Initially, I participated in the contest to design the logo for Bill Lloyd. In the end, the design was rejected, but letters remained. I then decided to continue with the idea and complete the entire typeface. After a couple of months, I realized that the typeface was imperfect, and now that I’m working on an updated Lloyd type, this one is free. The main characteristic of the typeface is its bold and curvy shapes. It is also tall and original in design. It was a great experience because it taught me how failure inspires people to move on, and create something better.

Bigante is a big, giant superfamily with two variants: Solid and Inline, offering six weights and seven widths. Its constructed design interprets rounded corners as three 30° angles, resulting in edged terminals and twelve-sided dots. While it sounds functional, this rounded-like semi-serif enhances the appearance, creating a friendly aesthetic. The lowercase alphabet features a high x-height. For versatile use in display and advertising, the multitude of fonts enables flexibility. Captivating with a linear structure, it associates with modern architecture, tactical sports, space travel, and futuristic technology. The character set of 780 glyphs supports 410 Latin languages.

Introducing MUNISH, a playful and nostalgic font that is in style. It has an unique 1970s feel because to its massive curves. MUNISH seems really at work among those vintage designs, logos, and brands. It has separate lowercase and uppercase letters, numerals, punctuation, and multilingual letters, in addition to punctuation. Ligature typefaces are useful for anything you can think of! 2 Styles Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Rovey is an all caps handwritten serif font. It can be used to create almost all types of design projects like print materials. Just use your imagination and some graphic design set in Extras and your project will become more alive and look greater than ever with Rovey. You want to make a greeting card or a package design, or even a brand identity, craft design, any DIY project, book title, wedding font, pop vintage design, retro design or any purpose to make your art / design project look pretty and trendy? Feel free to play with this fonts!

Brother Home is a charming handwritten brush font that will bring an attractive feel to your designs. Brother Home includes 2 fonts : - Brother Home Regular: The main font with uppercase, lowercase, numbers, punctuation, and also multi-lingual support. - Brother Home Alternate: You can access alternative characters from the Regular weight via OpenType in your application, or you can also install this alternative weight. Brother Home Alternate will give you alternative characters, which will add a natural impression. That’s it! Please do let me know what you think, feel free to comment if there are issues or queries. Happy designing, Thank You!

Copenhagen has been in need of a typeface that unites the city’s many visual expressions. The three designers Morten Rostgaard Olsen, Henrik Birkvig and Ole Søndergaard have designed and developed the typeface FP København. Now available from MyFonts in 44 styles: Serif & sans serif, uprights & italics, small caps, pictos-characters, stencils, sprayed style, OT-features, ligatures, contextual alternates etc. The shapes of the letters are inspired by the city’s culture and the visual environment and design in Denmark in the 20th century. It is relatively low and wide as the city itself and with rounded corners that give it a warm visual mood.

This double-wide wonder is based on Oswald Cooper’s original drawings for the typeface Cooper Fullface. ATF rejected this offering because they felt that several of the letterforms, and particularly the numbers, were a little too wacky for the mainstream. By now, you know that such an accusation is a "Please don't throw me in the briar patch" plea to yours truly. So, here, proudly and true to their designer’s original intent, are two versions of a really fun font. Both versions of this font include the complete Unicode 1252 Latin and Unicode 1250 Central European character sets.

Inspired by vintage books and the pages within, Appareo is an imperfect, worn serif font that comes in three weights. Each weight has a varying degree of distress, from Black, in which the press and ink fully set into the page, to Medium, Light and Extralight, where the texture is heaviest. Each weight also has a custom italics version of each character. To fully give the authentic feel of worn pages of dusty books, Appareo has 5 character variations. Appareo also has a set of graphic elements, including frame, banners, borders, arrows, etc in the same style and texture.

Proudly Presenting, Aprillia Wijaya a Handmade Lettering Font. Aprillia Wijaya come with Stylistic-Alternates, Swash and Multi-Lingual Support which will fulfill your need with many choices. We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. Aprillia Wijaya is perfect for any tittle, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Proudly Present, Fake Nice a Handwritten Font which will give you an abstract impression with rough detailed brush. Fake Nice come along with Multi-Lingual Support to fulfill your need. We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. Fake Nice is perfect for any tittle, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Handelson is a collection of 6 handmade typefaces with authentic and organic feel. It contains three scripts, one non-connected script and two all caps geometric sans serifs (Block letters). Textures and rough edges are simulating handwritten and printed looks. By combining these fonts you can make diverse typographic solutions and elements with unified style. All the non-connected fonts; Handelson Two, Handelson Four, Handelson Five and Handelson Six has two sets of characters. By enabling Contextual Alternates from the OpenType panel you can make these letters vary randomly to make your text look more like real handwriting.

