!