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  1. Oramac - Personal use only
  2. Sonic Mega Font - Unknown license
  3. Light Roman by Monotype, $40.99
    Light Roman is an engraver, all-capitals font for invitations and stationery. The Light Roman font has strong contrast between thin and thick strokes.
  4. Window Treatment JNL by Jeff Levine, $29.00
    Window Treatment JNL gives a classic thick-and-thin line treatment to the Art Deco design found in the monoline font Window Dressing JNL.
  5. Maroko by Goodigital13, $20.00
    Perfectly suited to stationery, logos and much more. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch. Made your own design cards, poster, or anything else you might think of!
  6. Kalidony by Arterfak Project, $26.00
    Kalidony is a wonderful wedding typeface. Inspired by the upscale wedding design and the luxury woman stuffs. Kalidony represents a classy impression with beautiful thick & thin strokes. Kalidony is perfect for elegant design which requires natural handwriting or signature style. Equipped with many alternate characters that give your design a floral touch and look calmer. You can use this typeface for wedding purposes, greeting cards, invitations, logotype, books, packaging, and more! Kalidony features: Complete standard character set, symbols & punctuations Stylistic alternates set: ss01 - ss09 PUA Encoded Multilingual support: ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÐÑÒÓÔÕÖרÙÚÛÜÝÞßàáâãäåæçèéêëìíîïñòóôõöøùúûüýþÿĀāĂ㥹ĆćĈĉĊċČčĎ ďĐđĒēĔĕĖėĘęĚěĜĝĞğĠġĢģĤĥĦħĨĩĪīĮįİıIJijĴĵĶķĹĺĻļĽľĿŀŁłŃńŅņŇňʼnŌōŎŏŐőŒœŔŕŖŗŘřŚśŜŝŞşŠšŢţŤťŦŧŨ ũŪūŬŭŮůŰűŲųŴŵŶŷŸŹźŻżŽžȘșȚțẀẁẂẃẄẅ Thank you, bestie!
  7. Gracela by Yukita Creative, $14.00
    Introducing the Gracella font in the Elegant Sans Serif style. A versatile font that can be used for both formal and casual. Gracela is a regular style font, not too thin nor too thick, and very suitable for the needs of logos, branding, websites, Features. - Supports all languages in the world (37) - Versatile Single Font. - One font for all needs. Make sure you test out the fonts using one of our examples before making any purchases to know what you're getting yourself into. Thank you for taking care when choosing fonts!
  8. Sunwish Maverick by Arterfak Project, $17.00
    Sunwish Maverick is an experimental psychedelic typeface with playful thick-thin curves that looks dynamic for your vintage design. Inspired by art nouveau typography and modern bold serif that you can apply for display, headline, groovy posters, retro flyers, decals, fashion, magazines, and many more! Sunwish Maverick is an All-caps font that consists of alternates characters you can mix and match and PUA Encoded so you don't need any software to access the features. What you'll get : Numbers & punctuations Symbols Stylistic alternates Multilingual characters. Thank you for your support!
  9. Evening Dress JNL by Jeff Levine, $29.00
    Thin, elegant and thoroughly Art Deco is the thick-and-thin (slightly flared) alphabet found on page 31 of Samuel Welo’s 1930 instructional book “Lettering Practical and Foreign”. Redrawn digitally as Evening Dress JNL, it is available in both regular and oblique versions.
  10. Overskrift by PizzaDude.dk, $17.00
    Overskrift is headline in danish. My mind was set on making a font suitable for headlines, and that is exactly what this font is useful for - but, I found it suitable for many other things as well. I was thinking about packaging, posters, postcards and other things that needs a super legible handmade font! I have added 5 different versions of each letter, and they automatically cycle as you type!
  11. Utica JNL by Jeff Levine, $29.00
    Utica JNL takes the basic components of Boat Decals JNL and reworks the characters into a bold, block font with thick-and-thin line variations.
  12. Sophia Morgant by MJB Letters, $19.00
    Sophia Morgant is a modern and stylish calligraphy font with natural thick and thin motifs. It is perfect for branding, wedding invites, posters and others.
  13. CG Adroit by Monotype, $29.99
    Adroit was designed by Phil Martin in 1981. Adroit’s letters have a strong contrast between thick and thin strokes and a distinct diagonal stress.
  14. Kerndog by Elemeno, $25.00
    Thick, ballooned chunks, strung together by thinner sections, Kerndog looks as if it's been constructed from flexible corn dogs. Perfect for kid stuff and unusual advertising needs. Kerndog is legible at most sizes, but best when used large so the thick and thin combination is visible.
