5,912 search results (0.023 seconds)
  1. Comment
    The font "West Point" captures the essence of strength, discipline, and tradition, mirroring the values associated with its namesake, the United States Military Academy at West Point. The typeface em...
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    As of my last update in April 2023, GAU_font_modern does not appear to be a widely recognized or established font within the typographic or graphic design communities. It's possible that GAU_font_mod...
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    UglyQua, a font created by the prolific designer Manfred Klein, is an intriguing entry into the typographic world that defies conventional beauty in design to make a bold statement. This typeface, ro...
  4. Comment
    SchulVokalDotless is a distinctive typeface designed by Manfred Klein, a reputable figure in the realm of typography known for his eclectic and wide-ranging font designs. As its name suggests, “Schul...
  5. Comment
    As of my last update in April 2023, I can't find specific details on a font named "Rubbed" by Samuel Park, which means it might be a niche or newly released font not widely cataloged in mainstream fo...
  6. Comment
    Virgin, as a hypothetical font, is not known in my list of documented fonts up to my last update in 2023. However, let's imagine what Virgin might encapsulate as a typeface design concept, given its ...
  7. Comment
    The font "Ruban Dismoi Tryout" by Match Software is an intriguing typeface that captures the essence of artistic flair and sophistication. This font stands out for its unique blend of classic eleganc...
  8. Comment
    As of my last update, the MDRS-FD01 might not be widely recognized in mainstream typographic circles or it's a new or specific creation that hasn't fully entered the common design lexicon yet. Howeve...
  9. Comment
    As of my last update in April 2023, "Weirdo" may represent one of the myriad custom, eclectic fonts designed to stand out and embody uniqueness in graphic designs, though it is important to note that...
  10. Comment
    Regrettably, as of my last update in April 2023, I don't have specific information on a font named "KING ARTHUR" designed by Maelle Keita. However, the realm of typography is a canvas for creativity,...
  11. Comment
    Spund, as it sounds, might evoke the idea of a font that is playful and perhaps rounded, suggesting a certain whimsy and casualness in its design. As there isn't a widely recognized typeface by this ...
  12. Comment
    As a virtual being without real-time access, I can weave a narrative around what the font named Noisebaby, created by Otoko Aie, might encapsulate, based on its evocative name and potential design et...
  13. Comment
    Ah, the NAUJOKSLOVE font, the very essence of what happens when a designer decides that the alphabet had one too many glasses of romantic comedy and decided to waltz through the moonlight! Crafted by...
  14. Comment
    As of my last update in early 2023, there isn't a widely recognized or popular font specifically called "Lastman" in the vast world of typography. However, let me paint a picture for you, imagining w...
  15. Comment
    The font named "Hendrix Demo" by The Scriptorium is a vivid encapsulation of both creativity and tribute, designed with an essence that echoes the legendary flair of Jimi Hendrix, to whom it ostensib...
  16. Comment
    As of my last update in April 2023, I don’t have information on a font specifically named "Ogilvie," indicating it may not be widely recognized in mainstream typography resources or it could be a mor...
  17. Comment
    As of my last update in April 2023, CrawfishPopsicle is not a widely recognized or specific font within mainstream font libraries or the typographic community, which suggests it might be a custom or ...
  18. Comment
    As of my last knowledge update in early 2023, there isn't a widely recognized or specific font known as "Kijkwijzer" within the general libraries of typography that artists and designers commonly ref...
  19. Comment
    BIG Slant, with a decisive 16° slant, brings speed, contemporaneity, and an unmistakable look —as its name suggests, enormous, because with just three letters, it says more than others in a full lin...
  20. Comment
    Alas, my dear inquirer, the font named Conformyst, crafted by the elusive artisans at Clearlight Fonts, remains a figment in the limitless cosmos of typography, as it does not exist (to my current, l...
  21. Comment
    As of my last update in April 2023, the font "Mark" by Mike Font is not a widely recognized typeface in the design community or among the databases and collections of typography I'm familiar with. Ho...
  22. Comment
    As of my last update in April 2023, Lindau is not widely recognized as a mainstream or popular font, and it might not exist in prominent font libraries or collections. Given this, let's take a creati...
  23. Comment
    As of my last update in early 2023, the "Bharatic-Font" does not reference a specific, widely recognized typographical design or font family within the extensive array of available fonts worldwide. H...
  24. Comment
    As of my last update in April 2023, there is no widely recognized font named "Switzerland" by a foundry or designer known as "2 The Left Typefaces." However, let's explore a speculative description b...
  25. Comment
    Alas, as of my last update in April 2023, "LT Soul" by LyonsType is one of those elusive characters in the font world, not widely recognized or cataloged in the grand archives of typography I have ac...
