AZ Fast Fury font was inspired to have a "rough Scratched" look to some letters. This font utilizes an "old look" to the line work which is designed to have a "worn feel" to it. Ideal for use as headline or sub-head text in you design.

Introducing the new hand made font " Taste Of Heaven " This font made from real hand writing. Looks clean and cool What's Included ? Uppercase Lowercase Symbols Numerals Multilingual Supports Thank You, Regards!

Breaking the cycle of homelessness We are partnered with The House of St. Barnabas, a private members club in Soho Square, whose work as a not for profit charity aims to break the cycle of homelessness in London. Each purchase (of the family pack) comes with a one month membership to The House and 100% of the proceeds from sales of fonts go directly to the charity to help their essential work. This unique collection of 7 typefaces is based on the disappearing signs of Soho, at risk of being lost forever due to the ever changing landscape of the area. By re-imaging the signage as complete fonts, we have rescued this rich visual history from the streets and present the typefaces into a contemporary context for a bright optimistic future. FS Berwick Thanks to its humble tiled origins, this Egyptian serif type maintains a uniform character width, creating the irregular letter proportions found in the final alphabet. Broad-shouldered, the bracketed serifs firmly ground the font, whilst its extreme hairlines become a necessity due to the uniform width. Of note is the upside down ‘S’, to be found on the original sign on Berwick Street. Perhaps due to its ceramic origins, there is a surprising ‘slippiness’ to its final appearance. FS Cattle Cattle & Son is best described as a wide, but not overly extended, grotesque-style sans serif, showing a uniform width and carrying a robust strength to its form. Whilst lightly functional overall, the purposeful diagonal legs of the ‘K’, ‘R’ and the tail of the ‘Q’ add an urgency to its appearance. The reduced size of the ampersand gives away Cattle & Son’s hand-painted origins, and the oblique compacted ‘LTD’ found on the original sign is also included in the final set. This beautiful sign is tucked away under an arch in Portland Mews, sheltering from the weather. Perhaps this is why it has lasted so long. FS Century This somewhat elongated set of Roman capitals was originally rendered in paint circa 1940, but its roots trace back to the Trajan Column in Rome. Witness the slightly unbalanced ‘W’ and the painter’s hand is revealed. Century’s flared serif style is extremely short, sharp and bracketed. The ‘M’ is splayed and has no top serifs. Century has a uniform appearance of width, probably due to its sign-written origins. Yet is elegant, classic and exudes sophistication. FS Charity A true Tuscan letterform, the original is located on The House of St. Barnabas in ceramic tiles and was revealed in all its broken glory in 2014. FS Charity retains the option of using these incorrect characters (try typing lowercase in the test drive above and compare with the more uniform uppercase characters). FS Charity features fishtailed terminals on its strokes, a curious branched ‘T’ and the ‘S’ displays tear-drop ends to its serifs. Almost uniform in width, the ‘A’, ‘M’ and ‘W’ are the widest characters in this set. FS Marlborough The elongated Marlborough features diagonal terminals to some characters and numerals. Also retained is the space-saving contracted ‘T’ glyph from the original sign, while the ‘R’ features a distinctive wedge-shaped leg. Highly individual in this form, similar signage appears around Soho, but featuring a variety of widths in their design. FS Portland The sister type to Cattle & Son, Portland is oblique rather than italic. The serifs are not overly long, yet still enhance its rather rigid cap height and baseline appearance. Its ‘A’ has a top serif, the ‘M’ is square and the ‘G’ foregoes any spur. Particularly delightful is the open ampersand. Numerals align to encourage the horizontal flavour of the oblique style. Overall, Portland is both confident and graceful. FS St James A lineal Continental style, St James also displays a true sense of ‘Londoness’ in its titling form, perhaps influenced by early Underground signage. Irregular letterforms display a continental flavour, particularly evident in its Deco style ‘W’, ampersand and numerals. The rather high cross bar in the ‘A’ is also reflected in the raised middle strokes of the ‘M’. Noteworthy are the distinctive unions found on all of the characters and the additional small caps. The original lettering is still located on Greek St.

An uncredited typeface from Photo-Lettering Inc. named Palisade Graphic was the inspiration for this Art Deco fantasy. Bold and brash, it adds undeniable impact to period-themed headlines. Both versions include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, with localization for Lithuanian, Moldovan and Romanian.

