Welcome to the nostalgic ’70s with Scrubby, the typeface that will take you on a trip down memory lane! If you’re looking for a font that exudes softness, look no further than Scrubby. This typeface is inspired by the Bookman Italic, a font that was popular in the 1970s and remains iconic today. Scrubby is a typeface that embodies the spirit of the ’70s with its wild swashes and alternate versions of letters. The best part is that these are automatically substituted based on context, thanks to your application’s standard ligatures capability. So, whether you’re starting a word with “A” or ending it with lowercase letters like “k”, “h”, “m”, “n”, “r”, “v”, “w”, or “y”, you’ll get a fantastic curl on the left or a charming curl on the right respectively, adding a touch of softness to your text. If you’re worried about tail collisions or if you simply want more control over the swash effects, you can manually activate or deactivate them using your application’s OpenType swash or stylistic alternate settings. So, what are you waiting for? Relive the ’70s with Scrubby, and add a soft, friendly touch to your graphic design projects! You can easily access all the alternate characters by using your system’s character map or glyph panel. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Introducing Warsuck, a hand-drawn font inspired by the underground culture, and a blackletter font. Warsuck emphasizes the usage of uppercase letters as the main display but still includes lowercase letters. Strong, vintage, and aesthetic blackletter with extra alternates characters. This font is combining several styles in blackletter fonts such as Bastarda, Rotunda, and Old English to produce an experimental font. Great for displays, especially dark and vintage themes. You can use this font on t-shirts, tote bags, stickers, labels, logos, badges, banners, quotes, and short text. Thank you for your visits!

Brilliant Sambo Featuring Slab Serif totality and elegance. One of my most recent first releases, naturally drawn with pinpoint accuracy. Sambo Brilliant has the perfect amount of simplicity and subtlety for your next project. It perfectly represents the retro and vintage aesthetic. I recommend this font for your next logo, invitation, and home decor project that needs a succinct alternative combination touch! Sambo Brilliant appears with strong characters available: Get inspired by the image above and feel free to share with me what you get by using this font.

The title on the cover of Street & Smith’s “Wild West Weekly” for Jan. 27, 1934 made for an interesting contrast in terms. Here was a pulp magazine dedicated to stories of the Old West, but its title was hand lettered in an extra bold, squared shape style using a round pen nib – not exactly an alphabet that represented cowboys and desperados… This aside, this type style made for a good digital font revival, and it is now available as Bold Pen Lettering JNL in both regular and oblique versions.

Aisiteru is an awesome Japanese-inspired display font. It has great readability and will add a striking touch to any design! Masterfully designed to become a true favorite, this font has the potential to bring each of your creative ideas to the highest level! It will look awesome on any T-shirt, logo, film, anime, movie, youtube thumbnail, print, or restaurant brand! This font is PUA encoded which means you can access all of the awesome glyphs with ease! It also features a wealth of special features including ligatures.

Caligor is a Display Typeface Family which is suitable for you who needs a typeface for headline, logotype, apparel, invitation, branding, packaging, advertising etc. This typeface is comes in uppercase, lowercase, punctuations, symbols & numerals, stylistic set alternate, ligatures, etc also support multilingual and already PUA encoded. this font come in 3 versions, regular, edge, and stamp. the regular with clean and neat look of the font, edge version is look like a little bit of the normal version with rough edge, and stamp version that gives an aged feel on it.

Introducing.. Blackguard modern handwriting with signature style. This is a beautiful handwriting font so natural and casual charm with the brush textured make this font look authentic but still readable and incredibly versatile. Blackguard will look outstanding in any occasion design concept, whether it’s being used on colorful backgrounds or as a stand as a headline in the minimalist background! Blackguard has multi-language support, swashes, and ligature dan you can apply in OpenType mode at adobe photoshop or adobe illustrator. Please enjoy the Blackguard font and makes some stunning designs.

Slocals! Check out the action of our radical new font, PLEASURE POINT! It's Bananas, Totally Tubular, Stoked and ready to ride some waves. Back in his grom days, Comicraftsman John JG Roshell could be found down at Pleasure Point, waiting for The Big One, and this is IT! Don't be a criddler, paddle hard and rip this font to your motherboard to keep it real every time you gun, rail or tail. And if you get rag dolled, dude, don't blow out your squeaker. Pleasure Point will hang loose and chillax you to the max.

