Lovely Scream Queens is a hand brush font made with brushes and ink. This typeface is ideal for use in thick watercolor designs or in those needing a hand writing touch such as blog titles, posters, comic books, t-shirts, clothing, book covers, business cards, greeting cards, branding, merchandising and more. Lovely Scream Queens contains a full set of: Uppercase Lowercase alternative n, b, i, w, l, e Punctuation numbers multi-lingual support Lovely Scream Queens Italic works in harmony with Lovely Scream Queens Regular to create exceptional typographic creations. Get inspiration from the preview above. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Thank you!

Aventena is display sans, inspired by blackletter basic writing system. There is a lot of twist from the basic form, that makes Aventena look simple and yet legible. So you can explore, combine, and create designs such as posters, headlines, interfaces, merch, etc. This is single-weight font only, this font is better used for headlines. If you need a multi-weight of this font, just tell us! What's you get : Standard glyphs Ligatures (Opentype features) Web Font International Accent Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support Image used: All photographs/pictures/vectors used in the preview are not included, they are intended for illustration only. Thank You

Each character in this font is thoughtfully crafted using delightful musical notes, creating a visually captivating representation of the Christmas season. Functional As far as we know, this font includes basically everything you would want to write sheet music. Holiday Greeting Cards: Create heartwarming and visually appealing Christmas cards that resonate with the holiday spirit, featuring messages that sing with festive joy. Decorations: Craft eye-catching decorations for your home, office, or holiday party that capture the magic of Christmas in a unique and musical way. Gift Wrapping: Design personalized gift tags and wrapping paper that showcase the beauty of music, making your presents even more special. Digital Media: Elevate your online presence with Christmas-themed social media posts, banners, and website elements that spread the holiday spirit to your virtual audience.

Keway is a graffiti font that prioritizes neatness and harmony while maintaining a distinct personality. There is an option to use capital or lowercase letters, which will make it much easier for you to develop projects that stand out to others. Your project will seem different, elegant, charming, and passionate if you use this font, and everyone who sees it will think it’s a professional, quality, high-quality, and high-class project. This graffiti font is great for product logos, poster titles, headlines, packaging, film titles, logotypes, gorgeous writing, and trendy graffiti designs, among other things. Of course, if you utilize this font in your numerous creative projects, they will be perfect and outstanding. Use this typeface right away for your one-of-a-kind and remarkable projects.

Benda is a modern geometric script font with roots in the calligraphy and lettering of legendary artist Jaroslav Benda. With bold, predominantly low joins, the robust monolinear character strokes shine in one-word and short inscriptions as well as in longer headlines. The practical letterforms do not clutter the space with loops and curlicues, while the emphasised baseline helps to underline the importance of the message. What’s more – Benda is a smart font, automatically replacing conflicting characters with suitable alternatives as you write so that the final text flows seamlessly. Because Benda is the sequel to Jaroslav, it derives the slant, colour, and geometric characteristics from the sans typeface, forming the perfect companion to the font. So much so, it can serve as a second italic emphasis in long texts.

First of all, Ring font has a little story. It was created as an example for Typography Exhibition in Moscow. And the font was immediately awarded! 10 years later, I decided to continue working on it and improve this font. Ring - really circular typeface. I felt inspired by Bauhaus. I've always wanted to design something similar. Ring is a cool and geometric-styled font. Expertly designed to make your creation look out of this world, this font will look gorgeous on a variety of ideas. This font is ideal for writing web designs, business cards, or pretty much anything else that requires a unique touch. Ring font comes in 8 weights and 16 styles and this is just the beginning. The beginning of a further big font family called Ring!

Start a good day for a new font! present to you, Sunny! Brilors is a stylish font. It has a modern and retro look - clear, modern and fun. Help create layout designs in 60's or 70's design projects. This font has over 50 unique alternatives and binders that give your logo, business cards and other projects a unique vintage look. Unique fonts Works on PC & Mac Simple installation Accessible in Adobe Illustrator, Adobe Photoshop, Microsoft Word even works in Canva! PUA Coded Characters Fully accessible without any additional design software. I really hope you will enjoy using the Brilors font and that it will be the perfect addition to your font collection! If you have some questions, please write me a letter! Please try! Zane Studio

Ioana is an inoffensive, slightly quirky, slightly fattened sans serif font. It has a full character set as well as ligatures, small caps, superiors, inferiors, numerators, denominators and auto-fractions. Ioana came about as a direct result of 3 previous, private commissions that were all based on an artists hand-writing. For Ioana, I wanted a more regimented (but not boring) sans serif that could be used for headlines, posters and flyers with larger body text. Ioana Lighter is an inoffensive, slightly quirky, slightly lighter sans serif font. It is the lighter weight of Ioana and has a full character set as well as ligatures, small caps, superiors, inferiors, numerators, denominators, old style figures and auto-fractions. These OpenType fonts have support for CE languages and I hope you like it.