Miegha is a serif typeface inspired by the beauty of classic serif and calligraphy styles, Both upright and italic fonts blend with modern appeal and unique binding, high contrast and light weight font perfect for feminine logo signs, fashion heads & editorial designs, branding projects , Apparel Branding, packaging, magazine titles, advertisements, T-shirts, postcards and more. Here's what's included: · Alternates & Ligatures · Numbers & punctuation · Characters with accents · Supports Multiple Languages · PUA Encoded This type of family has become the work of true love, making it as easy and fun as possible. I really hope you enjoy it! Thank You!

Meet Voga. Voga is a condensed modern Didone typeface with three weights: Regular, medium and bold. My aim was to create a very elegant and “sexy” typeface with some unique letterforms based on the principle of contrast - curves vs. strong straight lines - thin hairlines vs. thick stems - ball terminals vs. geometric serifs. These contrasts make it a glamourous display font for titles and large typography settings, yet readable at text sizes. Voga was inspired by iconic typefaces such as Bodoni and Didot. It has an extensive glyph set that supports languages for the Americas and most of Europe.

Simplo Soft is the soft companion of Simplo. In Simplo Soft, Simplo’s original sharp geometrics have been tempered by the moderate rounding of the edges of its characters — creating a softer and friendlier geometric typeface. Simplo Soft is ideal for use in display sizes. It is also quite legible in text, and is well suited for graphic design and corporate identity design. Simplo Soft has sixteen styles, extensive language support, eight different kinds of figures, sophisticated OpenType features — so it’s ready for advanced typographic projects. Free demo font available. For more information about Simplo Soft, download the PDF Specimen Manual.

The Eixample project is inspired by modernist signage of various examples found in the Eixample neighbourhood in Barcelona. The name of each subfamily is related to its location or to specific elements of the original sign. In 2003 we photographed a sign with the word GLACES painted on a refrigerator, on which, over the years, we have speculated on how to manage the concept of double vertical modulation. This model has been expanded and the original idea has been developed in three variants that oscillate between monolinear and high contrast. In order to increase its versatility, the character set includes small caps.

Sundash versatile typeface with wide allternate allcaps. This bold modern font explores the style of Allcaps, we add a wide character to make it look more flexible. based on forms inspired by free urban culture, Sundash has a modern and vibrant spirit. Sundash explores how the shapes and curves of letters change their Focus. This font has a variable weight of 5 Light, regular, medium, bold, extrabold to make the sundash more solid. Sundash has 247 glypghs with a unique and bold character perfectly suited for a wide variety of applications from editorial design to branding, advertising, publications and digital.

Wildfire Dreams - a monoline calligraphy that's clean, elegant and perfect for a range of design projects! With its smooth, effortless lines and understated sophistication, this font is the perfect choice for those who want a modern look that's still timeless in its appeal. Crafted with precision and care, this font is incredibly versatile and can be used for a range of design projects, including logos, branding, invitations, packaging, and more. With its simple yet refined aesthetic, it's sure to make a lasting impression on anyone who sees it. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

Introducing - Modern elegant serif font branding. Rhiffiral is a modern serif font to apply to many graphic design projects or a classy editorial, a unique high contrast and light binding style for your upcoming projects. for feminine logo signs, fashion & editorial design heads, branding projects, Apparel Branding, packaging, titles magazines, advertisements, T-shirts, postcards and other special occasions. Here's what's included: · Alternates & Ligatures · Numbers & punctuation · Characters with accents · Supports Multiple Languages · PUA Encoded This type of family has become the work of true love, making it as easy and fun as possible. I really hope you enjoy it! Thank You.

Surpassing traditional Antiqua, our new collaborative font family Audela emerges after overcoming time, national borders, language differences, cultural gaps, and professional challenges. Starting off as an exercise project of our very first intern Léa Bruneau in 2018, Audela slowly shaped into a full-fledged elegant serif typeface of 14 styles under the watchful eye of Plamen Motev, Fontfabric’s Type Director. Three years later, Audela is internally regarded as a breaker of limits earning its name from the French “au-delà,” meaning “beyond.” This new rising star features sharp serifs, flowing letterforms, advanced OpenType features, Extended Latin and Cyrillic support, to name a few.

