The refreshingly clear Antiqua Schnebel Slab is a refreshingly clear and strong interpretation of a contemporary Antiqua with subtle contrast and firm serifs, which offer excellent readability at very small size, and, at the same time, provide a lot of expression for use in headlines. The italics, drawn specifically for this purpose, contribute to a harmonious picture, which never loses creative tension, thanks to its aesthetics. The careful addition of ligatures, small caps, and proportional and old-style figures allows for well-proportioned typesetting. The condensed and expanded variants, which also come in 6 weights each, offer plenty of freedom to design with numerous combinations. Schnebel Slab Pro combines especially well with Schnebel Sans Pro.

Thrifty is a clean, contemporary typeface family created for branding and communication design. With a narrow form and clear letter forms, this family is both suited for display and title settings while equally remaining legible in smaller point sizes. Through it’s nine weights and accompanying italics plus a large glyph set that covers the majority of Latin based languages, Thrifty aims to offer a versatile and functional design. Thanks to the implementation of OpenType features, this family includes different sets of numerals, from tabular, hanging or scientific, it equally includes ligatures and free form fractions. Each weight equally offers a complete set of arrows and 99 different pictograms focused on themes of mobility and transport.

This is the sibling font of Ink Brush, with the addition of Arabic glyphs; Arabic, Persian, Urdu, Kurdish, and Jawi (Pegon). The Ink Brush Font is a captivating addition to the world of typography. This versatile typeface offers two distinctive versions, adding a dynamic element to your creative projects. The textured version brings a sense of artistic spontaneity with its handmade appearance, while the solid version delivers clarity and precision. Whether you’re aiming for a rustic, handcrafted feel or a sleek, professional look, the Ink Brush Font has you covered. It’s perfect for a wide array of design applications, from branding and packaging to invitations and artistic endeavors, infusing your work with character and style

Like many of Jim Parkinson's alphabets, Pueblo began as poster lettering. It shows a range of influences: turn-of-the-century sign painting, old Speedball lettering books, and a touch of art nouveau. While developing Pueblo, Parkinson debated whether to make the ends of the serifs rounded or square. Rounded looked more like the work of a Speedball lettering pen, but squared stroke endings made the letters more legible at small sizes. The finished design sports serifs that are just slightly rounded. According to Parkinson, the design feature is “enough to be noticed at large sizes, while going virtually unnoticed at smaller point sizes,” adding to the versatility of this distinctive typeface.

Saveur Sans is inspired by art deco and French cafes. This display family has clean, simple letterforms that feel modern but at the same time have a retro, art-deco styling. This family can add a sophistication to any layout whether it be print or online. Saveur Sans is a great selection for headlines, logotypes and branding. it is an all-caps display family with some neat alternates including an alternate O and E that instantly give your copy that retro-deco look. The promos have been inspired by french food and design. This family is perfect for use in packaging and branding of food products as well as menus and restaurant or cafe branding.

Galleds Stars Display Typeface is a single font with a minimalistic but standout style for any work from movie titles, music album covers, magazines, beauty ads, and even wedding invitations. --- Minimalist type design has been a success for professional designers worldwide. - Galleds Stars Display Typeface is legible from much larger distances than typical fonts - Elegant letterforms give the feeling of luxury - Smooth curves for elegant typography This font has several alternative characters as in ( A,N,O,R,S,a,c,e,o,t,y ) Tips for using fonts in projects. Use this font with a simple background, not too busy so that you can highlight your branding This font file OTF

Madison Antiqua was original released as a metal typeface for hand-setting in 1965. The letters were produced by D. Stempel AG in Frankfurt, Germany. Their design was based heavily on an earlier German typeface named Amts-Antiqua, which had also been produced by Stempel. Amts-Antiqua is credited to Henrich Hoffmeister, and he developed it between 1909 and 1919. Madison Antiqua is an excellent selection for body text in magazines and newspapers. The typeface features a characteristic x-height, and attention-grabbing serifs. For a time, Madison Antiqua was associated with advertising design, because of its namesake: Madison Avenue in New York. Madison Avenue is a global center of advertising excellence.

