ALTERON is the classic display serif style with uppercase and lowercase look feel nice balanced. Provide alternates and ligatures font in variant style make the design letter looks nice. Honestly it works perfectly for headlines, logos, posters, packaging, T-shirts and much more. Recommended to use in Adobe Illustrator or Adobe Photoshop with opentype feature. Ligatures feature is default setting in Adobe Illustrator or Adobe Photoshop in Uppercase character. So when you want not to use the ligatures. Open glyphs panel : In Adobe Photoshop choose tool Window Character and then please click fi symbol In Adobe Illustrator choose tool Window Type Open Type and then please click fi symbol How to access Alternates Character? Open glyphs panel : In Adobe Photoshop choose tool Window glyphs In Adobe Illustrator choose tool Type glyphs If you have questions, just send me a message and I’m glad to help. Have a great day, Absonstype

Beillone is the display typeface with combine uppercase and lowercase looks and feel nice balanced. Provide with alternates and ligatures font in variant style make the design letter looks nice. Honestly it works perfectly for headlines, logos, posters, packaging, T-shirts and much more. Recommended to use in Adobe Illustrator or Adobe Photoshop with opentype feature. Ligatures feature is default setting in Adobe Illustrator or Adobe Photoshop in Uppercase character. So when you want not to use the ligatures. Open glyphs panel : In Adobe Photoshop choose tool Window Character and then please click fi symbol In Adobe Illustrator choose tool Window Type Open Type and then please click fi symbol How to access Alternates Character? Open glyphs panel : In Adobe Photoshop choose tool Window glyphs In Adobe Illustrator choose tool Type glyphs If you have questions, just send me a message and I’m glad to help. Have a great day, Absonstype

HS Alhuda is a display typeface. It can be used for titles and graphic projects, which support Arabic, Persian Urdu and Kurdish. It has been created based on modern kufi style. It enjoys flexibility between sharp and curved lines in the structure of characters. This supports with a beautiful appearance and wonderful geometric structure. The sharp endings in the bottom of character also give an aesthetic addition to the character. (8) Weights has been created for this typeface between the heariline weight and heavy weight. Besides, those six additional weights which can be used in headline, has baseline parts are more thicker than the vertical parts. One has a regular form and the others has a stencil form in the middle using various styles. This typeface with its diversity of (14) weights is intended to be an attempt for a good addition to Arabic typography.

PEARLOOP is a elegant classic serif style with unique alternates feel nice balanced. Provide many variant ligatures style make the design letter looks incredible. Honestly it works perfectly for headlines, logos, posters, packaging, T-shirts and much more. Recommended to use in Adobe Illustrator or Adobe Photoshop with opentype feature. Ligatures feature is default setting in Adobe Illustrator or Adobe Photoshop in Uppercase character. So when you want not to use the ligatures. Open glyphs panel : In Adobe Photoshop choose tool Window Character and then please klick fi symbol In Adobe Illustrator choose tool Window Type Open Type and then please klick fi symbol How to access Alternates Character? Open glyphs panel : In Adobe Photoshop choose tool Window glyphs In Adobe Illustrator choose tool Type glyphs If you have questions, just send me a message and I'm glad to help. Have a great day, Haksen

Absolute Funboldies is a fun display sans serif style with unique alternates feel nice balanced. Provide many variant ligatures style make the design letter looks incredible. Honestly it works perfectly for headlines, logos, posters, packaging, T-shirts and much more. Recommended to use in Adobe Illustrator or Adobe Photoshop with opentype feature. Ligatures feature is default setting in Adobe Illustrator or Adobe Photoshop in Uppercase character. So when you want not to use the ligatures. Open glyphs panel : In Adobe Photoshop choose tool Window Character and then please klick fi symbol In Adobe Illustrator choose tool Window Type Open Type and then please klick fi symbol How to access Alternates Character? Open glyphs panel : In Adobe Photoshop choose tool Window glyphs In Adobe Illustrator choose tool Type glyphs If you have questions, just send me a message and I'm glad to help. Have a great day, Haksen