Font is the most significant design element which can be difficult to find the excellent one for a certain design. For that reason, we offer you a solution by combining two fonts into one. With Thunder Garage, finding a perfect font combination is never this easy. Thunder Garage is a duo font combination between brush and sans serif fonts which you use together in one design. Each font is beautifully created to support one another perfectly. Using a duo font gives interesting contrast and visual variations to your designs. The brush font is made similar to a handwriting style with brush details to show you personal, informal impressions. You are free to use this duo font as either one lovely set or as separated parts based on your needs. In addition, enjoy the other features available in this font. Features: Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Thunder Garage fits best for various design projects, such as brandings, posters, banners, logos, magazine covers, quotes, headings, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Designed over three years after the second World War, and published in 1949 by the Nebiolo foundry, Normandia was Alessandro Butti’s take on the fat face. As it usually was with Butti’s designs, this face effectively injected a catchy yet expertly calculated calligraphic spin into its source of inspiration — which was the essentially geometric/deco, thicker model of Bodoni’s very popular aesthetic. The metal Normandia saw some widespread use for a handful of years after its publication, not least because of the multitude of sizes in which it was available. It stepped out of the limelight by the mid-1950s, due to a combination of the popularity of cold type and Nebiolo’s refusal to retool its faces for new technologies. It was copied by a few small film typesetting outfits on both sides of the Atlantic, but never really found its way back to the mainstream. By the time computer type became the norm, Normandia was pretty much relegated to a type historian’s collection of anecdotes. This digital update of the classic series revives and refines the three original metal designs (Tonda/Regular, Corsiva/Italic, and Contornata/Outline) and expands the character set to more than 600 glyphs per font, including small caps, six types of figures, fractions and nut fractions, a full set of f-ligatures, some stylistic alternates, and other fine typography niceties.

March Evoked is a brand new display font pack that includes regular and outlined version. march Evoked is inspired by an early spring in Spain, with flowers in full bloom all over the capital city - Madrid. With contrast lines & curves it will give your design that chic & modern appeal you are looking for. It is perfect for logos, branding, posters, social media & all other creative projects. I invite you to check out the preview images, and I hope you will be immersed in my vision for this creative typeface that, I am sure, will work for all kinds of interesting projects you might be working on this year. If you end up publishing your designs on Instagram, tag me - https://instagram.com/silverstagco and I will make sure to showcase your design and work to my audience as well! March Evoked - Creaive Display Font Includes: Numerals & punctuation Full language support Would you like to get 5 completely free fonts worth over $75? No tricks, no hidden words, terms or anything. Just subscribe to my newsletter, make sure to check your email to approve the subscription, add me to your contacts so that the emails don't end up in spam folder and you will get 5 fonts for free. The fonts are packed with alternates, ligatures and some even come with extra goodies. https://view.flodesk.com/pages/63594052b967a943dd6cc528 Happy creating everyone!

An upright typeface family developed to meet the demand for letters to produce pupil material for handwriting as well as for reading. Upright letters with extended ascenders and descenders are ideal on screen. They facilitate word recognition. The exit strokes link words together visually, and in handwriting they lead to spontaneous joins along the baseline leading logically to a joined-up hand. Teachers can print desk strips, charts of letter families and alphabet friezes, as well as consistent material across the curriculum. Together these typefaces provide a valuable resource for special needs teachers. When starting point and stroke direction has been learned, the arrow font (Tracker B) can be dropped and the simpler Tracker font used. Tracker B font, with its direction arrows helps pupils to start in the correct place. Motor movements can be refined by keeping inside the line. When starting and direction is no problem, the arrow can be dropped and the plain Tracker font used. When starting point and stroke direction have been learned, the arrow font (Dotted B) can be dropped and the simpler Dotted font used. Free to download resources How to access Stylistic Sets of alternative letters in these fonts Purchasers of this font package may use their Order Number to receive a free Copybook PDF by Rosemary Sassoon recommended for effective teaching