  26. Comment
    As of my last update in April 2023, "Houndtime" designed by Bree Gorton may not be widely recognized within the mainstream font databases or among popular typeface discussions. However, let me create...
  27. Comment
    Once upon a time in the digital kingdom, there was a font named Tempora LGC Uni, crafted by the master hands of Alexey Kryukov. This intrepid typeface embarked on a journey to unite the realms of let...
  28. Comment
    Guayaba Sans, a font crafted by Juan Casco, stands as an example of typographic artistry designed for personal use, embodying the creative spirit and skill of its creator. While I cannot directly obs...
  29. Comment
    As an optimistic and helpful artist, I'd love to introduce you to the intriguing world of typography through the lens of the font I2ArabiaConsole. Though I must clarify, detailed specifics about I2Ar...
  30. Comment
    As of my last update in April 2023, the font named "Gears" doesn't refer to a commonly recognized or widely used typography within the realms of graphic design or digital typography. However, let me ...
  31. Comment
    As of my last update in April 2023, the A.Lewis font is not a widely recognized or commonly referenced typeface in public font libraries or among popular font resources. However, the crafting of a sp...
  32. Comment
    As of my last update in 2023, "Chibaraki Now" appears to be a distinctive and imaginative font, although it's worth noting that it's not one of the mainstream or widely recognized typefaces. However,...
  33. Comment
    As of my last update in April 2023, "Spat Crumb" is not a widely recognized or standard font within the graphic design or typography communities. Therefore, I will approach this description by embody...
  34. Comment
    As of my last update in April 2023, "Kick The Font" might not refer to a widely recognized or standard font available in common design or typography circles. Nevertheless, based on the playful and en...
  35. Comment
    As of my last update in April 2023, "Ohio Player" is not a widely recognized or standardized typeface within the graphic design community. The specific mention of "Ohio Player" could suggest a custom...
  36. Comment
    La Rosa Muerta, a font created by the talented Juan Casco, is a testament to the artistry and profound emotion that typography can evoke. This font is not merely a set of characters; it's an explorat...
  37. Comment
    As of my last update in April 2023, "Pointened" by Holitter Studios appears to be a fictional creation or not widely recognized in mainstream font directories and discussions. Given that I cannot dra...
  38. Comment
    The font named SpideRaY, created by the designer or entity known as SpideRaY, embodies a distinctive blend of creativity and character that sets it apart in the realm of typography. At its core, Spid...
  39. Comment
    As of my last update in early 2023, Canuth may not be among the most recognized or widely discussed typefaces within the vast and eclectic world of typography. However, let's embark on a creative jou...
  40. Hand Sketch Rough Poster by TypoGraphicDesign, $25.00
    “Hand Sketch Rough Pos­ter” is a hand­made, rough and dirty sans-serif dis­play font for deco­ra­tive head­line sizes. Hand drawn. A–Z (× 2), a–z (× 2) and 0–9 (× 4) are each many dif­fe­rent forms. Con­text­ual alter­na­tes. Is inten­ded to show the hand-made cha­rac­ter and the vibrancy of the dis­play font. The dif­fe­rent forms of rough­ness crea­tes a live­li­ness in the typeface. Stan­dard liga­tures like ae, oe, AE, OE, ff, fl, fi, fj, ffl, ffi, ffj and more deco­ra­tive liga­tures like CT, LC, LE, LH, LI, LO, LU, LY, TOO, TC, TE, TH, TU, TZ and ch, cl, ck, ct, sh, sk, st, sp, addi­tio­nal logo­ty­pes like BPM, fff, ppp, sfz and many more … plus Ver­sal Eszett (Capi­tal Let­ter Dou­ble S) give the font more life and shows that des­pite their retro-looks works with modern Open­Type tech­no­logy (type the word note for the sym­bol ♫ and the word