Zebardon is a modern sans serif style with unique ligatures lowercase feel nice balanced. Provide many variant ligatures style make the design letter looks incredible. Honestly it works perfectly for headlines, logos, posters, packaging, T-shirts and much more. Recommended to use in Adobe Illustrator or Adobe Photoshop with opentype feature. Ligatures feature is default setting in Adobe Illustrator or Adobe Photoshop in Uppercase character. So when you want not to use the ligatures. Open glyphs panel : In Adobe Photoshop choose tool Window Character and then please klick fi symbol In Adobe Illustrator choose tool Window Type Open Type and then please klick fi symbol How to access Alternates Character? Open glyphs panel : In Adobe Photoshop choose tool Window glyphs In Adobe Illustrator choose tool Type glyphs If you have questions, just send me a message and I'm glad to help. Have a great day, Haksen

Mountain is a digital revival and extension of Teutonia, an old metal typeface released by the Roos & Junge type foundry (Offenbach am Main, Germany) in 1902. Teutonia’s design was popular during both the Art Nouveau and the Constructivist eras, where similar letterforms could be seen as far away as the Soviet Union. Although it slipped under the radar during the 1930s and 40s, this style feels extremely contemporary today. Mountain’s underlying geometric feeling is reminiscent of pixels and grids, suiting it for application with music and art, as well as history. Yet this typeface is not as static as it seems at first glance; playful diagonals—like those seen on the capitals D, L, P, and W—enliven the otherwise stern horizontal and vertical motion. Teutonia was a simple upper and lowercase display type. Mountain adds upon these by adding small caps and obliqued italic companions, rounding out this typographic toolkit.

Kagestone is the classic display serif style with Uppercase and Lowercase feel nice balanced. Provide alternates font in lowercase variant style make the design letter looks nice. Honestly it works perfectly for headlines, logos, posters, packaging, T-shirts and much more. Recommended to use in Adobe Illustrator or Adobe Photoshop with opentype feature. Ligatures feature is default setting in Adobe Illustrator or Adobe Photoshop in Uppercase character. So when you want not to use the ligatures. Open glyphs panel : In Adobe Photoshop choose tool Window Character and then please click fi symbol In Adobe Illustrator choose tool Window Type Open Type and then please click fi symbol How to access Alternates Character? Open glyphs panel : In Adobe Photoshop choose tool Window glyphs In Adobe Illustrator choose tool Type glyphs If you have questions, just send me a message and I’m glad to help. Have a great day, Absonstype

Petunia is a calligraphy style font designed by New York based calligrapher Eliza Gwendalyn . Her modern copperplate script has been a style she has been developing throughout her career. Her angelic flourishes and bouncy style are widely influenced by Eliza’s favorite childhood character Alice in Wonderland falling down the rabbit hole. She pairs her elegant script with a traditional sans serif and serif which is based on Eliza’s everyday handwriting. The name ‘Petunia' acquired from her childhood nickname her parents called her which was only fitting to choose as the name of her font that was derived from her childhood fantasies. Widely known in the wedding industry, she curated this font family for industry professionals with a versatile array of styles: a script, a bold script, sans serif, sans serif italic, serif, serif italic, and specially calligraphy words & ornaments making this a total package for all types of designers.

TERITONE is the sporty sans serif style with uppercase and lowercase looks and feel nice balanced. Provide alternates and ligatures variant style make the design letter looks nice. Honestly it works perfectly for headlines, logos, posters, packaging, T-shirts and much more. Recommended to use in Adobe Illustrator or Adobe Photoshop with opentype feature. How to access Alternates Character? Open glyphs panel : In Adobe Photoshop choose tool Window glyphs In Adobe Illustrator choose tool Type glyphs Ligatures feature is default setting in Adobe Illustrator or Adobe Photoshop in Uppercase character. So when you want not to use the ligatures. Open glyphs panel : In Adobe Photoshop choose tool Window Character and then please click fi symbol In Adobe Illustrator choose tool Window Type Open Type and then please click fi symbol If you have questions, just send me a message and I’m glad to help. Have a great day, Absonstype

This is a grotesque typeface which was derived from an older more simple version designed back in 2000. Bulletin Sans Pro is distinguished by its selective deep cuts which give this typeface a robust and contemporary look. These cuts become more apparent at larger sizes while they create a more subtle effect at smaller sizes. For intense titles try the black version. When space and legibility for long texts are critical, use the lighter versions. The family consists of 10 fonts—from black to light—including true italics. It supports 20 special OpenType features like small caps, fractions, ordinals, etc. and offers multilingual support for all European languages including Greek and Cyrillic. Finally, every font in this family has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations for packaging, public areas, environment, transportation, computers, fabric care and urban lifestyle.

