Emil Bertell's Bayamo is a contemporary, digital take on the brush script tradition. It echoes the loose forms and energetic personality of sign painted letters, tapping into the current nostalgia for hand-drawn type. “I think most script fonts nowadays are either some kind of modern calligraphy, or synthetic/mechanical scripts,” says Bertell. “This one leans more towards a classic American sign painting tradition.” Contextual alternates ensure that lowercase characters change depending what's next to them, mimicking the more varied word shapes created by sign writers. Well suited for branding projects, packaging and headlines, Bayamo also pairs well with strong sans serif, and other typefaces with angular forms.

There's something about the endless variations of handwriting, the tactile process of pen, pencil or brush to paper, and the personal and ephemeral quality as a whole. I recently came across some old handwritten letters from when my younger sister was going to college, and as soon as I saw them, a flood of memories came back to me. All just from seeing her handwriting. That's just one thing handwriting can do. I hope you find enjoyment in my sister's handwriting as much as I still do. This font is complete with alternates that will auto-typeset via the ligature feature to give a more handwritten feel.

The name of this typeface, David Aubert, comes from the calligrapher of Philippe Le Bon and Charles Le téméraire, both Dukes of Burgundy who worked and lived in Brussels in the 1500s. This revival of his writing is a good example of the bâtarde bourguignonne style.

This font features the seldom-seen alternate characters for Blockschrift, one of the pioneering Swiss-style grotesks, released by the Genzsch & Heyse foundry of Hamburg in 1897. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

This is a modern, wonderful, and beautiful font. This font is super readable and can be used from Posters to a Hebrew prayer book. The readability of this font is amazing. This font has the modern Hebrew punctuation: Shevana, Kamatz Katan, Dagesh Hazak, and Cholam Chaser.

Introducing the new font in retro style. An adaptation of the life of the design industry in the 80s and 90s. We made this so you can reminisce in a classic style. This font looks classic, but a modern and elegant impression is still embedded in it.

The movie trailer for the1936 film "After the Thin Man" is filled with text lettered in this classic Art Deco condensed typeface. Sleuth JNL seems the appropriate name for this digital revival, as the romantic comedy centers around detective Nick Charles' and his wife Nora's adventures.

Tuscan Extended, from the William H. Page 1872 specimen book, provided the pattern for this unusual in-your-face face. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

This sanserif has 18 faces from Light to the Black Italic. Conqueror Sans keeps the vigorous design peculiar to all members of this family, but at the same time it is more neutral, than its having serifs relatives.

»Guilloche B« is a set of graphics that join with each other to form very sophisticated, op-art-like borders. Try them on lots of different assignments, they form very surprising bands or patterns.

A new happy handwritten sans serif font has arrived! Little Boxes has been designed with felt pen on smooth paper to create the illusion of human craft and then digitalized. Three different fonts Regular, slanted and dance. Optimized shapes to obtain the best readability without loosing the analogical feeling of the original designing tool, makes this font perfect both for printing and digital environments and it allows the use of the font on any project with different media supports. This fresh font family is ready for text, but check your opentype features window while using the font and discover a beautiful set of alternate letters. Create catchy words and add more fun to any layout, which makes it a perfect match for titles and display too. A friendly typeface to give a whimsical touch to your projects. We highly recommend using Little Boxes for App, web, ePub, digital Ads, Video games, and a great fitting for printing; headlines, posters, DIY hand-lettered artwork, books, holiday cards, invitations, T-shirts, labels, packaging, artisanal goods, etc.

No mystery here: this typeface is based on the not-often-seen Cooper Black Swash Italic, designed by Oswald Bruce Cooper. Swash variants are the norm with this font, but enabling Contextual Alternates will prevent collisions between the swash “tails” and letters with descenders. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Although the pattern for this typeface, originally named Glenmoy, was released by Stephenson Blake in 1932, the letterforms can be more aptly described as pure 1950s retro. With beatniks, Brando and blue suede shoes all rolled up into one, this typeface is definitely a contender. The Opentype versions (OTF and TTF) of this font contain the complete Unicode Latin, Latin 1 and Latin Extended-A character sets.