Inspired by her Swedish and Norwegian heritage, Andrea Leksen created this modern geometric sans serif reminiscent of Scandinavian design and typography. With its tall x-height, Nordique will be best showcased at large sizes, in headlines and other display uses. The Light, Regular, Semibold and Bold versions each contain over 50 ornaments, swashes, alternates and borders to play with—a modern take on the traditional rosemåling and kurbits painting styles. See some of the creative and beautiful ways Nordique Pro can be used in this YouTube clip! Check out Nordique's cousin Nordeco!

Proudly present Mother Bones - 90s Type Grunge Vibes, created by ikiiko. Mother Bones inspired by the handwriting style of the 90s, where the Seattle sound trended with a raw, wild and free style. With spontaneous strokes and unique lines, this font has strong vibes of 90s era. This type is very suitable for making a poster, magazine layout, brand logo, sleeve cover, party flyer, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Numbers & Punctuation Multilingual Support Works on PC & Mac

Mr Chalk has a simple goal: being Mr Chalk. This font sets out to occupy a form indistinguishable from the real thing, and comes as close as ink will get. Looking at this font you can hear the scrabble of writing on a chalkboard, though the character is more of a mischievous child than a strict teacher. Round and free, Mr Chalk is a light and fluffy font ideal for an impersonal and friendly tone. If you're looking for another Chalk based font check out Lippy, a typeface for both lipstick and chalk based finishes!

Proudly present a pretty bouncy font called Delighted. As the name suggests, this font will make your project more enjoyable because it will make your project more beautiful and stand out. Delighted font comes with several alternates, so you can switch on for the alternate, stylistic alternate, and terminal form. This font is perfect for logo font, branding, greeting cards, cut files for quotes, silhouette font design, monogram font, etc. The packages and features Delighted font PUA encoded Multilingual support in more than 30 languages Thanks, and have a nice day

About family “Noema Pro” Steps… The name “Noema” is again borrowed from ancient Greek word, which may have different meanings depending on the phrase: meaning, logic, significance, purpose, reason, value, nod, implied. In this font i tried and here(like in “ErisPro”) to give a different illustration in letters with a reverse dial(…sloping or recline) from Italic, simply because of whims or because the monotony is tiring me… This series is composed and includes twenty-four fonts with 658 glyphs each, with true italics, true Sloping and supports of course: Latin, Greek & Cyrillic.

This is Tchig Mono, a monospaced type family that doesn't take itself too seriously. Why make a monospaced font? For coding, sure, but display? It’s my humble opinion that it’s the aesthetic choices driven by the constraints of the monospaced environment that makes them attractive. It’s a challenge for the type designer to squash and expand glyphs into a rigid bounding box, and the more unorthodox shapes that spring from this have a feel about them which lends them to postmodernist layouts and hipsterish anti-design. And the payoff for the type designer - no kerning! Yay. So what’s different about Tchig? Like I said before, it doesn't take itself too seriously. Even the name Tchig is just a stupid, fun sound (although it does show off that nice g!). There are a selection of playful alternates that give text a slightly alien feel. Stylistic set 1 chops off ascenders and descenders of lowercase letters, giving it a kind of small caps meets unicase feel (it is also accessible using the small caps feature). The other sets (or stylistic alternates if you don't have access to stylistic sets) make certain letters more twirly, more square, more “experimental”. Automatic fractions use a half-width numerator and denominator so fractions like one half and five eighths have the same width as figures (and every other glyph). There you go then - a monospaced type family not initially intended for use in the usual ways monospaced families are intended to be used. Give it a try. You could even do some coding with it if you like.

Binner was designed by John F. Cumming in 1898 and is an alphabet with a strongly historic character. It takes the reader back to the early part of the 20th century, when typefaces of this kind could be found in advertisements on houses and posters. The robust figures display a marked stroke contrast. Particularly striking are the high middle strokes of the E and F as well as the wavy connecting stroke of the H. The curves of the R and P extend well into the lower third of the characters. With its robust figures, Binner is best used for headlines in middle and larger point sizes.

The Vtg Stencil fonts from astype are based on real world stencils from several countries. All styles offering an extended Latin character set. » pdf specimen «

Franklin Stencil JNL is based on the classic and perennial workhorse design of Franklin Gothic Condensed and is available in both regular and oblique versions.