Cast Shadow JNL uses the same wood type as found in Trade Printer JNL and adds to it a cast shadow in right or left versions for a bold and unique look. Both fonts have limited character sets and should be used in point sizes larger than normally chosen to compensate for the visual discrepancy due to the cast shadow's effects.

Lost Hills JNL is a split-serif Western font based on Jeff Levine's Brogado JNL. Named for an actual location in California, this font has all the basic characteristics of a traditional Old West design.

Casting Call JNL is a simple condensed sans modeled from the hand-lettered title of a piece of vintage sheet music entitled "Somebody Else is Taking My Place"; a 1940s song co-authored and made famous by bandleader Russ Morgan.

It's bold, it's blocky, it has rounded corners and was inspired by hand lettering on a vintage booklet for children's craft gift projects. It has regular and oblique versions. It's Gift List JNL.

Waste Of Time 1: The base version. Waste Of Time 2: The champagne bubble version! Waste Of Time 3: The alien version! Waste Of Time 4: The homeboy version! Waste Of Time 5: The shadow version! Waste Of Time 6: The zit version! Waste Of Time 7: The speedline version!

The cast credits for the 1954 film "Hell's Half Acre" (Wendell Corey, Evelyn Keyes and Elsa Lanchester) provided the basis for Mystic East JNL.

The Federal Art Project division of the WPA (Works Progress Administration) employed numerous artists, musicians, actors and other creative sorts in a effort to help many survive the Great Depression of the 1930s. One of the posters created by this project was for a "Card Party and Barter Benefit" with proceeds going toward the Nassau Art Teachers Benefit Fund - taking place at the Coca-Cola plant in Rockville Centre, New York. East Village JNL was derived from this poster, and is available in both regular and oblique versions.

"Fast Blaze" is an urban graffiti font characterized by sharp edges and a bold look. Ideal for music posters, apparel designs, shirts, and streetwear, this font brings a touch of edginess to your projects. The unique style of "Fast Blaze" makes it the perfect choice for death metal or urban graffiti themes. Whether you want to create a strong and powerful statement or simply add a touch of attitude to your designs "Fast Blaze" is the font for you.

Wasted Growth is a display font with a strong style is back. There are 2 styles, Regular & Blur. Suitable for merchandise designs, covers, posters and others. Features: Uppercase, Lowercase, Numeral, Punctuation & Multilingual. For any questions please contact me 🙂 Thanks!

Confident and versatile, Lust Pro™ is an exercise in indulgence—an attempt to create something over the top and vastly useful. If Lust Pro seems both new and familiar, that’s because it is. The series unapologetically channels Herb Lubalin, but produced with a deliberate, contemporary twist. There is an intentional slyness infused in the letterforms—the extreme thick and thin lines flow effortlessly without becoming gratuitous. It’s always just enough, not too much. What makes the type series so appealing? The curves. When asked to describe the letterforms, most people unwittingly allude to the human form, using adjectives usually reserved for describing physical traits… creating all-too-familiar comparisons. Summerour has grown to accept this as unavoidable and reasonable given his acknowledgement of its influences and has provided nuances within the letterforms to accentuate that. Intended to be set large, the typeface boasts 3 widths and 5 weights and matching italics for both the Regular and Didone variants (that’s 60 fonts in total), making it perfect for editorial use and a highly flexible solution for any display need.

This cute, slightly tall unicase handwriting has a slightly bubbly personality while still being completely legible and neat.

Introducing Lost in South – Natural Brush Font is a Signature Style and classy style, this font is great for your creative projects such as watermark on photography, and perfect for logos & branding. Lost in South a natural handwritten feel. This handmade font will make your design has a beautiful natural touch for each details.

“Tropical Type” was Alf Becker’s 148th submission to “Signs of the Times” magazine (a publication for the sign trade) where for years Becker would provide a monthly lettering design to inspire other sign writers. This particular design has more of a Far East flair to it, and was redrawn digitally as Travel East JNL, which is available in both regular and oblique versions. Special thanks to Tod Swormstedt of the American Sign Museum and S.T. Media Group for providing the sample image from which the font was derived.

The Spring is a romantic and sweet handwritten font. It looks astonishing on love letters, greeting cards, logos, business cards, and every other design which needs a personalized touch. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Introducing The Hepcat - 2 Style Display Font, a font that effortlessly embodies boldness, retro vibes, vintage charm, and a touch of playfulness. Its rounded letterforms and unique alternative characters add an extra layer of distinction to your designs.

Type Cartoon edition for food, like a crispy snack or anything else, such as fun, happy, cute and etc. thank you :D