Portello is a display family in the tradition of Tuscan advertising and display faces. It's a family of three 'all capital' faces. A perpendicular regular form is offered, along with an italic form (a true italic - with purpose designed glyphs-NOT merely an oblique) and a basic form for small text - which dispenses with the family's characteristic outlined look. It offers the spirit of the Victorian era with ready and distinctive legibility. It's ideal for poster work, especially at large sizes, and for signage with a period flair. Why not give your work the flair of colorful 19th century commercial design today?

- Heptal is a typeface family with five weights including true italics. The geometry of the characters is neo-gothic and the serifs are polygonal concave or inverted Tuscan. - Heptal fonts offer a complete set of lowercase alternatives and advanced open type functions. - The proportions, the metrics and the Kerning are meticulously configured so that the texts are shown fluid and the graphic stain is compensated. - These fonts have a wide table of characters (530 glyphs) with support for all the languages derived from Latin.

This font is an orphanage where all the beautiful details of classical grotesque typefaces from the early twentieth century are gathered, and thus living together, are forming a ‘new’, happy family. The aim was to collect my favorite characters in one font. The start was an eclectic collection orientated on British types from the Caslon Doric No. 4, the Monotype Grotesque, the Gill, the Franklin Gothic up to the Transport. In this amalgamation I avoided the narrow apertures in the ‘e’, ‘c’ and in the numerals ‘5’, ‘6’ and ‘9’ and enlarged the x-height dramatically. To the classical slanted form of the italics I added real italic forms for ‘a’, ‘e’ and ‘g’ in order to obtain a more distinguished italic style. DF-Dejavu Pro supports all Latin-based languages (Western, Central-European, Eastern-European, Baltic and Turkish) and includes small capitals, ligatures, inferior & superior numerals and letters, fractions, various numeral styles: proportional lining, tabular lining, proportional old-style, tabular old-style and last but not least a slashed zero.

Acuta is a new all-purpose text serif with a good readability and a contemporary, robust look thanks to its low-medium contrast. The differences between thicks and thins are less strongly marked than in oldstyle text faces; yet the diagonal stress needed to facilitate reading is partly provided by the letter shape itself: sharp angles and italic construction give the right dynamism to the text. Acuta becomes very distinctive as a headline, while its big x-height makes it suitable for texts at rather small sizes too. The family consists of seven weights & correspondent italics, with a large character set. The Book and Medium weights, relatively close to each other, can both be used as “plain” weight depending on the size of the text, background color or backlighting. Small caps, oldstyle and tabular figure alternates, superiors and inferiors and ligatures are available in all styles through OpenType features. The real italics include unobtrusive swash alternates to emphasise the written feeling. Please find a specimen of Acuta (PDF) in the Gallery section.

Sku typeface is a elegant display font and comes in 2 styles: Regular & Italic.

Magzo is specially designed for food logo brand identity and packaging design projects. Some other industries that are very suitable for this font are beauty cosmetic and handmade projects. Magzo consists of 16 fonts including: 7 normal, 7 italic and 2 alternate (semi Bold) normal and italic versions too. As a note, alternate characters and ligature only available in Magzo Alt regular and italic . You can see an example of using the Magzo Alt font on covers 1 and 3. Tutorial how to Install & use Alternate / Special Character : https://hanscostudio.com/tutorial/ Enjoy!

My goal in designing Zentral was to create a distinctive sculptural font intentionally in Regular and Italic only. I believe Zentral Regular and Italic has the latitude and flexibility needed in most type scenarios without having to resort to multiple weights. Zentral Regular upper/lowercase provides a very pleasant contrast and can be varied by using Zentral Regular capitals. Zentral Italic is ideal for creating emphasis of words, quotes or phrases. This combination provides maximum impact and readability. Zentral is a contemporary font ideal for branding, packaging, advertising, editorial in print and e-print applications.

Clear Prairie Dawn is an original humanist sans serif family based on the designer's own printing. Designed for use as a text face, as a humanist sans it shares some of the characteristics you might notice in other such faces as Optima, Gill Sans or Stone Sans. The italic is a designed italic, rather than merely a slanted roman, and incorporates many of the ideas that the designer found too lively for the roman fonts. The complete CPD package consists of three weights with italics, and a set of original ornaments.

RealScore Script was inspired from the old west-coast music copyists. It is a handwritten font coming in 8 weights: Realscore Script Light Realscore Script Light Italic Realscore Script Light Oblique Realscore Script Regular Realscore Script Italic Realscore Script Oblique Realscore Script Bold Realscore Script Bold Italic Realscore Script Bold Oblique RealScore Script fonts can be used with any word processing program for text and display use, print and web projects, apps and ePub, comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun!