This fresh face takes a number of design cues from Tomás Vellvé Mengual's eponymous design for Barcelona's Neufville Type Foundry in 1971. This version softens many of the lines of the original, and warms the design up overall with rounded terminals. Available in three weights, this font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

HGB Info is a display typeface for my Linotype Nautilus Monoline. This came about while working on the corporate design for the municipality of Weissach im Tal. Shorter ascenders and descenders and a broader letter shape result in more compact word images. The ups and downs are cut vertically. This works particularly well in large degrees. This is the area of ​​application on signage and information systems.

Billion Brush is a handwritten font with a rough texture, the process of creating type by stroke with strong, fast strokes on paper to create the rough texture that is characteristic of Billion Brush, so it is a font with a rough, dry brush style. Anything made with this font is sure to be wrapped in ultra-contemporary style and elegance. We made some preview pictures as a guide for designing directions, please check them all Regards and thank you very much..

Dom was designed by Peter Dombrezian for American Type Founders in 1951–52. It is an informal unjoined script typeface that looks brushwritten. Its letters are almost monotone, freely or casually drawn. Vertical strokes of them have irregular ending at different heights, and oval axis have slightly different slopes. This typeface is to create a friendly, informal look in signs, advertising, and invitations. The Cyrillic version of the Bitstream digital font was developed by Dmitry Kirsanov for ParaType in 2008.

If you're into that bold, fun, modern look, then Crystal Falls is the right choice for you. This versatile font is great for headlines, apparel, posters, logos, and product packaging, due to its simplicity and playfulness. Get creative with this compact gem of font and let your imagination run wild! So what’s included : Standard Latin Numbers, symbols, and punctuations Multilingual Support. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß PUA Encoded and fully accessible without additional design software Simple Installations Works on PC & Mac Thank You!

Fruity Mellow Sun is a lovely script font featuring charming, playful characters that seem to dance along the baseline. Add this font to your most creative ideas, and notice how it makes them stand out!. This script font is supporting Multi-Languages, which include: Afrikaans Albanian Catalan Danish Dutch English Estonian Finnish French German Italian Norwegian Portuguese Spanish Swedish Zulu. So what's included: Basic Latin A-Z & a-z. Numbers, symbols, punctuations and ligatures. Multilingual Support. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß Thank You.

Andes, designed by Daniel Hernández, is a display typeface that has neo-humanist characteristics. Its different terminals, among other elements, give it a look of mixed typography. Andes is a typeface with 10 Upright weights ,10 Italics & Condensed version, ranging from Ultra Light to Black, each of the same x-height. This typeface contains additional italic glyphs (a, y, z, g) that help to emphasise text or words. Andes is based on the design of Merced and both of them share several features.

Batelik -This is handwriting on paper using a pen and then we turn it into 3 styles such as regular Batelik which is original or natural handwriting without being cleaned or tidied up in the slightest while Batelik1, or Batelik2 I tidy it up and clean it, it's very modern and minimalist, it's really cool and it's amazing that you can try it for the job you're doing. letters are equipped with uppercase and lowercase letters, punctuation numbers and also language support

This typeface was started as assignment in Academy, then the idea grew to develop into a font family with different styles for interesting combinations. Inspiration came from my own hands -- it is amazing how fingers can form letters, so each letter has it’s own personality. Fingerz font family is perfect to use in posters, booklets and other typographic elements also in all other media that needs to catch attention. This font comes in 5 different styles to combine in various color combinations.

