This font is an adaptation of the typeface I designed for TJX Europe, which was used in their branding campaigns for the TK MAXX stores all over Europe. Most characters were given a major facelift and also a few extra ligatures were added in the process. Quintus comes with a regular and a bold version so it offers more variety in use. It also works well in all caps.

The inspiration for Home Room JNL was a 1950s-era package of die cut cardboard letters and numbers manufactured for educators by the Mutual Aids Company of Los Angeles, California. Pre-cut lettering was popular with teachers who used them in their classrooms for posters, bulletin boards, displays and flash cards. These bold, blocky letters are great for headlines or for recreating the look of school days past.

Put on your climbing boots and go on an adventure! Climbing Nevis is a modern condensed display font which comes in 3 exciting styles. With big, bold characters, Climbing Nevis is a perfect choice for headings, branding, signage, advertising, magazine layouts and much more! Working on an adventure themed project? Try Climbing Nevis Rough for a rugged, outdoor look. FEATURES Uppercase and lowercase letters Numbers, punctuation and symbols Multilingual support

Stonehill is a bold handpainted sans serif typeface for display or packaging use. Stonehill has 3 glyphs for each letter and with contextual alternates activated in apps that supports this it will cycle thru these alternates to keep the same glyphs from repeating too much. Or, you can always pick and choose from the alternates manually to keep it fresh! Stonehill is available in two cuts - regular and oblique.

Say hello to HEARTBEAR! A new handwritten bold script font with a simple and classy style! Really befit to all your design project,like invitation card,product logo,quotes, business card, food brand logo and much more. Heartbear coming with open type features like stylistic set 01and stylistic alternates and support PUA Encoded font files for use with software that doesn't support OpenType features such as Silhouette, Inkscape, etc

Prosto Sans - this font family for any occasion. You can use these fonts almost everywhere. The modern open grotesque forms and classic font family formula: Thin, Light, Regular, Bold, Black and Italics. Prosto Sans is the assistant to work for any projects. Optimized for the websites, mobile applications, and printing materials. We offer you to have a look at this font’s narrow version, which is called TT Prosto Sans Condensed.

Debright is a fat handwritten display font. With low bold contrast stroke, fun character. To give you an extra creative work. Debright font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Debright font. Cheers, Maulana Creative

Suitnice is a retro font type with a fun and bold style that is a perfect fit for your retro vintage-themed projects. Try out some alternate characters for another visual result! There's some connected letters and some alternates suitable in graphic design projects such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes etc. These fonts have multilingual support, and alternate characters.

Cubest is a geometric sans-serif typeface. Created by Mans Greback in 2021, this futuristic font has a square, monolined appearance with a retro-digital style. The family consists of eight styles: In addition to Light, Medium and Bold, it is also provided as Cubest Monospace and Cubest Variable, plus each weight as Italic. The font supports all European Latin-based languages and contains all symbols, characters, punctuation and numbers.

Kenwyn is a bold, geometric, Egyptian style slab-serif display font. It comes in two variations — Single Dot and Double Dot — each with an accompanying Stencil variation. Essentially a blend of circles and squares, Single Dot features a circular counter at the centre of each character, while Double Dot uses a lower and upper circle. Although the two variations are similar in principle, the results are visually quite different.

Floral Dream is a bold font with great brushes, it will add a distinctly modern and contemporary feel to any design idea. It was inspired by a brush pen and is perfect for logos, t-shirts, branding, prints, and much more. This font is PUA encoded which means you can access all of the cute glyphs with ease! It also features a wealth of special features including ligatures.

Magr is a modern and powerful sans font designed to elevate your sports team and athletic designs. With its sleek and dynamic appeal, Magr brings a professional touch to your projects, leaving a lasting impression. Unlock your creativity with Magr's six styles and twelve fonts, including both upright and italic options. Stand out from the crowd and make a bold statement with this versatile font that complements your sports-themed materials.

‘Landsdowne Commercial’ is a development of one of our designer’s earlier public domain releases, ‘Landsdowne’. All glyphs have been completely redrawn and refined. An extensive range of stylistic alternates and ligatures have been added, as well as a completely new bold face and several forms of numerals. Landsdowne commercial is ideal for period-inspired design work, such as posters and book covers as well for clear elegant communications.

Vallenta is a bold script font that is simple and unique looking. This customizable font will look great on a variety of design ideas such as Christmas themes, valentine's, posters, invitations, weddings, branding projects, social media posts, magazines, book covers, and more! This will add a fun and friendly touch to any of your projects! This font is PUA encoded which means you can access all glyphs and sweeps easily.