8bit darling is digital taste font. I think digital fonts are bitmap fonts generally, but dared to make digital fonts that are not bitmap fonts and made it. The name "8bit darling" borrowed a name from my favorite song. I made it consciously that it is a digital style but not so much inorganic. It contains hiragana, katakana, alphanumeric characters, some symbols. Horizontal writing only, vertical writing is not possible. Although it is slightly unique, I think choose a scene to use too much. I would be pleased if it could help you. ＜「エイトビットダーリン」紹介文＞ カクカクしたデジタル風のフォントです。 デジタル風のフォントといえばビットマップフォントかと一般的には思うのですが、敢えてビットマップフォントではないデジタル風のフォントを作りたいと思って作りました。 「エイトビットダーリン」という名前は私の好きな曲から名前を拝借しました。 デジタル風ではあるけれどもあまり無機質にならないように、と意識して作りました。 収録文字はひらがな、カタカナ、英数字、一部記号です。横書き専用、縦書きはできません。 ちょっと個性的ですがあまり使う場面を選ばないかと思います。 みなさまのお役に立てれば幸いです。 ＜スタイルカテゴリー＞ 角ゴシック

Iza and Paulo W (Intellecta Design) are proud to announce Bradstone-Parker script Script. A free interpretation of the golden age writing style from American classical penmanship. Inspired in Zaner and his contemporaries Bradstone-Parker has evocative (sometimes exaggerated) ligature forms and voluptuous forms. This enhanced OpenType version is a complete solution for producing documents and artworks with a evocative and voluptuous style of calligraphic script: - many stylistic alternates for each letter (upper- and lowercase), accessed with the glyph palette; - ornaments and tails (“rasgos”) in the typical style from the XIX to the first decades of the XX century writing style, all accessed with the glyph palette using the Ornaments feature; - an extensive set of ligatures (100s of contextual alternates ligatures) providing letterform variations that make your designs really special, resembling real handwriting on the page; - a tour-de-force kerning work: over 4600 kerning paris soft adjusted handly. In non-OpenType-savvy applications it works well as an unusual and beautiful script style font. Because of its high number of alternate letters and combinations (almost 700 glyphs), we suggest the use of the glyph palette to find ideal solutions to specific designs. The sample illustrations will give you an idea of the possibilities. You have full access to this amazing stuff using InDesign, Illustrator, QuarkXpress and similar software. However, we still recommend exploring what this font has to offer using the glyphs palette: principally to get all the power of the Contextual Alternates feature. You can get an idea of the power of this font looking at the “Bradstone-Parker Script Guide”, a pdf brochure in the Gallery section. Take a special look at the Bradstone-Parker Words (ready words). Bradstone-Parker Script has original letters designed by Iza W and overall creative direction plus core programming by Paulo W.

“Corinthiago” feels equally charming and elegant. This stunning handwritten font is a stylish homage to classic calligraphy. It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates Alternates to help enrich your designs: 1. Titling (titl) alternates, are accents for initial letters. is the first stroke that is long and and slightly curved according to the letters, both lowercase and uppercase. 2. Swash (swsh) alternates, is an accent at the end of a letter, is an additional stroke to end writing. 3. Stylistic alternate (Salt), is an alternative glyph to add style emphasis. 4. Stylistic set (SS), some additional glyphs for design alternatives. If you use a combination of two lowercase with a combination of tilt and swsh it will produce a harmonic letter that you can use for a logo, no problem also for a logo consisting of more than two letters, all you have to make sure is starts with a titl and ends with swsh. All glyph alternates (titl, swsh, Salt and SS) are also supported by multiple languages. Another OpenType that is also very important is Ligature (league), this font consists of 51 Ligatures including: Abe, Ade, Ale, Ab, Ad, Af, Aj, Ak, Al, Am, An, Ao, Ap, As, Ax, Ay, Az, aa, ar, be, cc, da, de, di, do, du, dy, ee, er, ii, ir, is, le, ll, lt, om, on, oo, op, or, ov, ow, ox, oy, oz, ss, st, th, tl, tt, ur and uu. We continue to see the possibility to update ligatures in the future. This font is the right choice for a modern design, can be applied to invitations, writing messages in the form of quotes, book and magazine covers, and of course for your brand logo text.