  15. Pantera by Lián Types, $39.00
    ROARRR! THE STYLES -Pantera Pro is the most complete style, and although its default look is mono-rhythmic it gets really playful and crazy like the examples of the posters by just activating the Decorative Ligatures button in the Open-type Panel of Adobe Illustrator. However, I recommend using also the Glyphs Panel because there you'll find much more variants per letter. Pantera Pro is in fact, coded in a way the combination of thicknesses will always look fantastic. -Pantera Black Left, and Pantera Black Right are actually “lite” versions of Pantera Pro: They have very little Open-Type code, so what you see here is what you get. Pantera Black Left has its left strokes thick, while Pantera Black Right has its right strokes thick. -Pantera White is a lovely member in this family that looks lighter and airy, hence its name. With the feature Standard Ligatures activated (liga) the font gets very playful. -Pantera Caps is based on sign painters lettering and since it follows the same pointed brush rules as the other styles, it matches perfectly. -Pantera Claws like its name suggests, is a set of icons that were done by our dear panther. THE STORY It is said that typography can never be as expressive as calligraphy, but sometimes it can get close enough. I tend to think that calligraphic trials, in order to work well as potential fonts, need first to go through very strict filters before going digital: While calligraphy is synonym of freedom (once its rules are mastered), type-design, in the other hand, has its battlefield a little tighter and tougher. When I practice pointed brush lettering, there are so many things happening on the paper. And most of them are delicious. The ones who know my work may see that although many of my fonts are very expressive, my handmade brush trials are much more lively than them. With that in mind, this time I tried to go further and rescue more of those things that are lost in the process of thinking type when first sketches are calligraphic. I wondered if I could create something wild, hence its name Panther, by understanding the randomness that sometimes calligraphy conveys and turning it to something systemic: With Pantera, I created an ordered disorder. Like it happens a lot in many kinds of lettering styles, in order to enrich the written word the scribe mixes the thickness of the strokes and the width of the letters. Like one of my favorite mentors say (1), they make thoughtful gestures Some lively strokes go down with a thick, while some do that with a thin. Some letters are very narrow, meaning some of them will need to be very wide to compensate. Why not?. The calligrapher is always thinking on the following letters, and he/she designs in his head the combination of thicks and thins before he/she executes them. He/she knows the playful rhythm the words will have before writing them. It takes time and skill to master this and achieve graceful results. Going back to the font, in Pantera, this combination of varying thicknesses and widths of letters were Open-Type coded so the user will see satisfactory results by just enabling or disabling some buttons on the glyphs panel. I'm very pleased with the result since it’s not very easy to find fonts which play with the words' rhythm like Pantera does, following of course, a strong calligraphic base. I believe that if you were on the prowl for innovative fonts, this is your chance to go wild and get Pantera! NOTES (1) Phrase by Yves Leterme. In fact, it’s the title of a book by him. EPILOGUE Esta fuente está dedicada a mi panterita
  16. Ceudah by PojolType, $12.00
    Ceundah font is inspired by thick and thin Hand Sketches. This font can be used for film titles, magazine titles, newspaper front pages, billboards, or company brands.
  17. Sideron by Fontron, $35.00
    Sideron is a first release and has some minor similarities to Broadway in its thick and thin strokes but is much squarer. There is also an Italic version.
  18. HVD Peace - Unknown license
  19. Love River by SSI.Scraps, $24.00
    Love River is a thick lettered, flowing handwritten font. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch.
  20. Steed by Device, $29.00
    A condensed and bold obround sans inspired by 60s condensed inserat faces, with a more pronounced thick/thin stress as seen on the titles of the Avengers TV show.
  21. Snowmany Snowmen by Comicraft, $19.00
    Snow, Snow, Thick, Thick Snow! Sweetly and simply illustrated by the lovely 'Lilou', Our Snowmany Snowmen font features fifty (count 'em) hilarious Snowmen, perfect for creating Seasonal Greetings for homemade Christmas Cards, decorating your children's 'Thank You' letters -- or just print them out for your kids to color while Uncle Frank's shovelling snow out of the driveway!
  22. Bedontes by Aminmario Studio, $20.00
    Bedontes is an unique handwritten brush font. Created with brush pen to give a great contrast between thick and thin curves. Drawn, Scanned & Vectorized from paper to screen. I wanted to create an authentic brush typeface leaving the texture and imperfections the way they are, but perfect for any awesome project that need hand writing taste. Comes with regular and italic, also support multilingual. This is suitable for branding, header, quotes, invitations, stationery, wedding design, logos, watermarks on photography, signatures, advertisement, album covers, business cards, clothing, magazines, posters, and more! Thanks for checking out this font. I hope you enjoy it!
  23. Gamby by Nathatype, $29.00
    Gamby is an attractive, vintage, playful display font for your customers. Its main character is the round, thick letters in thin outlines. Gamby provides two versions, regular and italic to use for bigger-sized texts to be legible. Features: Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Gamby fits for any design projects, such as posters, logos, book covers, headings, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Feel free to contact us for further product information or trouble complaints. Thank you and happy designing.
