Peter Schoeffer was a printer who was apprenticed to Gutenburg and after leaving Gutenburg in 1455 he set up shop with Facob Fust. His son, Peter the Younger, moved to Mainz and carried on the trade. This particular font is based on a typeface of Peter the Younger that was cut circa 1509-1520. This font has over 900 characters. While there are only about 80 in the historical exemplar the rest have been developed for modern usage. This font is based on Typ.7:146/148G also known as Gesellschaft für Typenkunde plate no. 258.

Experience the timeless allure of Black Oldest, a font that effortlessly blends style and bold. With its neat and clean design, this serif font is a versatile choice for a wide variety of designs, taking them to new heights of sophistication. Explore the possibilities as you unlock the potential of its alternates and ligatures, allowing you to create the perfect typography design. Whether you're working on a luxury logo and branding, a classy editorial design, magazines, packaging, posters, movies, brands, fashion promotions, or art gallery branding, Black Oldest is the ideal companion for your upcoming projects. Embrace the possibilities and unleash your creativity with this PUA-encoded font, granting you access to all the captivating glyphs it offers. Elevate your designs with the timeless charm of Black Oldest and watch them come to life with elegance and grace.

Glotona's Black & White are four modernist typographies written by hand and combinable with each other by layers to create multi-colored typographic headlines. Glotona is my tribute to Bodoni fonts, revolutionary fonts when they appeared in the S XVIII and still in force today. The great contrast between antlers, give foot to the design maintaining the elegance of the modernist typefaces, the manual writing and the roundness of the serif and antlers bring freshness and empathy, the careful configuration of the kerning and the proportions give maximum readability to these fonts.

Featuring the latest font "Arthemis Handwriting Font" This font is made with original handwriting, with a quick technique so that the font looks natural and textured. Each letter has a character, so it looks different from a regular font. This font is very suitable for use as movie titles, branding, packaging, quotes, taglines, trademarks, logos, and other promotional media. If you are interested in buying this font for your design needs, then you will get 3 types of files that will be installed on your computer. The attached files are: Artemis OTF Arthemis TTF Artemis WOFF Opentype feature, including 5 Set Alternates, Ligatures, End Swash, and Underlines. PUA Encoded Foreign Languages Support: ÀÁÂÃÄÅÇÈÉÊËÌÍÎÏÐÑÒÓÔÕÖØÙÚÛÜÝßàáâãäåæçèéêëìíîïðñòóôõöøùúûüýÿ Happy Designing!

The Arthur Cabinet font family offers a most particular range of seven fancy ornamental fonts in the spirit of the Art Deco era. These fonts celebrate the age of elegance, stylishness and refinement to its very best. They give you a unique tool for exquisite designs. The fonts of this family are derivatives from the Arthur Sans series, which you may also want to have a look at. Use this unique typefaces for distinctive personal stationary, outstanding headlines, captivating brochures and invitations; for marvellous logotypes, wonderful menus, hotel leaflets, exciting ads … for brillant designs. Each Arthur Cabinet font features the same comprehensive Euro-Latin encoding for full language support. Additionally, every font includes a small supplementary set of fine ornaments. – For an even more comprehensive range of Arthur embellishments check out the font Arthur Sans Regular or Arthur Ornaments! Have also a look at the sister fonts of the gorgeous Arthur Sans Family, which will offer you yet another wonderful scope of fascinating typographic possibilities. ________________________________________________________________________________ Tip: Set Sample text (see below) manually to [ABCDE…] to view effectively the fonts most relevant parts! ________________________________________________________________________________

There are times when a customer might look over a dingbat font and like a few of the images because they suit a particular need, but hesitates on purchasing the font because enough of those images isn't available. For all of the lovers of vintage letterpress cartoon cuts, Cartoon Cavalcade JNL collects sixty two assorted images from many of the Jeff Levine Fonts dingbat collections and places them within one singular file.

You will see this in the old type catalogs as Dainty. Late in the nineteenth century, type founders developed a number of fonts with a "pen-drawn" look. They wanted to complete with the work of the hand lettering artists who were coming into their own, thanks to the new art of photoengraving

Lesthone is a display font that seamlessly merges vintage aesthetics with modern elegance. The rounded shapes of Lesthone contribute to its friendly looks. Each letter has its own personality, and this contributes to the font's handcrafted appeal. On the other hand, the most standout characteristic of Lesthone is its slightly rough texture that add a rustic charm. This font includes beautiful ornaments as a bonus. Lesthone fits in headlines, logos, branding materials, and many more.