ION A is a part of the ION superfamily, which consists of 3 families: condensed (ION A), normal (ION B) and wide (ION C), each having a compelling range of 10 weights. Styles Thin to Black have 436 glyphs supporting more than 70 Latin-based languages and the three heaviest weights, named U1, U2 and U3 have 94 basic glyphs. ION glyphs are based on the classic 7-segment display, but for readability and aesthetic reasons, some alphabetic characters don't follow this matrix strictly. In case you like things in order, don't worry, there's a stylistic set that replaces all characters with their strict alternatives. The special characters, such as #, @ or % are composed of special segments, but are designed to fit seamlessly within the whole character set. ION was designed with the needs of contemporary graphic design in mind. There are alternative characters, discretionary ligatures, slashed zero, superior & inferior numbers, fractions, ordinals and three handy stylistic sets. The ten styles of ION A are accompanied with a special 11th style called Cells, allowing you to design a special underlying layer of black or outlined cells. This way you can create various containers and boxes for your text, highlight what's important or go wild and draw a space invader, using the cells as building blocks. Learn more about the OpenType features and Cells at www.urtd.net/ion.

Varese Outlined is the perfect font for giving content a retro, dimensional, and playful feel. Use it for headlines or short body text for an optimistic or nostalgic tone. It comes in two variations, outlined and shadow. It has standard uncolored and colored options. Please see the slides to know what each color font is named. This geometric and modular typeface was inspired by Italian posters of the 1920s and 1930s. Its design playfully explores the boundaries between unity and variety. The blocky characteristics lend it well to tightly composed text either horizontally or vertically. The lowercase is similar in form to the uppercase, yet many of the lowercase letters have interior spaces (counterforms). It comes with standard ligatures; ff, fi, fl, ffl and three alternate glyphs for number 1. The color fonts in Varese Outlined are vector-based and in the fully scalable SVG OpenType format. Color fonts are supported by Photoshop 2017, Illustrator and InDesign 2018, and QuarkXPress 2018 (and later versions). Those who do not want a color font should purchase the files simply named “Regular” and “Outlined”. These will not have any color words in the names. Varese Outlined has two siblings; Varese and Varese Soft. The designer suggests pairing Varese Outlined with his ornamental fonts FormPattern or FormPattern Color Two, Three, or Six.

Linex Sweet was designed by Albert Boton in the late 1990s. It's a smallish family of three weights; the middle weight has an italic companion face. With its soft corners and slightly quirky head-serifs, Linex Sweet is a friendly design that sees much use. Several years later, Boton began sketching a new design, based on the original Linex Sweet but with a little more authority and grace. Linex Sans is the result. A mix of crisp angles and soft shapes, this new addition to the extended Linex family is both inviting and elegant. The subtle calligraphic overtones distinguish the design from more traditional sans serif designs. A three-weight family with a complementary italic for the Regular weight, Linex Sans is a versatile communications tool in both text and display sizes. It offers that mix of sophistication and joie de vivre that characterizes the designs of Albert Boton. Boton began his professional career as a carpenter. Fortunately for designers and typographers, he quickly turned from pounding nails to hammering out graphic design and constructing great letterforms as a profession. In his long career, he has created hundreds of distinctive, highly useful and award-winning designs. And even though he is now retired from active business, Boton continues to create fresh, new typeface designs. Add Linex Sans to the list.

Maison Luxe is a revival of a very old font designed in France in or around the year 1820. You may have seen this font in the past under the names of Circus, Roma, Madame and Gillé Classic. As of November 2016 we have changed the name of this font from Gillé Classic to Maison Luxe which means Luxury House in French. For many years Joseph Gillé was credited as the original designer of this font however we've recently been contacted by a type historian in France reporting that he could not find any evidence supporting Joseph Gillé as the designer and to the best of his knowledge an artist by the name of Sylvestre may be the true designer. If you love this classic font then you're sure to enjoy the alternate version also with a matching lowercase available from FontMesa under the name of Home Style. This version of the classic with its squared off shadow is true to the original design where Home Style has diagonal lines creating a cast shadow. New in 2016 for Maison Luxe is a new matching lowercase, an uppercase German Double S (versal eszett), Greek character set, opentype features including case sensitive forms and old style numerals. We know you'll enjoy the new additions to this timeless classic design.