Pikolo font family is inspired by vintage woodblock printing. It is a bold and playful slightly rounded display typeface, perfect for headings, logos and so much more! The font comes with full upper & lower case characters, numbers, symbols and includes the most common stylistic ligatures. Multilingual support, languages include: Dutch, Danish, Norwegian, Finish, Swedish, Icelandic, Estonian, Latvian, Lithuanian, German, Hungarian, French, Portuguese, Spanish, Italian, Bosnian, Croatian, Czech, Slovak.

TinmanPro is a mildly stressed humanist sans serif type based on the University of California Oldstyle type designed by Frederick Goudy. The design captures the warmth and friendly character of Goudy�s original in a monotone sans. Broad Latin support along with small caps, fraction support and other typographic niceties are included in the ten font family. Weight range includes Regular, Medium, DemiBold, Bold and ExtraBold with matching italics for each.

Our Luckiest Guy Pro was inspired by hand-lettering by vintage 1950’s advertisements. The uber-bold unicase letterforms exude charm and light-heartedness, while the SmallCaps and extensive figure sets expand the range of usability and appeal. Opentype features include: - SmallCaps. - Full set of Inferiors and Superiors for limitless fractions. - Tabular, Proportional, and Oldstyle figure sets (along with SmallCaps versions of the figures). - Stylistic Alternates for Caps to SmallCaps conversion.

Retroguard is a typeface that was inspired by classic movies and frequently makes people nostalgic for the height of cinema. This typeface is distinguished by its strong, dramatic letterforms, which frequently evoke the early 20th-century Art Deco and Art Nouveau movements. Images that enhance boldness and drama, including black-and-white photos, antique movie posters, or pictures of film reels, are frequently used in conjunction with this font.

Named by the german word for bustling around, to scurry or swarming the Wusel has a very active appearance. It's completely handmade and doodely because of all the crisscrossing lines, which forms big, bold, sanserif letters. These are very good to read wether they're big or small. Just a very playful, fun and simple font to use for headlines, tags and all kind of things which need al little attention.

The sans serif Angro was designed in the weights light and bold by Erwin Koch. The figures are based on the form of a rectangle which along with the high xheight and short ascenders and descenders gives the forms a static character. Lines of text in Angro are very compact and close set. Due to the reserved ascenders and descenders Angro can be set with very close line spacing.

A revival of one of the popular wooden type fonts of the 19th century, suitable for display. The bold version has rounded ball shapes at top and bottom of stems as well as at horizontal strokes. The pointed version has pointed shapes at top and bottom of stems as well as at horizontal strokes. Lowercase was not originally designed for these fonts. These new versions include caps, figures and accented caps.

Souses — original fontfamily, which are made by hand. Universal typefaces formula of 10 fonts: Thin, Light, Regular, Bold, Black and Italics. Souses ideal for use in themes: ecology, village, natural, handmade & toys. Handmade style of the fonts — an advantage that will create loyalty to your products & company. Scope: animation, packaging, logotypes, movie titles, children's products, ecology, cafes, menus, posters, interiors, outdoor advertising. Optimized for the websites, mobile applications and printing materials.

Santanelli is a rounded all caps display typeface. It is intended to be used in posters, editorial headlines and logotypes. It comes in three weights: Thin, Medium and Bold. Each letter has been designed with two different styles or flavors: decorative and clean. You can access each of them by typing uppercase and lowercase respectively. These two styles fit perfectly when combined within the same word or message.

Art Party is a hand-drawn font suitable for headlines of all kinds when you want a handmade look. Prissy Pots owner Erin Solomon drew the playful letters, which include regular and bold versions. Each face also offers an entirely separate set of upper and lowercase letters accessible in your applications' glyphs palettes. With contextual alternates turned on, these extra letters show up automatically, yielding a more natural, random look.

Everglow Script is retro signage font, bold and clean. There are so many variations on each character. Include Opentype stylistic alternates, standard ligatures and multilingual support. You are able to create so many different typographical layouts easily and quickly. Make sure you use OpenType savvy program and simply open Glyph Palette to access all of the glyphs. This font is suitable for t-shirts, signage, logos, branding, packaging etc.

EKUHOT Racing Font is a font that is designed with a precise shape and has many alternate variations and various ligature styles that make every word beautiful when written, make this font for various titles and text in your special projects so that your project looks beautiful. dignified character, bold and sporty. This font is perfect for headlines as well as others, what are you waiting for, use this font now.

Inspired by a vision of the future that's been left in the past, Delphium is a continuation of the cutting edge design language of the 90s, most notably led by the typographic work of The Designers Republic. Designed to embody the pulsing rhythm of electronic music at the turn of the century, Delphium is a bold, highly legible display font that lends itself to impactful contemporary visual communications.