Introduce Bohate - is a font from handwriting on paper then made it come alive and I removed some of the smudges to make it look neat with an alternative for each letter that goes up and down differently like the letters b,d,f,g, h, j, k, l, p, t, y etc has a total of 713 glips featuring uppercase, lowercase, numbers, punctuation, language support, swash, alternatives and binders. very natural you can try it and enjoy your work with this handwriting

Elbow Grease was made with, yes, you’ve guessed it: Elbow Grease! It started off as a grungy font, but it didn’t look right, so I reworked all the glyphs. Then I forgot to save the font, so I had to start all over again. Naming a font was never this easy! Elbow Grease is a didone-ish font with some seriously warped glyphs, a lot of panache and a ‘get-it-done’ attitude. Also comes with a toolkit full of diacritics.

Gandhewa is a font that I made in handwriting style. This font is inspired by my grandfather's writings. I made Gandhewa in a few steps that were long enough to finally become a beautiful font. Starting from rough sketches on paper using a ballpoint pen, I then redrawn and arranged the characters in the font creator. If you are looking for a natural, clean signature font, Gandhewa is perfect for you. Gandhewa is also equipped with 17 ligature and has multi-lingual support.

Bold mutant typography. Retro-futuristic. Sixties meets 1990’s comic book inspired, superfast for your superhero? The pencil tissue was dragged out from the very back of the file cabinet, stuck in the metal rail, it was lost then found- to bring a unique look to your project. A companion font to astroluxtype’s Spacepod, both fine ways to mark and identify your spacecraft. Note the lowercase letterforms that make connectors such as g, j, y, b, d and g. See the posters at myfonts.com for examples of how to you might use this feature. Redrail Superfast is a minimal glyph set which can be used at various sizes, we consider it a headline/display font and best applied larger than 36 points in size.

Équipage is a French word meaning ‘crew’. It is used for the crew on boats, airplanes, but it also applies to horse-drawn carriages and all that goes with it. Originally the word means ‘to fit out’ and it is probably derived from the Norse word ‘skipa’, which means ‘arrange, fit out a ship’. Then, if you’re really interested, the word ‘ship’ hails from this same word, just like the Danish ‘skib’, Middle Dutch ‘ship’, Dutch ‘schip’ and German ‘Schiff’. See? You learn something every day! Équipage is a really nice, handmade serif font. It is quite elegant and would look fantastic on labels, postcards and book covers. Comes with extensive language support and a set of alternates for the lower case glyphs.

1776 Independence was designed inspired mainly from the Caslon typeface used by John Dunlap in the night of 1776 July 4th in Philadelphia to print the first 200 sheets of the Congress' Declaration of Independence establishing the United States of America. I just added accented letters and a few others, with respect for the original design. A render sheet,enclosed with font file, help to identify them on keyboard. It can be used as web-site titles, posters and fliers, editing ancient texts, menus or greeting cards as a very decorative font... This font supports as easily enlargement or small size, remaining clear and easy to read from 8 or 9 points to 72 and over. It gives a smart look especially to prints.

Summer vibes are here with Surfbird! • A playful Display family with large variety options. Four styles comes with seven widths & two graphic fonts. The point of this family is getting more modern moods into a classical cowboy-western typographic. The result is a playful western slab which can be used for any design project. Home decor / mugs / t-shirts / stickers / music or podcast covers / menu's / logo's / posters. It can be playful with "western cut" and smooth styles or more serious with the sharp styles. • The Surfbird has two graphic styles. 82 decor graphic elements to add more fancy style to your design. The first one is a contour and the second is a fill for them, to get full color elements.