Digitized handwriting fonts are a perfect way to give documents the “very special touch”. Invitations look simply better when handwritten than when printed in bland Arial or Times New Roman. Short handwritten notes look authentic and appealing. There are numerous occasions where handwritten text makes a better impression. Hilly Handwriting Pro is a beautiful typeface that mimics true handwriting closely. Use Hilly Handwriting Pro to create stunningly beautiful designs easily. This typeface comes with many pre-made ligatures and alternative characters for sophisticated typography – all easily accessible as OpenType features. A “random” feature even allows for automated random switching between variations of the same character, resulting in type that looks authentically handwritten.

Ellida is a very elaborate and elegant script in the tradition of the 18th-century English calligrapher George Bickham and the 19th-century American calligrapher Platt Rogers Spencer. I really enjoyed designing this script and maybe one day I will add starting and ending letters. Doing this script was extremely time- and brain-consuming, it is a huge challenge to make calligraphic letters work on computers so that they join perfectly. That's also the reason that this has become my most expensive font so far, but I think the price is fair for the incredible amount of work I put into the script. I really need a break from scripts now! Yours very exhausted Gert Wiescher.

While fashions come and go, style is eternal. True to its name, Zeit is an ageless serif font family, distinct yet reassuringly familiar and trustworthy. From magazines to mobile apps, branding to advertising, Zeit covers everything with poise. The font family is equipped with many handy and carefully thought features. Small capitals and small capital figures, old style figures, subscript and superscript figures and fractions are intrinsic to the design. For a bit of flair, look for the swash alternates included in the italics – along with variants of the characters g and y. Look no further, Zeit is rigorously designed from head to toe – as only true quality can stand the test of time.

Chalker Dust is a delightful and whimsical handwritten chalk font that transports you to the nostalgic world of chalkboard art. With its authentic texture and playful irregularities, Chalker Dust captures the essence of doodling and scribbling on a chalkboard. Each letter has a handmade charm, as if it was lovingly written with a piece of chalk. The dusty and smudged appearance adds a sense of authenticity, making it the perfect choice for designs that aim to evoke a sense of nostalgia and carefree creativity. Whether used for menu boards, event posters, or children's projects, Chalker Dust brings a touch of fun and whimsy, infusing your designs with a playful and vibrant atmosphere.

Cut by Monotype between 1900 and 1902, the Monotype Modern font family was based on Miller & Richards News 23 and 28; slightly condensed news text types of the 1890s. Monotype Modern is a lively typeface, with long, fine hairlines and well rounded letterforms, representing the best of nineteenth century modern face design. A classic text face, and typical of the moderns that were produced in the United Kingdom at that time, being less extreme in its rendering than some of the models of purer form being produced elsewhere. Monotype Modern is an excellent text face for magazines, newspapers and books, the heavier and more condensed versions are useful in headlines and display.

A Stylized Sans Serif with a Futuristic Flavor. The Rhizo font began as a digitization of a film typeface from LetterGraphics known simply as "Rodin". The original specimen included standard Capitals and Lowercase, Numerals and limited punctuation. We've fleshed out the original style to include alternates, ligatures and a full character set with all the trimmings. Stylish, gorgeous, a little dark, a little friendly...a variety of attitudes conveyed in this typeface. Opentype features include: Full set of Inferiors and Superiors for limitless fractions. A collection of Standard Ligatures. A small set of Stylistic Alternates Smallcaps Approx. 592 Character Glyph Set: Rhizo comes with a glyphset that includes standard & punctuation, international language support, and additional features.