Introducing a new script font with a bold and clear style. Yes you can use this font in your projects and make it even more classy. It can be applied to logos, video previews, crafts, apparel products, packaging, photographer watermarks, and any of your other awesome projects. for an overview you can see some of the previews above. Features: -Uppercase -Lowercase -Numeral -Punctuation -Multilingual -Alternate -Ligature -Swash Thanks.

Bring a little tropical island vibe to your next project with Kuloko (Hawaiian for 'Inline')! Kuloko features offset handwritten characters with a bold marker like aesthetic, which gives the font a nice tropical tiki appearance. Kuloko's funky look is sure to capture attention in headlines on websites, social media graphics, logos, branding and so much more! Also included is a handwritten inline version of Kuloko for greater design variety!

Ramdone is a retro bold script which will bring you back to 60s feel. This typeface has the extrude version so you can create your retro effect font in ease. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Wallet is an expressive handwritten font with loads of personality, suitable for many different projects. It comes in three styles: Felt, Felt bold and Chalk. Wallet has 391 glyphs and supports multiple languages. Opentype features, such as contextual alternates, for replacing beginning and ending glyphs as you type and double letter ligatures are also included. To make full use of its potential Wallet requires an opentype-savvy application.

Sheet music for the song "Today I Feel So Happy" from the 1932 motion picture "Sunshine Susie" provided both the visual model and the name for Sunshine Susie JNL, available in both regular and oblique versions. The lettering is a bold Art Deco thick-and-thin design, and comes not from the song's title, but the hand lettered name of the movie as it appeared on the cover the song folio.

Erik Spiekermann, working in collaboration with Ole Schäfer, originally designed FF Info® Display for use in the context of wayfinding systems. The variants FF Info™ Text and FF Info™ Correspondence were developed later for text setting and office communication. FF Info Display The sober and clear forms of the sans serif FF Info Display have been deliberately molded to make them perfect for use on wayfinding systems. The font by Ole Schäfer and Erik Spiekermann not only takes the problem of lack of space into account - it is some 15% narrower than comparable typefaces - the characters have also been designed to ensure they remain legible even in adverse conditions for reading. As text on signs often contains words with which readers are unfamiliar and which are thus deciphered letter for letter rather than perceived as whole words, it is essential to provide for a clear differentiation between glyphs. Additional serifs on the lowercase "i" and uppercase "I" and a small arch on the terminal of the lowercase "l" ensure that it is possible to readily discriminate between these particularly problematic letters. Moreover, sharp corners on glyphs can also make it difficult to read signs with backlighting or when driving past. The rounded corners of FF Info Display counteract this effect and make sure that the character forms remain well defined.FF Info Display is available in five carefully coordinated weights, from Regular to Bold. In the corresponding italic variants, the letters appear overall more rounded while the lowercase "a" has a closed form and the "f" has a descender. Also included among the glyphs of FF Info Display are several ligatures and arrow symbols. Pictograms with different themes that complement the typeface are also available in four weights. FF Info Text Thanks to his know-how gained through designing other typefaces, Erik Spiekermann became aware that fonts created for use in problematic environments can be used in many different situations. In smaller point sizes, FF Info Display cuts a fine figure when used to set longer texts. So Spiekermann carefully reworked FF Info Display to produce FF Info Text, a font perfected for use in this context. Not only can the characters be more generously proportioned, certain features, such as additional serifs to aid with the differentiation of problematic letters, are also no longer necessary in textual surroundings. The upright styles have a double-story "g" while Spiekermann has added oldstyle figures and small caps. FF Info Correspondence FF Info Correspondence has also been designed for setting block text although it recalls the style of old typewriter characters and is specifically intended for use in office communication. The characters of this third member of the family are thus more formal, without rounded terminals but with rectangular punctuation marks. The narrower letters are provided with large serifs to give them more space although, at the same time, this reduces the differences in terms of letter width among the alphabet. In contrast with its two siblings, FF Info Correspondence has only three weights, each with corresponding italic.The three styles of the FF Info super family cover an extensive range of potential applications. If the different kerning is adjusted manually, the three styles harmonize happily with each other and can be readily used in combination to set, for example, headlines and texts and also creative display options.

British designer Tim Donaldson created the lively typeface Etruscan in 1995. Based on Etruscan letters from ancient Italy, this unusual and condensed sans serif face whimsically mixes soft lowercase characters with more angular capitals. Etruscan brings light and airy classical form into contemporary documents, and a sunny Mediterranean flair and jollity into your projects.

WrenchedLetters is a novelty font in which characters are composed of wrenches and bolts. It is caps only, but the characters on the lower-case keys differ from those on the upper-case keys. It has a large set of accented characters. It is not often that one needs a typeface made of wrenches and bolts, but if one does, there is a font for that. For related, tool-based typefaces, see Screwged, NailsNStaples, and Hammered.