Death Stroke is a organic slab serif typeface which is purposely made for headline, display or logotype. It comes with illustration & logo extras. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Illustration extras Alternates & ligatures Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. PLEASE READ THIS: To use alternate charactter/swash you have to use opentype. For accessing opentype feature, kindly check this link letterhend.com/tutorials/using-opentype-feature-in-any-software/ Email us to letterhend@gmail.com if you need something! Happy Designing!

Beriot is a sans serif whose basics are condensed in Regular (Normal) weight, getting a lot of form inspiration from the topic also known as Steile Futura which is a letterform that Paul Renner himself explored in the mid-1950s, where shapes are constructed with little stress on modular squares but there are changes in certain parts so they become less modular. The Beriot family is available in 42 weights with matching slanted cuts, divided into 3 subfamilies: Condensed, Normal and Expanded. Each has been designed for a range of text sizes each, and already variable, allowing you to choose and make your own type of weight you like. OpenType Features are available in each of these font styles, including alternative characters, different numbers set and case-sensitive and there are additional symbols that make it the perfect choice for professional types of branding, digital design and editorial.

Feel how the tones mesmerize you - say HELLO to "Ropers" - a Bold Serif Typeface with agile and alive ligatures and alternates. Designed to use in mid-tones harmonic, the stark contrast of the bold & wondrous uppercase of the regular serif balances calmly to mix matches your works More unique with the ligatures and alternates shape stream will make your typography truly eccentric Ropers are easy to pair with other fonts and no special software is required to type out the standard characters of the Typeface. To access the Opentype Ligatures and Alternates you will need software that supports Opentype features in fonts. super match with various types of works such as promotional themes, greetings, products cover, brands logo, and much more. No need to worry, Ropers are also available in multi-language usage, which makes your work easier. Thank you and have a nice day

The family keeps growing, Ciutadella Slab is the ‘serif’ counterpart of the popular Ciutadella font. The former alternate characters like 'a', 't' and '&' are now the default ones (and the former default characters are now the alternates), giving way for a typeface more suitable for texts. Thus, the new Ciutadella Slab is not only a great headline family, it will also work in texts of intermediate length and size. Especially appropriate for magazines, brochures or branding. This new addition provides even more versatility to the family started with Ciutadella and Ciutadella Rounded. It is available in Open Type format and includes Alternate Characters, Ligatures, Tabular Figures, Fractions, Numerators, Denominators, Superiors and Inferiors. It supports Central and Eastern European languages. As the sans version, the type family consists of 10 styles, 5 weights (Light, Regular, Medium, SemiBold and Bold) plus italics. For more details see the PDF.

LTC Athena brings a somewhat “lost” hot-metal typeface back from obscurity into digital Opentype format. In fall 2012, printing historian Rich Hopkins contacted P22 type foundry regarding some inked type drawings he had just uncovered from his acquisition of the Baltimore-based “Baltotype” company some 20 years ago. It is a rare face whose original matrices were destroyed and thought fully lost. The drawings included a full upper and lower case set, numerals, basic punctuation, and alternate forms of some letters. The design is a narrow deco-flavored design from the 1950s with a curious avoidance of straight lines in the stems and main strokes. The face has been expanded to over 340 characters by Miranda Roth and includes ligatures as well as a full Pan-European character set. It is released through the Lanston division of P22 in consideration of its earlier incarnation as a metal typeface.