DEMORA is the sporty sans serif style with uppercase and lowercase looks and feel nice balanced. Provide alternates and ligatures variant style make the design letter looks nice. Honestly it works perfectly for headlines, logos, posters, packaging, T-shirts and much more. Recommended to use in Adobe Illustrator or Adobe Photoshop with opentype feature. How to access Alternates Character? Open glyphs panel : In Adobe Photoshop choose tool Window glyphs In Adobe Illustrator choose tool Type glyphs Ligatures feature is default setting in Adobe Illustrator or Adobe Photoshop in Uppercase character. So when you want not to use the ligatures. Open glyphs panel : In Adobe Photoshop choose tool Window Character and then please klick fi symbol In Adobe Illustrator choose tool Window Type Open Type and then please klick fi symbol If you have questions, just send me a message and I’m glad to help. Have a great day, Absonstype

DETERMINE is a strong modern sans style with upper and lowercase feel nice balanced. Its wide range of uppercase with alternates and ligatures allow versatile design options and works perfectly for headlines, logos, posters, packaging, T-shirts and much more. Font Features : Regular and Italic version Character set A-Z Ligatures in Uppercase Alternates in Uppercase Numerals & Punctuation Accented Characters Multiple Languages Supported Recommended to use in Adobe Illustrator or Adobe Photoshop with opentype feature. Ligatures feature is default setting in Adobe Illustrator or Adobe Photoshop in Uppercase character. So when you want not to use the ligatures. Open glyphs panel : In Adobe Photoshop choose tool Window Character and then please klick fi symbol In Adobe Illustrator choose tool Window Type Open Type and then please klick fi symbol If you have questions, just send me a message and I'm glad to help. Have a great day, Haksen

AVEMON is the elegant classic serif style with uppercase and lowercase feel nice balanced. Provide alternates and ligatures font in variant style make the design letter looks nice. Honestly it works perfectly for headlines, logos, posters, packaging, T-shirts and much more. Recommended to use in Adobe Illustrator or Adobe Photoshop with opentype feature. Ligatures feature is default setting in Adobe Illustrator or Adobe Photoshop in Uppercase character. So when you want not to use the ligatures. Open glyphs panel : In Adobe Photoshop choose tool Window Character and then please click fi symbol In Adobe Illustrator choose tool Window Type Open Type and then please click fi symbol How to access Alternates Character? Open glyphs panel : In Adobe Photoshop choose tool Window glyphs In Adobe Illustrator choose tool Type glyphs If you have questions, just send me a message and I’m glad to help. Have a great day, Absonstype

Hello, Everyone! Ready to make your branding spark? If you need to create a big, bold logo for your business, work on a poster for an event, or whatever your project may be-then this is the perfect font for you. Vikeys-A Sans Serif Font Family If we can give you many options then why not? Vikeys is a package that will makes you very happy. With this family you will get many options to maximize your designs with stylish fonts. Vikeys is made in uppercase and lowercase that easy on the eyes and nice to look while it’s also easy to read. This font designed to bring your branding to life and add a touch of modernity, fun and style. Perfect to create amazing headings, logos, menus, social media graphics, and many more. Features: - Multilingual Support - PUA Encoded - Numerals and Punctuation Thank you for downloading premium fonts from Nathatype

