Antique Price Tags JNL is a collection of fifty-two decorative price cards recreating the look and charm of turn-of-the-last-century mercantile shops. The design is a hybrid of the decorative frame and dollar sign of antique price cards spotted in an online auction, and prices modeled from some gummed numerals once made by the Tablet and Ticket Company of Chicago under the brand name “Willson’s Gummed Letters” (after the company’s founder). Also included in the font are blank price cards with only a dollar sign, a cents sign or an empty frame, as well as a solid black frame for creating a backfill color. A companion font is available with the numbers in white on black panel backgrounds.

M Kai 2 HK is a handwritten style Traditional Chinese typeface. Handwritten font designs are derived directly from hand-drawn lettering or handwriting using analogue tools. Handwritten style Traditional Chinese fonts can include typefaces that reference or reinterpret traditional calligraphy, using classical exemplars by calligraphic masters.

M Kai 2 PRC is a handwritten style Simplified Chinese typeface. Handwritten font designs are derived directly from hand-drawn lettering or handwriting using analogue tools. Handwritten style Simplified Chinese fonts can include typefaces that reference or reinterpret traditional calligraphy, using classical exemplars by calligraphic masters.

Bay Area Nouveau JNL is an ultra bold, Art Nouveau headline font inspired by hand lettering on the cover of a piece of 1911 sheet music entitled "The Only Pal I Ever Had Came from 'Frisco Town'".

Street Tag vol 2 is the second version of Street Tag fonts. Inspired from realistic caligraphy tagging style in many big cities. This style is more bold and readable, perfect for your “street art” designs style. I combined the real graffiti experiences into computer fonts, I think it will be different with other fonts if you can feel it, cause I draw graffiti, tagging and throw ups since I was high school. The real tagging style is never be tidy, but don’t worry, I already adjust the kerning and spacing in the best possible way. You’ll find the better result when you adjust the kerning, and edit baseline manually, especially for the alternates font, if you unfamiliar with these one, you can find many tutorials in youtube, for the example https://www.youtube.com/watch?v=251cTL029M4. what will you get You’ll get some alternates in several alphabet, see that in the font preview, some sample fonts I change the dot in “I” to stars, and I add ‘ into “O”, sometimes we do that in the real walls! You can explore more with this font!

German type designer Thomas Marecki created this display and script FontFont in 1994. The family contains 2 weights: Skinny and Fat and is ideally suited for music and nightlife. FF Tag Team Marker provides advanced typographical support with features such as swashes, ligatures, alternate characters, and case-sensitive forms. It comes with proportional oldstyle figures.

German type designer Simone May created this display FontFont in 1995. The font is ideally suited for festive occasions and poster and billboard projects. FF A Lazy Day provides advanced typographical support with features such as ligatures and comes with tabular lining figures.

Short, wide thin-stroked writing. Although handwritten, it is a very clean style.

CHARACTERISTICS The fresh and unique character of the typeface are awesome BOOM! The letter-forms are associated urban graffiti tags and pieces. Many Dingbat symbols like microphone, tape deck, ghetto blaster, vinyl, etc. make this font really fresh n HOT! APPLICATION AREA The handwritten, sloppy, square, shaky and fresh urban script font »Tag Hand Graffiti Trash« BANG! would look good at display size for headlines in magazines or websites, movie posters, music covers artworks or music webbanner. TECHNICAL SPECIFICATIONS Headline Font | Display Font | Fancy Font – Tag Hand Graffiti Trash OpenType Font with 393 glyphs - alternative letters and ligatures like Mr, Mrs, Ltd, Co, Dr, Mc, Dj etc. (with accents & €) & 2 styles (regular & fat) + dingbats like diamant, tape deck, microphone, vinyl etc.

TAN - THE LAUNDRY ROOM is a fun display serif. Wonky yet composed and retains the legibility. *the italic font used in the display is TAN - ANGLETON (italic) — Our fonts are supported by most design software, please make sure it can read the OpenType fonts to be able to access all ligatures. Please be informed that while our font works well in Canva, but Canva itself doesn’t support advance opentype features such as special characters. For support, please don’t hesitate to contact us at tantypeco@gmail.com.