Feisty (2020) is a straight script bold using magic OpenType automatically at mimic real hand lettering. Use it for magazine, fashion, invitations, greeting cards, bussines card, logo, t-shirt, web banner, book cover, campaign and watermark photography. Feature Presents an advanced OpenType to automatically choose the appropriate letter shape as you type based on whether the letter appears at the beginning, middle or end of a word. The width of the bar in the lowercase "t" can be changed as desired. Has two different styles of caps: Normal caps, which are the same style as the lowercase; and a type of Comic font, plain caps for setting acronyms, roman numerals or any other case that calls for all caps. With extended language support for most Latin-based Western and Central European languages. Automatic all fractions. *Requires an application with support for OpenType advanced typography, such as Adobe Creative Suite and QuarkXPress.

In 1543 the well-known “De humani corporis fabrica” treatise on anatomy by André Vesale, was printed by Johann Oporinus in Basel (Switzerland). Various typefaces were used for this work, mostly in Latin but including Greek characters. Its Jenson-type font was the one which inspired this font. It is a very elegant one, including the “long s”, a few abbreviation forms and ligatures. As it was a Latin text, there were no accented characters and a few capitals were absent. I had to reconstruct them. A render sheet, in the font file, makes all characters easy to identify on the keyboard. This font may be used as a “modern” one for web-site titles, posters and flier designs, publishing ancient texts... and anything else you want! One of the most elegant types ever cut, it stands up very well to enlargement, remaining as readable as in its original small size.

The Verdana™ Family of fonts was created specifically to address the challenges of on-screen display. Designed by world renowned type designer Matthew Carter, and hand-hinted by leading hinting expert, Tom Rickner, these sans serif fonts are unique examples of type design for the computer screen. The generous width and spacing of Verdana's characters is key to the legibility of these fonts on the screen. Despite the quality of the Verdana font family at small sizes it is at higher resolutions that the fonts are best appreciated. In the words of Tom Rickner, ‘My hope now is that these faces will be enjoyed beyond just the computer screen. Although the screen size bitmaps were the most crucial in the production of these fonts [their] uses should not be limited to on screen typography. Character Set: Latin-1, WGL Pan-European (Eastern Europe, Cyrillic, Greek and Turkish).

Introducing Noceur - Elegant serif font Noceur is luxury and fragile font with multilingual support. It's a very versatile font that works great in large and small sizes. This font is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. FEATURES Uppercase, lowercase, numeral, punctuation & Symbol alternate glyphs regular and italic versions Multilingual support No special software is required to type out the standard characters of the Typeface. Canva friendly How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Superfont type family, created by Tom Nikosey, California Typographic Designer/Illustrator is based on his design and illustration for the title art for the 1984 movie Supergirl. 'I've always felt someday I would design a complete font with variations, including Euro Glyphs and dingbats and numbers based on that logo and letters'. Cozyfonts Foundry is the manifestation of a career-long desire to create fonts in 2011 with his release of Aladdin Bold font family. Superfont is the 22nd font family release. Superfont has a 1960s superhero feel and movement. The entire font family is italic by style. There's a hint of Retro-Moderne in it's overall look. The 1960s ushered in the supersonic era in travel and technology with the jetset look in fashion, product design, fabric design, and type design. Superfont is Cozyfont's take on that era with the innocent future-forward attitude in it's glyph's personality.

The FF Nort™Headline is the ideal companion to the already released FF Nort typeface family. It is open, inviting, highly legible, strikingly handsome and a comfortable performer on screen and in print. As a powerful display type tool, it is perfect for headlines, navigational links and banners. OpenType® Pro fonts of FF Nort Headline, have extended character sets that support most Central European and several Eastern European languages – including Greek and Cyrillic. Graphic communicators will also benefit from the additional ligatures, and suite of symbols and signs. FF Nort’s designer Jörg Hemker has a background in corporate and governmental design and has received a variety of awards for his work – including the prestigious German Red Dot Design Award. He works as a freelance graphic and branding designer and is a lecturer in type and typography at the University of Applied Science in Hamburg

Cobbler Sans is a friendly type family in six weights and the humble cousin to Cobbler. With its rounded aspect and proportions of geometric type Cobbler Sans is expressively soft and contemporary. All terminals are shaped organically and even inner corners are rounded. The few remaining straight lines give the typeface the stability of a workhorse while keeping the playfulness that characterizes the entire Cobbler family so much. Additionally there is a pile of OpenType features built in. For example loads of discretionary ligatures that make capital letters interlock left and right. Other features include automatic fractions, case sensitive punctuation and contextual alternates. Cobbler Sans works great for branding, packaging, editorial or any display application – and it comes with an expansive character set that covers over 200 languages. Furthermore Cobbler Sans is manually kerned and auto-hinted for crisp display on screen also in small sizes.