Another very squarish and futuristic font from Brian Kent. This time I've kept the very thin style of the diacritics, but I have redesigned the A and H (and a couple of other letters and glyphs ;) - mostly to give them a little more "meat". And then added the usual plethora of accented letters for our unique language support, of course. Result! ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Rudal is a unique graffiti font that we present to those of you who enjoy the unusual shape of graffiti. By utilizing this typeface, all of your projects will be beautiful and natural, awe-inspiring to everyone who sees them. This graffiti font is great for product logos, poster titles, headlines, packaging, film titles, logotypes, gorgeous writing, and trendy graffiti designs, among other things. Of course, if you utilize this font in your numerous creative projects, they will be perfect and outstanding. Use this typeface right away for your one-of-a-kind and remarkable projects.

Otto Hupp's blackletter font, released by Klingspor in 1911, took its inspiration from the then dominating Art Nouveau designs. Some of its capitals express this with their lovely swash forms, and make this fraktur font less stiff. Hupp Fraktur contains a bunch of usefull ligarures, and by typing 'N', 'o' and period you get an oldstyle numbersign by activating the Ordinals feature.

I’d been thinking for a while about making a serif font with ball terminals: big fun round ends to the letters anywhere I can squeeze them in. So I made Breakfast Pastry! I started with a hand-drawn set of basic letters, then went hog-wild making alternates and ligatures galore with fun swirls, curls, and even more balls! I’ve cleaned the letters up significantly to make them smooth and easy for any cutting or printing you may want to do, but I’ve also left in some of the hand-drawn character so that the letters are warmer and not too formal. Then I took the first font, and made a second solid version without the cutouts. After that I thought: I tend to make plumper fonts ... why not make an even thinner version? So I did! All three versions have the same character set (over 700 glyphs total), which means they all have the same extras and alternates. All three fonts have over 300 extended Latin characters for language support, as well as over 200 bonus items: alternate letters, letters with swashes, two-letter ligatures, small caps, catchwords, and even some bonus ornaments and elements to make the fonts even more flexible. (After all, if one swash on a letter is good, two or three might be great!)

Casual Face is a display variable font with a natural handwritten feeling. The font supports Latin and Cyrillic uppercase characters, numerals, and the main set of punctuation and symbols. The character of the font is based on the classic sign-painter casual script. The font’s option variability is upright and slanted letters up to 17 degrees. This enables the designer to define the gradient himself and be free to create designs suitable for advertising, packaging, and events. The font is perfect for headlines and personal products with casual characters and the mood conveyed is warm, and relaxed.

Pantographia Collection is a Intellecta digitization, in facsimile style, without artistical interpretation of any kind, of the work of Edmund Fry (monumental book), Pantographia , a work on languages containing over 200 alphabets. We just are collecting in digital way these alphabets. Each alphabet has a short pdf description (see in the gallery). For example, in the pdf brochure of the "Saracen One" font, according to Edmund Fry, "This characters, according to Theseus Ambrosius, was used by the Saracens at the time of their conquests. Claude Duret, p. 475." Ambrosius, Theseus: Introductio in Chaldaicam lingua, Syriaca, atque Armenicam, [et] dece*. - 1539. Theseus Ambrosius or AMBROGIO, was an Italian orientalist, which born in 1469, and died in 1539 - He wrote his Introduction to the Chaldean, Syrian, Armenian, and ten other tongues, with the alphabetical characters of about forty different languages, 4to." The Pantographia font have only the original characters showed in Fry's book. There are instructions in the PDF files to get them. These fonts have no philological (or linguistic) academic pretentions. They are digitized and faithful versions of the original, like first published at Fry's book.