The typography on a 1964 children’s activity book published by Whitman entitled “Build with Stencils” was in a bold, condensed design. The only problem was that the ‘rails’ [the parts that divide a letter into stencil pieces] were too narrow and would disappear at smaller point sizes. Widening the ‘rails’ just a bit greatly improved the appearance of the stencil characters. Play Day Stencil JNL is now available in both regular and oblique versions. In its day, the Whitman Publishing Company of Racine, Wisconsin published dozens of activity books for children, including a number of them with stencils. The company was a division of Western Publishers from the early 1900s through the 1970s, but went through a number of sales and name changes. Currently [as Whitman once again] it is owned by Anderson Press, and is known for its line of coin folders and books on coin collecting.

Is This the End has three different ornamental endpieces ready to use in end chapters, final pages in books, magazines and several artistic representations. Each endpiece may be used in different languages like German, Bulgarian, Croatian, Danish, Spanish, Finnish, French, Dutch, Italian, Norwegian, Polish, English and Portuguese. Intellecta Design researched these endpieces from the very rare Richard Gans type catalogue from 1882.

Beautiful Day Script Font DUO is a new modern script font with an irregular base line. Trendy and feminine style. Beautiful Day Script looks beautiful in wedding invitations, thank-you cards, quotes, greeting cards, logos, business cards, and more. Perfect for use in ink or watercolors. Including initial letters and terminals, alternatives and support for many languages. To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or newer versions. There are additional ways to access alternatives / swash, using Character Map (Windows), Nexus Fonts (Windows), Font Books (Mac) or software programs such as PopChar (for Windows and Mac). How to access all alternative characters: https: //www.youtube.com/watch? v = Go9vacoYmBw https: //www.youtube.com/watch? v = XzwjMkbB-wQ Need help or have questions, let me know. I am happy to help :) Thank you & Congratulations on the Design!

The freeflowing and quite feminine style of this script appealed to me, but it needed a bit of taming. Quite a few of the letterforms have been normalized - to better accommodate the diacritics. :) All fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Stay Classy! ...with the suave new Stay Classy Font Duo consisting of a sophisticated signature-style script, and an elegant, classy, all-caps serif font. With impeccably refined curves and silky smooth edges, the Stay Classy Font Duo is perfect for adding a classy, modern touch to your projects. Perfect for branding, weddings, social media, product design, stationery and advertising - Stay Classy is versatile enough to add that elegant element to just about any project where a special touch of class is required. THE SCRIPT : To make the script appear as natural as possible in your designs , I have included 2 sets of opentype stylistic lowercase alternates - one of which includes the elegant end letters. Words look more naturally finished off if end letters are formed with a subtle up-curve. Last but certainly not least, a large selection of 30 carefully styled character ligatures ( letter combinations ) have also been built in ( see previews above ) . For those after a more rustic, original look. THE SERIF : The Serif includes carefully constructed built-in opentype kerning pairs to ensure impeccable letter spacing throughout the font. Typically, in any all-caps serif font, there are certain letter pairs (such as OV AW AT AY AV WO and many more ) that often look incorrectly spaced when coupled together, due to their natural dimensions. Built-in opentype kerning pairs eliminate this issue - meaning perfectly balanced letter spacing no matter what you type.

OCR-A AI Text is the version for normal use when the text will be read by humans. OCR-A AI is the version to use for machine reading.

Ye-As-Ta is a unique interpretation of traditional brush drawn oriental calligraphy. A caps only font, the characters type English style left to right but appear laid on their side. When the text box is rotated 90 degrees clockwise the text reads top right to bottom left, oriental style. A fun typeface, though reading can require a little practice!

The Modern Times is the most popular font developed by me. It was sold more than any other of font that I created. The earlier version supported Western Europe, Central/Eastern Europe, Baltic, Turkish, Romanian, Cyrillic, Greek, Georgian languages. Last year, I decided to update it. The new version is called TA Modern Times. Its OpenType features include 1200 glyph, Stylistic Alternates, Stylistic Set 01–12, Standard and Discretionary Ligatures, Numerators, Denominators, Subscript, Superscript, Ordinals, Contextual Alternates and Kerning. Currently, supported languages are as following: Western Europe, Central/Eastern Europe, Baltic, Turkish, Romanian, Cyrillic, Greek, Hebrew. Additionally, the font has multiple styles such as Semi Condensed, Condensed, Extra Condensed, Ultra Condensed, Rounded, Inline, Outline, Semi Expanded, Expanded, Extra Expanded, Ultra Expanded. 6 previous versions of the font are FREE. You may download and enjoy it. Latin Plus languages supported 95% Latin Plus diacritics included 88% TA Modern Times OpenType features list: aalt, calt, case, dlig, dnom, frac, kern, liga, locl, numr, ordn, salt, sinf, ss01, ss02, ss03, ss04, ss05, ss06, ss07, ss08, ss09, ss10, ss11, ss12, subs, sups TA Modern Times graphic presentation at Behance