Rottering is the elegant modern serif style with uppercase and lowercase feel nice balanced. Provide alternates and ligatures font in variant style make the design letter looks nice. Honestly it works perfectly for headlines, logos, posters, packaging, T-shirts and much more. Recommended to use in Adobe Illustrator or Adobe Photoshop with Open Type feature. Ligatures feature is default setting in Adobe Illustrator or Adobe Photoshop in Uppercase character. So when you want not to use the ligatures. Open glyphs panel : In Adobe Photoshop choose tool Window Character and then please click fi symbol In Adobe Illustrator choose tool Window Type Open Type and then please click fi symbol How to access Alternates Character? Open glyphs panel : In Adobe Photoshop choose tool Window glyphs In Adobe Illustrator choose tool Type glyphs If you have questions, just send me a message and I’m glad to help. Have a great day, Absonstype

Rectoba is the sporty sans style with uppercase and lowercase looks and feel nice balanced. Provide alternates and ligatures font in variant style make the design letter looks nice. Honestly it works perfectly for headlines, logos, posters, packaging, T-shirts and much more. Recommended to use in Adobe Illustrator or Adobe Photoshop with Open Type feature. Ligatures feature is default setting in Adobe Illustrator or Adobe Photoshop in Uppercase character. So when you want not to use the ligatures. Open glyphs panel : In Adobe Photoshop choose tool Window Character and then please click fi symbol In Adobe Illustrator choose tool Window Type Open Type and then please click fi symbol How to access Alternates Character? Open glyphs panel : In Adobe Photoshop choose tool Window glyphs In Adobe Illustrator choose tool Type glyphs If you have questions, just send me a message and I’m glad to help. Have a great day, Absonstype

DUAL is a full width sans-serif typeface with an experimental side. Its straight lines and 90 degree angles give it a very geometric feel without hindering its legibility. It’s now available in 6 weights, ranging from 100 to 600. The idea behind DUAL has been brewing for quite some time, and though there has been many “experimental” released in the past, it does have its unique features. For starters, it is a fully usable and legible font in its original state. Also, its 251 alternate glyphs and 10 stylistic sets are, of course, its main attraction making DUAL a very versatile typeface for any user, from the casual designer to the hardcore artist. Finally, it has extensive additional language support for the Americas and parts of Europe. With its 563 glyphs, It’s actually two fonts in one, and thus the name DUAL. Enjoy!

Hello, Everyone! Ready to make your branding spark? If you need to create a big, bold logo for your business, work on a poster for an event, or whatever your project may be-then this is the perfect font for you. Vastine-A Sans Serif Font Family If we can give you many options then why not? Vastine is a package that will surprise you. With this family you will get many options to maximize your designs with stylish fonts. Vastine is made in uppercase and lowercase that easy on the eyes and nice to look while it’s also easy to read. This font designed to bring your branding to life and add a touch of modernity, fun and style. Perfect to create amazing headings, logos, menus, social media graphics, and many more. Features: Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Square Sans Pro is one of Parachute’s most popular typefaces. It has been used by the likes of companies such as Samsung and organizations like the European Commission. Now a new version has been released. Square Sans Condensed Pro is a square-shouldered, modern and self-assured text typeface which lends style to a variety of projects. With its generous x-height, full-bodied counters and uniform stroke weight, it provides high legibility and uniform typographic color at all sizes. This is an exceptionally warm and comprehensive type family -with slightly rounded edges and softened curves- which possesses a robust and friendly appearance. The family consists of 12 fonts -from extrablack to thin- including true italics. It supports opentype features like small caps, fractions, ordinals, etc. and offers multilingual support for all European languages including Latin, Greek and Cyrillic. Download its complehensive PDF Specimen Manual for further details.

Excritura is the third typeface created by the Spanish designer Alex Camacho. The robust personality of this original calligraphy-derived italic font will undoubtedly also win you over.Organic shapes determine the character of Excritura, a calligraphic typeface by Alex Camacho. The font has been modelled on the work of the Spanish Architect Antoni Gaudí and was inspired by his love of natural forms and craftsmanship. This is perhaps unsurprising in view of the fact that Camacho grew up in Barcelona, home to much of Gaudí’s creative oeuvre. Organic shapes determine the character of Excritura, a calligraphic typeface by Alex Camacho. The font has been modelled on the work of the Spanish Architect Antoni Gaudí and was inspired by his love of natural forms and craftsmanship. This is perhaps unsurprising in view of the fact that Camacho grew up in Barcelona, home to much of Gaudí’s creative oeuvre.