Gin is a futuristic decorative font that combines calligraphy, graffiti and typography. This font is inspired by the street art called calligraffiti where it is abstract and elegant. This font is suitable for those who are anti mainstream and out of the zone, this is a new face in the world of fonts, for those who are against this font it will be considered broken but for those who are from the future, this font is an answer to futuristic design needs

Chayton is the font style handmade dancing and then live trace to have unique, the writing style is very natural. Chayton works great in any branding, logos, magazines, films. The different weights give you a full range of whole hosts of applications, while the outlined fonts give a real modern feel to any project. Chayton also comes with extra Extruded and Outline Font versions. as a function to create an extrusion effect for this font. The Features of this fonts is; Standart ligatures, Stylistic Alternates, Stylistic sets, PUA Unicode (Private Use Areas), OpenType features can be accessed by using OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office.. can also be accessed through the character map.

The front page headline of the April 6, 1917 edition of the Bemidji Pioneer [from Bemidji, Minnesota] says in extrabold letters: “State of War is Declared”. The subtext underneath reads: “President Signs Resolution 1:13 P.M., Passed by House 3 O’Clock this Morning”. Thus, the United States formally entered into World War I. However… that subtext was set in a sans serif type face which was a perfect addition to the numerous newspaper-inspired type revivals offered by Jeff Levine Fonts. Morning Edition JNL is available in both regular and oblique versions.

This font family is inspired by printed work made by the Elzevir family back in the XVIIth century at Leiden (NL). They worked with material from several type designers, but further investigations sends us to the tracks of one in particular: Robert Granjon. Granjon italics were way ahead of his time, making some really beautiful signs like swashy ampersands and minuscule v letters. This font also contains old style figures in the same fashion as they were printed, like the flipped number 8 and open forms in 6 and 9. This is as much a revival as an original design, because of their weights bold and heavy (both with italics) that were inspired on some titles. In this font you can also find a lot of ligatures, small caps, diacritics and even a fleuron for each weight and variation. Leidener came up from two books: Constantini Imperiatoris (1611) and Exercitationum Mathematicarum (1657), printed by Louis and John Elzevir on their Leiden Workshop, back in the day.

Probeta is an exclusive Sans Serif typeface family, condensed in proportion into three styles: Regular, Italic & Small Caps. Each family consists of 7 weights (Extra Light, Light, Regular, Medium, Semi Bold, Bold and Extra Bold). Plus three bonus fonts: Circle, Cube & arrows • Includes a bonnus font with the purchase of each style! After defining all the proportions of the new typeface, and starting from the drawing of the lowercase letter «o», in an exercise of minimalist construction, I have built all the characters, contributing with this technique, morphological coherence and a balanced reading. I have put special interest in defining the width of each character, depending on the relationship with others, then the configuration of the metrics and the exhaustive definition of Kerning, provide maximum readability in paragraph texts and titles. The use in graphic design, editorial or advertising guarantees originality and difference. Very versatile fonts for billboards, video games, movie titles, logos, publications, etc. They include the symbol of Bitcoin and other Cryptocurrencies.

The Revolancer Pro font was designed in addition to the unique Revolancer font, so this font looks more familiar. But this is only at first glance. This typeface combines the simplicity of classic grotesque typefaces with the freedom and independence of a Revolancer typeface. This font will give you freedom. The freedom to be unique, not like everyone else. Each character in Revolancer font knows its place, and it is impossible to achieve such a smooth and organic flow of words using a regular font.

