In Lewis F. Day’s 1910 classic, Alphabets Old and New, the author presented the inspiration for this typeface as an example of German monumental lettering, most likely to suggest not that the typeface was really big, but that it had been found on German monuments. Bold yet charming, the face takes its name from a picturesque village in the Bavarian Alps which was the ancestral home of the Gröbl line of Curtii forebears. Both versions of this font include the complete Latin 1252 and CE 1250 character sets, with localization for Romanian and Moldovan.

Take inspiration from the old-fashioned era. The Brughler typeface gives a vintage aesthetic. With it's unique & distinct characteristics, it stands out from the rest, while also keeping a timeless appeal. Brughler comes with 3 different styles of the font: Regular, Rough, and Stamp. Brughler's Rough & Stamp versions allow you to create a printed look without using 3rd party effects, removing a step in the creation of your final product. It is perfect for packaging, posters, and branding projects that need a bold impact. Features: Uppercase Numerals & Punctuation Alternates Multilanguage Supports 60+ Latin based languages

Monasterka refers to the preservation of ancient traditions and the right orthodox faith. It is a bold, archaic typeface in two styles especially designed for printing purposes. It is a powerfull, expressive typeface inspired by old cyrillic writing and may do a great job for brochures and publications designs that has to do with religious or historical thematic, mostly as headlines and titles with great impact and personality. This family has an extended language coverage for many languages including latin, cyrillic and greek alphabets and comes in two styles.

A rather narrow and compact design, Monotype Clearface combines both old style and antique characteristics. The lowercase letters are tall, the ascenders and descenders quite short. The intention was to produce a typeface that was easy to read in small sizes, hence the name. Monotype Clearface Bold was first cut for mechanical composition in 1922, and was based on the Clearface Gothic design created by Morris Fuller Benton for ATF in 1910. Although designed as a text face, Monotype Clearface is now more commonly used in advertising and display work.

Introducing our new font Killarney. A bold and heavy display font that inspired by the vintage/classic letterforms used in old-advertisements. Mouse-crafted with high attention to details; clean lines, sharp edges and tempting curves. Its square and blocky letterforms make Killarney a great for headlines and space killer. Packed with 500+ glyphs, Killarney composed of slanted version, standard upper/lower case characters, numerals, punctuations, some multilingual letters, alternate characters, stylistic sets, ligatures, etc. This font is a must have item for your designing arsenal. Go get yours now while it's hot. :D

This typeface was designed for editorial purposes (text sizes), where the letterforms contain short serifs (more economical). This font family contains different weights (from Extra Light until to Extra Bold) to create an simple and sequential typographic hierarchy scale. There are two different weights and options designed specifically for text sizes (Regular and Text). The design is classical but contain some contemporary details, which are not distractive for reading, it's simple and clean at small sizes. This font family include italics, small caps, ligatures, old style and tabular figures.

Banret is built using simple geometric shapes. It is mostly the result of my experiments on the other font I made earlier in 2016, called Inventor. Font is inspired by old fonts of the beginning of the 20th century. Capital letters are built with one to four proportions. The font has four weights: normal, and bold, and two alternatives: ribbon, and flag. As far as it is a decorative font, it is not designed for large amounts of text. But it is perfect for creating branding elements, logos, slogans and posters.

Zarlino is an original typeface in the Blackletter style. It does not solidly adhere to any of the historical Blackletter classifications, but draws from all of them, with some characters owing more to the Roman than the Fraktur. Zarlino Delux includes three complete sets of upper case, ranging from the simple to the embellished to the even more embellished, two complete sets of lower case, and two more sets of embellished alternates for selected lower case characters. These alternates are available through Stylisitic Sets in OpenType aware applications. For use in non-OpenType aware applications, Zarlino Delux comes with a set of separate, standard fonts, one for each style. These standard fonts are also available for individual purchase. Zarlino was named by my cousin, a musician. Gioseffo Zarlino was a sixteenth century composer and musical theorist. Among other things, he offered detailed advice on the setting of words to music. With its blends of the old and the new, the simple and the ornate, Zarlino is suitable for many uses, from the elegant to the aggressive.

Souffle fonts are carefully hand-drawn made, with different letter shapes, full of ligatures, and stylistic alternates that will provide great flexibility for your designs. They come in three versions: Solid, College and Rayé (rough sketched); Including diacritics for CE languages. They fit perfect for logos and packaging design, posters, children books and many other purposes.

When you hear that name, you likely ask yourself, ‘why?!’ I did too, but the number of requests could not be ignored. Once I finally decided to move forward with it, the only way to solve the offering would be to adhere to the same theme of indulgence, I planned for the same number of optical weights AND Italics. Yeah, italic stencils… ok, why not? It’s not a new concept. One thing to note and a creative liberty I assumed during the design. Lust Stencil would not be just a redaction or removal of stress to produce a quick stencil. To do that, would just be a cheap solution. Strokes had to resolve themselves correctly and/or uniquely to the concept of the stencil format. And, it had to be heftier. For it it to look correctly, it needed about 8% additional mass to the strokes for it to retain the effervescent flow of the curves and the resolute scalloped lachrymals. The Lust Collection is the culmination of 5 years of exploration and development, and I am very excited to share it with everyone. When the original Lust was first conceived in 2010 and released a year and half later, I had planned for a Script and a Sans to accompany it. The Script was released about a year later, but I paused the Sans. The primary reason was the amount of feedback and requests I was receiving for alternate versions, expansions, and ‘hey, have you considered making?’ and so on. I listen to my customers and what they are needing… and besides, I was stalling with the Sans. Like Optima and other earlier high-contrast sans, they are difficult to deliver responsibly without suffering from ill-conceived excess or timidity. The new Lust Collection aggregates all of that past customer feedback and distills it into 6 separate families, each adhering to the original Lust precept of exercises in indulgence and each based in large part on the original 2010 exemplars produced for Lust. I just hate that it took so long to deliver, but better right, than rushed, I imagine. It would have taken even longer if not for font engineer and designer, Potch Auacherdkul. Thanks Potch.

Modern and bold, LemonTwist gives your designs a little zest of fresh feeling...

A great headline face very bold and graphic. Not recommended for small sizes!

This bold and high contrast typeface is mainly used for extreme outstanding headlines.

Ringa is extra bold slab serif typeface with a fun and sympathetic feel.

A Bold Powerful Geometric design. Great headline face; works well in many applications.

FG Nadja is bold and beautiful - with a real artistic flair around her.

A bold slab-serif typeface influenced by Spagetti Western posters of the 1960s.

Grand brother of Super National in extra bold. Looks nice in all size.

The bold presence is in every weight you choose - for packaging, signage etc.