The famous roman type cut in Venice by Nicolas Jenson, and used in 1470 for his printing of the tract, De Evangelica Praeparatione, Eusebius, has usually been declared the seminal and definitive representative of a class of types known as Venetian Old Style. The Jenson type is thought to have been the primary model for types that immediately followed. Subsequent 15th-century Venetian Old Style types, cut by other punchcutters in Venice and elsewhere in Italy, are also worthy of study, but have been largely neglected by 20th-century type designers. There were many versions of Venetian Old Style types produced in the final quarter of the quattrocento. The exact number is unknown, but numerous printed examples survive, though the actual types, matrices, and punches are long gone. All these types are not, however, conspicuously Jensonian in character. Each shows a liberal amount of individuality, inconsistency, and eccentricity. My fascination with these historical types began in the 1970s and eventually led to the production of my first text typeface, Iowan Old Style (Bitstream, 1991). Sometime in the early 1990s, I started doodling letters for another Venetian typeface. The letters were pieced together from sections of circles and squares. The n, a standard lowercase control character in a text typeface, came first. Its most unusual feature was its head serif, a bisected quadrant of a circle. My aim was to see if its sharp beak would work with blunt, rectangular, foot serifs. Next, I wanted to see if I could construct a set of capital letters by following a similar design system. Rectangular serifs, or what we today call "slab serifs," were common in early roman printing types, particularly text types cut in Italy before 1500. Slab serifs are evident on both lowercase and uppercase characters in roman types of the Incunabula period, but they are seen mainly at the feet of the lowercase letters. The head serifs on lowercase letters of early roman types were usually angled. They were not arched, like mine. Oddly, there seems to be no actual historical precedent for my approach. Another characteristic of my arched serif is that the side opposite the arch is flat, not concave. Arched, concave serifs were used extensively in early italic types, a genre which first appeared more than a quarter century after roman types. Their forms followed humanistic cursive writing, common in Italy since before movable type was used there. Initially, italic characters were all lowercase, set with upright capitals (a practice I much admire and would like to see revived). Sloped italic capitals were not introduced until the middle of the sixteenth century, and they have very little to do with the evolution of humanist scripts. In contrast to the cursive writing on which italic types were based, formal book hands used by humanist scholars to transcribe classical texts served as a source of inspiration for the lowercase letters of the first roman types cut in Italy. While book hands were not as informal as cursive scripts, they still had features which could be said to be more calligraphic than geometric in detail. Over time, though, the copied vestiges of calligraphy virtually disappeared from roman fonts, and type became more rational. This profound change in the way type developed was also due in part to popular interest in the classical inscriptions of Roman antiquity. Imperial Roman letters, or majuscules, became models for the capital letters in nearly all early roman printing types. So it was, that the first letters in my typeface arose from pondering how shapes of lowercase letters and capital letters relate to one another in terms of classical ideals and geometric proportions, two pinnacles in a range of artistic notions which emerged during the Italian Renaissance. Indeed, such ideas are interesting to explore, but in the field of type design they often lead to dead ends. It is generally acknowledged, for instance, that pure geometry, as a strict approach to type design, has limitations. No roman alphabet, based solely on the circle and square, has ever been ideal for continuous reading. This much, I knew from the start. In the course of developing my typeface for text, innumerable compromises were made. Even though the finished letterforms retain a measure of geometric structure, they were modified again and again to improve their performance en masse. Each modification caused further deviation from my original scheme, and gave every font a slightly different direction. In the lower case letters especially, I made countless variations, and diverged significantly from my original plan. For example, not all the arcs remained radial, and they were designed to vary from font to font. Such variety added to the individuality of each style. The counters of many letters are described by intersecting arcs or angled facets, and the bowls are not round. In the capitals, angular bracketing was used practically everywhere stems and serifs meet, accentuating the terseness of the characters. As a result of all my tinkering, the entire family took on a kind of rich, familiar, coarseness - akin to roman types of the late 1400s. In his book, Printing Types D. B. Updike wrote: "Almost all Italian roman fonts in the last half of the fifteenth century had an air of "security" and generous ease extremely agreeable to the eye. Indeed, there is nothing better than fine Italian roman type in the whole history of typography." It does seem a shame that only in the 20th century have revivals of these beautiful types found acceptance in the English language. For four centuries (circa 1500 - circa 1900) Venetian Old Style faces were definitely not in favor in any living language. Recently, though, reinterpretations of early Italian printing types have been returning with a vengeance. The name Vendetta, which as an Italian sound I like, struck me as being a word that could be taken to signifiy a comeback of types designed in the Venetian style. In closing, I should add that a large measure of Vendetta's overall character comes from a synthesis of ideas, old and new. Hallmarks of roman type design from the Incunabula period are blended with contemporary concerns for the optimal display of letterforms on computer screens. Vendetta is thus not a historical revival. It is instead an indirect but personal digital homage to the roman types of punchcutters whose work was influenced by the example Jenson set in 1470. John Downer.