Baroty is a modern sans serif font that we made with great care to make your project beautiful and perfect, to make your project look unique and different from the rest. By using this typeface, you may anesthetize the entire audience, allowing them to remember your project easily and firmly. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Hello Freeday is a striking display font that combines a bold and clean font weight with playful swinging endings. With its uniform letter proportions and unique character details, this typeface effortlessly balances sophistication and a touch of whimsy. The bold and clean font weight of this font commands attention and adds a sense of strength and impact to your designs. Each letter is meticulously designed with precise geometric forms, resulting in a polished and professional appearance. The consistent proportions of the letters contribute to the font's overall coherence, ensuring a harmonious and balanced visual experience. What sets this display apart is the charming swinging endings found in select letters. These decorative details add a hint of playfulness and movement to the font, injecting a touch of personality and delight into your designs. The swinging endings give the letters a sense of rhythm and flow, making Hello Freeday an excellent choice for projects that require a dynamic and captivating visual presence. The font's bold and clean aesthetic ensures legibility and readability, even at smaller sizes. Enjoy the available features here. Features: Stylistic Sets Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Hello Freeday fits in headlines, logos, attention-grabbing titles, product packaging, greeting cards, branding materials, editorial layouts and website headers. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Riclane elegant serif font Hi Ladies and Gentlemen! According to the market demand for fonts that tend to be more modern, then I decided to make a serif font that is in your view. The Riclane font is a serif font with very beautiful, comes with a modern style hoping to become a market favorite. We keep this font looking elegant, classy, ​​easy to read, stylish, attractive and easy to use. Riclane Font is a great choice for magazines, retro designs, newspapers, books, brand names, branding, and other projects. The Riclane font is here to take the quality of your designs to a higher level. Riclane Font is my thirty first Font created in 2023 The Riclane font style will make you love designing and taking advantage of the cool design results for this font. Continue to follow us for updates on making further fonts :) Font Features: • Standard uppercase and lowercase letters • Multilingual Support • Numeral and punctuation • Elegant style

Arroyo is based on water flow. Little creeks on the surface of the earth formed by the action of fast-flowing water, this phenomenon inspired me to create this font. The little gaps/creeks form the letters of the font.

Brushland was initially born as custom type project, where the goal was to achieve a natural feeling as if it was really written. The project raised some questions, how natural should be this script typeface? How to simulate this writing feeling? For this, four different glyphs were drawn for the same character. This “Feature” or “Behavior”, programmed in the font, combines the variants in the sequence of 1, 2, 3 & 4 and replaces the letters at the time the words are composed, in order to avoid the repetition of glyphs. Through the “Contextual Alternates” OT Feature, the user can decide if they appear or not.

Piambis Family has been featured in "Slanted #28 Contemporary Typefaces 2016/17" This handwritten font family that boasts great variety of glyphs - many of which are fancy alternates for standard letters (click on text written in Piambis below, then click on “Glyphs”). This font is designed so the letters are available via standard programs ie. Word. It is recommended however that you use professional software such as Photoshop or Illustrator to make your work easier as there are over 1600 glyphs in each of the fonts included in Piambis family. About the family: The chief difference between the files in the family are finishes to the capital letters (in all languages) and appearance of the lowercase “f”. The fonts support all languages that use latin script - yes - Vietnamese (Tiếng Việt) and Pinyin is also available.

Frank Flowers are fonts with flowery embellishments. They are useful for all kinds of celebrations, but they also have lots of impact. There are only uppercase letters even on the lowercase keys. Uppercase and lowercase look different, so you can mix them. You can even mix the two sets, it'll look great. I had a lot of fun doing these fonts and I want you to have some fun as well. That's why I sell them very, very cheap, even cheaper if you buy the pair! -Your typedesigner for unusual solutions Gert Wiescher

Meet Boronia, Studioways' latest typeface release! This six weight family was developed with the single idea of redefining the simple sans serif to pair with any style of font family. It is meant to blend with a variety of media, from editorial to bridal and fashion. The Boronia family weights range from an ultra sexy thin to a voluptuous bold, each with a companion italic, making it the 'perfect type' for all tastes. Each font supports the standard Western European character set. So scoop up this great sans serif font, BORONIA, and start making your work shine! Buy them individually or get a great deal on the family pack!

HAPPY FRIDAY is a font that looks ahead to the long weekend. This typeface is cute and clean, but with an undercurrent of sickening sweetness. The font turns up the volume on your social media posts, making them stand out from the crowd. Along with HAPPY FRIDAY MIX, an adorable set of dingbats made up of doodles and swashes, this font pair is perfect for your marketing collaterals and your at-home DIY projects. MIX HAPPY FRIDAY comes with the following glyphs: ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !@#$%^&*()`~♥✿•· ÷×+−±≈=≠≥≤[]<>:;’”,.\|/?{}“”‘’-–—_ …‚„©®™‹›«»°¹²³ªº¡¿₱¢€£¥½¼¾¶§№† ÁÀÂÄÃÅĂĀĄÆĆĈČÇÐĐÉÈÊËĖĒĘĜĤIÍÌÎÏĪĮĴŁŃÑŇ ÓÒÔÖÕŌŐØŒŔŘŚŜŠŞȘŤȚÚÙÛÜŮŬŪŰŲẂẀŴÝŶŸŹẐŽŻÞẞ áàâäãåăāąæćĉčçðđéèêëėēęĝĥıíìîïīįĵłńñň óòôöõōőøœŕřśŝšşșťțúùûüůŭūűųẃẁŵýŷÿźẑžżþß MIX HAPPY FRIDAY MIX (Dingbats) comes with the following glyphs: ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !@#$%^&*()

The other day I was at a market with my kids and they had this really retro kind of circus thing. The signs and posters there, were designed in a really sloppy and poor manner - but they all had a lot of naive charm! I was really fascinated by all these uneven letters and I was immediately inspired to do a font like that! And out of the magic hat comes...ta-da-da-da...Cirkus Fantastiko! Planning on throwing a party with a circus theme? Then Cirkus Fantastiko is ready to play the juggling clown while riding the elephant! Play around with the 3 different layers to create that low budget hand painted cirkus posters! :)

Lualaba Snake is a bold display font, characterized by the snake-like decoration used in each letter. The design of the font was inspired by the legend of the Lualaba River in Central Africa. Snakes enjoy a special status in Africa, as they are reputed to be messengers of the ancestors, and are therefore good. Near the Lualaba river is a pool in which a big snake called Kabwe lives. Our ancestors are thought to communicate through this snake.

Chank created Zsazsa Galore as a fresh alternative to Mister Frisky, another jerky, hypercaffeinated interpretation of the traditional roman alphabet. The difference this time is that the new font has no descenders. Every letter comes to rest hard on the baseline. It sits there firmly rooted with branches wiggling around in the air. It was released as the Chank Font of the Month in October 1999 and it was named after Zsa Zsa Gabor because she is beautiful.

UUeirdie is weird. The Condensed-Light style was derived from the star-serifed font Asterx by replacing the star serifs with a rounded flare serif. Widening that style resulted in UUeirdie-Regular and the bold was then constructed to complement it. The warped version was a result of play with a font distortion program. Although the glyphs have sharp corners, they do not have straight lines. The UUeirdie faces are rough, irregular, and maybe a bit creepy.

Introducing, Sertona, a trendy bold font with italic alternates! Sertona is a modern and trendy font based sans that have unique looks. This font contains uppercase and lowercase that have different form. You can use the lowercase and uppercase in the same word that will make your text more stand out! And the best of this font is the italic version as the alternates which mean you can combine it all without worrying about the kerning! You can use this font for the magazine, poster, and suitable for headline. This font also support multi language. What you will get: All Caps Font with different uppercase and lowercase Italic version as the alternates. Well Kerned.

Looking for the perfect font for your next gothic project? Do not look elsewhere than QUKIHA! A great place to look for fonts for your most recent logo, label, badge, music video, or movie is the QUKIHA Blackletter font. You can select the ideal word for your project by choosing from the beautiful and harmonious shapes available in the QUKIHA font. The capital letters are impressive, and the letters are slick and fashionable. QUKIHA Blackletter is a necessity if you’re designing labels, posters, or other things. They are also of a professional caliber, making them ideal for any design task.

Staple is a Display Font. Each letter and number is made up of a clever arrangement of staples. Together, they retain the simplicity and beauty of a perfectly folded stapler pin. This creates a font that provides very good readability, solid shape and simple elegance that makes it perfect for use as a display font. To add elegance to the font, the letters and numerals are designed to retain the pin identity across all characters. Care has been taken so that the pins do not overlap. Nor are the pins bent or twisted into unnatural shapes to create the characters.

Back in late 2019, Wahyu Wibowo designed a logotype for Wahyu and Sani Co., he decided to shorten the name to be WSCo. for the logo. Then by the end year of 2021, he got an idea to develop the typeface he did for the logo and start developing a font family which can be used for company branding. Now the typeface has come to life with the name "Warkat". The font family comes in two styles, upright and italic. It has 14 styles in total and additional two variable fonts. Each font has more than 580 glyphs including the alternates which covers Western and Eastern Europe Latin based languages and equipped with functional OpenType features like standard and discretionary ligatures, various format for numbers, ordinal, etc.