INTRODUCTION When I started the first Selfie back in 2014 I was aware that I was designing something innovative at some point, because at that time there were not too many, (if any) fonts which rescued so many calligraphy features being at the same time a monolinear sans. I took inspiration from the galerías’ neon signs of my home city, Buenos Aires, and incorporated the logic and ductus of the spencerian style. The result was a very versatile font with many ligatures, swashes and a friendly look. But… I wasn’t cognizant of how successful the font would become! Selfie is maybe the font of my library that I see the most when I finally go out, (type-designers tend to be their entire lives glued to a screen), when I travel, and also the font that I mostly get emails about, asking for little tweaks, new capitals, new swashes. Selfie was used by several renowned clients, became part of many ‘top fonts of the year’ lists and was published in many magazines and books about type-design. These recognitions were, at the same time, cuddles for me and my Selfie and functioned as a driving force in 2020 to start this project which I called Selfie Neue. THE FONT "Selfie for everything" Selfie Neue, because it’s totally new: All its glyphs were re-drawn, all the proportions changed for better, and the old and somehow naive forms of the first Selfie were redesigned. Selfie Neue is now a family of many members (you can choose between a Rounded or a Sharp look), from Thin to Black, and from Short to Tall (because I noticed the feel of the font changed notoriously when altering its proportions). It also includes swashy Caps, which will serve as a perfect match for the lowercase and some incredibly cute icons/dingbats (designed by the talented Melissa Cronenbold) which, as you see in the posters, make the font even more attractive and easy to use. You'll find tons of alternates per glyph. It's impossible to get tired with Selfie! Like it happened with the old Selfie, Selfie Neue Rounded was thought for a really wide range of uses. Magazines, Book-covers, digital media, restaurants, logos, clothing, etc. Hey! The font is also a VF (Variable Font)! So you can have fun with its two axes: x-height and weight, in applications that support them. Let me take a New Selfie! TECHNICAL If you plan to print Selfie Neue VF (Rounded or Sharp), please remember to convert it to outlines first. The majority of the posters above have the "contextual" alternates activated, and this makes the capitals a little smaller. I'd recommend deactivating it if you plan to use Selfie for just one word. Use the font always with the "fi" feature activated so everything ligatures properly. The slant of the font is 24,7 degrees, so if you plan to have its stems vertical, you may use Selfie with that rotation in mind. THANKS FOR READING

Strong, hard lines inspired the name of this font, based on the "nuclear standard" set by the U.S. and the Soviets during the cold war.

Step into the digital realm with Gigasper, where cutting-edge design meets futuristic vibes in a spellbinding dance of pixels and perfection. Immerse yourself in the extraordinary fusion of techno fonts and a dystopian visual concept that redefine the boundaries of creativity. Gigasper is not confined to boundaries; it thrives in breaking them. From sleek tech interfaces to gritty cyberpunk posters, Gigasper adapts effortlessly, ensuring your designs are always ahead of the curve. Its versatility is your canvas, and the possibilities are limitless. Picture a world where pixels pulse with the heartbeat of innovation, and Gigasper is your guide. Embrace the distopian visual concept that weaves a narrative of rebellion and avant-garde aesthetics. This isn’t just a font; it’s a statement – a rebellion against the mundane, an uprising of creativity. Unlock the Future, Embrace Gigasper – Where Techno Meets Tomorrow!

Tipperary was designed by Steve Matteson and named for a favorite 'single track' bike trail, Tipperary is a monoline Humanist Sans Serif typeface. The clear, open, letter forms curve abruptly in an almost squarish geometry much like the sharp turns on the Tipperary trail. The clear, austere forms offer exceptional legibility for both interface designs and extended reading. Small size package labels and crisp branding programs benefit from Tipperary's emphasis on clean, readable design. eText typefaces are designed to meet the challenges of extended reading in digital environments such as mobile devices or desktop screens. Their forerunners are among the world's most popular and important book typefaces for print media. These classic designs were reinterpreted to conform to technological constraints of LCD and e-Paper while retaining the properties of proportion and form which made them favorites for print.

Stonetype is a typeface that was used by stonemasons in the 70s & 80s of the last century. When I was starting as a stonemason, these were the first characters I had to draw, by hand, back then on grave monuments and memorial plaques. The idea was born to digitize all the material, to be saved for eternity. By digitizing all and fine tuning, plus the addition of some main characters, Stonetype has now grown into a user-friendly typeface that can, now still, be used by stonemasons, to improve their creation process times. But Stonetype can also easily be used in modern and contemporary designs. Stonetype is the perfect fit for graphic design, editorial design, magazines, posters, logotypes, brands and corporate design. Stonetype is designed by Coert De Decker in 2019 and published by Kustomtype Font Foundry.

