Molecula is grotesque sans serif of slightly condensed proportions and humanist-grotesk features. The family features 9 weights from Thin to Black, each of which has an italic. The character set is robust, covering extended latin. All completely equipped with opentype features, alternative glyphs, fractions, lining numbers, small caps, subscript and superscript. Molecula has been designed for advertising, branding, packaging or anywhere a clean and contemporary voice is needed.

Oracul is a modern display font with Bohemian motives. The font is created in a psychedelic retro style and decorated with the stars. Oracul includes stylistic alternates and ligatures. The font is suitable for the design on the theme of astrology, mysticism, spirituality, witchcraft, magic, esotericism, fortune-telling, tarot. Oracul has extensive language support, it includes English, French, German, Italian, Spanish, Portuguese, Danish, Norwegian, Swedish, Finnish, Estonian, Turkish. Oracul font includes stylistic alternates for symbols: E, H, I, J, L, O, Q, T, U, Y. There are also ligatures: MA, RA, KA, XA, AA, AM, RM, OO.

ABC Idea is a contemporary geometric sans full of opentype features in Regular, Bold and very "fast" Italic. The design is an experimental fusion or mix between Humanist, Geometric and Grotesque models. The fine drawing in all letters and signs has precise ink traps to highlight contrast jus like lettering and calligraphy does, then ABC Idea re-creates this exquisite graphic details into the digital world. Designed by Miguel H. Montoya Fonts in Use Images by letargo.cl Magazine. Art Direction by studioprado.cl

Gustav Jaeger designed Bellevue, which H. Berthold published in 1986.

F. H. Schneidler’s ‚Kontrast‘, released by Weber in 1930, revived.

a naive interpretation of the F. H. Ernst Schneidler's art deco font...

Based on the S. H. de Roos design, Amsterdam Foundry circa 1923.

Say hello to Saturday Script! A a care-free, casual, handwritten script with authentic tell-tale dry brush imperfections. Saturday Script has the added bonus of having 'multiple personalities'! Saturday Script has 2 sets of lowercase stylistic sets, allowing you to make each word look completely unique to the next. Whether you need "flaunty & loud" or "soft & romantic" Saturday Script has the look for you. There are 2 variants of Saturday Script, to add even more flexibility to your designs: Regular, and Oblique

Digitization of some of classic William H Bradley's characters, from America vintage heritage

The result of a study into the Paris Metro system; Metro Sans is a Grotesk typeface with personality. It bridges the gap between the stern terminals of a Swiss Neo-Grotesk, and the smooth curves of a modern day Geo-Grotesk. The two combine to give a versatile typeface that works well in both body and display weights.

The design of Kristall Grotesk Now is based on a cut by Wagner & Schmidt, Leipzig, from the 30s of the last century as well as the digital version Kristall Grotesk MdK, created for the Stiftung Werkstattmuseum für Druckkunst. The implementation of the Kristall Grotesk MdK, a headline font, was deliberately created as a replica to create a faithful reproduction of the original. The design of the complete family Kristall Grotesk Now is based on the one cut Kristall Grotesk Buchschrift by Johannes Wagner GmbH, 1937, with its function as a text family. Designer: in parts Johannes Wagner GmbH, Redesign Elsner+Flake, Hamburg Designdate: 1937, 2009 Publisher: Elsner+Flake Design Owner: Elsner+Flake Original Foundry: in parts Johannes Wagner GmbH

This illustrative alphabet was inspired by the decorations of Godfrey Sykes, whose work was greatly influenced by that of Raphael and Michelangelo. This tile alphabet follows a Venetian 16th-century tradition of letters decorated with figures symbolizing each initial, a High Renaissance style. Includes one set of A-Z ornamental initials conveniently assigned to both the upper and lower case alphabet characters. Perfect for artistic publications, storybooks, fairy tales, and texts conveying the feel of the apogee of the visual arts in the Italian Renaissance.

An older typeface belonging to a family of sans serif fonts known as Grotesque (or Grotesk in the classic spelling) has been re-drawn by Jeff Levine and released as Album Cover JNL. The font's name is derived from the fact that this typeface was found on many long-playing record jackets during the 1950s and 1960s. To add a look closer to that of hand-set type, there are minute variants in some of the heights of the characters.

a revival of a classic bold blackletter from the great german typedesigner F. H. Ernst Schneidler

The typeface was designed at ParaType (ParaGraph) in 1993 by Vladimir Yefimov based on Herold Reclameschrift by Heinz Hoffman of H. Berthold (Berlin), 1901, and Russian Herold typeface of the Berthold typefoundry (St. Petersburg). The bold style based on Herold Heavy of H. Berthold (Berlin), 1904, of the same designer. Advertising and headline typeface in Art Nouveau style.