How To Consume Oxygen was created with the plan of emulating words written on a fluted-steel 'warehouse'-type door in advanced state of rusting.

Tony Geddes designed Musketeer in 1968. The Musketeer font family is based on Art Nouveau lettering and as such is ideal for posters and signs.

Maim is one messed up sans serif typeface. Designed to be used as a family by intermixing the letters for more random looking destroyed text.

Alphonse Nouveau JNL is based on the lettering style of famed Art Nouveau illustrator Alphonse Mucha, and is available in both regular and oblique versions.

The typeface was designed at ParaType (ParaGraph) in 1990 by Alexander Tarbeev based on Pragmatica typeface, 1989 by Vladimir Yefimov. A monospaced condensed sans serif.

Allnoob Typeface is one of the elegant decorative fonts neatly arranged and cool, you can also use it for business, clothing, movie titles, and more

An all-caps titling font designed by the Monotype Drawing Office in 1934, based on an alphabet designed by Veronese calligrapher Felice Feliciano in 1463.

English Script is the classic Spencerian English script. I always wanted to do one of these; now finally I did. Your classical designer Gert Wiescher

I finally managed to create a font from the characters I wrote on my Etch A Sketch board. A bit grungy, but definitely something else.

The shield, a form in heraldry, has infinite design subdivision possibilities. Shield Ornaments contains a selection of 98 geometric designs on rounded and pointed shields.

Stampede was created from a small sample of letters found on an old document dating back to 1902 from the Chicago, Indiana & Eastern Railway Co.

The PL Fiorello Condensed font has a Latin influence and has been used to set headings on novels and posters relating to suspense and crime.

The Vtg Stencil fonts from astype are based on real world stencils from several countries. All styles offering an extended Latin character set. » pdf specimen «

LisaBeth Weber's eponymous typeface ITC Weber Hand is deceptively simple-looking. It's a handwriting face in a light, monolineal style with a slightly formal, almost angular appearance. Weber, who is an accomplished singer/songwriter as well as an artist and lettering artist, says she has always had an inherent sensibility with lettering." Her favorite subject in the first grade was penmanship, and when, as an adult, she got her first checkbook, "I thought it was very unfair that the signature always had to be consistently the same." She describes Weber Hand as "a natural progression of my handwriting style, a friendly and versatile font." Its letterfit is naturally loose, and it shows its character best when set with ample leading. In 1999, when LisaBeth Weber's ITC Weber Hand™ typeface was released, it soon became one of ITC's most popular handwriting fonts. A decade later she decided that is was time to update her single-weight design. A light weight would benefit from a bold companion, in addition to condensed variations for much greater versatility. This warm, friendly, and charming design is just as at home in Restaurant menus as it is in brochures, for advertising, and on packaging. With the new weights ITC Weber Hand will surely continue to be a popular handwriting type with broad appeal."

Elevate your design projects with the distinctive and captivating Lavire. Lavire is an uppercase display serif font that is effortlessly made in a truly unique typographic masterpiece. Each uppercase letter in Lavire is a work of art in itself. The serifs, which are typically known for their traditional elegance, take on a modern and imaginative twist with Lavire's addition of artistic lines and flairs. The artistic lines and flairs in this font are carefully crafted to enhance the overall composition of each letter. They bring a sense of motion and dynamism to the font, making it particularly well-suited for projects that seek to convey a sense of movement or elegance. Lavire fits in headlines, logos, posters, flyers, branding materials, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview.

When the right late seventies / early eighties message is needed, Toisy comes to the rescue. Founded on a mix of references from letterforms of the time, this new original nods to a style that defined an era. A sexy theme font that conveys a clear image of what was truly chic thirty years ago, this alphabet is deeply rooted in sultry memories of soft, endless nights. Exaggerate contrast between strokes and angular lines combine with rounded corners to provide a unique character and a look that sharply differs when set in all caps or lower case, thanks to an uncommon treatment of density and proportions. Set it real tight, as was typographically in fashion circa 1981. Toisy and Toisy Greek include a set of 13 matching images inspired in leisure stuff and the clothing of the last days of disco. They are different from the set included with Toisy Alt.

Sauro is a font family based on proportions derived from automobile designs of the seventies. It supports 113 languages, features a total of 482 glyphs and includes an italicized version for each of the 5 weights.