ITC Motter Corpus was designed by the Austrian type designer Othmar Motter in 1993 to combine the display advantages of a sans serif extra bold design with the legibility of a roman weight. The Motter Corpus is available in the weights regular and condensed regular. The capitals with their strong strokes display slight irregularities and natural looking outlines. When used in very large point sizes the tiny serifs become noticeable. Distinguishing characteristics of this typeface are the unusual design of the g with its upward reaching ear and that of the capital C, whose curve ends in an angular stroke in its upper third. Almost, but not quite, a sans serif, the typeface has diminutive serifs which, along with its modulated weight contrasts, make ITC Motter Corpus remarkable legible in display applications and will give text a nostalgic feel. A similar typeface is Linotype Bariton.

DF Korolev is a 72 weight geometric sans serif family based on lettering by an anonymous Soviet graphic designer from the propaganda displays at the Communist Red Square parade in 1937. It has been named in honor of Sergey Pavlovich Korolyov, or Korolev, considered by many to be the father of practical astronomics. Rational and robust, it is also elegant and refined. Tracings done in Illustrator over a photograph featuring this type pinned down some of the basic character shapes. These were then imported into FontLab, where the full glyph complement was developed. The lower-case has been designed from scratch, and adheres to the structural logic of the uppercase as closely as possible. The complete Korolev super-family includes standard, italic, condensed, and compressed versions, each in five weights. Try the ‘rounded’ and ‘rough’ companion families. The Alternate families come with a double-story “a”.

Built in 1930 - 1935 by Dutch architect Wolff Schoemaker, the Swarha Islamic Building was originally used as a lodging for the honoured guest country and the journalists for Asia-Africa Conference in 1955. This building has an important role as one of Bandung historical art deco heritage, with the art deco typefaces styles on it's singage in this building, giving it a more classic west and east taste. Wolff Schoemaker was trying to combine the elements between eastern and western culture in design. One of his works was the Swarha Islamic Building in a circular design with rounded and high dynamic angle. Unfortunately the Swarha Islamic Building has been abandoned and and less attentioned by the local people itself to preserve this historic building. So I'm trying to raise the value of the historical heritage by creating this typefaces. This typefaces was inspired by the Swarha Building characteristic itself with its solid construction and dynamic, by adding classic taste on each characters. Available in two styles, Neue and Rounded represents the classic architectural Swarha Islamic Building styles with tropical Bandung Art Deco taste. This typeface is highly usable as a display type for your designs, and will fit with movie titles, magazines, your classic shops logo and signage designs, or you can use this typefaces as your web pages headlines. The characters of this typefaces are only in uppercase style, but it built with small caps on the lowercase featured, and additional Opentype Features were loaded, some stylistic alternates, accessible catchwords in the discretionary ligatures, and standard ligatures.

CoffeeMug has letters on coffee mugs. Upper-case letters have the handles to the left and lower-case characters have the handles to the right. The letters on the mugs are from the typeface InsideLetters. The typeface contains characters that will add color to letters. There are two ways to do this. One uses layers and the other a combination of characters, some with zero-width. A file in the gallery explains the ways that this can be done.

Vermost is display retro sans serif font. This font is very unique and unlike other fonts, the difference is that the horizontal body is thicker than the vertical. This font also goes into a classic style, with a neat and soft shape. There is a rough/texture version too. I strengthen the vintage/retro impression with the character ligatures, there are 88 ligatures in this font. But if you want to use this font with a neater impression, you can disable this ligature feature. This font is perfect for projects with vintage/retro and classic themes. But this font is also suitable for logos, branding, greeting cards, invitation cards, advertisements, titles, healines, book titles, stickers, packaging, quotes, posters, t-shirts/apparel, billboards and others. This font is also support multi language. To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw.