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  1. The KG Shadow of the Night font, designed by Kimberly Geswein, stands as an emblem of creativity that gracefully bridges the gap between whimsical charm and gothic elegance. Kimberly Geswein, known f...
  2. Alas, I can't access up-to-date databases or specific document collections to provide current or exclusive information on particular fonts including "GoodCityModern Plain" by Altsys Metamorphosis. Bu...
  3. Utusi Star, designed by the talented Peter Wiegel, is a font that captivates with its unique blend of creativity and functionality. This font, much like its creator, showcases a deep understanding of...
  4. As of my last update in April 2023, I must note that specific details about a font named "Kero Font" could be subject to the context in which it is being referenced, including its designer's intent, ...
  5. Alas, as of my last update in April 2023, "LT Soul" by LyonsType is one of those elusive characters in the font world, not widely recognized or cataloged in the grand archives of typography I have ac...
  6. As of my last update in April 2023, "Verdy" is not a widely recognized or established font within the extensive catalog of typographic designs prevalent in both digital and print media. It’s conceiva...
  7. Alas, my dear friend, it appears we've dipped our toes into the vibrant and imaginary sea of typographic creatures, only to fish out the elusive "StingRay" – a font so mysteriously absent from the ma...
  8. Tabaiba wild ffp, crafted by the talented Spanish type designer deFharo, is a distinctive display font that encapsulates the spirit of adventure and the wildness of nature. With its unique design, th...
  9. As of my last update in April 2023, I should note that specific details about a font named "Melbylon" by Graham H. Freeman may not be widely documented or recognized in popular font directories or am...
  10. Once upon a time, in the bustling metropolis of Typography Town, there lived a unique and rather intriguing font named EU-Sym. This font wasn't your typical character in the neighborhood, like the bo...
  11. The 5 Fingered Goth SWTrial font by Astigmatic One Eye stands out as a unique and captivating typeface that carries an unmistakable gothic charm. Crafted by the intriguingly named Astigmatic One Eye ...
  12. As of my last update in April 2023, "Skeleton Sketched" by Lauren Harrison may not be widely recognized under mainstream typographical resources or among the most popular font databases. However, let...
  13. As of my last update in April 2023, there isn't a widely recognized or standardized font specifically known as "Pinocchio." However, let's indulge in a creative exploration and imagine what a font by...
  14. Mistress Script is a distinctive font crafted by Apostrophic Labs, a collective known for their innovative and diverse typeface designs. While I can't provide real-time or very specific details about...
  15. Ah, the Capitular Moldurada font by Ouripedes Gallene, a font so distinctive that it makes Arial look like it's pretending to be Helvetica at a costume party. Imagine if letters decided to go to a ma...
  16. The DJ Autocar font, created by Donna J. Morse, is an intriguing and captivating typeface that stands out for its unique character and aesthetic appeal. This font is part of the larger DJ Fonts colle...
  17. The font "KG Primary Penmanship 2" by Kimberly Geswein is an exuberant and charming font that captures the essence of early childhood handwriting. This font has been meticulously designed to replicat...
  18. **The Enigmatic Elegance of Xiparos Lombard: A Font Review by Yours Truly, the Artistic Oracle** In the grand parade of typographies where fonts like Arial and Helvetica march with their heads held...
  19. As of my last update in early 2023, there is no widely recognized or mainstream font specifically known as "Veruca." It is possible that Veruca could be a custom or less widely distributed typeface, ...
  20. As of my last update, Cubiculo Gallery by Billy Argel is a distinctive font that captures the essence of creativity, combining elegance with a touch of the experimental. While I can't provide real-ti...
  21. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  22. The font Zyphyte, created by GemFonts and attributed to the talented designer Graham Meade, is a distinctive typeface that embodies a unique blend of creativity and utility. Its design is a reflectio...
  23. The JustOldFashion font by Manfred Klein is a distinctive typographic style that captures the essence and charm of bygone eras, encapsulating a nostalgic feel in its design. Embodying characteristics...
  24. As of my last update in 2023, "Sharpies Are Fun" designed by Skydog is a font that captures the spontaneous and energetic vibe associated with using Sharpie markers. The font embodies the spirit of c...
  25. Chef's Slice Novice, a font designed by Graham Meade under the banner of GemFonts, is a playful yet sophisticated typeface that embodies the whimsical essence of culinary art. Its design intricately ...
  26. GASMASK by Billy Argel is a font that captivates with its unique blend of rebellious spirit and artistic flair. Its design draws inspiration from the juxtaposition of beauty and the grim, invoking th...
  27. The font named Jessica, designed by Altsys Metamorphosis, is a captivating typeface that combines elegance with functional design, making it a perfect choice for a range of applications. Its creation...
  28. As of my last update in April 2023, "MeninBlue" is a distinctive font crafted by Digital Empires, a creator known for their innovative and unique approach to digital font design. This particular font...
  29. "A Charming Font" is a distinctive and captivating typeface designed by Graham Meade under the GemFonts foundry. As its name suggests, this font possesses a bewitching allure that sets it apart from ...
  30. Stripelane, created by Yautja, is a font that embodies modernity while subtly nodding to retro aesthetics. It's a typeface that can instantly inject character and style into any project, making it a ...
  31. The Equestria_Cyrillic font, crafted by Neale Davidson, is a distinctive and playful font inspired by the magical realm of Equestria from the popular My Little Pony franchise. This typeface captures ...
  32. Whola is a unique and visually striking font that captivates at first glance. Its design is a harmonious blend of classic and contemporary styles, making it extremely versatile for various design app...
  33. The "QuickKleinSketches" font, designed by the prolific and creative font designer Manfred Klein, is a refreshing departure from the conventional. Manfred Klein, known for his inventive and eclectic ...
  34. Torgny, a font designed by Mattia Marchi, is a notable typeface that stands out for its unique character and versatility. This font encapsulates a blend of traditional and modern elements, making it ...
  35. The Independence font is a strikingly handsome typeface that captures the spirit of autonomy and self-reliance its name suggests. With its bold, assertive characters and clean lines, Independence emb...
  36. The Augustus font is a distinctive typeface that exudes elegance and classical charm, reminiscent of the grandeur associated with its namesake, the revered Roman Emperor Augustus. This font is charac...
  37. Lumio emerges as a captivating font choice that draws inspiration from the interplay of light and modern design elements. Designed with a keen eye for detail, Lumio encompasses the essence of clarity...
  38. The Chachie font by Fontalicious is a captivating and versatile typeface, embodying a blend of whimsical flair and modern sleekness. At first glance, Chachie jumps out for its playful yet polished ap...
  39. Masterforce Solid is a captivating font that commands attention with its bold and assertive character. Designed by Neale Davidson, this typeface is a testament to the power of simplicity combined wit...
  40. The "WalrusGumbo" font by Nick Curtis is an intriguing blend of playful whimsy and vintage charm that instantly captures the imagination. Inspired by the eclectic spirit of early 20th-century typogra...
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