Handsome in its own way, More versatile than one could say. Four alternates to each letter, Because in this family Spontaneity do matter. (And just in case someone wonders, Yes, there are alternates for numbers!) Seven cuts the family holds. Six of them Are for saying with words. And the very last, (Before someone asks) Holds some very cool dingbats. ​Books, app​s​, ​mags, To just name a few, ​Now go with Somehand And try something new​ :)​

Every year, more and more text is read directly on a computer screen in office applications, or from freshly printed sheets from a copier or laser printer. Clear, legible text faces are more imperative to office communication than ever before. Yet every worker desires a small bit of personality in the corporate world. Most office environments are only equipped with a few basic fonts that are truly optimized for use in text, with laser printers, and on screen. The Linotype Office Alliance fonts guarantee data clarity. All of the font weights within the individual family have the same character measurements; individual letters or words may have their styles changed without line wrap being affected! All numbers, mathematical signs, and currency symbols are tabular; they share the same set character width, ensuring that nothing stands in the way of clear graph, chart, and table design. In addition to being extremely open and legible, the characters in this collection's fonts also share the same capital letter height and the same x-height. The production and reading of financial reports is duly streamlined with the Linotype Office Alliance fonts. The Neuzeit Office family is designed after the model of the original sans serif family Neuzeit S, which was produced by D. Stempel AG and the Linotype Design Studio in 1966. Neuzeit S itself was a redesign of D. Stempel AG's DIN Neuzeit, created by Wilhelm Pischner between 1928 and 1939. Intended to represent its own time, DIN Neuzeit must have struck a harmonious chord. DIN Neuzeit is a constructed, geometric sans serif. It was born during the 1920s, a time of design experimentation and standardization, whose ethos has been made famous by the Bauhaus and De Stijl movements in art, architecture, and design. Upon its redesign as Neuzeit S in the 1960s, other developments in sans serif letter design were taken into account. Neuzeit S looks less geometric, and more gothic, or industrial. Separating it from typefaces like Futura, it has a double-storey a, instead of a less legible, single-storey variant. Unlike more popular grotesque sans serifs like Helvetica, Neuzeit S and especially the redesigned Neuzeit Office contain more open, legible letterforms. Neuzeit Office preserves the characteristic number forms that have been associated with its design for years. After four decades, Neuzeit has been retooled once again, and it is more a child of its age than ever before. Akira Kobayashi, Linotype's Type Director, created the revised and updated Neuzeit Office in 2006. His greatest change was to retool the design to make its performance in text far more optimal. Additionally, he created companion oblique to help emphasize text. The other three families in the Office Alliance system include Metro Office, Times Europa Office and Trump Mediaeval Office.Some weights of the Neuzeit Office are availabla as soft rounded versions. "

Protura Sans Serif Masculine - 9 Font Weights With Italics Introducing Protura Sans Serif Masculine, a versatile and powerful font family designed to make a bold statement in your creative projects. With nine distinct font weights and accompanying italics, Protura offers unmatched flexibility for all your design needs. Key Features: Nine Font Weights: Protura Sans Serif Masculine boasts an extensive range of weights, from Light to Ultra Bold. Whether you're crafting a subtle headline or a powerful logo, you'll find the perfect weight to convey your message. Italics Included: In addition to the standard weights, Protura also provides elegant italic versions for each weight. These italics add a touch of sophistication to your typography, making it ideal for editorial work and branding projects. Masculine Aesthetic: Protura's design exudes strength and masculinity, making it an excellent choice for projects aimed at a bold and assertive audience. Its clean lines and sharp edges give your text a contemporary and impactful look. Versatile Usage: This font family is highly adaptable, suitable for a wide range of design applications, including branding, packaging, editorial design, posters, websites, and more. It's a true workhorse font that performs well in various contexts. Legibility: Protura prioritizes legibility without compromising on style. Its well-crafted letterforms ensure that your text remains clear and readable, even at small sizes. OpenType Features: Take advantage of OpenType features such as ligatures and alternate characters to add subtle design nuances and improve overall visual appeal. Multilingual Support: Protura Sans Serif Masculine supports a multitude of languages, making it a globally accessible font choice for your projects. Applications: Branding: Create impactful logos and brand identities that leave a lasting impression. Editorial Design: Enhance the readability and visual appeal of magazines, newspapers, and books. Web Design: Craft modern and engaging websites that resonate with your target audience. Packaging: Design packaging that stands out on the shelf and communicates product quality. Posters and Flyers: Grab attention with bold and stylish promotional materials. Unleash the power of Protura Sans Serif Masculine to elevate your design projects with a masculine, contemporary, and highly versatile typographic solution. With its extensive weight range and italics, this font family empowers you to create impactful and visually stunning designs.