Night Life JNL follows the classic lettering forms of the Art Deco era of the 1930s and 1940s. On the upper case letters, the A,B,E,F,H,K,P and R have extended horizontals, while the lower case a,b,e,f,h,k,p and r have those extensions removed and are more traditional in design.

Northfork JNL is based on a William H. Page wood type alphabet called Parisian, circa 1857-58.

The tale of Okiku Of The Nine Plates is an old Japanese story full of lust, deceit, murder and revenge. It tells of Okiku, a beautiful servant whose master lusts after her. After she refuses his amorous advances, he accuses her of stealing a costly plate and has her thrown down a well, where she dies. She then turns into an Onryō (a vengeful spirit). Okiku font is a thin, all caps, scratched typeface. Upper and lower case differ and can be interchanged. Okiku comes with an afterlife of diacritics.

Alice is a formal fantasy font. It’s inspired in the fairy tales and magical lands that my mother used to tell me as a child when I went to sleep. The capitals are really nice and complex, while the minuscules are cleaner for easier reading. The style Curly uses some features of the normal uppercase letters in the lowercase ones. There are some minor, yet noticable, flaws in a number of characters that will need correction for signage/vinyl letter cuts (characters appx. 2-1/2" and larger).

Bajka (or Fairy tale in English) is a Baskerville font family made for children’s fairy tale books. Originally designed in 2010 ([www.behance.net/gallery/483582/Fairy-tale-font Fairy tale Font]). Today the family contains Regular, Bold, Italic, Bold Italic, Symbols and Ornaments (Latin, Cyrillic, dingbats, ornamental caps).

Inspired by H. Trafton's Quick, released by Bauer in 1933, Parfum is an elegant script font for many purposes.

Grotesk freely inspired by a specimen for Monument.

New York to London via Europe The hardworking FS Koopman is a crossbred workhorse which draws inspiration from Swiss and Germanic grotesks, American gothics and early British grotesques, but refuses to fit neatly into any of these categories. Its neither one nor the other, but all of the above. Fontsmith designers Andy Lethbridge and Stuart de Rozario decided to take the characteristics they admired from each category and distill them down into one functional family. Neo meets Neue FS Koopman aims to swim against the tide of Helvetica-ish derivatives by bringing some personality and soul to a genre that all too often ends up feeling bland and sterile. FS Koopman subtly embraces the quirkiness and charm often seen in early twentieth century designs but pairs this with the functionality of later pioneers of the genre. It’s a grotesque isn’t it? The term grotesque surfaced around the early 1800s and refers to the early sans serif designs that many initially believed were strange or ‘grotesque’ due to their lack of elegant serifs. Later variations became known as neo-grotesques and this moniker stuck around even after they gained mass popularity. Some American variants became known as gothics. FS Koopman takes cues from all three categories and blends them into one cohesive design.

Stratford Bold is a slab serif with sloping serifs on the ascending terminals of b, d, h, k and l.

HK Requisite™ is a sans serif typeface inspired by the compactness of Neue Haas Grotesk and the strong character of Akzidenz Grotesk. The name came from the fact that fonts are elements that are necessary for the achievement of a specified end.

Franca is a neo-grotesk family in nine weights plus matching italics. The inspiration for the design came through the constant interest in new interpretations of the classic grotesk model and a study of "neutral“ typefaces like Helvetica, Univers or Normal Grotesk. During the studies, additional attention was given to the American representatives of the genre, resulting in the initial impetus for a reinterpretation, combining both paths into one contemporary design. This is reflected in the name, blending together the names of the most popular typefaces of each genres, (Fran)klin and Helveti(ca). Due to its large x-height and plain design, the family is perfectly suited for all kinds of text. Its mid-weights are optimized for usage in long paragraphs, while the bolder weights, due to a short descender and ascender, create a compact and confident look in headlines or short copy. In order to create strong and dynamic italics, the oblique glyph shapes come with a faint calligraphic hint, defined by a higher stroke contrast and a steeper connection between stems and arcs in, for example, h n m and u. This is followed by different standard shapes for a and y, supporting the dynamic movement of the lowercase in general. A wide range of OpenType features such as ligatures, old style figures, fractions, case-sensitive shapes and many more, are available for professional and contemporary typesetting. This is completed with eleven alternative glyph sets, enabling a quick customization of the typeface. The family supports up to 92 languages and comes with 500+ glyphs per font.