Introducing clean, minimalistic and actually fonts family. Balanced letter height and width - based on analysis of current design trends. Text typed in this font does not distract attention from design, but organically complements any design. Ideal for short phrases, footnotes and headlines. Font has High readability in large volumes of text. Branding with this font looks trendy and expensive. Minimaly font family is versatile in use and very modern. Features: Clean letters and absolute minimalism 6 fonts in family: - Thin, Thin Italic - Regular, Italic - Bold, Bold Italic Kerning ld.luxfont@gmail.com

As a result of fascination for East European type design, MRF couldn’t resist to make a unique interpretation of a typeface named Pracht. Originally made by the Czech type designer Carl Pracht in 1941–43. Having a rather calligraphic style both in regular and italic, MRF preferred it to be more straightforward and modern-looking. The italic version was executed with traditional italic letters (a, f, g, k, v, w and y). The numerals were made in a classic manner as old-style figures. Can be treated as both a text and display font.

Meet Misspiece, a luxury ligature serif font with italic. Misspiece combines a vintage look with a modern flair to add more elegance to your project. This font can be used in high-end branding, logo designs, magazines, product packaging & invitations, wedding designs, social media posts, advertisements, labels, photography, and watermark... WHAT’S INCLUDED? Misspiece Regular (uppercase & lowercase) Misspiece Italic (uppercase & lowercase) Misspiece Condensed (uppercase & lowercase) Misspiece Condensed Italic (uppercase & lowercase) Numbers & punctuation Ligature & Huge Stylistic alternate Multilingual support. Still have a question? Send me a message and I’ll be happy to answer! qura.yahya@gmail.

Oculi Magni is a new sans serif type family of 8 weights with italics. This font was specially designed for the composition of texts in small size as captions or footnotes but the thin and black weights can also be used in display sizes. The x-height, as tall as possible, allows the composition of very tight, very dense texts while maintaining a perfect readability.

Alpha is a modern Sans Serif design, very elegant and readable but still also economic. Alpha is offered in regular, bold and italic, with the bold italic still in the works. Alpha is strikingly clear and without any flourishes. Its pretty large x-height guarantees excellent readability, and the design is easily recognized.

Diotima was designed by Gudrun Zapf von Hesse in 1948, the italic even earlier, in 1939. Diotima is a festive font particularly well-suited to invitations, programs and poems. The delicate italic draws attention to text which should be emphasized. Zapf von Hesse’s Ariadne Initials and Smaragd are perfect complements to Diotima.

CTCo Hopps Condensed takes inspiration from vintage beer labels, newspaper headlines, and woodcut type. Hopps is the perfect typeface to make a big statement with a classic impact. Hopps comes in 4 flavours: Regular Soft (slightly rounded) Italic Italic Soft CTCo Hopps is a condensed grotesque designed for headlines, posters and logos.

Almost a straightened italic typeface, August explores the idea of taking italic and script letterforms out of context and creating a typeface with a mix of references that does not look like too soft and feminine, but has a sharpness and angularity in some of its characters that jars against this softness.

The Scrivano family was designed by Ricardo Esteves Gomes, inspired by some handwritings from the Middle Ages and Renaissance period. There are four elegant organic font styles (Regular, Italic, Bold & Bold Italic) that can be very useful to compose long or short texts in graphic standards that need some 'old style' feeling.

Kinlock is a new elegant stencil serif font featuring a regular & italic version. Its luxurious lines will work perfectly for any sophisticated design project. Perfect for luxury product packaging, labels, branding, advertising & much more. Kinlock includes all standard glyphs plus a few essential ligatures as well as multilingual characters.

Johann is an elegant, geometric, san serif typeface who's clean, simple structure and form create a versatile typeface that works effortlessly across print & digital applications. Created in 2012 by NiceType, the Johann family consists of 5 weights, plus corresponding italic sets that all have their own individual strengths.

Almarose is a geometric sans serif OpenType font designed by Fanny Coulez and published by S&C Type. Functional with a little distinctive touch, Almarose comes with 9 weights with italics, from Thin to ExtraBlack, and was designed for all uses like texts, web or headlines. Merci beaucoup.

“The Secret Library” perfectly encapsulates the vintage scribbled italic while adding a contemporary twist. It intentionally retains inky edges in an effort to convey the feel of antiquity. This font looks great in books, illustrations, posters, and on stationery. All uppercase/lowercase letters have at least one alternative glyph.