  24. Trimo by Khoir, $15.00
    Introducing, Trimo, the clean and simple Modern Serif. This font has an attractive, clean and simple alternative and several ligatures that enhance it, making your font / logo even more attractive. This font has a thick and thin shape, making this font look unique but doesn't leave an elegant impression. This font is especially suitable for logos, invitations, novels, books, magazines, labels, greeting / wedding cards. So what are you waiting for! What's included? Uppercase Characters Lowercase Characters Support 75+ Language So what are you waiting for? immediately purchase this font, feel free to comment, or send me my PM. Thank you for seeing
  25. Elongated Roman by Red Rooster Collection, $45.00
    Elongated Roman is a Didone-style serif typeface. It was originally designed in 1950 by typographers at Stephenson Blake. After International TypeFounders, Inc. acquired exclusive licensing rights to the Stephenson Blake Collection, Steve Jackaman (ITF) digitally revived the typeface in 1997 for the Red Rooster Collection. Much like other Didone typefaces, Elongated Roman’s strong contrast between thick and thin strokes and hairline serif design strengthen its elegance as a “modern face.” Unlike other Didone typefaces in the Red Rooster Collection, Elongated Roman was designed with display size in mind thanks to its strong variance in stroke weight.
  26. Ristabella by Coredeon, $9.00
    inspired by my beloved wife's handwriting, starting with a scribble, consists of thick and thin lines These fonts are suitable for letter writing, decoration, display, birthday, wedding and for logos
  27. Wonderful JNL by Jeff Levine, $29.00
    A little bit of thick-and-thin Art Deco hand lettering is offered up in Wonderful JNL, based on some promotional text found on an old piece of sheet music.
  28. Athena Signature by Viswell, $18.00
    Athena Signature is an authentic and stylish script font. Not too thin and not too thick, balanced and varied, this font was designed to enhance the beauty of your projects.
  29. Song And Dance JNL by Jeff Levine, $29.00
    The hand lettering of a piece of 1930s sheet music's title has once more yielded an interesting take on the popular "thick and thin" lettering of the Art Deco period.
  30. Magnetron by Device, $39.00
    Magnetron is a thick/thin sans with a rectilinear, round-cornered construction. Reminiscent of early computer games or contemporary dance music festival posters, it has a fashionable retro-futuristic appeal.
  31. Breaze by PizzaDude.dk, $19.00
    You may think cartoon or kids product, when you take a look at Breaze - and you may be right…but I did have retro grafitti in mind, when I drew the letters. Well, actually I may have mixed both cartoon and grafitti! Anyway, it’s a playful font and is suitable for many things!
  32. Modernique by Monotype, $29.99
    The Modernique font has an Art Deco flair. Contrast between thick and thin strokes is extreme, making this font only suitable for display. The Lowercase f, i and j are unusual.
  33. Chendany by WNGSTD, $10.00
    Chendany is a friendly, neat, and cute-looking handwritten font. Not too thin and not too thick, balanced and varied, this font was designed to enhance the beauty of your projects.
  34. Christmas Preference by Seemly Fonts, $12.00
    Christmas Preference is a clean, simple, and natural handwritten font. Not too thin and not too thick, balanced and varied, this font was designed to enhance the beauty of your projects.
  35. schizophrenia Queue - Unknown license
  36. Cruise Director JNL by Jeff Levine, $29.00
    The hand-lettered title on the poster for the 1933 musical comedy film “Melody Cruise” was rendered in an Art Deco thick-and-thin style with ‘engraving lines’ placed within the letters.
  37. Sensuous by Gerald Gallo, $20.00
    Sensuous is a bold sans serif font with characters that have a very high contrast between thick and thin elements. It is ideal for headlines, titles, branding and small blocks of text.
  38. Javagos by IbeyDesign, $18.00
    Javagos Handwritten Script Font is a cool, friendly, and trendy handwritten font. Not too thin and not too thick, balanced and varied, this was designed to enhance the beauty of your projects.
  39. Kosumi by Thinkdust, $10.00
    Kosumi is an experimental display typeface. Its juxtaposition of thick and thin catches that gleam in your eye, and leads you by the hand out of your comfort zone with such ease that you'll never look back. Kosumi is comfortable in any of a thousand different places, looking brilliant on posters, and reigning supreme within magazine spreads. All you need to do is let is whisk you away. The eye-catching differences between thick and thin lines serve to capitalise your attention, ensuring your nicely laid out headline is truly the star of the show!
  40. PL Britannia by Monotype, $29.99
    PL Britannia is a display face with a clear contrast between thick and thin strokes. PL Britannia is a good font for posters and titling, but it is not suited for text purposes.
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