Ardalista is lovely script calligraphy made with a touch of sweet, lovely and charming attraction that adds to the impression of a beautiful and elegant. a charming typeface and So beautiful on invitation like greeting cards, sublimation, wedding invitation, branding materials, business cards, quotes, posters, headings, signature, logos, t-shirt, letterhead, signage, lable, news, posters, badges and more What is interesting? Imagine you get a beautiful and very charming font in the design you make. that would be the answer you wanted right now. Ardalista has a script typeface and extra letters that allows you to be more free in designing. What's new? Hey..look at this. besides you get a font with over 150 alternates, ligatures and swashes. let's imagine what you can do with all that. yeah that's awesome. For those with Opentype capable software ( Photoshop CC or any version of Illustrator/ Indesign), Ardalista also comes with Opentype features such as access to all the alternate letters and double letter ligatures. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. Don't forget to check out other cool fonts on our store and wait for new fonts. Follow our shop for upcoming updates including additional glyphs and language support. feel free to send me a message, comment, like and share.

Wanderlust Letters has returned, but now offered in a beautiful collection of hand painted scripts. New versions include Wanderlust Letters Pro, Decorative, Boho, Chic, Shine, Gold, Caps, and Ornaments. Wanderlust Letters Pro is an extended version of the immensely popular Wanderlust Letters. This latest version includes three sets of basic alternates, one set of decorative alternates, and one set of ligatures. Wanderlust Decorative Pro offers a magnificent updated flow from the initial Wanderlust Letters release. Decorative Pro includes two sets of decorative alternates, two sets of basic alternates, and one set of ligatures. Decorative Regular comes with one set of decorative alternates. Boho, Chic, Shine and Gold are an updated spin off of Wanderlust Letters. These fonts offer new letter styles that blend seamlessly with all Wanderlust fonts. Pro versions of Chic, Shine and Gold comes with three sets of basic alternates and one set of decorative alternates. Boho Pro comes with with two sets of basic alternates and two sets of decorative alternates. Caps is a perfect choice for headline use since it’s an all uppercase font. But don't be afraid to mix it up with all the other Wanderlust fonts. The entire Wanderlust Collection works impeccably to enhance your magazine, packaging, advertising, branding, posters, websites, and films. Combine all Wanderlust fonts with Ornaments to create unique hand painted typography art.

ION C is a part of the ION superfamily, which consists of 3 families: condensed (ION A), normal (ION B) and wide (ION C), each having a compelling range of 10 weights. Styles Thin to Black have 436 glyphs supporting more than 70 Latin-based languages and the three heaviest weights, named U1, U2 and U3 have 94 basic glyphs. ION glyphs are based on the classic 7-segment display, but for readability and aesthetic reasons, some alphabetic characters don't follow this matrix strictly. In case you like things in order, don't worry, there's a stylistic set that replaces all characters with their strict alternatives. The special characters, such as #, @ or % are composed of special segments, but are designed to fit seamlessly within the whole character set. ION was designed with the needs of contemporary graphic design in mind. There are alternative characters, discretionary ligatures, slashed zero, superior & inferior numbers, fractions, ordinals and three handy stylistic sets. The ten styles of ION C are accompanied with a special 11th style called Cells, allowing you to design a special underlying layer of black or outlined cells. This way you can create various containers and boxes for your text, highlight what's important or go wild and draw a space invader, using the cells as building blocks. Learn more about the OpenType features and Cells at www.urtd.net/ion.

ION B is a part of the ION superfamily, which consists of 3 families: condensed (ION A), normal (ION B) and wide (ION C), each having a compelling range of 10 weights. Styles Thin to Black have 436 glyphs supporting more than 70 Latin-based languages and the three heaviest weights, named U1, U2 and U3 have 94 basic glyphs. ION glyphs are based on the classic 7-segment display, but for readability and aesthetic reasons, some alphabetic characters don't follow this matrix strictly. In case you like things in order, don't worry, there’s a stylistic set that replaces all characters with their strict alternatives. The special characters, such as #, @ or % are composed of special segments, but are designed to fit seamlessly within the whole character set. ION was designed with the needs of contemporary graphic design in mind. There are alternative characters, discretionary ligatures, slashed zero, superior & inferior numbers, fractions, ordinals and three handy stylistic sets. The ten styles of ION B are accompanied with a special 11th style called Cells, allowing you to design a special underlying layer of black or outlined cells. This way you can create various containers and boxes for your text, highlight what’s important or go wild and draw a space invader, using the cells as building blocks. Learn more about the OpenType features and Cells at www.urtd.net/ion.