Poster Paint is a fun shocard alphabet which came about from Jim Rimmer’s admiration of Goudy Stout, a design he liked in spite of the fact that Goudy himself claimed to detest it. Extremely eye-catching and humourous to a fault, Poster Paint is an ideal fit for fun environments like theme parks, concession stands, cofee and juice bars, and in print design for children books and fun food packaging. Poster Paint was updated and remastered for the latest technologies in 2012. It comes with a glyphset of over 375 characters, and supports the majority of Latin-based languges. 20% of this font’s revenues will be donated to a GDC scholarship fund, supporting higher typography education in Canada.

Lettering found on the cover of the 1923 song "I Love Me (I'm Wild About Myself)" can take on various graphical possibilities. Although its design is Art Nouveau in concept, it is somewhat reminiscent of the "bubble letters" most school kids used to doodle on notebook and portfolio covers; yet the lettering style also evokes the 1960s-70s Hippie movement. As a sidebar, a couple of lines from the song's lyrics were used by Jeff Levine's late mother to chastise him as a youth when he got "a little too full of himself". The lyrics were: "I love me! I love me! I'm wild about myself! I love me! I love me! My picture's on the shelf!"

The Vtg Stencil series of fonts from astype are based on real world stencils. The Germany No.1 design was derived from authentic antique German stencil-plates. » pdf specimen « Surprisingly these stencil-plates offer a high contrast Didot design very similar to the French stencils produced and sold till today. The production time of these stencils is in the range of the German imperial period (1871‒1918). Of course the usage period was even longer. The font styles PAINT and SKETCH include 4 additional variations of base glyphs and figures. An extensive random function will mix the glyphs as you type - on proper OpenType-savvy apps like Adobe InDesign only. All styles offer an extended Latin character set.

Welcome to my Geometry Pair. Introducing two fonts Forma & Structure that will make you happy. One of them is a compilation of shadow-based symbols like silhouettes. Another one has a rock of glyphs that don't repeat each other, but looks in the same style. Surprisingly they fit to each other and you can mix them in your works, be it print or web design. Make your graphic works more stylish that highlight your uniqueness from other. Just wonder people who loves funky design and who respect tiny details. Now you have opportunity to grab them both at the same time! There are all caps fonts kerned with microscope with multi language support.

RARE BIRD SPECIMEN II Specimen II is an elegant hand by Karla Lim of Written Word Calligraphy. It floats across the page on gossamer wings. Specimen II pairs well with classic typefaces like Baskerville, Garamond and Bodoni. OBSERVATIONS Specimen II is exquisitely delicate but not fragile. Best suited for unforgettable affairs. DEFINING CHARACTERISTICS Opentype programming, formal title & preposition wordart, 7 alternate ëandí options, Roman numerals, in and out-stroked letterforms at beginning and end of words, multiple alternate lowercase t cross-strokes, realistic double-letter ligatures, seamlessly connecting calligraphic letters, alternate capital letters, old style numerals, basic Latin encoding. POTENTIAL SIGHTINGS Wedding stationery suites, logo design, luxury product packaging, fragrance, wine labels.

Placed in a hastily designed spaceship and launched toward Earth, SINGLE BOUND was found by a passing motorist who was astounded by this font's feats of strength and agility! As this collection of tall and handsome characters matures, you will discover more of its abilities and perhaps use them for the benefit of all mankind. Even in its secret identity, SINGLE BOUND can lift many times its own body weight and leap great distances, much like its alter ego, UP UP AND AWAY! Single Bound includes weights from Light to Heavy, with clean ("modern") and worn ("vintage") versions, support for Western & Central Europe and Vietnamese, and an available Variable Font for precise control of weight & italic.

This is not an historically accurate font but rather one intended capture the spirit of ancient Roman manual type. It was inspired by various patterns used in documents and books created by Latin scribes between the second and fourth centuries. They used either calamus and ink on papyrus, or a pointed metal stick on wax tablets. We have created the font for contemporary use; distinguishing between U and V, I and J, which had no meaning for ancient Latin scribes, and adding thorn, Oslash, Lslash, W, Y and common accented characters that did not exist at the time. A lot of titlings and contextual alternates complete the set. Available only in TTF and OTF format.