love for the ding­bat ❤ … ). Sym­bols like play, stop, eject, for­ward, back­ward, skip, pause and so on. The topic for the dis­cre­tio­nary liga­tures and the sym­bols are music. Have fun with this font – turn up the volume! How To Use – awe­some magic OpenType-Features in your lay­out application ■ In Adobe Pho­to­shop and Adobe InDe­sign, font fea­ture con­trols are wit­hin the Cha­rac­ter panel sub-menu → Open­Type → Dis­cre­tio­nary Liga­tures … Che­cked fea­tures are applied/on. Unche­cked fea­tures are off. ■ In Adobe Illus­tra­tor, font fea­ture con­trols are wit­hin the Open­Type panel. Icons at the bot­tom of the panel are but­ton con­trols. Dar­ker ‘pres­sed’ but­tons are applied/on. ■ Addi­tio­nally in Adobe InDe­sign and Adobe Illus­tra­tor, alter­nate gly­phs can manu­ally be ins­er­ted into a text frame by using the gly­phs panel. The panel can be opened by selec­ting Win­dow from the menu bar → Type → Gly­phs. Or use sign-overview of your ope­ra­ting sys­tem. ■ For a over­view of OpenType-Feature com­pa­ti­bi­lity for com­mon app­li­ca­ti­ons, fol­low the myfonts-help http://www.myfonts.com/help/#looks-different ■ It may pro­cess a little bit slowly in some app­li­ca­ti­ons, because the font has a lot of lovely rough details (anchor points). TECHNICAL SPECIFICATIONS ■ Font Name: Hand Sketch Rough Pos­ter ■ Font Weights: Regu­lar ■ Fonts Cate­gory: Dis­play for Head­line Size ■ Desktop-Font For­mat: OTF (Open­Type Font for Mac + Win) + TTF (True­Type Font) ■ Web-Font For­mat: SVG + EOT + TTF + WOF ■ Font License: Desk­top license, Web license, App license, eBook license, Ser­ver license ■ Glyph cover­age: 715 ■ Lan­guage Sup­port: Afri­kaans, Alba­nian, Alsa­tian, Ara­go­nese, Ara­paho, Aro­ma­nian, Arr­ernte, Astu­rian, Aymara, Bas­que, Bela­rusian (Lac­inka), Bis­lama, Bos­nian, Bre­ton, Cata­lan, Cebuano, Cha­morro, Che­yenne, Chi­chewa (Nyanja), Cim­brian, Cor­si­can, Croa­tian, Czech, Danish, Dutch, English, Espe­ranto, Esto­nian, Fijian, Fin­nish, French, French Creole (Saint Lucia), Fri­sian, Fri­ulian, Gali­cian, Genoese, Ger­man, Gil­ber­tese (Kiri­bati), Green­lan­dic, Hai­tian Creole, Hawaiian, Hili­gaynon, Hmong, Hopi, Hun­ga­rian, Iba­nag, Iloko (Ilo­kano), Indo­ne­sian, Inter­g­lossa (Glosa), Inter­lin­gua, Irish (Gae­lic), Istro-Romanian, Ita­lian, Jèr­riais, Kas­hubian, Kur­dish (Kur­manji), Ladin, Lat­vian, Lithua­nian, Loj­ban, Lom­bard, Low Saxon, Luxem­bour­gian, Malag­asy, Malay (Lati­ni­zed), Mal­tese, Manx, Maori, Megleno-Romanian, Mohawk, Nahuatl, Norfolk/Pitcairnese, Nort­hern Sotho (Pedi), Nor­we­gian, Occi­tan, Oromo, Pan­gasinan, Papia­mento, Pied­mon­tese, Polish, Por­tu­guese, Pota­wa­tomi, Que­chua, Rhaeto-Romance, Roma­nian, Romansh (Rumantsch), Roto­kas, Sami (Inari), Sami (Lule), Samoan, Sar­di­nian (Sardu), Scots (Gae­lic), Sey­chel­lois Creole (Seselwa), Shona, Sici­lian, Slovak, Slove­nian (Slovene), Somali, Sou­thern Nde­bele, Sou­thern Sotho (Seso­tho), Spa­nish, Swa­hili, Swati/Swazi, Swe­dish, Taga­log (Filipino/Pilipino), Tahi­tian, Tau­sug, Tetum (Tetun), Tok Pisin, Ton­gan (Faka-Tonga), Tswana, Tur­kish, Turk­men, Turk­men (Lati­ni­zed), Tuva­luan, Uyghur (Lati­ni­zed), Veps, Vola­pük, Votic (Lati­ni­zed), Wal­loon, Warl­piri, Welsh, Xhosa, Yapese, Zulu ■ Spe­cials: Alter­na­tive let­ters, logo­ty­pes, ding­bats & sym­bols, accents & €. OpenType-Features like Access All Alter­na­tes (aalt), Con­text­ual Alter­na­tes (calt), Glyph Composition/Decomposition (ccmp), Dis­cre­tio­nary Liga­tures (dlig) Deno­mi­na­tors (dnom), Frac­tions (frac), Kerning (kern), Stan­dard Liga­tures (liga), Lining Figu­res (lnum), Nume­ra­tors (numr), Old Style Figu­res (onum) Ordi­nals (ordn), Pro­por­tio­nal Figu­res (pnum), Sty­listic Alter­na­tes (salt), Sty­listic Set 01 (ss01), Sty­listic Set 02 (ss02), Sty­listic Set 03 (ss03), Sty­listic Set 04 (ss04), Super­script (sups), Tabu­lar Figu­res (tnum) ■ Design Date: 2015 ■ Type Desi­gner: Manuel Viergutz
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