Churchward Ta Tiki is a new font release by BluHead Studio, LLC from the exciting and unique typefaces of New Zealand designer Joseph Churchward. We will be releasing fonts from his extensive library in OpenType format on a regular basis.

Since 2017, I have been improving my font creating skills. In the same year, I went through my father's notes and decided to make a font with his handwriting style. I completed the initial version with a lower number of glyphs in 2018. It supported only basic Latin, Turkish, and Azerbaijani alphabets. On the 15th of January 2021, my dad will turn 60. I am planning to finalize the updated version of the Father font by then. 584 glyph, 100+ Languages Set. Multilingual support: Latin basic, Latin Extended, Cyrillic, Central Europe, Turkish, Romanian, Euro, West European diacritics

TA Regresso PRO graphic presentation at Behance TA Regresso PRO font is inspired by Didon and Bodoni fonts. A combination of a little Bodoni and a little Didon elements and a unique style and Text, Display, Subhead and about 80 styles, it is a font that gives the user a choice. TA Regresso font supports Greek, Hebrew, Cyrillic and Latin alphabets. After starting work on the font since February of last year, the font is ready today with constant revisions. Being open to learning, I sought help from experienced designers. I must mention that Yulia Gonina, the founder of Schrifteria Foundry, also helped me a lot to make Regresso good. With her knowledge and advice, the flaws in the font were eliminated. By the way, Viktor Baltus also helped me with his valuable advices. I did some research about the alphabets of the supported languages so that Regresso is good. I paid a lot of attention to the correct design of the letters. I will fix the problems I missed in the next updates of the font. I would be happy if you send me your work when you use my font. I'm very interested in where you use my font. TA Regresso PRO contains 200+ Latin and Cyrillic, Greek, Hebrew languages. TAFT produce retail typefaces, create custom fonts and even do Greek, Hebrew and Cyrillization. Our mission is to create and distribute only carefully drawn, thoroughly tested, and perfectly optimized typefaces which are available to a wide range of customers. If you're looking for a type or logo → t@taft.work

TA Bankslab Shadow I created the font in 10 styles. 7 weight from Thin to Extra Black, an Outline, Shadow, and Art Nouveau. The Art Nouveau style was inspired by the texture in the background used for the text on the building. The texture I applied to capital letters adds beauty to the font. If you like the font feel free to use it or simply let me know if your current alphabet doesn't support this font.

ABTS day of the dead is a highly detailed and meticulously designed symbol font. It’s design is inspired by the Day of the Dead celebration, honoring the deceased. I think The Day of the Dead is one of the greatest reasons anyone should celebrate life, so I decided to make a font honoring that tradition. I'm not even sure If I got all of it right, (traditional symbols and such) but it was a joy to create. There are 2 fonts. The first is the Skulls. This includes uppercase and lowercase A-Z, a-z. There you will find the decorated skulls, blank skulls, and negatives. The second font is the symbols. If you wish to design your own Day of the Dead skull, you should purchase the symbols, as they are designed specifically for adorning the blanks. Purchasing both fonts will give you a discount. Please note, the symbol font will show up in your application of choice as “ABTS Day of the Dead Bold.” This is to avoid software problems with naming the font itself "Symbols." Skulls are awesome!!!

M Ling Wai is a humanistic script based on a real handwritten style. It has a feminine, urban and lively character filled with literate finesse. M Ling Wai was written with a thin ball pen by a young woman in a unique, personal, running writing style, such that it is real, natural and feminine. Contrast of strokes is low and the text is visible and eye-catching. Its light to medium stems (豎) make it suitable for small text and subheading with little conglutination. All strokes are highly irregular, inconsistent, irregularly oriented and tightly coupled or connected. Spatial distribution, positioning, size and relative proportion of radicals fully reflect a natural and personal favor. It is one of the first proportional width font in a full scale. It is best suited for casual lively text, illustrations, set upright (non-slanted), non-condensed.