Al Seg 33 is a moderately dense alphanumeric display. The 33 segments are made up of eight outer segments, and twenty-four inside segments, and a center dot. It has five diagonals in each corner.

Just Believe is a simple and organic handwritten font. Natural and a bit quirky, this font will brighten up each of your designs. Add it confidently to your projects, and you will love the results.

Posey is a vintage display family (All Caps) including Regular (Clean), Textured versions as well as Italic versions of each. It's perfect for logos, name card, magazine layouts, invitations, headers, or even large-scale artwork.

Mochi Star is a cute and baby-like display font. This font will turn each of your project ideas into real works of art. Have fun with this fun font and explore its endless variations!

Black Magnet is great looking, badass, and each character was designed with great composition. Of course, this font is very suitable for you that like death metal music, design, your clothing, logo, and many others.

Typeface designed for award winning website www.bubole.pl. To be able to change fills and stroke color separately we created 3 fonts. Each glyph has an alternative version so it can give a more handmade impression.

A scribbled kids handwriting kinda font without overdoing it, which makes it super legible, even at very small sizes. I have added 5 different versions of each letter, and they automatically changes as you type!

Baby Moala is a simple, fun and display handwritten font. This adaptable font will look great on a variety of design ideas. It will add a fun and friendly touch to each of your projects!

Old Jersey is a cool, vintage styled and rough textured display font. This adaptable font will look great on a variety of design ideas. It will add a distinct touch to each of your projects

QuadratishSerif is an interesting ultra black type design with serif, that contains both solid and outlined lettering styles. A third design style can be created when combining the two styles over top of each other.

Mandorlato is a font family fruit of an exploration of the timeless almond shape. It supports 114 languages, features a total of 505 glyphs and includes an italicized version for each of the 5 weights.

Cathena is a modern script with sweet touches and beautiful curves in each letter. It features a bold, authoritative, luxurious, modern and premium nature. Cathena is great for wedding invitations. magazines, logos, signatures, photography watermarks.

Maeva is a non-joining wide formal 60s script, directly designed and carefully finished by hand on screen, trying to keep the script alive – preventing it from looking mechanical – by drawing each letter from scratch.

Edmund is a vintage display family (All Caps) including Textured, Rough & Clean versions as well as Italic versions of each. It's perfect for logos, name card, magazine layouts, invitations, headers, or even large-scale artwork.

Font with elegant cursive script initials to create two-letter monograms for letterheads. Includes 37 borders, each accessed by a single key-stroke on the computer keyboard.The borders will automatically line up with the initials.

Cline, a family of slab and sans typefaces that seamlessly harmonize with each other. All styles have the same width, so changing font weight will not affect your typesetting. Suitable for both text and headlines.

Say hello to my all caps wannabe typewriter font. It’s distressed, but still perfectly legible! I have added 5 slightly different versions of each letter for a more handmade feeling, and of course multilingual support!

Fander font family is designed to create minimalist logos, wordmarks, titles, taglines. Each letter of the font has up to 12 alternates. You can mix default characters and alternate characters to get the best combinations.