The first plain weight of Cutoff was designed in 2005 to be used in Miele, an independent Italian free magazine. The need was for an elegant, unusual and legible semi-serif with contemporary flavour. I was fascinated by the deconstructivist work of Jeff Keedy (Hard Times Thick), Phil Baines (Can You, You Can) and Otl Aicher (Rotis), so my aim was to get the feeling of a cut transitional typeface; at the same time felt the exigence to work on the whole shape of the glyphs, in order to soften the “90s deconstructivist” effect and obtain a more balanced and readable design. In the last years I further worked on the typeface adding the other styles, extending the character set and refining the letterforms. Finally the precious collaboration with URW++ brought in 2010 to a complete OpenType Pro font family, with multilingual and advanced typographic features. Fulvio Bisca, July 2010

Introducing, The Stegris - Modern Serif Family. A pack of serif typeface with 5 weights : Light, Regular, Semi bold, Bold Black ready to choose according to your needs. This typeface also has special feature with its ligatures which make it unique even more. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual ligatures alternates PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/ Email us to letterhend@gmail.com if you need something! Happy Designing!

Margit Variable is the single font file of the type family Margit. Containing two-axis, one for setting the weight and another for the italic, this convenient single font file allows you to explore and mix endless typesetting combinations. You can now precisely choose a unique combination using the two-axis sliders, fitting your exact needs. The complete family is included in Margit Variable, containing all the characters and features in Margit, including Latin and Cyrillic scripts, supporting over 200 languages. Margit's letterforms have a contemporary style with pointy edges and friendly curves inspired by old wood-type specimens. Its bold and unapologetic design will be great to use in poster design, giving the content a stronger voice. This font family can bring a unique look to your packaging projects and modern branding solutions. Explore the extensive range of styles and weights that make this typeface ultra-versatile.

The Republic Gothic series was among the last original wood type designs manufactured by Hamilton Manufacturing Co. It was first shown in Hamilton's New Gothic Faces in Wood Type (c. 1920). The design features a sans-serif style reminiscent of brush-formed letters popular with sign painters of the era. Originally issued in 6 different widths and in both outline and solid versions, this digital release features the "Extended" width known as Hamilton Republic Gothic series 775 & 776. The pair of outline and solid is designed as 'chromatics' that can be printed one over the other to achieve multiple color effects or individually as stylistic alternatives. This release features the first ever digitization of Republic Gothic. The two fonts are carefully aligned and kerned to allow for multicolor overlayment in any digital design program. It features a full Western and Central European Character set.

Trade Gothic Next is Akira Kobayashi's 2008 revision of Jackson Burke's 1948 design. Developed over many years, the original Trade Gothic was filled with many inconsistencies. Under the direction of Akira Kobayashi, Linotype's Type Director, the american type designer Tom Grace, a graduate of the MA Typeface Design in Reading, was commissioned to redesign, revise, and expand the Trade Gothic family. Kobayashi and Grace refined many details such as the terminals and stroke endings, symbols, and the spacing and kerning. Moreover, there are newly added compressed widths and heavy weights perfect for setting even more powerful headlines. The Regular weight has been beefed up making it stronger and more robust in text settings. Trade Gothic is a staple of the advertising and newspaper industries, and now Trade Gothic Next brings more features and better quality for today's astute typographers. In addition several weights are available as soft rounded versions.

P22 Graciosa is a five font family based upon designs for a metal type by Carlos Winkow (1882–1952), a German type designer who lived and worked in Spain in the early 20th Century. Graciosa is a sort of hybrid blackletter/text font, with simplified blackletter caps and a serifed lowercase with subtle script flare. There is a Regular, Black, an open version called White, and an engraved version called Gris. The version called Multi serves as a fill font to allow for multi-colored layering options. A revival of these designs was initiated by Matthias Beck in 2015. The character set was expanded for use in 21 languages (OpenType Standard). The digitization and reintroduction of these old fonts—created in Spain and practically forgotten—makes them regain a new life. This project was subsidized by the Spanish Ministry of Education, Culture and Sport.